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www.pluralpublishing.com

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Voice Therapy

Clinical Case Studies

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Voice Therapy

Clinical Case Studies

Fourth Edition

Joseph C. Stemple, PhD, CCC-SLP, ASHAF

Edie R. Hapner, PhD, CCC-SLP

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5521 Ruffin Road San Diego, CA 92123

e-mail: [email protected]

Website: http://www.pluralpublishing.com

Copyright © by Plural Publishing, Inc. 2014

Typeset in 11/13 Palatino by Flanagan’s Publishing Services, Inc. Printed in the United States of America by McNaughton & Gunn, Inc.

All rights, including that of translation, reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording, or otherwise, including photocopying, recording, taping, Web distribution, or information storage and retrieval systems without the prior written consent of the publisher.

For permission to use material from this text, contact us by Telephone: (866) 758-7251

Fax: (888) 758-7255

e-mail: [email protected]

Every attempt has been made to contact the copyright holders for material originally printed in another source. If any have been inadvertently overlooked, the publishers will gladly make the necessary arrangements at the first opportunity.

Library of Congress Cataloging-in-Publication Data

Voice therapy : clinical case studies / [edited by] Joseph C. Stemple, Edie R. Hapner. -- Fourth edition.

p. ; cm.

Includes bibliographical references and index.

ISBN 978-1-59756-558-5 (alk. paper) — ISBN 1-59756-558-X (alk. paper) I. Stemple, Joseph C., editor of compilation. II. Hapner, Edie R., editor of compilation.

[DNLM: 1. Voice Disorders — therapy — Case Reports. WV 500] RF510

616.85'5606 — dc23

2014000154 Proudly sourced and uploaded by [StormRG] Kickass Torrents | TPB | ET | h33t

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Contents

Preface xiii Contributors xvii

1

Principles of Voice Therapy

1

Joseph C. Stemple

Introduction 1

Historical Perspective 2

Hygienic Voice Therapy 3

Symptomatic Voice Therapy 4

Psychogenic Voice Therapy 5

Physiologic Voice Therapy 5

Eclectic Voice Therapy 6

Case Study: Patient A 6

Voice Care Professionals 10

References 10

2

Comments on Voice Evaluation

13

Joseph C. Stemple

Introduction 13

Management Team 14

Medical Examination 15

Voice Pathology Evaluation 15

Instrumental Voice Assessment 23

Hearing Screening 23 Impressions 23 Prognosis 24 Recommendations 24 Summary 24 References 24

3

Primary and Secondary Muscle Tension Dysphonia

27

Introduction: Muscle Tension Dysphonia: An Overview 27

Nelson Roy

Case Study 1. Behavioral Shaping in Primary MTD Masquerading 29 as Elective Mutism in a 10-Year-Old Boy

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vi Voice Therapy: Clinical Case Studies

Case Study 2. Management of Primary MTD in a 13-Year-Old Using 38 Falsetto Voice to Modify Phonation

Joseph C. Stemple

Case Study 3. Use of Laryngeal Massage and Resonant Therapy in 41 Primary MTD in an Adolescent

Susan Baker Brehm

Case Study 4. Flow Phonation in a Teenager with Primary Muscle 45 Tension Aphonia

Jackie Gartner-Schmidt

Case Study 5. Manual Circumlaryngeal Techniques in the Assessment 53 and Treatment of Primary MTD in a 55-Year-Old Woman

Nelson Roy

Case Study 6. Management of Primary MTD Initially Masquerading 60 as a Paralytic Dysphonia in a 39-Year-Old Woman Using an Enabling

Approach Claudio Milstein

Case Study 7. Use of Patient-Family Education and Behavior 66 Modification to Treat MTD Secondary to Vocal Nodules

Leslie Glaze

Case Study 8. Eclectic Voice Therapy for Secondary MTD in a 72 10-Year-Old With a Vocal Fold Cyst

Carissa Portone-Maira

Case Study 9. Using a Psychosocial Management Approach in the 78 Therapy of a Child With Midmembranous Lesions and Secondary MTD Moya Andrews

Case Study 10. Treatment of Secondary MTD in a Child With Early 85 Bilateral Lesions: A Telehealth Approach

Lisa N. Kelchner

Case Study 11. Treating a Child With MTD Secondary to Vocal Nodules 91 Using Concepts From Adventures in Voice

Rita Hersan

Case Study 12. Pediatric Vocal Fold Nodules and Secondary MTD 100 Treated in Conjunction With a School-Based SLP

Rebecca Hancock

Case Study 13. Use of Vocal Function Exercises in the Treatment of an 106 Adult With Secondary MTD

Joseph C. Stemple

Case Study 14. Accent Method in the Treatment of Secondary MTD 116 Sara Harris

Case Study 15. Voice Therapy Boot Camp in the Treatment of 125 Secondary MTD in an Adult

