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7n9Vk^Y<Vg^WVaY^ © 2006 Hudson Music LLCInternational Copyright Secured. All Rights Reserved. No part of this publication may be reproduced in any form or by any means without the prior permission of the publisher.
Garibaldi_bk_proof7.indd 1 5/9/06 8:40:20 AM
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured.
All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher.
Visit HUDSONMUSIC.COM for educational resources, videos and more!
The WoodShed
presents
This Week:
“BACK IN THE DAY”
Excerpted from the book
The Code of Funk
by David Garibaldi
Hudson Multi-Media is available at your favorite drumshop or go online at hudsonmusic.com for information and free downloads.
photo by Andrew Lepley
M
aster drummer David Garibaldi explains his legendary approach to drumming in this book/3-disc (CD and two DVD-ROMs) multi-pack. Read David’s transcriptions and performance notes on 8 great tracks from Tower Of Power’s latest album. Then, using the special DVD-ROM features and standard computer software, you can loop the tracks, slow them down, and sit in with the legendary band.“David Garibaldi is one of the greatest drummers that I have ever had the pleasure of listening to and “Code Of Funk” is one of the best books that I have checked out in a long while!”
—Dennis Chambers • 80-page Book
• Minus-Drums Audio CD • Two DVD-ROMs with digital looping, tempo and mixing features.
T
he play-along companion to Tommy Igoe’s popular “Groove Essentials” DVD this book/ CD package is an encyclopedia of grooves from around the globe, featuring charts, variations and play-along tracks. These beatswill challenge and inspire players of all skill levels— allowing you to perfect your time-keeping and coordination while enhancing your versatility and
musicality.
Also Available: “Groove Essentials” combo-pack, including book, CD, poster and full-length DVD with 47 grooves— over 3 1/2 hours of performance and instruction.
124-page Book • 88-Track • Play-Along Audio CD in MP3 format
8 9
Techniques and Tips
Development of the Two Sound Levels with the Hands
T
he HH, SD and BD are the three basic drum set components used in the funk drumming style. Understanding how these voices interact is an important key to building a powerful vocabulary. This graph illustrates the dynamic distances among these three voices.These levels are always controlled by the overall dynamic level of the music being played. In a normal playing situation, the rimshot may or may not be forte (f). This is determined by the situation. The graph illustrates the differences in the two levels and is not meant to be interpreted literally. Most recordings will reflect what is seen in this graph.
fff
f Snare Drum Accent/Rim shot Bass Drum Accent
HH Accent/Shoulder of Stick
mf Hi Hat Accent
HH Non-accent
p SD Ghost Note/Tap
ppp Graph by Roland Henkel.
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
8 9
Practice and Performance Tips
• Two sound levels should be used in all exercises, grooves, and fills. Accented notes = mf/f (8" – 12")
Non-accented notes (ghosted) = p/ppp (1/2")
• The rim shot is an important part of the funk sound. The stick strikes the rim and center of the drumhead simultaneously. Striking the center of the drumhead produces the biggest sound. Additional rim shot sounds can be produced by using other areas of the drum.
• The dynamic contrast in these two sounds should be that of a whisper to a shout.
• The LF/HH should be played with the heel up, as this produces a shorter and much more defined “chick” sound than with the heel down on the footboard. • To build endurance and “groovability”, you should strive to be able to play each
pattern, sustaining intensity for five minutes without stopping.
• In the initial stages of development, practice the patterns slowly. This technique allows you to watch each note as it goes by and then make any adjustments neces-sary for accurate execution.
