Calamity Jane

Amateur Oberatic Version

a -. : l ' . , i _ . b

K I N N E Y

M U S I C

,

,',: -,

Sole.selfing

6gents:

ffiUS|G SALES *f'b ., |9,Ndwmsn

I - : , ' _{, l j} . " 1 : l

MIIT JAH

(Opere&a,in

Tryo Ac:*)

.\.

. d .

.

MUSIC BY

]

' t

SA}I*TY FAIN

j

Vocal Score

:;:jif ' ' - ' ; j . r .

.:1

. ' 1 , ' € ' .- '. . !

CALAMITY JANE

MUSICAL NUMBERS

No.

Ovrnrrnr

ACT I

l.

" Tlfi DEADwooo SucE " (Calamity and Enscmblc) ;

2.

" CAREESs wm{ fiIE Tntmr " (Calamity, Bill and Mcn)

3.

" ADELAIDE

" (Bill and Mcn)

4.

" Ev'RyoNE Conplrnls Asour rnr Wrlrrnen " (Frycr)

5.

'" MEN ! " (Calamity)

6. CIN-Crx @anccrs)

7.

"HrvE Fwr. or HoxE'Y" (Fryer)

8.

" I CAN oo Wmrow You " (Calamity and Bill)

9. OpsNrNc ScnNn 2{rchestra

10.

" Ir's HARRY I'ru PuNNrNc ro Mlnnv " (Adelaide and

Stage'Door-Jshnniss)

l0a. Rrpruse oF

" fT's HARRY I'u PuNNrNc ro Mmnv " (Katie)

ll.

OprNrNc SceNE 3-RnPRrsE oF

"ADELAIDE" (Men)

"12. " WINDY CnY " (Calamity and Chorus) . '

13. * KEEP Ir Uxpnn Youn Hlr

" (Katie)

14. Rrpnlss oF " KEEn Ir UNorn Youn Hnr " (Katie and Chorus)

15. Frxeu Ac"r OwE : Rrpnrsn oF " CARELESS

Wmr THs TR'tm{

"

(Ensemble and Chorus)

16. ENTR'IcIB

AciT 2

'17. OpBNrNc Act Two : " A WoMAN's Touclt' (Calamity and Katie)

18.

" HIcIsR TtnN I Hawr " (Bill)

19. " THB BLAcr Hrrrs or Dnott

" (Chorus)

'19a. Opnr.nNc ScrNn 3 : Rrpruse oF " BLAcK HIr.rs or Dlrotl

" (Calanity,

I(atie, Bill, Danny and Chorus)

\u.-n.

" IrvE vou DslRLv " (Katie and Danny)

21. Frt.nr"erro (Calamity and Bill)

22. OpnmNc ScsNB 4-Orchestra

23. " My Sncnrr LovE " (Calamity) "

'23a. MeIos lxp Rrprusn or " MY SscREr I.ovE " (Calamity and Bill)

U.

RepRIse oF

" WrNDy Cny " (Chorus)

25. Flxer,E (Full Company)

26. CunrHN Clr.r:

"Ttte BIAcx Httts oF DAKoTA"

n. h.rv-Our

Pqc

I

6

2r

n

v

39

45

48

5l

55

56

60

62

6t

?8

79

83

t5

88

98

l0r

109

l 1 4

tt7

r20

r22

125

lzE

r32

r43

tn

:

:

{

,T t

I

I

CALAMITY JANE

LYrics bY

PALIL

FRANCIS

WEBS'TER

OVERTU

RE

El n.Ent 2 (J=rn)

L J "

11==\_

O Copyright MCMLXII by Remick Music Corporation, New york.

KINNEY MUSIC LTD., 69 New O>idordStreet, London, W.C.1for United Kingdom & Eire.

Music bv

SAMMY FAIN

Music adapted arxl arrangcd by RONALD HANMER

Broadly

in 2 (l = m)

= L

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lt\, rq\ e\,

l$ :e

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r 7

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t

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tr l\{oderato

2 (a =$)

i

A

/

El Steady

4 (r -ns)

r i f r f i f r f i F t r i f i r t r t

T r F i

T t F I

r i

i F i

{-1

T

I Vlns.

t r t

f r F i r r f i

r r r t

F t r I r i F i

7 t f t r t f t

" ' F

I F 3

@

Trcm Sob

i 7 r r r r r r r r

_{r t r r}

mAttegT vivo

(J=125)

; q r L t - :

j

N9 I

ACT I

THE DEADWOOD

STAGE

( C A L A M I T Y M d E N S E M B L E )

It'll be here, Uncle. No need to worry. MILLER: Wro's worried? Ever sce re worrredl

the Ded-nood S@is a

cur- tains flappin'andthedriver a - slmiri the

Whipcrdauay,wtripcra&a*ay,uttipcrad a uay !

Oh, theDeadwood Stage

In - jun :uro\&s are a - thicker than porterpine

ti5te 3r de - lay- Whbcrack a-way,whip crack a-way,

THREE OR FOUR i.IEN

Thev'rehead-irf straieht for town load- ed down with a fan - cv

I

Dad-v'md Stage is a - comin on

af-ter is nest, Tv,enty-tlrcemiles, tlreyr.e

orveredodry--4-J'

t .rrr

I

tr

she might have

l0

anothcr Indim fight

BILL: Quit boilin' mr, M I L L E R : T h a l

rrnless she s

n c v e f h a p p )

( ' a l a r n ' s n c v c : l a i l e d t o h r r n g r n t h € s t a g e y e l - h r i u n s o r m h , i u n s l M I L L E R : D r d n t $ m t a n y t h i n g r o h a p p e n t c h e r t h i s t r i p s h e ' s g o t m y r t r e s s a b o a r d

--, -T--l

I{ap - py tinrs br to sta.v Hey! Tlq'1lbe hrne to- niglr by thc

Tlrcy'll be horne to - niglrt by fre

Ttrtll be

fix-in' to stiry-/ - 1 .

=--l

r-rl

Wlrcnthey get home,

r

l 2

Whipcnrck a-way, whip cnck a-waY,

sort of werlcrtmc fol thc Fkre they be! Fbre they be! How's a-bout a

CALAMITY JANE cntcrs followcd RATTLESNAKE and passcngers from thc stage - coach

t - l r l s t Local 2td local LOCAL CHARACTER

( high pitclad voice)

A

New rubber hoots Things to cro-drct

' _v

brine us tcrdrv l- Ten dollar suits

r

Beadsthat spark-le like a Prls-m Snake oil fer Yer rheuma - tis - m;

gin-e-ham for the girls; _,

' l l l r

) + + )

Gum drops nmde uP

sog-gy, and a gen-u-wine string of

+---..-____=--Cir^st yer eye on wore in ev' - ry fam- ous con - cert ltnll

--=----r-;--, t + l

Lkr- tor Borah's pa-tent pending hair re - stor- er, grur-run - teed- to grow har on a bill- iard

ball

t-| =t L t l I I

- tro - du- cing Hen-ry

F l &Clar col rcice

Ain't a showman an - v srart-er. op - er ates the Go[- den - rill

---J-Gar- ter. where the cream of Deadwood Ci - ty connsto dine I J

r6

Cal.