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Contents vii

Case Study 16. Medical and Therapeutic Management of 131

Laryngopharyngeal Reflux With Resulting Secondary MTD Sandra A. Schwartz

Case Study 17. Management of Secondary MTD Associated With 136 Vocal Process Granulomas

Heather Starmer

Case Study 18. Lessac-Madsen Resonant Voice Therapy in the 142 Treatment of Secondary MTD

Diana M. Orbelo, Nicole Yee-Key Li, and Katherine Verdolini Abbott

Case Study 19. Use of Ambulatory Biofeedback to Supplement 157 Traditional Voice Therapy for Treating Primary MTD in an

Adult Female

Tara Stadelman-Cohen, Jarrad Van Stan, and Robert E. Hillman

Case Study 20. Use of Glottal Attack in the Treatment of Primary MTD 164 in an Adult Female Presenting With Persistent Falsetto

Joseph C. Stemple

Case Study 21. The Use of a Multi-Approach Therapy in a Female 166 Professional Voice Speaker Presenting With a Primary MTD Marked

With Habitual Falsetto Phonation Mara Behlau and Glaucya Madazio

Case Study 22. Use of Hard Glottal Attack as Laryngeal Manipulation 174 to Modify Mutational Voice in a 16-Year-Old Male

Lisa Fry

References 179

4

Management of Glottal Incompetence

189

Introduction 189 Case Study 1. Treatment Strategies Used for Unilateral Vocal Fold 190 Paralysis in a Case With a Complex Medical History

Stephen C. McFarlane and Shelley Von Berg

Case Study 2. Use of Physiologic Therapy Approaches to Treat 198 Unilateral Vocal Fold Paralysis Following Complications From a

Total Thyroidectomy

Mara Behlau, Gisele Oliveria, and Osíris do Brasil

Case Study 3. Treatment of Glottal Incompetence With Secondary 206 Muscle Tension Dysphonia in a Patient With Unilateral Vocal Fold

Paralysis Maria Dietrich

Case Study 4. Use of Semi-Occluded Vocal Tract Methods and 212 Resonant Voice Therapy to Treat Unilateral Vocal Fold Paralysis

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viii Voice Therapy: Clinical Case Studies

Case Study 5. Use of Expiratory Muscle Strength Training in a Case of 222 Unilateral Vocal Fold Paralysis 4 Years Post Chemotherapy/Radiation

Bari Hoffman Ruddy, Christine M. Sapienza, Erin Silverman, and Henry Ho

Case Study 6. Brief Discussion and Case Presentation of Treatment for 226 Superior Laryngeal Nerve Paralysis Using Medical, Surgical, and

Behavioral Interventions Bruce J. Poburka

Case Study 7. Use of Phonation Resistance Training Exercises (PhoRTE) 233 in a Part-Time Cooking Instructor With Presbyphonia

Aaron Ziegler and Edie R. Hapner

Case Study 8. Use of Vocal Function Exercises in an Elderly Man With 240 Presbyphonia

Stephen Gorman

Case Study 9. Treatment of Glottal Incompetence Caused by Sulcus 245 Vocalis: Evidence of a Team Approach for Vocal Rehabilitation

Amanda I. Gillespie and Clark A. Rosen

Case Study 10. Improvement of Vocal Fold Closure in a Patient With 250 Voice Fatigue

Joseph C. Stemple

Case Study 11. An Eclectic Approach in the Management of an 255 Individual With Vocal Fatigue

Chaya Nanjundeswaran

References 262

5

Dystonia, Essential Tremor, and Other Neurogenic Disorders

269

Spasmodic Dysphonia 269

Case Study 1. Functional Voice Therapy for Spasmodic Dysphonia 271 Joseph C. Stemple

Case Study 2. Medical and Behavioral Management of Adductor 273 Spasmodic Dysphonia

Edie R. Hapner and Michael M. Johns

Case Study 3. Combined Laryngeal Injection of Botulinum Toxin and 281 Voice Therapy for Treatment of Adductor Spasmodic Dysphonia

Eileen M. Finnegan

Case Study 4. Use of Reduced Voicing Duration to Treat Vocal Tremor 287 Julie Barkmeier-Kraemer

Case Study 5. Use of LSVT® LOUD (Lee Silverman Voice Treatment) 298

in the Care of a Patient With Parkinson Disease Lorraine Ramig and Cynthia Fox

Case Study 6. Use of Telehealth Technology to Provide Voice Therapy 303 Lyn Tindall Covert

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Contents ix

6

Irritable Larynx Syndrome, Paradoxical Vocal Fold

311

Dysfunction, and Chronic Cough

Introduction to Irritable Larynx Syndrome 311

Linda Rammage

Case Study 1. A Case of ILS Managed by a Comprehensive Approach 313 to Multiple Central Sensitivity Syndrome Triggers

