TRW Catalog

(1)

www.theatricalrights.com

Catalogue

of

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Inside you’ll find musical theatre titles that will light up your stage.

From our Broadway Blockbusters

to our Off-Broadway and Regional favorites, you’re sure to discover

just the right shows to meet your artistic and commercial needs.

This is your

Theatrical Rights

Worldwide

Catalogue!

Theatrical Rights Worldwide Catalogue

[ 2 ]

Cover Photo Credits: (L to R, from Top Left)

ROMEO & BERNADETTE, Coconut Grove Playhouse, Miami, FL; SPAMALOT, Barcelona, Spain; CAPTAINS COURAGEOUS, Cumberland County Playhouse, Crossville, TN; CURTAINS, Army Community Theatre, Ft. Shafter, HI; NEVERMORE, Signature Theatre, Arlington, VA; THEY CHOSE ME, TADA!, New York City, NY; FLIGHT OF THE LAWNCHAIR MAN, Cumberland County Playhouse, Crossville, TN; I LOVE YOU BECAUSE, The Know Theatre of Cincinnati, Cincinnati, OH

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TRW Introduces

[ 4 ]

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Log on to our website today for more information and to become an authorized PerusalsNOW user!

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The TRW Advantage...

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the Scripts

& Scores!

No Deposit

Required!

Experience the difference!

- DIRECTOR’S SCRI PT -

Book by RUPERT HOLMES Original book and concept by PETER STONE

Music by JOHN KANDER Lyrics by FRED EBB Additional lyrics by JOHN

KANDER and RUP_{ERT HOLMES}

A NOTE FROM TRW PLEASE: ♦ HIGHLIGHT this _material ♦ MARK cuts in pen_cil OR pen ♦ DO NOT ERASE y_{our personal notes} and blocking BECAUSE: TRW MATERIAL_{S DO NOT NEED} TO BE RETURN ED AND ARE YO_{URS TO KEEP*}

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are copyrighte_{d by the authors}

, are not for sale_{, and may only} be used for the single sp_{ecifically licens}

ed live theatric_{al production fo} r which they w

ere originally p_rovided. Any other use o_{r duplication is s}

trictly prohibite_{d by law.}

[ 6 ]

Brand New Materials

with Each License!

available for select titles

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The TRW Advantage...

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Theatrical Rights Worldwide / 2009 Catalogue

In This Section:

Monty Python’s Spamalot ... 10

Curtains ... 14

All Shook Up... 18

Ring of Fire ...22

The Color Purple ...26

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Section 1:

Broadway

Blockbusters

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From the original screenplay by Graham Chapman, John Cleese, Terry Gilliam,

Eric Idle, Terry Jones and Michael Palin

Book & Lyrics by

ERIC IDLE

Music by

JOHN DU PREZ

and ERIC IDLE

[ 10 ] SPAM is a registered

trademark of Hormel Foods Corporation

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Monty Python’s

SPAMALOT will delight

your discerning clientele with

the outrageous, uproarious

and gloriously entertaining

story of King Arthur and his

search for the Holy Grail.

Visit_www .the atric alrights. com for mor e inf orm ation, son g c lips, peru

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ense ap plic_ation s, and mor e! More info on SPAMALOT on the next page!

Photos courtesy Original Cast of SPAMALOT, Barcelona

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Monty Python’s SPAMAL

OT is the

sure-fire hit of the new century!

Monty Python’s SPAMALOT will light up

your stage with the riotous hilarity that has

taken Broadway and the world by storm.

Winner of 3 Tony

©

Awards, including Best Musical,

this show is perfect for community, high school,

college and professional theatres!

[ 12 ]

Orchestra

Reed 1 Reed 2 Trumpet 1 Trumpet 2 French Horn, Trombone Keyboard 1 Keyboard 2 Keyboard 3 Guitar Drums Percussion Violin Bass

CAST RECORDInG AVAILABLE!

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[ 13 ]

Casting

6 Men • 1 Woman • Expandable Chorus King Arthur _*

Sir Robin _* Guard 1 Brother Maynard

Sir Lancelot _* The French Taunter

Knight of ni Tim the Enchanter

Patsy *

Mayor Guard 2

Songs

Overture

Historian’s Introduction To Act I_{Finland (Fisch Slapping Dance)} Monks Chant/He Is not Dead Yet

Come With Me Laker Girls Cheer The Song That Goes Like This

He Is not Dead Yet (Playoff) All For One

Knights Of The Round T able/ The Song That Goes Like This (Reprise)

Find Your Grail Run Away!

Sir Galahad _* Prince Herbert’s Father

The Black night Sir Bedevere *

Dennis Galahad’s Mother Concorde

The Lady of the Lake _* Historian

not Dead Fred French Guard

Minstrel Prince Herbert Sir not Appearing The Dancing Monk

A Male Dancer The Dancing nun The Voice of God Two French Guards

Robin’s Minstrels Sir Bors

* Denotes Principle Role

The Intermission

Historian’s Introduction To Act II Always Look On The Bright Side Of Life

Brave Sir Robin

You Won’t Succeed On Broadw_ay

Diva’s Lament (Whatever Happened T_{o My Part?)} Where Are You?

His name Is Lancelot I’m All Alone Twice In Every Show

Act II Finale

Always Look On The Bright Side Of Life (Bows)

Visit www .theatric alrights. com for mor e inform ation, son g clips, peru

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s, and mor e! Theatrical Rights Worldwide Catalogue

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Book by RUPERT HOLMES

Original book and concept by PETER STONE

Music by JOHN KANDER

Lyrics by FRED EBB

Additional lyrics by JOHN KANDER and RUPERT HOLMES

It’s THE musical comed

y hit!

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[ 15 ]

THE DIRECTOR:

“Now look here, everyone: I think it’s

a damn shame our leading lady collapsed at

tonight’s performance. She might have done

it weeks ago and saved us a month of misery.”

THE PRODUCER:

“Honey, as a Broadway producer, there’s

something much more important to me than you

getting a star turn...Me turning a profit!”

THE DETECTIVE:

“I can’t believe I’m hearing this! I won’t

believe it! Putting on a musical has got to

be the most fulfilling thing a person could

ever hope to do. You’re all heroes to me.”

THE INGENUE:

“Swell acting, Lieutenant. And not just on a

community theater level. I mean college.”

sal and lic ense application s, and mor e! More info on CURTAINS

on the next page!