I

t

a---/ glad to say he's a \€ - ry epod ftiend of mine!

told he pam'd for gold but ne - \€r

scort for Gen'- ral

Fron-tier man and bron-cho

1 w .

back in Yel - low -storc in eigheen sixty

-q----/

-Cal.

I

(

whre dla get tlrrn fiur - try ckflrcs ?

---*

Flere\ a mnn the sher-iff wat

-ches---=*.-lrtrn therebmorctkrn twen-ty sev - en not 'ches On firc smel- liri like

l8

Cal.

draw theres no one fas - ter, and yr:u're flirt - in with dis as - ter wtren Bill Hbk ock s re Pu

--ta - tlon )ou ma But I'm gbd to say he's a ve-ry goodfricndof a

ftroat is drv as a des-

ert thistle

in May-

ln the Gold-en (iarter gmna

l9

I

Ltst to thc

bar's-wet my uiristle to - day

three legged crow- Set'em up Jce. set 'em uP Joe. r-:-1

rFglg1l.'o*

Make mine sas-par - il - lY

Set 'em up Joe, set 'em up Joe, set 'em lp

S€t 'em up Joe !

> > >

t:

- : . 8 - _r

2 l

N 9 2

-C r e : -C A L A M I T Y : Y o u c a l l i n ' m e a l i a r again Bill Hickock? AD LIBS: Tell us arcthcr erc.

C A R F , L E S S

W I T H T H E T R U T H

( C A L A M I T Y B I L L & M E N )

Andante

misterioso

(l =u;

*C,{[.AMITY:

All righr tcllers. . .

tr Bright2, with a steady

beat (J =roo)

tell p'boutthe I was cap-tured by a score or more of

for to scalp me just fer play.

I ltst junpedLpon a buf -fa - lq pulled otr his s o a

and

Well,

Stlr Cl.rs

I

22

Cal

I - d a - h o c o m e to save the day

L'btesso

tempo

(J =J)

buf-fa-lo on the nidt- el and an 6'- jun on ttrc

cent-Tell us another one. tell tn uncther one, oh,my ach-in'

tooth. She's not lv - in'. but slre's t:are -less with the

B

Care

Care-less witlr the

C-areless wift the

Stgr. W.W

Sheb not ex- act - ly

She\ mt ex - act - ly

E Brisht

2 (J roo)

A

Cal.

Crip - ple Cre*. when all at once I see two

on each side of I just was-n't in tltc mtxrd to

grab- bin' up mv gcl with

L'istesso

Tempo

{J.=J)

orrc of 'em through tlre tail atd shot tlre oth ' er through

- :\._/

the mouth

l-f>

me-grizz - lies

the bar - rels. rif

Oh. my

Ha. ha, ha, ha, ha. lu, ha,

us an-oth - er orn, tell lls ar-oth- er orp.

rnt ex- act -ly but she's carebss wilh th€ tooth, Shei

-{--Br.

<- >>

LU Andante

misterioso

(J = ss;

Did I tell ya 'boutthe time last fall, I'm

irak so tall, t'would take a bird a day to reach the tc{r

27

I start swingin'withmy trusty axe and sudden - ly that oak tree cracks and up

-oth-er snracksand d<lwntlrevcame ker - flool Be - lieve me or not I

tell you pards.tl.re _{Lest of thefor-esi foid-ed up just like a deck}

Tell us anoth - er one, tell us O h , m y

M e i H a , h a , h a . h a .

28

l ] ti

the

- l v t v - brrt shc\

Care tnlth, Shes not ly - in' but $e\

ly - in but slr's (lareless with t|r

29

N 9 3

-Gc. _{BlLl. : You see ttr carved on the [m,rf an ancicnt slrip} . . r n a g a m b l e r ' s c a t m . . . .

in the dyin' enfun of a crrnplirc .

A D E L A I D E

( B I L L & M E N )

Moderato in 4 (t=122)

In thrs ca*,shc lust happcns to be th€ lowlint singin darcin' star of thcm all

-laide,Adelaitle,Ad-el _{- aide, dr,how lovely you are!}

TENOFS BARITOiI€S BARITONES \tlelaidc Adarns!

Mrn-

bve- ly! J. -If pu garcamanadream,tsn ic e- laide Ewe a rnar awish,ten to orc heuruhwish br thu one

-10

c { >

toc)

one rn hisdmmshcwuld lrrld on - lv \ou: Ad- e -lakle. Ad-clride.Ad-c-Lridc wu'rcourfarour - i1c

e - laide y€s

Youle hcard of FIcl - en of Trov. of

You are our star

Bcru - ti-lirl dolls. tut boy oh boy, They ain't jusl lf vou

Spoken ad libn:-"\\'evc heard of all thce gals""&rme dolls'etc

3 l

r. --:r

ev-er came t() t(unfrstiriout in fiat gown nlde of silk rurd broca&_ t|tcy wouU hrwtohire a hall .irst ttt ---i---;

r-r-r

hirb the gu6u,lrcklfall for Adclaide I Wth tlr bu;tb thrr Nuucar I

the bustle that yru wdrr I dc- clrrc il's rro wcnl.r rvcrc

[l stres ww.

u n

der pur thimb. Adehide. Ad -c -laide,whafa bclur-rv vou

der lrour thumb- _{0tt, whirl}

der _{''rur thwnb _}

Ad-elaide Ad-e-laide

32

beau - ty!

eye-eye_

a t . t ' a J . J ' a

with the wqy ltufillyarclothes,arrdyour hose, and thatccrne hith-er look

e -laide

with the wav 1ru fill ytrrrclothes,and your hose and that cune hith er

ffi

you that $'€ think witheadr udris - ky we drink at the bar

The Queen of She-ba,andCle - o - pat - ra, just t)

Ad

In ycur

33

tley wouldn't rate a _{scc- orrl lor* com - Fred}

yes, he's

played-e - laidplayed-e yeq heis

prayed-I rcck-on he's p'ayed

_{*: *}

prayedpl_.,

bhrd in his

e -hde

If a manhasan-y bbod in his

T'lrat e -wn-tually he ges, in hb

l}at e - rcn-tuallv he eets.