Photo by Deborah White
Garibaldi_bk_proof7.indd 9 5/9/06 8:40:27 AM
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
10 11
Notation Key
/ Z z t 1 x œ œ œ œ œ x x q.= ( ) = L = Left R = Right F = Foot B = Both >Alternate note or accent Stickings
Metronome marking = Accents Cowbell Crash HH 1 or 2 T 1 T 2 Toms Snare Drum Bass Drum HH w/ LF HH 1 or 2 Bell Ride Cym. o + = Open Hi-Hat = Closed Hi-Hat Ride Cym. v
Accents will appear above or below a note
(* Unless otherwise noted) T 3
David Garibaldi’s Drum Set - Tower of Power
Yamaha Recording Custom Drums • Sabian Cymbals • Latin Percussion
Remo Drumheads • Audix Microphones • Vic Firth Drumsticks • The Buttkicker • Finale
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
14 15
Back in the Day
Skip Mesquite, Steve Mesquite
This composition revolves around two basic grooves: Ex. 1-The verses:
/ 44 .. œx .. > > œ xœ œ> x > œ xœ> >>xœ x xœ > xœ œ / 44 .. œx .. > > œ xœ> o xœ > + x œ> œx > > x >xœ > xœ œ / œx > > œ xœ> o xœ > + xœ œ> œ xœ > > œ > œ > œ > œ > Z œ > > œ r l r l r x > fi œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ x>œ > œ > x œ> œ xœ > œ> Zœ v > œ r l r l l f b l x > œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ xœ> > œ > x œ> œ xœ > œ> xœ v > o œ x o ‡ œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ Verses Choruses
Ex. 2-The choruses:
/ 44 .. œx .. > > œ xœ œ> x > œ xœ> xœ > > x xœ > xœ œ / 44 .. œx .. > > œ xœ> o xœ > + x œ> œx > > x >xœ > xœ œ / œx > > œ xœ> o xœ > + xœ œ> œ xœ > > œ > œ > œ > œ > Z œ > > œ r l r l r x > fi œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ x>œ > œ > x œ> œ xœ > œ> Zœ v > œ r l r l l f b l x > œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ xœ> > œ > x œ> œ xœ > œ> xœ v > o œ x o ‡ œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ Verses Choruses
With the exception of the twists and turns of the arrangement, I stayed with these basic parts throughout the song—a very simple approach with very little improvisation until the choruses at the end.
There is an ensemble figure at measure 81, which is an eighth note on the “and” of beat 4. Begin-ning with measure 89, this figure occurs every four measures and is interpreted three ways: Ex. 3-Preceded, or set up, by a fill:
/ 44 .. œx .. > > œ xœ œ> x > œ xœ> >>xœ x xœ > xœ œ / 44 .. œx .. > > œ xœ> o xœ > + x œ> œx > > x >xœ > xœ œ / œx > > œ xœ> o xœ > + xœ œ> œ xœ > > œ > œ > œ > œ > Z œ > > œ r l r l r x > fi œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ x>œ > œ > x œ> œ xœ > œ> Zœ v > œ r l r l l f b l x > œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ xœ> > œ > x œ> œ xœ > œ> xœ v > o œ x o ‡ œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ Verses Choruses
Ex. 4-As part of the groove (with two variations): Variation 1:
/ 44 .. œx .. > > œ xœ œ> x > œ xœ> xœ > > x xœ > xœ œ / 44 .. œx .. > > œ xœ> o xœ > + x œ> œx > > x >xœ > xœ œ / œx > > œ xœ> o xœ > + xœ œ> œ xœ > > œ > œ > œ > œ > Z œ > > œ r l r l r x > fi œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ x>œ > œ > x œ> œ xœ > œ> Zœ v > œ r l r l l f b l x > œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ xœ> > œ > x œ> œ xœ > œ> xœ v > o œ x o ‡ œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ Verses Choruses Garibaldi_bk_proof7.indd 14 5/9/06 8:40:36 AM
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
SAMPLE
HUDSONMUSIC.COM
14 15 Ex. 5-Variation 2 / 44 .. œx .. > > œ xœ œ> x > œ xœ> xœ > > x xœ > xœ œ / 44 .. œx .. > > œ xœ> o xœ > + x œ> œx > > x >xœ > xœ œ / œx > > œ xœ> o xœ > + xœ œ> œ xœ > > œ > œ > œ > œ > Z œ > > œ r l r l r x > fi œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ x>œ > œ > x œ> œ xœ > œ> Zœ v > œ r l r l l f b l x > œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ / œx > > œ xœ> o xœ > + xœ œ xœ> > œ > x œ> œ xœ > œ> xœ v > o œ x o ‡ œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ Verses Choruses
The concept here is to suspend the sound across the bar line, following the length of the figure, while keeping the momentum of the groove going forward. The initial figure (meas. 81) is played with crash cymbal and bass drum. After that (meas. 93 to end), either a snare drum with crash cymbal, or snare drum with open hi-hat is used.