Photos by Sara Michael from the Army Community Theatre production, Ft. Shafter, Hawaii.

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• Packed with glorious tunes and a witty, charming script filled with delightful charac-ters, CURTAINS is perfect for professional and community theaters, high schools and colleges! Eight 2007 Tony Award©_nominations,

includ-ing Best Musical, Best Book, and Best Original Score.

• Music & Lyrics by the legendary team of Kander & Ebb and a book by Rupert Holmes and Peter Stone.

• CURTAINS is a classically styled, new musical comedy featuring great male and female lead roles and an expandable chorus.

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It’s the brassy, bright, and

promising year of 1959. Boston’s

Colonial Theatre is host to the

opening night performance of a

new musical. When the leading lady

mysteriously dies on stage the

entire cast & crew are suspects.

Enter a local detective, who just

happens to be a musical theatre fan!

sal and lic

ense ap plic_ation s, and mor e! CASTING: - 8 Men - 5 Women - Chorus ORCHESTRA: - Woodwind 1 - Woodwind 2 - Woodwind 3 - Woodwind 4 - Horn 1 - Horn 2 - Trumpet 1 - Trumpet 2 - Trombone 1 - Trombone 2 - Percussion - Drums - Guitar - Keyboard - Bass CAST RECORDING AVAILABLE!

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Inspired by and

featuring the songs of

ELVIS PRESLEY

Book by JOE DIPIETRO

Shake things up on

youR stage

with this

red hot

show that is

taking the world by storm!

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sal and lic ense

application

s, and mor e!

Loosely based on

Shakespeare’s TWELFTH NIGHT,

ALL SHOOK UP is an irresistible show

that will pack the house night after night

with the toe-tapping, finger-snapping

songs of Elvis Presley!

[ 19 ]

More info on ALL SHOOK UP on the next page!

Photos courtesy (top)

Bishop Hendricken High School, Providence, RI (bottom)

La Follette High School, Madison, WI

CAST

RECORDING AVAILABLE!

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Jailhouse Rock Love Me Tender Heartbreak Hotel Roustabout

One Night With You C’mon Everybody Follow That Dream Hound Dog/Teddy Bear Teddy Bear Dance That’s All Right Devil In Disguise It’s Now Or Never Blue Suede Shoes Don’t Be Cruel Let Yourself Go

Can’t Help Falling In Love All Shook Up

It Hurts Me

A Little Less Conversation The Power Of Love

I Don’t Want To There’s Always Me If I Can Dream Fools Fall In Love Burning Love

C’mon Everybody Encore

Featuring:

[ 20 ]

orchestra:

Keyboard 1 Keyboard 2 Reed 1 Reed 2 Reed 3 Trumpet 1 Trumpet 2 Trombone Guitar 1 Guitar 2 Bass Drums

is available for ALL SHOOK UP.

Photos courtesy

(top) Hackmatack Playhouse, Berwick, ME (bottom) Center Stage Performing Arts, Raymond, ME

Into a square little town rides a

guitar-playing roustabout who

changes everything and everyone

he meets in this hip-swiveling,

lip-curling musical!

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sal and lic

ense ap plic_ation s, and mor e! - 5 Women - 5 Men - Expandable Chorus NATALIE HALLER: a mechanic. CHAD: a great-looking, motorcycling, guitar-playing, leather-jacketed roustabout. JIM HALLER:

Natalie’s widowed father.

SYLVIA: the no-nonsense

owner of SYLVIA’S HONKY-TONK.

LORRAINE: Sylvia’s 16 year-old daughter.

DENNIS: a young, awkward, aspiring dentist.

MISS SANDRA: the beautiful, intellectual caretaker of the town’s museum.

MAYOR MATILDA HYDE: the town’s conservative mayor.

DEAN HYDE: Matilda’s 16 year-old son. He has grown up at a military boarding school.

Casting:

SHERIFF EARL: the law in town. A man of not many words.

Photos courtesy

(top) Center Stage Performing Arts, Raymond, ME (bottom) La Follette High School, Madison, WI

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Created by Richard Maltby Jr.

Conceived by William Meade

[ 22 ]

The Johnny Cash Musical Show

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[ 23 ] Visit www .theatric alrights. com for mor e inform ation, son g clips, peru

sal and lic ense

application

s, and mor e!

Johnny Cash’s remar

kable life

story is told through his music,

climaxing in a concer

t that will

both move and exhilar

ate!

More info on RING OF FIRE on the next page!

The Johnny Cash Musical Show

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Created by Richard Maltby Jr.

Conceived by William Meade

[ 24 ]

A thrilling, tuneful,

foot-stomping celebration

of America’s legendary

Man in Black, singer-

songwriter Johnny Cash,

as told through the songs

he composed, recorded

and shared with the world.

Ring of Fire

is a sure-fire

audience pleaser!

Photos courtesy Actor’s Cabaret of Eugene, OR

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sal and lic

ense ap plic_ation s, and mor e! Opening Country Boy Flesh And Blood

While I’ve Got It On My Mind Five Feet High And Rising Straight A’s In Love

Big River

The Far Side Banks Of Jordan Daddy Sang Bass

I Still Miss Someone Get Rhythm

Flushed From The Bathroom Of Your Heart Egg Suckin’ Dog

Oh Come, Angel Band If I Were A Carpenter Ring Of Fire Jackson

Featuring:

Casting:

4 Women 4 Men Expandable Chorus: RING OF FIRE works with Musician/Actors or actors with a separate band

Orchestra:

Keyboard 1 Keyboard 2 Guitar Guitar 2 Hey Porter

Sunday Morning Coming Down Going To Memphis

Delia’s Gone Cocaine Blues

Orleans Parish Prison Folsom Prison Blues Man In Black

Why Me, Lord? A Boy Named Sue Tear-Stained Letter Tennessee Flat-Top Box Cry, Cry, Cry

I Walk The Line Ragged Old Flag I’ve Been Everywhere

CAST RECORDING AVAILABLE! Guitar 3 Violin Bass Drums

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Based upon the novel written by Alice Walker

And the Warner Bros./Amblin Entertainment Motion Picture

Book by Marsha Norman

Music and Lyrics by Brenda Russell, Allee Willis, and Stephen Bray

Produced on Broadway by Oprah Winfrey, Scott Sanders, Roy Furman and Quincy Jones.

[ 26 ]

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The

unforgettable novel

that spawned the epic motion

picture is now a glorious

Broadway musical!