. t

,h.N .D r r \J

in hb

34

N 9 4

_{EV'RYONE COMPLAINS}

_{ABOUT THE WEATHER}

( FRYER I

Cac. FRYER: But yrucm at lcast letme s/ror youl

"HowcrxldXu

sell

rain?"

My

>>

if

a n - y

friends. it all

de-V l 6

-perds on Moth-er Na -ture

you still com- plain a-bort the weather

The laws of corn- pen - sa - tion still

ap-The wea - ther mry be fright . ful to nrcnt ev 'ry

one, but,

Then flr dev-il dont coubnt be nore de - light - ful _{point of view of}

eV . fV-One

5tqs, VlrW. com - plains a - bor.rt the weat-heX

- lise a ve - ry stm

wnnt til have a

Why dcrnt they re

You gotta have a _{win - ter if} b o - d y

spriryl

friends, it all

Vlnr bout it-de - pends on Moth - er _ \--l

M-ture-3t

Fry.

beef

-Th hws of ccm-pen - sa - tion still

the show - ers on a cloud ' Y day- jtst lhinkof the fiekb of

Fry.

I

(

if yru still com -platn

why the devil don't pu do sornethltitlrn why the devil don't weather,

39

N 9 s

-Cr: BILL: Likc r tcrchyolduunm. . . .

H h . . . M 4 / b e h c s g o t r o m r h i n g t h r c . . . . C A L A M I I ' Y : W h y , p r . . . y o , . . !

(Slc rwlvr lor smrling ro lnn, .d hin) M m . . . I

M E N !

think of rnen you can't print in a

- \ - - l

been took!-

\..--l

.

:

Lnck-y t|le girl who has

chance, they'll strfu€you a - longwith a scng and a dance, They'll

slipyou a wink with the pink lem-on - ade- But leave yon as soon as the nDon

l A t t - |

of bur- ber - ry And I dont pro- po6e

trin - kets ard prom- ise you pearls re - gard-ing their pnrm-is - es; Do just as

be doubting Thomas - es,.

Show me the dora and I'll

mischiev-ous men! Be on your gu,ard u4rn yor-r stroll in tk

mcn-tion "l'a - mour'l---a quickJike a flash,I will the

They'll ply you with

Fbr- ri- ble

Just let a ten - der- foot

4 2

('al

Fris-ky from whis-key and jaib,

ien---6 no Deadwrnd coy - o - te will hog

-S() I\'e come

dol - lar wa - ger, will get You a

henl- Men are tie

oh! Tlrct'rkrck _{ilt:rrtrf tntl Down. downwiththcm all .}

type or the

plugg- _{ab - le,}

mub head-ed rnen who are

nose fer

love- ab - le . lynch - ab - le , menl

kick-Song and rl

up to trc

drnce.

_wv[__,---Trou - ble cones tbu - ble in htrck -skin iuri piurts! A d a m b e

-trou-ble be - - gan- So now that welrn: fin - al ly holl - ered our

45

N 9 6

E

Cre: MILLER

CAN - CAN

. the Golden Gartcr Show!

48

N g 7

-Cre; MILLER:

HIVE FULL OF HONEY

(FRYER)

the toast of Ncw York.... Miss Frrrrccs Frverl

.i (FRYER earzn) Moderate 4

I'\egot two rrcnderlirl arms,

Vlns,

twen- ty one- and I'm free I've got a hiw full of lron-e1'

'

-I ve

got twu worderful

liPs.

For tlle (FRyER _earzn) Moderate 4 ()=tlz)

+'

i'{Bp*ar;ous type, Yotlll lor,cdrc way I fit_ _{on }our}

on - ly child. Do tou think you ctxlH leam to care ?_ _{If Im ttre one you a-dore comeonand}

Vln!. W!!i

I'vc got a hivc full of

get me before Somebody shrkes it down- from tlrc

\---l

ho-nry-

lor the riglrt kiud of honey

bcc-- .

won

- der-ful lips,

I'rrr ov - er

rir, I'vc got a hirc ftrll ol

tr

lve got tu,o u,onderflrl arms, I regrrt twt'l

Vlns. W.w.

IVe eot a hive full of honev

one- ancl Iltt

I

For the right kirrd of hort-n"

FRYERSrr.e

con(\ tLt.

bee.-5 l

N 9 8

I

Cre CALAMITY; ain't nuthir' you say mm mything to me! . . . .

Moderate

2 (J = ss )

le CALAMITY

nt*P ,1,#T,,

]"-$

n\ Vlns _ . _{a l} ylure thd I ard the

T CAN DO WITHOUT YOU

(CALAMITYand BILL) F-I , t J w1n-ter r - r I banquet the r-1 on n.rl tle

F

net - _{- dew}

C

I ;- ,uh.o

t

-Like an . s " . l -can cn wthou

Qr€s-

Yute tft

F i, +.^ '\

'F

the ointmefit pure tlrc

A A A A F T *

- D

yell fer yt- t0 oonr birck !

L (,t:r fi i:r Tho' I know sonr

h {E r'- r .-r

E'' I can do withcltt

i';';t';ilil

t 1 1 / \ . , 1 ! ,

pe'nsable like a brrck or

t'il ti"

*\oi#

S,"

rf.n.6,

""9

In*

- {

rel

t' t: bar -ta 0t4 tne

t r

' . i t 4

\6.rte tfu tack

5 3

i .ioa,yw,'fr,,,

K i . , q tcf ' be

! F l

- er you

whe _{the croak.}

; n

-L { ? \ for'951, psl

-' e

54

E *or..rr*o*,

I c a n d o w

Cahm! CALAMTY: Then lets get the old tch;orer rollinl N{ILLER: Pronrise lrr anything -orh trirgler k^-! CALWIT\: I lt

s5

N 9 9

-

OPENING SCENE N

Broadly

(i =

_r,l.o,

1.,

* - - _ . . . _

_{- *}

..-__//' ---_--l _{\-_/}

Nltrsb hdcsot errhully rndsr q^-111n-q acti.rr and diakrgue

o- --'---/ -+

^ l - \

l - i ' , . r - . r

5t)

N 9 l 0

-C r c . { D E I \ l D E

..IT'S HARRY I'M PLANNING TO MARRY''

( A I ) E L A I I ) t r n d t h c J O I I N \ l E S ) rtl fareucll pcrlorm.rnce I

Valse

moderato

in I (J = oo)

-\---l

diff - 'rent sa - fa - ri He can box like a Hes m

mar -

rv-Har - ry

.-

['m

t** 1

!-

l-built like tlrc bust of re - mem -ber

Plrys - ic - 'ly he's de - lish Mentd

-Har - ry

I'm

plan- ning

mar -

ry--t----/

sta - tue hol - lou

Br

s u - p e r - f i s h - l y

lrtrt's wined a

-Yes,, it's lfu - ry she's planning to

mar -

ry--bout his sus - pcn-dcrs - He's tlrc orB that I tru - ly

numb; I suc - cwnb,whentrc ren-ders- 'TtE fre on the Bar

-

Wlrn he flex-es his muscles I

n-ut-#-

-

Like a

but- ter - fly ca4l* in a l.