Ex. 6-Choruses 7 and 8 include all three interpretations./ 44
/ ‚x> œ xœ>>xœ > x œ> œx > >x xœ> > xœœ xœ> >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ ‘ xœ>>œ xœ> o xœ > + xœœx>œ >œ > x œ>œ xœ > œ>Zœ v >œ / x > œ xœ>>xœ > x œ> œx > >x xœ> > xœœ x>œ >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ ‘ xœ>>œ xœ> o xœ > + xœ œ>œ xœ > >œ > œ > œ > œ > Z œ > >œ r l r l r / x > œ „ x œ>>xœ > x œ> œx > >x xœ> > xœœ x>œ>œ xœ>o >xœ+ x œ> œx > >x xœ> > xœœ ‘ xœ>>œ xœ>o >xœ+ xœœx>œ >œ > x œ>œ xœ > œ>xœ v > o œ / x o œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ x>œ >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ ‘ xœ>>œ xœ> o xœ > + xœœx>œ >œ > x œ>œ xœ > œ>xœ v > o œ chorus 7 chorus 8
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
16 17 / 44 Ó Œ >jœœ> 1 Z œ > >x xœ> > x œ>œ x > œ xœ> xœ > >œ>x 2 x œ > >x xœ> > x œ> x > œ xœ> o œx >+ œ > œ > œ > l r l l 3 Z œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ r / 4 x œ > > œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 5 ‘ 6 x œ > > œ xœ> o xœ > + x œ> œx > > jœ >>œ >jœœ> >œ œ> / ÿ 7 Z œ > >œ xœ œ>x > œ xœ> xœ > >x xœ > xœœ 8 x œ > >œ xœ œ>x > œ xœ> xœ > >x xœ > xœœ 9 ‘ 10 x œ > >œ xœ œ>x > œ xœ> xœ > > xœœ xœ > >œ > x œ / 11 x œ > >œ xœ œ>x > œ xœ> xœ > > x xœ > xœ œ 12 ‘ 13 ‘ 14 x œ > >œ xœ œ>x > œ xœ> xœ > > xœ œ xœ> o xœ > + œ / 15 Z œ > >œ xœ œ>x > œ xœ> xœ > >x xœ > xœœ 16 x œ > >œ xœ œ>x > œ xœ> xœ > >x xœ > xœœ 17 x œ > >œ xœ œ>x > œ xœ> xœ > > xœœxœ > >x œ > x œ > >18 x œ>x œ> o jœ > œ >+ Œ >jœ>œ / 19 Z œ > >œ xœ œ> x > œxœ> >xœ>x xœ > xœœ 20 x œ > >œxœœ> x > œxœ> >>xœx xœ > xœœ 21 ‘ 22 x œ > >œxœœ> x > œxœ> o jœ >>+œ>jœ>œ>jœœ> >œœ> 23 Z œ > >x xœ> > x œ>x > œxœ> o œx >+ œ > œ > œ > l r l l / Ÿ 24 Z œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ r 25 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 26 ‘ 27 ‘ / 28 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 29 ‘ 30 ‘ 31 x œ > >œ xœ> o xœ > + x œ> œx > > x o œx >+ œ > œ > œ > l r l l q =108 Verse 1 Chorus 1 Intro
Back in the Day
Skip Mesquite, Steve Mesquite
Back in the Day - 4 - 1
1
Audio CD
“Back In the Day” Mesquite/Mesquite © 2003 Fat Back Music Administered by Bob-A-Lew Songs (ASCAP)
Used by Permission·All Rights Reserved
Garibaldi_bk_proof7.indd 16 5/9/06 8:40:39 AM
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