T

his musical adaptation of Alice Walker’s Pulitzer Prize-winning novel (and the popular 1985 Steven Spielberg film) spotlights Celie, a downtrodden young woman whose personal awakening over the course of 40 years forms the arc of this epic story. With a joyous score featuring jazz, ragtime, gospel, African music and blues, THE COLOR PURPLE is a story of hope, a testament to the

healing power of love and a celebration of life. With a book by Marsha Norman and music and lyrics by Brenda Russell, Allee Willis and Stephen Bray,

THE COLOR PURPLE premiered at the Alliance Theatre Company in Atlanta, Georgia and opened on Broadway on November 1, 2005. It was nominated for eleven 2006 Tony Awards, includ-ing Best Musical, Best Book, and Best Original Score. Visit_www .the atric alrights. com for mor e inf orm ation, son g c lips, peru

sal and lic

ense ap

plic_ation

s, and mor e!

More info on

THE COLOR PURPLE on the next page!

The Color Purple is an inspiring family saga

that tells the unforgettable story of a woman

who–through love–finds the strength to triumph

over adversity and discover her

unique voice in the world.

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[ 28 ] Visit_www .the atric alrights. com f or mor e inform ation, son g c lips, peru

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CELIE (African-American, 20s-early 30s): Drives the story. Vulnerable, spirited, introverted, mischievous, seemingly passive but really not, has a deep, hard soul, believes that she is ugly, has a sense of humor which is sometimes wicked. She is an observer. SHUG (African-American, 30s-40s): A popular singer, we meet her at death’s door. She is loved by both Celie and Mister.

MISTER (African-American, 30s-40s. Also known as ALBERT): Like Celie, a deep well. Handsome, big, masculine, strong presence, dominating, capable of brutal behav-ior but also a victim in his own way. Gets his power for free. Married to Celie, he abuses her. He is in love with Shug. He transforms to a kind man by the end of the story. SOFIA (African-American, 30s): Powerful warrior woman. Physically bigger but beautiful. Comfortable being large, great sense of humor, touching, vulnerable. Married to Harpo, she does not let anyone mistreat her. HARPO (African-American, 20s): Mister’s vulnerable, confused, good-hearted son. Represents the new generation. He marries the independent Sofia. He spends

Reed 1 Reed 2 Reed 3 Trumpet 1 Trumpet 2 Trombone Guitar Percussion Drums Keyboard 1 Keyboard 2 Violin 1 Violin 2 Viola Cello Bass CAST RECORDInG AVAILABLE!

much time trying to get Sofia to obey him the way Celie obeys his father, but he is unsuccessful, as Sofia is considerably stronger than he is. Harpo eventually establishes a juke-joint in his first house and becomes Squeak’s lover. Later, he and Sofia reconcile.

nETTIE (African-American, 20s): Celie’s younger sister. Attractive, adventuresome, feisty spirit, maternal, more educated and knowledge-able than Celie. She has a powerful bond with Celie. Forced by Mister to leave Celie, she starts a new life in Africa.

SQUEAK (African-American, 20s): Harpo’s lover after Sofia leaves him. Although she is mistreated, she eventually undergoes a trans-formation, demanding to be called by her actual name, Mary Agnes, and starting a new life. She is of mixed ancestry. Attractive, sassy, fiery, strong-willed, unafraid to take anybody on, has chutzpah and a caring heart.

CHORUS: Males and females 20s-50s, African-American, to play various roles includ-ing a trio known as Church Ladies, busybody types who are featured throughout the show. And CHILD SInGERS, (One African-American male 9 – 12 years old and three African-American females 9 – 12 years old.)

Casting:

Orchestra:

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In This Section:

Dora the Explorer Live!

Dora’s Pirate Adventure ... 32

Go, Diego, Go Live!

Diego’s Jaguar Adventure ...34

Blue’s Clues Live!

The Most Spectacular Place ...36

Blue’s Clues Live!

Blue’s Birthday Party ...38

Rugrats: A Live Adventure ...40

[ 30 ]

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Section 2:

LIVE on stagE

© 2009 Viacom International Inc. All Rights Reserved. Nickelodeon, Nick Jr., Dora the Explorer, Go Diego Go, Blue’s Clues, Rugrats and all related titles, logos and characters are trademarks of Viacom International Inc. Rugrats created by Arlene Klasky, Gabor Csupo and Paul Germain.

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Created by CHRIS GIFFORD

[ 32 ]

Complete with

Accompaniment

CD!

Visit_www .the atric alrights. com f or mor e inform ation, son g c lips, peru

s, and mor e!

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Dora, her best buddy Boots the Monkey, and the rest

of their friends embark on an exciting trip to Treasure

Island. The audience helps them navigate over Dancing

Mountain, through Silly Singing Bridge and to confront

the Pirate Piggies. Along the way, the audience will

use their map-reading, counting, musical and language

skills to successfully help Dora reach the treasure.

All ends happily onstage with a “yo-ho-ho!”

Dora Boots Diego Swiper Benny Tico Isa Backpack Map Dora Theme Song

Map Song

Everyone’s Excited Cause Everyone’s Invited Silly Singing Bridge

Stop and Think Backpack Song We Did It

Pirate Dance And many more!

Casting:

Featuring:

Fiesta Trio Baby Jaguar 3 Pirate Piggies Pan Flute Harp Timbal Drum Whale 2 Rocks Theatrical Rights Worldwide Catalogue

Full Color

Production Guide

Toolkit Included!

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Created by

CHRIS GIFFORD

[ 34 ]

Complete with

Accompaniment

CD!

Full Color

Production Guide

Toolkit Included!

s, and mor e!

(35)

Go, Diego, Go Live! The Great Jaguar Rescue

follows Diego, his sister Alicia and cousin Dora

on an adventure-packed special mission to

get Baby Jaguar’s growl back from the Bobo

Brothers. They’ll need the audience’s help

to rescue animals, navigate through the rainforest

and pass a giant waterfall to get to the Animal Carnivale.

Featuring the familiar songs and characters from the award

winning television show that fans have come to love, Go,

Diego, Go Live! takes kids on an interactive, high-stakes

journey inspired by the rich environments of Latin America

and the animals that make their homes in those habitats

.

Diego Baby Jaguar

Alicia Dora the Explorer

Delivery Duck Bobo Brothers 1 and 2

Click the Camera Rescue Pack And a host of super cool Rainforest

Animals!