\--_-/

shut -ter- _{When he calls nrc hb nute,}

Br.

phn-ning to _{mar - ry-} Sirce the uorld first be - gan

I just dis- in-ter - grale. So it's lfar-r!

l h r

ri

Ne-wr

Sirre tlr u,rrrld fint be - ean

Wln cqrld tove like tE qnr _so

tr

lr|r w.W

been srch a

60

Adel.

plan- ning ttt

N9lOa

G

REPRTSE:

..IT'S HARRY I'M PLANNING TO MARRY,

( K \ I t L )

Cs; KATf E srrrlLes au'4ttclaidc Athms nose in front of mirnr

Valse

moderato

in I (*eo)

ft KATIE (/zurrtrq ;\delaide)

tle's as dunrb as an

But it's

Har - rv Ihr plan to I

- rung

t4 t ! ox, A -l w w j + ₁

|

,

-mar - ry-- Though he's buih like the bust of A

-rnem{er _{sta - tue is hol - low}

CAL.{MITY arcn

Men-tal - Iy sup- er fislr. But a

ry

l =

planning .-'*,r'#,,:{

Ju51 rc

'llYl he's &

-KATIE ses CALAMITY'S rcJbct&n in the ,nvrcl - lish _I'm

I

I{ar

-62

N9 tl

C u e C \ L A l \ 1 l l - Y l

O P E N

I N G S C E N

E I I I

R e P r i s e . A D E L A I D E ( r 4 F N ) . . wmchrdy s being hutled. ( Illack -out)

E Moderato(J

= toa)

>

,.--CURTAIN

'>-

_{, b4:)}

P >

S O L O T E N O R

Slowly and sadly

If you give a man a wish, ten to cxre hewouldwishfor that one per - fect girl,

z--..

IVIm--laide. Adelaide. Adet -ride, oh. howlorcly you are- If ytu girre a mar a drca[trYlto

r--T-l

orrc. in his dreanrs l*- wtluld hold on - ly Ad-el - aide. Adelaide \d - el- aije,)otr're our lav-our- ite_t--f-l

Mm_--+--___-/

p

DANNY: Tcmpting provirJcnct Millie - That s what tt

65

land

it rculdnl surpri* me rcne ;f I

Affegro vivo (J =l4/-)

gave a man a wish, ten to

she walkcd in nsht this I minute and said--

|

\ c 4

CALAM: \tWll bovs! I ve bruns 'er! MEN: '14lta, ???

/i.\ ",r* ir,:.Aftt V l o r . Col Voc

hrngo ri

6

you trae come to tovvn )ot-t €n bet all the tovm will be

68

N9 12

-t.'a.. (-ALAMI'tY . . tbe biggct noise in I llimis t

Allegro ( J= loo )

Thcy got shacks up to

S t A s p i u z

WINDY CITY

( C A L A M I T Y & C H O R U S )

tr

CALAMITY

A

from the Win - dy Ci - tv, The

A

4

f

Ttey

- - r a E

+ .

rom - ing glories But a step fiun- our

J

min - strel shoun

se - ven storeyi, They ne-rer see an-y ' r l l r r t thce r B r got

We

way-J door got-'em )

f

-j-

j-l# *. ,J-^,

Pnb -lic parks. _{For the sake of}

from the Win- dy Ci - tX Tlr

They'regot foun-taim there to

might - y prettybut they ain't got_what we you I Just blew in

8r

squirt

- l a

got.- I'mtel-lin you t ^

,-'1

We\e got rmre life in Dead- \rood Ci - ty than in all of Il -I

Just

BOYS

blew in from the Win- dy Ci - ty, TIle Win-dy Ci-ty is

= e - L

v pretty But they

They got shacksup o

- / - , \

ainl got- uhat o n f

--,_:1

Cho.

I r r - v a 4 . . I

se -ven storeys,Thy ne-ver see iu1-y mom - ing glories.But a stcp from our

o 7 - ) '

_{J :}

a

> > > >

we got_ 'em fer free. _{They got those}

la- dies in their bls chap -eaux _{Pri -mte lawns,}

V16. sxs.

Fer ttrc sake of _{Theyle got forn - tr.irs ttpre to}

min - strel shows

squirt 1,ou

!

r:\

- ty pretty but thel,

ain't got- what we got- We've got more life

1-T=.1

a^*",rrE optiwt art nfl y don"" nat rcquired

On the sfieetuasa dan- cin' feller.

l-il *.ws.r,.

- r

-ofyellerand the dance he

74

e - vl-tcn Jusf as

76

Cal.

gar stores, rc - vol - ving doors. ven - ttons com -

ln'-'stead of

Win - dy

Stgr. Suer

-in'! Just blew in from the Win - dy

Win -

dy

Ci

El *'.,. rr.rn.

migh - ty pret-ty but

J .

got.-I'm tell - in' ya

I'm tell_ - i4' ya

I _{ainr a - swap - pin' half of Dead_unodforthe}

I ain't a - swap - pin' haJf of Di:adlwood for the

the one and only Adclalic Adanr!

lModerato

4()=tzo)

7E

N9 13

-Cac: l\{[LLER

KEEP

IT UNDER

YOUR

HAT

( K A T I E )

KATIE (vcr-r rctvus onl lr\irut)

Well, norv if yru've got real sweet patootie, bet-ter keep it ruder

yo-uhiI-\.-i__l__---/

Just re-memder cu-ri-os-i -ty in fa-bhsofdd- killed the cur- i -ous

cnt-(crtwd truls b mum,wrtfully)

you have a laddie *4ro's a teal qg -ar daddy, Bet-ter take in the welcomirg

in the if Ku wanna kncrwtrwayto keep yrur

man,-hat. Hat-tie, Keep it underpur hat, lbt-tie, Keep it under your

REPRTSE:

KEEP IT UNDER YOUR HAT

(KATIE & CHORI.JS)

My cn uy? Okay - I will!