16 17 / 32 Z œ > >œ ⁄ xœ œ>x > œ xœ> >>xœx xœ > xœœ r 33 x œ > >œ xœœ> x > œ xœ> >>xœx xœ > xœœ 34 x œ > >œ xœœ> x > œ xœ>x xœ>> xx xœ > xœœ 35 x œ > >œ xœœ> x > œ xœ> >xœ> xœœxœ > >œ > x œ / 36 x œ > >œ xœ œ>x > œ xœ> xœ > > x xœ > xœ œ 37 ‘ 38 ‘ 39 x œ > >œ xœ œ>x > œ xœ> xœ > > xœ œ xœ> o xœ > + œ / 40 Z œ > >œ xœ œ>x > œ xœ> xœ > >x xœ > xœœ ¤ 41 x œ > >œ xœœ>x > œ xœ> xœ > > xx xœ > xœœ 42 x œ > >œ xœœ>x > œ xœ> xœ > > xœœxœ > >x œ > x œ > >43 x œ>x œ> o jœ > œ >+ ‰ jœ> >jœœ> œ>‰ / 44 Z œ > >œ xœœ> x > œxœ> >>xœxxœ > xœœ 45 x œ > >œxœœ> x > œxœ> >xœ>xxœ o xœ + œ 46 x œ > >œxœœ> x > œxœ> >xœ>xxxœ > xœœ 47 x œ > >œxœœ> x > œxœ> o jœ >œ>+>jœ>œ>jœœ> œ>‰48 Z œ > >x xœ> > x œ>x > œxœ> o œx >+ œ > œ > Z œ > > l r l r / 49 Z œ > > œ>x o xœ > + x œ> œx > > x xœ> > xœ œ l 50 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 51 ‘ 52 ‘ / 53 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 54 ‘ 55 ‘ 56 x œ > >œ xœ> o œx >+ œ > œ œ œ> œ œ œ >œ > œ > œ > œ œ l r l l r l l f r l r l l / 57 Z œ > >œ ‹ xœ œ>>x œ xœ > xœ > > x xœ > xœœ 58 x œ > >œ xœ œ>x > œ xœ> xœ > > x xœ > xœœ 59 ‘ 60 x œ > >œ xœ œ>x > œ xœ> xœ > > x œ > x œ> o xœ+œ / 61 x œ > >œ xœ œ> x > œ xœ> >>xœ x xœ > xœ œ 62 ‘ 63 ‘ 64 x œ > >œ xœ œ> x > œ xœ> o jœ >œ x >+ œ > œ > œ > œ > œ > r l r l r l l / 65 Z œ > >œ xœ œ> x > œ xœ> >xœ>x xœ > xœœ r 66 x œ > >œ xœœ> x > œ xœ> >>xœ x xœ > xœœ 67 x œ > >œ xœœ> x > œ xœ> >>xœ xœœxœ > >x œ > x œ > >68 x œ>x œ> o jœ >œ>+ ‰ jœ> >jœœ> œ>‰ Chorus 2 Solo - Guitar Verse 2
Back in the Day - 4 - 2
Garibaldi_bk_proof7.indd 17 5/9/06 8:40:40 AM
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
18 19 / 69 Z œ > >œ xœ œ> x > œxœ> >xœ>x xœ > xœœ 70 x œ > >œxœœ> x > œxœ> >>xœ xxxœ > xœœ 71 ‘ 72 x œ > >œxœœ> x > œxœ> o jœ >œ>+>jœ>œ>jœ>œ œ>‰ 73 Z œ > >x xœ> > x œ>x > œxœ> o œx >+ œ > œ > Z œ > > l r l r / › 74 Z œ > > œ>x o xœ > + x œ> œx > > x xœ> > xœ œ l 75 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 76 ‘ 77 ‘ / 78 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 79 ‘ 80 ‘ 81 x œ > >œ xœ> o xœ > + xœ œ>œ xœ > > œ > œ > œ > œ > Z œ > >œ r l r l r / 82 x > fi œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 83 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 84 ‘ 85 ‘ / 86 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 87 ‘ 88 ‘ 89 x œ > >œ xœ> o xœ > + xœ œ xœ> > œ > œ > œ > œ > Z œ > >œ r l r l r l / 90 x > fl œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 91 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 92 ‘ 93 x œ > >œ xœ> o xœ > + xœ œ xœ> >œ > x œ>œ xœ > œ> Zœ v >œ r l r l l f b l / 94 x > œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 95 ‘ 96 ‘ 97 x œ > >œ xœ> o xœ > + xœ œ x>œ >œ > x œ>œ xœ > œ> xœ v > o œ / 98 xo ‡ œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 99 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœ œ 100 ‘ 101 x œ > >œ xœ> o xœ > + xœ œ x>œ >œ > x œ>œ xœ > œ>xœ v > o œ / 102 xoœ xœ > o xœ > + x œ> œx > > x xœ> > xœ œ 103 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœ œ 104 ‘ 105 x œ > >œ xœ> o xœ > + xœ œ x>œ >œ > x œ>œ xœ > œ>xœ v > o œ Chorus 3 Chorus 5 Chorus 4
...sax solo to end...