Buenos Dias Go Diego Go Theme Song

Down the River Chief of Carnaval

Rescue Pack I’m So Happy Dora Theme Song

Click Silly Rainforest River

Al Rescate Amigos Si Se Puede

Casting:

Featuring:

Cha-Cha Trees Lookin’ Out for Bobos Conga Rhythm/Merengue

Special, Especial Señor Arbol Carnaval Song

Jaguar Song Get Your Growl Back

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Created by

ANGELA C. SANTOMERO,

TRACI PAIGE JOHNSON

and TODD KESSLER

[ 36 ]

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This full-scale musical introduces young audiences to

the magical world of live theatre. It features all of the

characters that kids know and love from the critically

acclaimed Nickelodeon television series “Blue’s Clues.”

sal and lic

ense ap

plic_ation

s, and mor e!

Can be performed

by Adults for Kids

or Kids for Kids!!

Full Color Production

Guide Toolkit and

OFFICIAL STEVE SHIR

T

Included!

Complete with

Accompaniment

CD!

Photo courtesy Helen Hayes Youth Theatre, Nyack, NY Curt-ain Steve Blue Tickety-Tock Slippery Soap Mailbox Shovel Pail Mrs. Pepper Mr. Salt Paprika Letter #1 Letter #2 Bunny Slipper #1 Bunny Slipper #2 Horace, The Stuffed Ant Eater

Pig #1 Pig #2 Pig #3 Goldilocks Jack Papa Bear Mama Bear Baby Bear The Giant Grandma

Can You Help Me Today? The Magic Of Theatre Song

Mrs. Pepper And Mr. Salt Mail Time

Tickety-Tock The Planets Song The Most Spectacular Place

So Long

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Created by

ANGELA C. SANTOMERO,

TRACI PAIGE JOHNSON

and TODD KESSLER

_{[ 38 ]}

(39)

sal and lic ense

application

s, and mor e!

[ 39 ]

Kids can keep searching for clues in this second live

Blue’s Clues show that features old and new favorites!

Blue’s Birthday Party is hosted by Joe and Blue’s

great friend Magenta is here, too.

Can be performed

by Adults for Kids

or Kids for Kids!!

Complete with

Accompaniment

CD!

Full Color Production

Guide Toolkit and

OFFICIAL JOE SHIR

T

Included!

Photo courtesy Melobourne High School, Melbourne, FL

Joe Blue Magenta Tickety-Tock Slippery Soap Mailbox Shovel Pail Mrs. Pepper Mr. Salt Periwinkle Mirror Kitchen Table Sea Horse Clown Fish Tiger Fish Stingray Puffer Fish Whale Octopus Cupcake Grandma

Welcome To Our Theatre Magenta’s Coming Over

We Are Gonna Play Blue’s Clues Conga Party Music The Day-You-Were-Born

Cake Skidoo Song

See The Sea Life Mailtime

Periwinkle Magic Show Everyday Is Somebody’s

Birthday The Birthday Song Finale Song/Kick Line

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Created by

ARLENE KLASKY,

GABOR CSUPO and

PAUL GERMAIN

s, and mor e!

Full Color Produc

tion

Guide Toolkit

Included!

Complete with

Accompaniment

CD!

(41)

Your youth theatre group

or school drama class

can now perform

RUGRATS, Nickelodeon’s

classic hit animated

series about life from a

baby’s point of view.

The Rugrats are Tommy,

our one-year-old hero,

and his friends, Chuckie, Phil & Lil and his cousin Angelica.

Whenever adults are around, the Rugrats act like real babies,

but when they’re alone they drop the façade and talk to each other

with the vocabulary of five-year olds. As

Tommy and his pals wobble through life,

supported by legs not yet used to walking,

they show us the world as a baby views

and understands it. The Rugrats’ world is

one that exists below our knees; here

mundane things and

events turn into

grand, comic

adventures.

Angelica Larry Astoria Steve Grandpa Lou Tommy Chuckie Lil Phil Didi Pickles Stu Pickles Spike Mr. Flashlight Torch Singer Radio Announcer Opera Diva Susie Carmichael Ensemble/Chorus to Play: Steve’s Movers Flashcards Gospel Choir

Casting:

Photos courtesy Helen Hayes Youth Theatre, Nyack, NY

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In This Section:

Ace ... 44 bare ... 46 Breaking Up Is Hard to Do ... 48 Captains Courageous ...50 Charlotte Sweet ...52 Cinderella ...54 Dauntless Dick Deadeye ...56 Different Fields ...58 Enter the Guardsman ... 60 The Flight of the Lawnchair Man ...62 Forbidden Broadway: Greatest Hits Vol. 1 ... 64 The Girl in the Frame ... 66 Go-Go Beach ... 68 The Good War ...70 I Love You Because ...72 Illyria ...74 In This House ...76 Little Women ...78 Love Comics ... 80 Lucky Duck ... 82 Nevermore ... 84 Once Upon a Time in New Jersey ... 86 Pinkalicious ... 88 Romeo & Bernadette ... 90 Striking 12 ...92 That Time of the Year... 94 They Chose Me ... 96 Zanna, Don’t! ... 98

[ 42 ]

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Section 3:

off Broadway

and Regional

titles

(44)

Music by

RICHARD OBERACKER

Book and Lyrics by

RICHARD OBERACKER

and ROBERT TAYLOR

s, and mor e!

ACE is a soaring musical

adventure of discovery and

breathtaking beauty...

(45)

- 7 Men - 7 Women - 4 Children

Casting: orchestra:

- Reed 1 - Reed 2 - French Horn - Trumpet - Violin - Cello - Bass - Keyboard 1 - Keyboard 2 - Percussion Photos courtesy

CAST RECORDING AVAILABLE!

A heartwarming coming-of-age

story about Danny, a troubled

10-year-old boy who, through

a series of heroic and haunting

World War I & II adventures

with a mysterious fighter pilot

named Ace, unlocks the door

to a fantastic new world.

He finally comes to understand

his ever-grieving mother, his

overbearing grandmother and

(46)

Book by JON HARTMERE & DAMON INTRABARTOLO

Music by DAMON INTRABARTOLO Lyrics by JON HARTMERE

s, and mor e!

A searing, beautiful story told

through a brilliant pop-rock score!

bare

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[ 47 ]

A group of high school seniors at a Catholic boarding school

faces issues of sexuality and personal identity. As they struggle

to come to terms with who they are, and who the world thinks they

should be, they seek answers from their Church, their friends,

and ultimately, from within themselves. Its rich, vibrant score

draws on many styles of contemporary music.