Moderato

4 U rzo)

KATIE t ryui snle & cu{i&te)

ltblt,rnwif yurle got a cu-tiewho's a real svreetpatootie,Better Keep it un-do your

N 9 1 4

OTa KATIE

V

keep it un &r ]our

hat-V l n . .

t0

the

cur

j i.oir ",tY

Supposin' ].ru love lt laddie Whma real -ar daddv:Bet

trke in the welconirg mat;- Re - mernber ther€is a dozen dolls for ev -'rv

Darl-not the on-ly su,tet pea

t t ) - . - - - | r I if yruwanna krurvtlrewayto keep yoql

nnn-un-del y'our Hat - tie. Keep it urrder your hat."

Keep it un-der your hatl Sbll,nowif youlegot a cu-tie who's a rcal sweet patootie, Better

Well,now if ydve got a cu -tie who\ a real swcet patoo-tie, Better

keep it un-der your hat_

v

keep it un-dcr your hat_

K i l l e d t l r c c r r - r'i.{}u\ c A t . _

aqt

in fa-blesof

Just re -member _{cu-ri-os - it-y, in fa-bles of oH_}

Supposin' you love a lad-die v,lxr'sa rcal sug - ar daddy, Better

Supposin' ytrr lole a lad-die who's _{a re.rl sug - ar daddy, Bet_ter} Killedthecu -

ri-take in the welcomirg ma[_

take in the welcorning mat_

Re - nretnoer there's _{a doz-cn cblls for ev' - ry Dan-}

_Yru're

t2

not the on- ly sweet per in the

can;-nol the m-ly swect pea in tlr

can;-Keep

it under

your hat,

Keep it under your

if yx wuuu kuu theuayto keep ytur

nran,-if 1u-rwanna krnrvtkwayo keep yrur

man-Keep it under yur lnt,

Hattie. Keep it under yorr hat, Hattie,

Keep

83

N9 15

-REPRTsE

,

_(ENSET\4BLE

F[NSlEs

Aqr t

*

*lIKruJE TRUTH

Crc' CALAMITY _{. . . .the only girl for rhe Golden Gurrer was Kdtie gtnn!} ( Big laryh froot everyho,ly)

Steady

2 (.t=roo)

FULL COMPANY EXCEPT CALAMITY _us

t4

C h o . rlrt ex - act - ly ly - in', But she:s cure - less. cilre - less. qlre - less,

CURTAIN

> > > > :> > :-,- >

8 5

N9 16

_{E N T R ' A C T E}

-:t-^ =; -i

>f-'1-J A + =

_ Steady

4 (l= tos;

A 4---\

, -

_a---\

A little faster

I p t r - . 1 > t

I

f \ + '

1

.

-I +

f t r t F t F t

Broadly

in 2 (t=so1

f r f r

t r i

86

i i r

?

_r

t

_r

-

_l

r

_F

a

h

t r t

T t r t

a

V l n r . F-r J ' 7 T I I

t

F

1 7 r

r 7 t

T t r t

1^\ ^.-\

7

_I

7 r

_I

=

Eocr I t:l

r r 7 r r t r t

_{r r f t f i f i T i F i}

n

7

I V l n r . S x i .

t r t

T i r i

Vrr:. _J J _-J

T

r

=

a

'

P

t

?

l

l c + n l i l F

'

l

r r r i

V l n s S x s

r i r i 7 r r r

r { r { F r r r

r t r t

r

8E

N9 17

-ACT TI

OPENING ACT II

A WOMAN'S TOUCH

(C{LAMITY & KATIE)

KNIIE', hqmren oil ttuge.

, i ^ ' i ' t " - ' - " r ' ' l ' - " " , , l ' , r r

. l t , r , \ ,

, \ ,

_{| S I J E . S S ' , - y w . s . s r p i , , . G r o . k}

E9

CALAMI'fY: NGtie,

thiscrbin o'mine wu fl ole rats'nest - till you got wo*in on it. Nx its realpurty

-A woman's touch.

KAf IE:liothing to rt - ib1 a cal ot parfa few frills, andaremrn! t(Mh!

The magic of Al - ad-din ouldrft

l 1 - v

LJ-I

I

do as much. Shds a wizard sh's a champ.

And she doesnt rrced a hnp!

T

- ? e - q

q)

wonmn'stouch Cur uea'ta spell

pocus tkfshe dtrs mwell; Wfittre of a bruom, $rccan mesmertze a

Br.A

Tlr kird of trocts

-maglc

1 + ' t

' t ' r

- ' 1

With a whisk-whiskhrcarda ufrisk-u,hiskthr€arda dust nan for tp cin&rs.

9l

rub-r'ub hcrqard a rLrb-rub tlrre sheciur pttlish up thc win-&ru. _{pre -st() clrange-o .sud-den-ly, thc}

sun conrspeeping tluo€h

Ard wtut does Mister Sunshine say to

nukes Wu blink To stop and think _{A woman and a}

rvhisk-broomeanac-j t 1 - . 1 - + e

92

complish r diur mrnh -a

So

ne - ver un-der - cst 4\ Srr 119 - vcf urt-r-br - est womaris touch wonl iilt s t

can quickly fill

Orre snrile

frrxn her and 'ztxrm'.

f i l

t_= t'

- - n - s l q - e + e - e

t - r ' | - - l l I

l t r t

enrpty fl()wcr boxes ort a winder sill .

r 1 = 7

\i

92

So rre - ver un-der - est - i -nfle a

A

Srr lle - ver un-&r - est

woman's ttluch 4 d . > touch! -complish_{yr diun mtrJh} -a wonl

can quickly fill

iill s

One snrib

fiun her and 'ztxrm'.

F t '

L2 I'

C - - q C e - r + q - e

t { , t -

t r '

l ' 7 t

cnrpty fltrrvcr boxes ou a winder sill .

93

C r l . Katr A l t ) 1 touchof paint t v

L _ ' T '

_ , | _t . 1 _ 1

T

I

' ? '

J -r.J

ch.rir in - to rr Chippendale _{Ev-en makea lampap-pear like a cry- stal chrn1el - ier}

chair _{in- to a Chippendale}

(F'

_{{:_f-'}

a ? l

tr

Wift a tack, urk.here arda

Stgs W.W.

tack, tack;trre,Anda

hand around a hammer, With a mop,nrcp,hereanda nrop.mop,therefoucangivea _{ca - bil glammer.}

CAI."AMITY: l&l$/ha6 this? e\ Sl85 ptrz CALAIv{ITY: rr\rhv. its a pitcher of pu! -W.W. Glck

nf

C e l l o Vla Hn

96

K , \ T I E : N o t t ww goo.l one i s i t ?

