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Beyond Good and Evil (German 13) Prof. Gerd Gemünden

330 Dartmouth Hall Telefon: 646-2491

Office hours: Wednesday 2- 4 pm and by appointment http://www.dartmouth.edu/~german/faculty/gemunden.html I. Course Description

Borrowing its title from Nietzsche, this course examines some of the most famous and infamous figures—mythological, fictional and historical—that have profoundly shaped German identity. As we explore the actual lives, works, and influence of the likes of Luther, Faust, and Leni Riefenstahl, you will not only develop a greater understanding of Wagner‟s question "What is German?" but also learn how the answer to that question has come to epitomize notions of good and evil in general.

10-hour: W; CI

II. Texts to be purchased:

Mary Fulbrook, A Concise History of German Anon., The Nibelungen (trans. A.T. Hatto)

Heinrich Heine, Germany, A Winter’s Tale (trans. T.J. Reed)

Friedrich Nietzsche, Beyond Good and Evil (trans. Walter Kaufmann) Johann Wolfgang von Goethe, Faust (trans. Walter Kaufmann) Karl Marx and Friedrich Engels, The Communist Manifesto

Sigmund Freud, Civilization and Its Discontents (trans. James Strachey) Günter Grass, Crabwalk (trans. Krishna Winston)

All books are at Wheelock Books. All films are available at Jones Media Center; they can also be watched on streaming format through Humanities Resources (instructions on Blackboard).

III. Syllabus

Week One Wednesday, March 26

Introduction: “What is German?” An overview how, over the centuries, “German” has been defined in terms of language, culture, nationality, race, and geography, and how questions of identity have been connected to ethics and morality.

Nietzsche, “Aphorism 244” from Beyond Good and Evil (1886) Fulbrook 1-8; 258-271

Friday, March 28 —No class—

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Week Two “The Nibelungen” Monday, March 31

The Nibelungenlied (early 13th century) Fulbrook 9-32

Guest speaker: Bruce Duncan Wednesday, April 2

The Nibelungenlied

Guest speaker: Bruce Duncan Friday, April 4

Fritz Lang, Siegfried’s Death (1924) Discussion

Saturday, April 5

Film Screening, 6:00 pm, 105 Dartmouth Hall

“Along Come the Tourists” (“Am Ende kommen Touristen”) by Robert Thalheim, Germany 2007. German and Polish, with English subtitles.

Followed by a discussion with the director. Mandatory!

(For details, go to: http://www.dartmouth.edu/~german/ and look under “Germania Events”

Week Three

“Mysticism and Protestantism” Monday, April 7

Hildegard von Bingen (ca 1098-1179) Hildegard, “11,000 Virgins”

Hildegard, “Visions”

♬ “Oh dulcime amator” (on Hildegard von Bingen, “11,000 Virgins”) Fulbrook 33-68

Guest speaker: Yuliya Komska Two-page paper on Nibelungen due Wednesday, April 9

Meister Eckhart (ca 1260-1328), “Sermons” Guest speaker: Yuliya Komska

Friday, April 11

Martin Luther (1483-1546), “To the Christian Nobility of the German Nation Concerning the Reform of the Christian Estate”

Midterm questions handed out Guest speaker: Byron Breese

Week Four

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Monday, April 14

Goethe, Faust, Part I (1808) and excerpts from Faust, Part II (1832) Fulbrook 69-103

Guest speaker: Ellis Shookman Wednesday, April 16

Goethe, Faust, Part I and excerpts from Faust, Part II Midterm handed out

“Dark Tales” Friday, April 18

The Brothers Grimm, “Sleeping Beauty,” “Rumpelstiltskin,” “Little Red Riding Hood” (1812 ff)

Guest speaker: Christopher Schnader

Week Five Monday, April 21

E.T.A. Hoffmann, “The Sandman” (1817)

Paintings by Caspar David Friedrich and Johann Heinrich Füssli Midterm due

“German Romantic Opera” Wednesday, April 23

Carl Maria von Weber, Libretto of Der Freischütz (The Wild Huntsman) (1821) ♬ Der Freischütz

Fulbrook 104-154

[Optional: Tom Waits, The Black Rider (1993)] Guest speaker: John Kopper

Friday, April 25

Richard Wagner, Libretto of Siegfried (1876) ♬ Siegfried

Wagner on German art and the “Gesamtkunstwerk” Week Six

“The Re-Evaluation of Values” Monday, April 28

Karl Marx, The Communist Manifesto (1848); excerpts from The German Ideology (1845-47/1932)

Guest speaker: Michael Ermarth Wednesday, April 30

Friedrich Nietzsche, Beyond Good and Evil (1886) Friday, May 2

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Week Seven “The Uncanny” Monday, May 5

Sigmund Freud, “The Uncanny” (1919) & excerpts from Civilization and its Discontents (1930)

Guest speaker: Veronika Fuechtner Wednesday, May 7

Franz Kafka, “The Metamorphosis” (1915) Guest speaker: Ulrike Rainer

Friday, May 9

Robert Wiene, The Cabinet of Dr. Caligari (1920, 75 min)

Week Eight

“The Masses: Euphoria, Hysteria, Paranoia” Monday, May 12

Fritz Lang, M (1931, 117 min) Fulbrook 155-204

Two-page paper due Wednesday, May 14

Ray Müller, The Wonderful, Horrible Life of Leni Riefenstahl (1993, 180 min) Thursday, May 15

Lecture: Steven Bach, “Leni: The Life and Work of Leni Riefenstahl” 4:15 pm Kreindler Auditorium (041 Haldemann). Mandatory!

http://www.dartmouth.edu/~lhc/events/2008/bach.html Friday, May 16

Theodor W. Adorno and Max Horkheimer, “The Culture Industry: Enlightenment as Mass Deception” (excerpt) (1947)

Bertolt Brecht, “Hollywood Elegies” & ♬ Hanns Eisler, “Hollywood Songbook” (1942) ♬ Thomas Mann, “On Anti-Semitism,” NBC Radio Broadcast, March 9, 1940 (1:30)

Week Nine

“Victims and Perpetrators” Monday, May 19

Christa Wolf, What Remains (1979/1990) Fulbrook 205-258

Guest speaker: Ulrike Rainer Wednesday, May 21

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Guest speaker: Veronika Fuechtner Take-home final handed out

Friday, May 23

Günter Grass, Crabwalk (2002)

Week Ten “Conclusion” Monday, May 26 —Memorial Day— Wednesday, May 28 Wrap-up Sunday, June 1

Take-home final due IV. Requirements

The format each week will consist of either one or two lectures plus one or two

discussion sections, or several 45-minute lectures followed by discussion. Preparation, attendance, and participation are essential. It is furthermore important that you keep up with the regular reading, listening and viewing assignments. Requirements: two two-page papers; one take-home midterm; one take-home final.

We encourage students with disabilities, including „invisible‟ disabilities like chronic diseases, learning disabilities, and psychiatric disabilities to discuss with me after class or during my office hours appropriate accommodations that might be helpful to them.

References

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