CASTING:

- JASON: handsome golden child of St. Cecilia’s senior class - PETER: introspective,

Jason’s clandestine boyfriend

- IVY: pretty, popular, insecure

- NADIA: Jason’s pudgy, sardonic twin sister - MATT: studious, pious,

Jason’s academic rival - LUCAS: The school’s

fun-loving purveyor of altered reality

- TANYA: Lucas’s girlfriend - KYRA: student, sexy - DIANE: student, very naive - RORY: student, sarcastic - ZACK: student, jock type

- ALAN: student, nerdy - CLAIRE: Peter’s mother - SR. CHANTELLE:

African-American nun, wise, no-nonsense

- PRIEST: St. Cecilia’s headmaster

- ADDITIONAL STUDENTS: three male, three female ORCHESTRA: - Flute - Keyboard 1 - Keyboard 2 - Guitar 1 - Guitar 2 - Drums - Cello - Bass

Photos courtesy

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Written by Erik Jackson and Ben H. Winters

Music by Neil Sedaka

Lyrics by Neil Sedaka, Howard Greenfield, and Cody Philips

[ 48 ]

“ The Sedaka cl

assics Breaking

up uses…

will lure baby boomers and

doo-wop f

ans en masse…

It is a cheerfully

enter

taining and

nostal

gic piece of

musical the

atre.”

– Miami News-T

imes

(49)

Written by Erik Jackson and Ben H. Winters

Music by Neil Sedaka

Lyrics by Neil Sedaka, Howard Greenfield, and Cody Philips

[ 48 ] [ 49 ]

Set at a Catskills resort in 1960,

BREAKING UP IS HARD TO DO

is the sweetly comic story of Lois and

Marge, two friends

from Brooklyn in search

of good times and romance over one

wild Labor Day

weekend.

Breaking Up Is Hard To Do Lonely Night

Where The Boys Are Happy Birthday Sweet 16 The Diary

Stupid Cupid Betty Grable Oh, Carol Calendar Girl

Next Door To An Angel Solitaire

Laughter In The Rain My Friend

Stairway To Heaven/Little Devil Love Will Keep Us Together

Songs:

- 3 Men - 3 women - Optional Chorus - Piano - Guitar - Bass - Drums

Casting:

orchestra:

sal and lic ense

application

s, and mor e!

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Book and Lyrics by

Patrick Cook

Music by

Frederick Freyer

sal and lic ense applic_ation s, and mor e!

C

aptains

C

ourageous

Based on the novel by Rudyard Kipling And the screenplay by John Lee Mahin,

Marc Connelly and Dale Van Every

(51)

[ 51 ]

CASTInG: 17 Men 1 Boy

Though CAPTAInS COURAGEOUS was written for an all-male cast,

the show can be performed by mixed-gender groups (with women taking the tenor roles and the role of Harvey played by a girl).

Set in the forgotten world of the great new England

sailing ships, a millionaire’s pampered son falls off

an ocean liner and is rescued by a Portuguese fisherman,

who teaches him the virtue of hard work

and the true riches of life.

ORCHESTRA: - Reed 1 - Reed 2 - Reed 3 - French Horn - Trumpet - Keyboard 1 - Keyboard 2 - Percussion - Violin - Viola - Cello - Bass

CAST RECORDInG AVAILABLE!

Photos courtesy

(52)

[ 52 ]

A Madcap Musical Melodrama

Music by GERALD JAY MARKOE

Libretto by MICHAEL COLBY

“CHARLoTTE SWEET

mixes the ador

able and the

strange, and it is delectable.

A parody that rises above parod

y

and stands by itself.”

– New york Times

(53)

sal and lic

ense ap

plic_ation

s, and mor e!

D

iscover the lunatic and marvelous

world of Charlotte Sweet, the vivacious

Victorian high soprano, who helps the

Circus of Voices escape the clutches of their nefarious

impresario (with his evil helium balloons) in this tuneful

trip back to the world of the English music hall

.

CaSting:

~ 4 men

~ 4 women

OrChEStra:

~ Piano

~ reed 1

~ reed 2

~ Percussion

Photos courtesy Chelsea West Side Theatre,

(54)

[ 54 ]

This new musical take on the

traditional tale has a bookish and

nearsighted heroine who

finds and captures the heart

of a studious prince.

Full of wit, warmth and charm!

s, and mor e!

Music by FITZ PATTON

Lyrics by DAVID KISOR

Book by JOE MCDONOUGH

(55)

- 3 men • 7 women - Optional Chorus

- Piano or Accompaniment Audio CD

“Witty script… a dozen charming songs, deft humor and heartfelt messages... appeals to adults and children alike. McDonough’s script avoids predictable turns and reinvents familiar characters. This is the best show for young audiences…”

— Backstage

“There are twists on the old fairy tale that make it a delightful and ultimately romantic production. The score is just right and so is the show.”

— Cincinnati Post

“A magical blend of music and humor... McDonough’s clever retelling of the story avoids many predictable turns... It conveys a fine message...without being patronizing or silly.” — Cincinnati City Beat

Casting:

Orchestra:

Photos courtesy

Ensemble Theatre of Cincinnati,

Complete with

Accompaniment

CD!

(56)

[ 56 ]

By HERBERT APPLEMAN

Music by ARTHUR SULLIVAN

Original Book and Lyrics by W. S. GILBERT

Photos courtesy

The New Shakespeare Company, London, England Visit_www .the atric alrights. com f or mor e inform ation, son g c lips, peru

sal and lic ense applic_ation s, and mor e!

Dauntless

Dick Deadeye

A new version of

Gilbert & Sullivan’s H.M.S. Pinafore

Nominated for 2006

Olivier Award

Outstanding Musical

Production

(57)

CASTInG: 8 Men 4 Women Chorus ORCHESTRA: Piano Keyboard 2 Reed 1 Reed 2 Trumpet Trombone Bass Drums Percussion

This satire on English hypocrisy

revolves around two lovebirds from

different backgrounds — a lowly

sailor and his upper-class lass —

who aren’t aware that after their

birth they were mistakenly

delivered by their nurse, Buttercup,

to the wrong parents!