/i

On the mant- Ic - Piccc'J With a plrc- to - grryh

K A T I E

in with nre, this ca - bin tlnt I

ix.l- y room looks kind-a rromeyl

has be - come an el - e -gant man-siott miv* lor

\r,

97

two - _{me anr.l 1,ou I}

Thc pies umlcakes _{wonran bakes}

r ? 7 7 r 7 i 7 l z = 7 f t = z

So nc - vel under - esti - mate

So ne - ver under - esti - mate a wo - rrran'.s trruch. No. touch

tcll her that hc lovesherre.n

\-/

t-rrt-tch. /e

9E

N9 l8

Cre . BfLL: (kxtliiug ttt tiltnl Whrr u gal. . . .

H I G H E R

T H A N A H A W K

( r l t L t . )

My heart

Moderate 4 (RrbatoJ=loo) BrLL

J +

W bve is deeper than a well

J t ' '

_ My love and ['ll

Her per - fume blowin' me a kiss

well-a

luwk-giv - in' nre tl"p eyc-St8!

be at rrll sur-plised

F

_tnlpsrs,

z----

- +

--lf I werc r.n - ly dcamirg all And wlrcn I a - hrut like red, Jirn

/,--a'\--look al And here ['n A Highe r

o ---

f

Dnssed in pl - l ^

I laughd at oth-ers whenthevfi:ll

Rjks will shout "Take a

the head

!'l-A I said that _Stgs I would ne,'er f;tll

Ftrlks will shrut:''Dott't you

E conre

prima

think they rnakc a won - der-firl pair?" I ctid that I would ne-ver

fall-hawk. and deepet ttnn a well

hauik, and deepcr tlun a

My love, nry love is higlter thm a

r:\

I

:

h"€'

()l

N 9 1 9

Cra,. C.{tAMITYrunrrira _{Bll.LS unrr. Blal;rnt. Taht}

B L A C K H I L L S O F DAKOTA

L'istesso

tempo

(J=

J)

()nt _{tub; -} Clawt ett.

r r r

Hills. The Black Hills of

Take me back to the

i r r

_{t r t}

Tb the bcar - ti-ful ln - di- an qJun trv that I

f t t - t f t f

f t f t

l-ost mv hart in tlrc Bl.ick Hills. Thc Black Hills ol Da

-l

=

l

" l F

- . _ a _ _ = r _ _

\Mrre tlre pines are sohigh _{tlrat they kiss the slry a - bove !-- And when I}

r t r r

r t r r

r t r i

t r t

Cho.

- y-

-

+ .

+ I +

get that lone-some ftel-irg, And Ih miles a-way

my- sttc mountains call - irg me tnck lrcme

I hear the robe of thc

iake nre brk to tlre Black Hills. The

Take np back, The Take ne back to the Black Hills, The

Black Hills ol Da - ko - ta, to the bcar-ti -ful In-di-an qun-lry that I

r t r i

r t r t r t r t

*5-Crp Br

Black Hills, Black Hills,

V l n i . ,

J^J

,{-J

Tkx€h I've wandered fa a - lvay

Tt

Where the deer and the

{ta-'--..''.-->

Black Hills, Black Hills,

!-t

J..:l

I'll comebadito yru som day!

-*,-htr-fa-lo roam Ardth red wing feathersher nest,

Take me birck,

Thr's tE pbce tts I1l cdl n1 lunc, TIE

Take me back, - Black Hills of

Da-Black Hills. The Bld Hills of Take me back,- Black Fflls

Thc Black Hills of

Da-Tklt I

Bn opcn

f,,----r

lard that I lorre tlre best.

Take me back to Take me back

-Take nr back to

Sttr prrr w.w'

ttrc Black

Take me back T*e nre back_

To the beau - ti-ful In-di - an coun-try tlnt I Take nre back Take me

back-To the beiu - ti - ful In-di - an ccun-try thal

i r t

love

4

l , I I

y v

Lbst rnv lrcurt in the

Iixt rrrl hatt

-Black Hills, The Lmt my

heart-BlackHillsol Da - ko - ta-Where the pines are rirrlighthattlq

Losi nry lrcart in the Black

S t S s p i z z W . W . sky a - bor.el Hills. Thc

t

r i

! i I I

.

T-And when I

I hear the wice <f the

thal lone- some

Cho.

| -,-_-_/

home-E

Take me back to tie Black l{ills.

Take nre back to the Black Hills.

Thke me back,

Black _{Hills.. The BlackHilbof}

The Black Hitls of

To the beau-ti-ful In-di-an coun-lry that I

r 3

So trtkc nle, Tirkc to thc Bltck

Black Hills of Da- ko - ta- To the beau-ti-ful In-di-an com-try that I Iore. Blrck

4

109

N9 l9a

-

OPENING SCENE III

REPRISE: BLACK HILLS oF DAKOTA

( C A L A M I T Y , KATIE, BILL, DANN\ & (]HORUS. )

Be-cause I lost my heart

J

Hills, The Black Flills of

Da-)

S t e a d y 4 ( J = 1 0 8 )

- ko - tr, - Wlrere the pirrs are so high 0tnt dtqv hs tlrc

: 1 ? F r

BILL: Dida hafta wr that ol' cmt?

Errrr CALAMITY rmd tsll-l, KATIE

ad DANNY.

CALAMITY It wuz Custs\ Bill. I Cac it t'm hilsclf .

l.urrat"s""a

I

IBILI- This ain't m outing expeditim 4ainst forbnScullyl Weie going to r Ball!We're going to a Ball!

lTl CaUtUtrV: I krw. . . . An're $Egota nightfer it.ain't we, uitP lponr it thrill yrh, jcsr tolcnk^ut 1,,

l:, them hrlls? | M rcnder ttrm Iniuns ficht so

lil

CALAI'IITY

Take me back to t

Take me back The BlackHills of

KATIE BI LL

Take me back to the Black Hills, The

r | |

7 | | |

Take nre back The Black Hills of

t r i

i r t

coun - try fi.1t I love

ccmn _{- try that I love}

. cHoRt_6

I Minltle nrk ) That I

love-D a - k o - t a To the heau - ti-firl In - di - an

To the beau-ti-ful In -di-an

r - i r i

f i r - r

Take nre back to the Black Hills. The

TOGETFf,R

Thke rne back to the Black Hills. The

le . /

Black Hills of

Black l-lills of

To the beau-ti-ful In - di -an coun - trv rhtl

To the beau-ti-ful h - di-ar coun - trv

p

that I

--I

F

tr

1 t t t f t

Tempo di Polka e.renr pRlNCrpA.LS

c'.rJ.

llnd Krte. BilI iutd Dan. Iovc--- -€>-love

E T.*po di Polka

ll3

t-dt

I ' C O L O N T L : N i e c r . , 5 c e

KATIE and folkrwed by CALAMI1 Y and BIL L.