Chorus 5
Back in the Day - 4 - 3
Garibaldi_bk_proof7.indd 18 5/9/06 8:40:42 AM
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
18 19 / 106 xo · œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 107 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœœ 108 ‘ 109 x œ > >œ > x œ>œ xœ > œ>xœ v >œœx > >œ xœ> o xœ > + Z œ > >œ / 110 x > œ xœ> >xœ > x œ> œx > >x xœ> > xœ œ 111 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœ œ 112 ‘ 113 x œ > >œ xœ> o xœ > + xœ œ x>œ >œ > x œ>œ xœ > œ>Zœ v >œ / ‚ 114 x > œ xœ> >xœ > x œ> œx > > x xœ> > xœœ 115 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 116 ‘ 117 x œ > >œ xœ> o xœ > + xœ œ x>œ >œ > x œ>œ xœ > œ>Zœ v >œ / 118 x > œ xœ> >xœ > x œ> œx > >x xœ> > xœœ 119 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 120 ‘ 121 x œ > >œ xœ> o xœ > + xœ œ>œ xœ > > œ > œ > œ > œ > Z œ > >œ r l r l r / 122 x > œ „ x œ> >xœ > x œ> œx > > x xœ> > xœ œ 123 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 124 ‘ 125 x œ > >œ xœ> o xœ > + xœ œ xœ> >œ > x œ>œ xœ > œ>xœ v > o œ / 126 xoœ xœ > o xœ > + x œ> œx > >x xœ> > xœ œ 127 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 128 ‘ 129 x œ > >œ xœ> o xœ > + xœ œ x>œ >œ > x œ>œ xœ > œ>xœ v > o œ / 130 xoœ ‰ x œ> o xœ > + x œ> œx > > x xœ> > xœœ 131 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 132 ‘ 133 x œ > >œ xœ> o xœ > + xœ œ x>œ >œ > x œ>œ xœ > œ>Zœ v >œ / 134 x > œ xœ> >xœ > x œ> œx > >x xœ> > xœœ 135 x œ > >œ xœ> o xœ > + x œ> œx > >x xœ> > xœœ 136 ‘ 137 x œ > >œ xœ> o xœ > + xœœx>œ > œ œ œ>œ > œ > œ Zœ>>œ r l l f r l l r l / 138 x >  œ xœ> >xœ > x œ> œx > > x xœ> > xœ œ 139 x œ > >œ xœ> o xœ > + x œ> œx > > x xœ> > xœ œ 140 ‘ 141 x œ > >œ xœ> o j xœ > + ‰ Ó Chorus 6 Chorus 7 Chorus 8 Chorus 9 Chorus 10 {FI|NE}
Back in the Day - 4 - 4
Garibaldi_bk_proof7.indd 19 5/9/06 8:40:44 AM
Excerpted from the Hudson Music book “The Code of Funk”, by David Garibaldi. © 2006 Hudson Music LLC. International copyright secured. All Rights Reserved.
May not be reproduced in any manner or by any means without the prior permission of the publisher. Visit HUDSONMUSIC.COM for educational resources, videos and more!