(58)

[ 58 ]

A Musical Drama

Music by MIKE REID

Libretto by SARAH SCHLESINGER

Fields

Dif

ferent

C

A

S

Ting

:

orche

st

r

a:

(59)

[ 58 ] [ 59 ]

AARON JAMES (baritone): a wide receiver at the height of

his career. He is in his early thirties.

JENNY WILLIS (soprano): the team secretary. She is 31 years old. The

mother of Casey Willis.

AAron JAmes, a football superstar, discovers what money and

power can’t buy, as he confronts the temptations and pressures of

life off the field, and how they shape his relationship with a twelve

year-old boy who idolizes him. It’s a poignant exploration of individual

accountability, the myth of celebrity, and single parenting.

CASEY WILLIS (boy soprano): Jenny’s

twelve-year old son. DORIS WARNER (mezzo): a flamboyant

woman in her forties. She was the trophy wife of the deceased owner of the Hawks football team.

CAL FARBER (tenor): a radio sports personality in his forties.

RON BOWEN (bass-baritone): An enforcer for a Vegas

syndicate. Visit www .theatric alrights. com for mor e inform ation, son g clips, peru

sal and lic ense application s, and mor e!

C

A

S

Ting

:

orche

st

r

a:

Reed 1 Reed 2 Reed 3 Horn Piano Percussion Violin 1 Violin 2 Viola Cello Bass

(60)

[ 60 ]

Music by CRAIG BOHMLER

Lyrics by MARION ADLER

Book by SCOTT WENTWORTH

Based on THE GUARDSMAN by FERENC MOLNAR

Enter the

Guardsman

A Musical Fantasy

(61)

[ 60 ] [ 61 ] CASTInG: - 4 men - 3 women CAST RECORDInG AVAILABLE! ORCHESTRA: - Reed - Trumpet - Cello - Piano - Bass - Percussion Visit_www .the atric alrights. com for mor e inf orm ation, son g c lips, peru

sal and lic

ense ap

plic_ation

s, and mor e!

Only six months into the marriage of two

world-renowned actors, alas, the bloom is off the rose,

and what was thrilling has already become routine.

But invention is the actor’s stock-in-trade, so cue the

anonymous roses, the amorous letters and...

enter the Guardsman!

“ Delightful, funny…

a gem of a musical…

Tuneful, poignant, and

charming , with clever lyrics.

”

–TalkinBroadway.com

Photos courtesy

(62)

Book by PETER ULLIAN

Music and Lyrics by ROBERT LINDSEY-NASSIF

Based on a concept by ROBERT LINDSEY-NASSIF

[ 62 ]

“There is a confidence that allows it to wal

k

to the edge of total cor

nball hilarity with

-out ever losing its he

art… The characters ar

e

well-drawn, the music is strong, the lyrics

alternate between hil

arious and moving…”

–TalkinBroadway.com

(63)

[ 63 ] CAST ING: • 6 men • 5 women • optional chorus CAST RECORDING AVAILABLE! ORCHESTRA: - Reed 1 - Reed 2 - Trumpet - Trombone - Keyboard 1 - Keyboard 2 - Cello - Bass - Drums

When the quiet, suburban

life of Jerry Gorman becomes

too much to bear, he

attach-es four hundred helium

sal and lic ense

application

s, and mor e!

Photos courtesy

Cumberland County Playhouse, Crossville, TN

balloons to a backyard

lawn-chair and takes to the sky.

Jerry soars and soars... but

will he ever come down?

(64)

Created and Written by

GERARD ALESSANDRINI

[ 64 ]

(65)

• 2 Men • 2 Women

• Optional Chorus

Broadway’s greatest musical legends meet

Broadway’s funniest satirist in this hilarious,

loving, and Tony Award

®

_{winning tribute to some}

of the theatre’s greatest stars and songwriters.

Photo courtesy previous page: Huntsville H.S., Huntsville, AL this page: Forbidden Broadway, National Tour

• Forbidden Broadway • CHICAGO - Glossy Fosse • ANNIE - Tomorrow

• Sondheim - Into the Words • Carol Channing Sequence • Chita / Rita

• Mandy Pantinkin - Somewhat Overindulgent

• WICKED - Defying Subtlety

• LES MIZ Medley - Les Miserables / At The End Of The Play / I Dreamed A Show / On My Phone / It’s Too High / Recitative / Did You Hear The

People Sing? • MAMMA MIA • RENT - Rant /

Seasons Of Hype • Liza - Liza One Note • SPAMALOT -

Spamalot / Camelot / The Song They Stole From Us

Featuring :

Casting :

• FIDDLER - Ambition • Back to Barbra

• HAIRSPRAY - You Can’t Stop the Camp

• A CHORUS LINE - What I Did For Laughs • Ta Ta Visit_www .the atric alrights. com for mor e inf orm ation, son g c lips, peru

sal and lic

ense ap plic_ation s, and mor e! • Piano

orchestra:

(66)

Book, Music, and Lyrics by

JEREMY DESMON

[ 66 ]

“A tight, romantic comedy that has it all…

Highly polished, effervescent,

and clever…”

– NPR

s, and mor e!

The Girl in the Frame

(67)

“ THE GIRL IN THE FRAME is a

contemporary, intimate, sexy musical comedy;

a frisky fantasy!”

– New orleans Times-Picayune

A tiny New York apartment gets

even smaller as a young couple’s

wildest fantasies come to life.

A hunky fireman, and the seductive

“girl-next-door,” burst to life from

a store-bought picture frame and

turn one couple’s cold feet into a fun

and sexy parable of modern love.

orchestra:

Casting:

2 men 2 women Reed Piano Bass Drums Photos courtesy Diane Sobolewski- Goodspeed Musicals, East Haddam, CT

(68)

Book and Lyrics

by JOHN WIMBS

[ 68 ]

Music by

MICHAEL SHAIEB and BRENT LORD

(69)

It’s full of beautiful girls,

cool surfer dudes, and one

runaway Hollywood starlet.

Set in the 1960’s, it’s the

perfect time to fall in and out

of love to the beat of an

original score inspired by

the California sound.

sal and lic

ense ap plic_ation s, and mor e! CASTING: • 5 men • 6 women • Optional chorus

“Surf, sand, 60’s spoof

ery.

How could a musical called

Go-Go Beach not be fun?”

– New

york Times

Who wouldn’t

want to party at

Go-Go Beach?

ORCHESTRA: • Keyboard 1 • Keyboard 2 • Guitar • Bass • Drums

Complete with

Accompaniment

CD!