114

N9 20

-Crc.'DANNY: _{('alamity can be lour bridesmail. . .}

LOVE YOU DEARLY

(KATIE & DANNY)

,r\

D\NNv Modcrate 4 (tWt rhvthmJ=I}8)

Love

6, cl..

you darr- ly,

More than I corrld ev - er kpe to say;

F t .

r{-

--:.

! ! )

j

Tp..8r"

words cant

Ir,lore than iust

Yrlu .sc--m to tltke' my

Lrxrks likc I likc vtrtrr hrrkr

Vl::,...---'.t *

Cup mure TP'I.

v e - ry

breath a

.ike ttu way yru're fashitrned;

Z-__-____ |

+ _ + Z

If I sourd irn -passioned. dar- ling,

: - / -

l +

s a y

.L

May q + . you dear-ly, you dear-ly,

More than just sin - cere -ly

Morc ttnn just sin - cere - lv _{More than there are}

Need I say _{rrced vou more and}

Need I say _{need you nrrrr ard} Kate.

Dan.

rose-buds in a spring bou

r

E

Kate

more sm, Kate

l r

K A T I E

a

. E v e r s i n c e y d g o t h e r e - c v e r s i r c t l 8 t f i 6 t m o m e n t l s a w y [ , ] ' w k m m y o u ' r e t h e o n l y o r e f o r m e ' . ' . ,

Morc than just cere - ly

you dear- ly, More than just

Necl I say need yor morc and

Need I say need lou more atd More than there are

rose-buds

spil€

fi1

N9 2l

(lrc..BILL: .. . .disrupt th€ whdeftrt if ttrey w.p, likethat ! (fxrf ₎

Bright lValtz (t. = oo)

O\LAMITY. _{, .(yelb to Btr.L) Let} 'em *e me:

TJ,er face the mean

back - tlq'll spit rbht

be - hara nice as p l e , _

FINALETTO

things they get

just don't

Cal. &BiII

Cal. &Bill

F fuoo.rato(J=72)

BII-L: I take bmk *rythirgl sil okn,r-dtr oi'-at. ].youis gma red it. . . CALAMITY: H!.y -ywain'r cmirr'with mc! I hn,src

Cal. &BilI

r20

BILL: I'm takin' yu homc whether you like it or not so c'mon

-CALAMITY: Now sce hcre, Bill

tr

be the same again! Exernt. CURTAIN

\U

If anyone catchcs you an' me this way, Deadwood City'll nevcr

&grc tts ute

OPENTNG

SCENE IV

N9 22

Broadly(J

=ao)

C U R T A I N U P E u r e r C A L A M I T Y u n d B l L l .

,'.u,"..

_J^l

J___.

t ^ l

L +

lE

{

t22

N9 23

MY SECRET LOVE

( CALAMITY )

C u e ; B I L L : Y o u ' l l g e t o v e r D a n n y , t o o . .

Moderato

(J = se)

Dialozue over ntusic

C A L A M I T Y : N o . I w o n ' t A l l I ' v e d o n e f e r m o n t h s i s d r e a m a b o u t ' i m . . . a b o u t g i t t i n ' m a r r i e d '

a n ' b r r i l d i n g a l i t t l e c a b i n . a r ' h a v i n ' k i d s , a n ' . I r€ally wanted all them things.... BILL: I was kinda hankerin' fc'em myself

EBroad

2(1 = n)

B I L L : l t a i n t g o n n a b e e a s y g i t t i n ' h e r u t a m y s y s t e n , e i t h e r . . . S h e w a s m C A I . A M I T Y : T h e r c ' l l n c v e r h e a n o t h c r li k e h i m B i l l . . . n o t f c r m e . . . n o t e v e r b q u t i f u f . . . a n d . . . s o b e a u t i f u l . . . a n d . . . ( k l s s ) s o h e a u t i f u l . . . a n d f e m a l e . . . a n d ( t i s s e s h e r p a s t i o n a t e l . v \ C A L A M I T Y : B i l l C A L A M I T Y c

----.-lr*._

. t .

+

The wav that dreamers of- ten

5---how wonder-ftrt you _{are :}

{>

C a l

i l t t '

And why I'm so in love with

lu

('al.

Moderate rhythm

And rnv secret love's rn secret, an - y

E .

a w h i l e b a c k ? C A L A M I T Y : N e v e r h e a r d o f i m

J-)

o v e r t l € m o u n t a i n s . . . . C A L A M I T Y : T h e w a y i t ' l l l o o k , I s h a n ' t e v e r h a v c s c n i t b e f o r e ' ' .

told the gol -den last my heartb an op - en

Cup Br. W.W

*'---;-_-

r--->\

3 1 1 1 ; W h o w a s t h a t l o o t e n a n t y o r t w e r e t e l l i n ' m e a l x r u t

BII-L: What yor say to us takin' a ride iust the trvo of us?

We ould watch the moon hangin' high

125

Come Prim

my secret

love'.s

no secret

a n - y - m o r e

v i n ! . Fl

u----/u

MELOS er.ro

REPRISE: MY SECRET LOVE

(CALAMITY & BrLL)

z:--NP 23a

Cw.'DANNY.' This me she loft m sa;n errything. Lisr,il. . . .

Moderate(J

= t2o)

in brc with pr. mtl ltlaytrc | m. but I'm not -not Jrn' morc DANNY: Shut up and listen!"Crlamity's in krc with yu. JfTurtt (Br cupr)

126

md lexp€t y)u're in

love with her, too, I ir trutn ue ou

riglrt to mme betwen I yur tuo.Prctend it , I

rru A&hide Adams

I Katic Bm rcwr ;w...GoodbyeDany' who srnc to Deduood-l existed. . .Sledoesn't l. .. .(He otnfus tle ma)

e

I

J

"Never _{existcd".... Shc was the most real Derson in Deadwood.} (with sudden resolution) I've Fotta bring her back.... Thcre's nothin' elsc for it- I've gotta bring her back!

But shc's on her way to Valley Falls

-But she ain't gonna catch no stage - not while I can ride faster'n any woman alive! I'm gittin' back to the cabin. quick! Bill. you can saddle up fer me, while I get m'deerskins on.... While Im gone, find a preacher ro do the splicin'! .... Dannv, you git back to thehrt an' invitc the folks to a weddin' a double weddin'- you and Katie, 'n me and Bill.

(after a stunned pause) Did- did you say you-and-- Bill? Thafs right!

Sure is.