(70)

[ 70 ]

• We Did It Before And We Can Do It Again

• Goodbye Mama, I’m Off To Yokohama

• With You In Apple Blossom Time • The Blues Of Uncle Sam

• Till Then

• Comin’ In On A Wing And A Prayer • You Can’t Get That No More • Dear Mom

• Goodnight Mother (Gute Nacht Mutter) • G. I. Jive

• Straighten Up And Fly Right • This Is Worth Fighting For • The Fox Is On The Town • Stalin Wasn’t Stallin’ • I’ll Be Seeing You • Moonlight Serenade

Studs Terkel’s magnificent

history of the Second

World War is

brilliantly

musicalized

with the

classic

pop tunes

of the

1940’s.

s, and mor e!

Songs:

(71)

A

magnificent, Pulitzer Prize-winning oral history of the Second World War brilliantly translated to the stage, interspersing classic “pop” tunes of the early 1940’s, with astonishing first-hand accounts of the lives of both the men who fought the war, and those who stayed behind to keep the home fires burning.

A Musical Collage of World War II

Based on the oral history of

STUDS TERKEL

Conceived and created by

DAVID H. BELL and

CRAIG CARNELIA

CASTING: • 7 men • 1 woman ORCHESTRA: • Piano • Guitar • Bass • Drums CAST RECORDING AVAILABLE!

(72)

Music by JOSHUA SALZMAN

Book and Lyrics by RYAN CUNNINGHAM

s, and mor e!

(73)

I LOVE YOU BECAUSE is a modern

twist on Jane Austen’s PRIDE AND

PREJUDICE, set in New York City.

A young, uptight greeting card

writer’s life is changed when

he meets a flighty photographer.

Along with their eccentric

friends and siblings, they

learn to love each other not in spite

of their faults, but because of them.

CASTING: • 3 men • 3 women ORCHESTRA: • Piano • Keyboard 2 • Reed • Bass • Drums/Percussion CAST RECORDING AVAILABLE! Photos courtesy Deogracias Lerma

for the Know Theatre of Cincinnati, Cincinnati, OH

“An infectiously

entertaining show!

It’s terrific, refr

eshing

fun.”

– New york Times

(74)

Book, Music, and Lyrics by PETER MILLS

Adapted by PETER MILLS and CARA REICHEL

[ 74 ]

A Musical Adaptation

of Shakespeare’s Twelfth Night...

(75)

[ 75 ]

• Cello

• Bass

• Percussion

T

his musical

retelling of

Shakespeare’s

greatest comedy

captures both the

rollicking energy

of the play’s hilarious

hijinks and its deeply

felt emotions of loss

and unrequited love.

CASTInG:

• 7 men

• 3 women

• Optional chorus

ORCHESTRA:

• Piano

• Reed 1

• Reed 2

• Violin

CAST RECORDInG AVAILABLE!

“A seamless collaboration bet ween a

400-year-old genius and a talented and

u p-and-coming writer… work s wonderfully

in intimate but also in larger venues.”

–TheatreMania.com

“This high-spirited, utterly engaging musical

adaptation of Shakespeare’s Twelfth Night

is an intergenerational winner that deserves

an unequivocal thu mbs-u p.”

–The New York Times

sal and lic ense application

s, and mor e!

Photos courtesy Prospect Theatre, New York, NY

(76)

Music by MIKE REID

Lyrics by SARAH SCHLESINGER

Book by JONATHAN BERNSTEIN,

SARAH SCHLESINGER,

and MIKE REID

[ 76 ]

“It’s that ideal show: an

original book musical with

relevance to audiences old

and young…”

–Pl

aybill

IN THIS

HOUSE

(77)

[ 77 ]

John D’Amato and his wife Annie Friedkin reunite after a long

separation. At the same time Henry and Luisa Arden, an older couple, are returning to spend New Year’s Eve in the now-deserted house they built and lived in for many years. John and Annie run off an icy road into the Arden’s brick wall and end up spending the night in the house. In the course of the evening, all four share humor and heartbreak as they compare their views of marriage. Their chance encounter leaves all of them forever changed.

CASTING:

• 2 men

• 2 women

ORCHESTRA:

• Piano

CAST RECORDING

AVAILABLE!

sal and lic ense

application

s, and mor e!

Photo courtesy Playhouse West, Walnut Creek, CA

(78)

[ 78 ]

Music by KIM OLER

Lyrics by ALISON HUBBARD

Book by SEAN HARTLEY

“... the score for ‘Little Women’

contains one great number after another...

The fantastic score only enhances

the strength of this ageless story.”

– Everett Herald

(79)

[ 79 ]

L

ouisa May Alcott’s beloved novel is brought to

glorious musical life in this tale of the indomitable

March girls of Concord, Massachusetts. In a time of

great social upheaval, Jo, Meg, Amy, and Beth grow from

childhood to womanhood through the trials, tragedies,

and triumphs of America divided by Civil War.

A bold, bright, beautiful

adaptation of the beloved book!

sal and lic ense application s, and mor e! CASTInG: • 5 men • 7 women • 8 chorus ORCHESTRA: • Reed 1 • Reed 2 • Percussion Photos courtesy Village Theatre, Issaquah, WA • Piano • Violin 1 • Violin 2 • Viola • Cello • Bass Theatrical Rights Worldwide Catalogue

(80)

Music by DAVID EVANS

Lyrics by SARAH SCHLESINGER

Book by DAVID EVANS and

SARAH SCHLESINGER

s, and mor e!

“Love Comics affectionately spoofs the t wisted

wishful thinking pur veyed by pulp fiction.”

(81)

STOP THE PRESSES!

Help is on the way for the lovelorn! This heartstopping

and affectionate tribute to the classic romance comic

books of the 1940’s and ’50’s is a whirlwind course

in the hard won lessons of love.

CASTING: • 3 men • 2 women • Optional chorus ORCHESTRA: • Piano

Photos courtesy Camden County High School, Kingsland, GA

CAST RECORDING

(82)

[ 82 ]

An uproarious, ultr

a-modern adaptation

of Hans Christian Andersen’s

The ugly Duckling.

Book by BILL RUSSELL and JEFFREY HATCHER

Music by HENRY KRIEGER

Lyrics by BILL RUSSELL

(83)

[ 83 ]

Photos courtesy The Boston Conservatory Production, Boston, MA

Serena, the ugliest duck in

the barnyard yearns to be a

great singing diva, and she

overcomes hilarious avian trials

and tribulations in this wacky,

wonderful show inspired by

Hans Christian Andersen’s

“The Ugly Duckling.”

CASTING: • 5 men • 4 women • optional chorus ORCHESTRA: • Piano • Keyboard • Reed • Drums • Bass Visit www .theatric alrights. com for mor e inform ation, son g clips, peru

sal and lic ense

application

s, and mor e!

(84)

Music by

MATT CONNER

Lyrics adapted

from the writings of

EDGAR ALLAN POE

Book by

GRACE BARNES

[ 84 ]

A

n entrancing new musical...

neither straightforward biography nor faithful adaptation... Conner’s romantic music, at times ablaze with feeling, is orchestrated by the great Jonathan Tunick.”

— Washington Post “An extraordinary musical that really must be seen... Does not let up for a second; it compels the viewer’s complete attention... Rich, intriguing, yet somehow otherworldly.”

— TalkinBroadway.com “The songs range from lovely ballads that bear a whisper of Sondheim to rousing anthems and poem-songs blending strains of gospel, pop, and rock.”

— Washington Post

Photos courtesy Carol Pratt

from the Signature Theatre Production, Arlington, VA

(85)

[ 85 ]

The life

and words

of the great

Edgar Allan Poe

move from the

page to the stage

in this starkly

moving, eerily

beautiful

musical.

sal and lic ense application s, and mor e! CASTInG: • 1 man • 5 women

EDGAR (bari-tenor): the poet. Ranging in age from 17 to death at 40. Stubborn, determined and obsessed with his work. MUDDY (mezzo): Virginia’s mother and Edgar’s surrogate mother. Muddy is stoic and is the grounded voice of reason.

MOTHER (mezzo): Edgar’s mother. She died when Edgar was still a child. She is a haunting presence in Edgar’s life. ELMIRA (mezzo): a southern belle. Edgar’s first and last love. Ranging in age from 17 to 40. Elmira is understanding, patient and a place of salvation.

VIRGInIA (soprano): age 13, Edgar’s bride and cousin. Virginia is youthful, naive and a source of inspiration for Edgar.

THE WHORE (alto/belter): an embodi-ment of Edgar’s fantasy. A streetwise woman who is insightful and compassionate. ORCHESTRA: • Piano • Violin 1 • Violin 2 • Viola CAST RECORDInG AVAILABLE! • Cello • Bass • Harp • Percussion

(86)

[ 86 ]

Music by

STEPHEN WEINER

Book and Lyrics by

SUSAN DILALLO

s, and mor e!

(87)

A funny, frantic and frenzied

fairy tale about what we do

for love. Sweet, shy deli clerk

Vinnie switches lives with

Rocco, the town stud, to win

the heart of the woman he

loves. A farce about dames,

games, foods, feuds, molls,

dolls, thugs, lugs, switches,

snitches, glitches, mistaken

identities... and how a

simple sandwich guy

becomes a hero.

CASTING: • 6 men • 6 women • chorus

“Clearly has huge audience

appeal… delicious s

ongs and

some very funny bits.”

– Chicago Sun-T

imes

ORCHESTRA: • Piano • Keyboard 2 • Guitar • Reed 1 • Reed 2 • Trumpet • Trombone • Violin • Bass • Drums CAST RECORDING AVAILABLE! Photos courtesy Liverpool Institute for the Performing Arts,

(88)

[ 88 ]

Based on PINKALICIOUS by VICTORIA KANN and ELIZABETH KANN

Book by ELIZABETH KANN and VICTORIA KANN

Music by JOHN GREGOR

Lyrics by JOHN GREGOR, ELIZABETH KANN, and VICTORIA KANN

(89)

[ 89 ]

Pinkalicious can’t

stop eating pink

cupcakes despite

warnings from

her parents. Her

pink indulgence

lands her at the

doctor’s office

with Pinkititis,

an affliction that

turns her pink

from head to toe -

a dream come true

for this pink loving

enthusiast. But when

her hue goes too far,

only Pinkalicious can

figure out a way

to get out of this

predicament.

sal and lic ense application s, and mor e! CASTING: PINKALICIOUS - an energetic little girl who loves the color pink and pink cupcakes PETER - her younger brother who feels that Pinkalicious gets all of the attention

MRS. PINKERTON - Pinkalicious’s organic-minded and busy mother MR. PINKERTON -

Pinkalicious’s pinkaphobic father DR. WINK - Pinkalicious’s female pediatrician who is very excited about diagnosing pinkititis ALISON - Pinkalicious’s best friend who also wants to be pink

BIRDS – love to flap wings and sing and dance and think Pinkalicious is a flower

BEES – love to buzz and sing and dance and think Pinkalicious is a flower

Photos courtesy

Helen Hocker Center for the Performing Arts, Topeka, KS, Vital Theatre, New York City,

Seminole Ridge High School, Loxahatchee, FL

Complete with

Accompaniment

CD!

(90)

[ 90 ]

Book and Lyrics by MARK SALTZMAN

Music adapted, arranged, and orchestrated

by BRUCE W. COYLE

s, and mor e!

(91)

• Bass CASTING: • 7 men • 3 women • Optional chorus ORCHESTRA: • Keyboard 1 • Keyboard 2 • Reed • Guitar • Drums

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In This Section:

Monty Python’s Spamalot ... 10

Curtains ... 14

All Shook Up... 18

Ring of Fire ...22

The Color Purple ...26

Section 1:

Broadway

Blockbusters

Book & Lyrics by

ERIC IDLE

Music by

JOHN DU PREZ

and ERIC IDLE

Monty Python’s

SPAMALOT will delight

your discerning clientele with

the outrageous, uproarious

and gloriously entertaining

story of King Arthur and his

search for the Holy Grail.

Monty Python’s SPAMAL

OT is the

sure-fire hit of the new century!

Monty Python’s SPAMALOT will light up

your stage with the riotous hilarity that has

taken Broadway and the world by storm.

Winner of 3 Tony

Awards, including Best Musical,

this show is perfect for community, high school,

college and professional theatres!

Orchestra

Casting

Songs

Book by RUPERT HOLMES

Original book and concept by PETER STONE

Music by JOHN KANDER

Lyrics by FRED EBB

Additional lyrics by JOHN KANDER and RUPERT HOLMES

It’s THE musical comed

y hit!

THE DIRECTOR:

“Now look here, everyone: I think it’s

a damn shame our leading lady collapsed at

tonight’s performance. She might have done