Well I'll be! .... Bill, I don't know what kind of alife vou'llhavc with this catamount. .. ,. .

E o*",r,

BILL CALAMIry DANNY CALAMITY DANNY CALAMITY BILL DANNY

E g.ro 2 (s = tz)

. , . b u t i t a i n ' t g o n n a b e d u l l l T i m p . r o l l .

l|---127

- dils! last

St3s y1.yY

our sec- ret love's no

our sec - rct lovels no

-h;

bi

my heart's an op - en door,

my heartban op- en door.

a n - y tPn. ten a n - y - m o r e !

6 Con moto

I e n . - > _> t ? l

E Con moto

t28

N9 24

-Bright 2 ( J = r o s )

=\

REPRTSE:

WINDY CITY

( CHORUS )

> > >

. f l , u . c ' t t o '

IL

u)

s

Just blew in fromthe win-dy ci-ty, The win-dy Ci-ty is migh - ty prett%But tlrey aint got what

I''EN

/---\

|

o - - A ,

l

No, sir - reel Theygot shackstpto sev-en storeys, They rt-\€r see any

o,,--\

i4---4 .E

morning glories, But a S from our door - way We got 'em for free!

4 F

het - ty la-dies in their big chapeaux.

minstrel shows

l .

tep

tJ

lawns, public parls, Ah

S t t ! . Sxs Stt. W.W.

civ-ic virtug Thdw got fountains ttrcre to squirt yan!

--.3r

migh - ty pretty,But they ain't got what we

t?t

a l a

Jus blew

in from the Windy Ci- ty, The Win-dy Ci- ty is

Iln tel - lin' pu boys!

{_---1

4-T.e

---c

132

N 9 2 s

-

F I N A L E

(FULL COMPANY) C r r e : R \ T f I . F S N A K F : D e a d r v o o d S t a s e a l l r t , a d v f e r t h c r v e d d i n . p a r t y !

Bright

(J = ros)

Beauti - ful r-- .'----1

Oh. the Deadwoodstase is a- rol-lin'on ov-er the

With the cur-tains flappirlzurdthe driver a - slappin'the reins

)-->).

Whip crack a -way, whip

crack a-way,\44tipcrack a - wayl-__.-___.- _{Oh, tlre Deadvrood}

Stage is a heidin' on ov_cr the

-_-.*--In - jun arrc^ 5 are a - dricker thrn porkcrpine quills

*ft-F,t

- a

lq--.

+ a

r d

tq\.

_{+ l}

ts\.

'---___i_---A,-'---,).

Dangerous land

r----r

ls\

2 J

Whipcracka-way,Whip cru* a-waSt Whip crrck a - wa1,!

and she das- nt need a

l3tt

CIORUS GIRLS

a ' c h a r m i n g w e d - d i n g

2rcO

kind of ho- cus _{p,r- cus that she &ps so welli}

EJsbr*

Hey pres - to. change-q _{std-den - ly the sun corres} pop-pirrg

lx

Fry.

Tempo

primo

What does mb - trr Sun - shine sav to

E nn*, ^te 4 ()= n2)

+ " - J - t

-wonderful arms. Yan'vept two

t . -

-vorderful lbs,

one I a-dore.

Ile gm

tu'o

Tell

us

twen-ty one- and I'm free- You're

>

gpt you bfol€

smEbody shook

you do"m fmm the tree;

s-137

Frv

sweet as a hive full of hon - e1i- So let me be ycur honev

= : b

-=

tt---=--vou darr-ly,

Love

Stgs

More tkrn there are rmc-buds in a

ECon moto

Ettter K.\fIE aari DANNY >

u-r---u

More than iust

138

Kate.

Need I say need you mcrc and more

Need I say need rru ntorc and ITIore day?

E Moderate 4

I wculdneverfall- But rnw Im not a-fraidtotell:- My br'e,rny love is higherthm a

StSs W.W

* - - - - *

+---=..- _/

haq&., and deeper than a _{Brter CALAMITY}

last my heart's an op - en

told the gol - den

Sttr W.W.(Srt

my sec- ret lor,eb no sec- ret

tbr heart's an

op - en door, And her sec-ret loveb no sec-ret

Dead-wo<xl Stage is a rol-lin'on or.er the plains.

flap-pin'and the dri-ver a - slappin' the

wrh the

-f,.'t

t4l

'-\-___L---l-skies won-der-ful day Whip crack away, Whip

Oh. the Dead-wood stage is

a-Where the In - iun ar-rou,s are a

-)-).

crrck a-way. Whip crack a - wayl

hea-din'on ov-er the

IT\

- - a

1 )

€-t+.

- thicker than porkerpine quills.

l----;---Fr

+ a

rS\

f,---

IJ

i

Whip crack a -wdy, whip cracl< a'way, whip crack

a-J a-J

tt

> > > > > >

c----T---c---T-crack 1 ' +

'Whip

I 4₊ E N D O F P L A Y

143

N9 26

-Take me back- Take

C U R T A I N C A L L

(THE BLACK HILIS OF DAKOTA)

Hills, The

me

back-EJ FULL CoMPANY

, Take nre back- Take me

?

|

|

y

p

I

Tidke me badr to the Black

To the

Take me back to the Black

Stgs ptzr W.W.

t r t

Take me back._ Take me

Hills, Ttre

?

G

back.

-I r v r v ' 7

r

r

beau - ti - ful In - di - an ioun - try

that I love

I

That I love-Take me back. - Take nre back.

beau - ti - ful In - di - an coun - trv that I

I-ost my heart - Lost my

heart-lnst my hart - lost mY

heart-? | | r 7 |

|

r

Lixt my heart in the Black Hills, The

BlackHillsof Da - ko - fa-Where the pines are stthigfrtkttlq

Lost my heart in th Black Hills, The

Stts pizz W.W.

kiss the sky a - that lone - some feeling, and I'm

b

I hear the roice of the nly-stlc lrlountalns

Take me back to th Cho ---i_--

home-i r home-i

r l l

Take me back, Take nre back to the Black Hills,

Thke me back.

Hills, The BlackHilhof

Tlrc Black Hills of

To the beau-ti-ful In-di-an coun-trv that I Take me back to tlre

me brck to the Bhck

lore. Bltck

hd

Black Hills of Da- ko - ta- To the belu-ti-ftrl In-di-an coun-try tltru I

J J

I

t--7--- g

Hills,

K..-141

\9

'27

-

PLAY. OUT

M o d e r a t e 2

( J = 8 8 )

148 t l r ' l l - -r--- I

a | | n 4

r I I I O C

-

==-/T-t

-- l

'---i) '

{> T'

R-_ .

> { >