Linda Rammage

Case Study 2. Multimodality Behavioral Treatment of Long-Standing 324 Chronic Cough in an Adult

Marc Haxer

Case Study 3. Failed Voice Therapy With Successful Use of Central 328 Nervous System Inhibitors in Chronic Cough

Madeleine Pethan and Laureano Giraldez-Rodriguez

Paradoxical Vocal Fold Motion: An Introduction 335

Mary J. Sandage

Case Study 4. Treatment of PVCD in a Collegiate Swimmer 338

Mary J. Sandage

Case Study 5. Management of PVCD: An Adolescent Athlete With 345 Exercise-Induced Dyspnea

Michael D. Trudeau, Jennifer Thompson, and Christin Ray

Case Study 6. Treatment of Paradoxical Vocal Fold Motion Disorder 348 in a 9-Year-Old Athlete

Maia Braden

Case Study 7. Paradoxical Vocal Fold Movement (PVFM): A Case of 355 the Young Athlete With Associated Psychosocial Contributions

Mary V. Andrianopoulos

References 368

7

Management of the Professional, Avocational, and

375

Occupational Voice

Introduction 376 Marina Gilman

Case Study 1. Management of Vocal Fold Nodules in a Female 379 Prepubescent Singer

Patricia Doyle and Starr Cookman

Case Study 2. The Developing Performer 389

Barbara Jacobson

Case Study 3. 19-Year-Old Talented Male Singer, Presenting With 394 Soft Bilateral Vocal Fold Lesions

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x Voice Therapy: Clinical Case Studies

Case Study 4. Therapeutic Modalities for the Touring Musical Theater 400 Vocal Athlete

Wendy D. LeBorgne

Case Study 5. Voice Intervention for a Touring Broadway Singer 405 Shirley Gherson

Case Study 6. The High-Risk Vocal Performer 412

Bari Hoffman Ruddy, Jeffrey Lehman, and Christine M. Sapienza

Case Study 7. Semi-Occluded Vocal Tract Exercises and Resonant 422 Voice Therapy in the Perioperative Management of a Professional

Actor and Singer With a Vocal Fold Cyst Sarah L. Schneider and Mark S. Courey

Case Study 8. Treating Vocal Injury in a Physically and Vocally 435 Demanding Performer

Wendy D. LeBorgne

Case Study 9. Voice Recalibration With the Cup Bubble Technique for 442 a Country Singer

Jennifer C. Muckala and Brienne Ruel

Case Study 10. Praise and Worship Leader Preremoval and 452 Postremoval of Bilateral Vocal Fold Lesions

Marina Gilman

Case Study 11. Use of Voice Therapy in Conjunction With Minimal 458 Injection Medialization in the Longitudinal Treatment of Dysphonia

in an Elite Operatic Singer

Brian E. Petty and Miriam van Mersbergen

Case Study 12. Voice Therapy in a 28-Year-Old Theater Actor 463 Kate DeVore

Case Study 13. Conversational Voice Therapy: A Case Describing 469 Application of Public Speaking Techniques to Voice Disorders

Alison Behrman

References 474

8

Successful Voice Therapy

479

Introduction 479 Joseph C. Stemple

Interview and Counseling Skills 480

Clinical Understanding of the Problem 481

Misapplied Management Techniques 482

Lack of Patient Education or Understanding of the Problem 482 Recognition of One Philosophical Orientation or One Etiologic Factor 483

Premature Discontinuation of Therapy 483

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Contents xi

Patient Realities 484

Can All Voices Be Improved? 488

Case Study 1. The Role of Self-Efficacy on Voice Therapy Adherence 488 Amanda I. Gillespie

Case Study 2. Using iPod Apps to Improve Voice Therapy Adherence 493 Between Sessions: A Social-Cognitive Approach

Eva van Leer

Case Study 3. There’s an App for That: Use of Portable Electronic 497 Software Applications to Facilitate Home Practice of Voice Exercises in a Lawyer With Vocal Fold Nodules

Bryn Olson and Carissa Portone-Maira

Case Study 4. Threat of Being Fired From Therapy Improved a Vocal 503 Overdoer’s Adherence

Carissa Portone-Maira

References 510 Appendix 8–A. Selected Applications Useful in Voice Therapy 513 Index 521

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Preface

The fourth edition of Voice Therapy:

Clinical Case Studies marks the 20-year

anniversary of this text. We are excited to introduce Edie Hapner as co-editor of this fourth edition. Hapner’s clinical and research contributions to the field of voice pathology are recognized nation-ally and internationnation-ally. She is a master clinician and a teacher and mentor to a generation of voice clinicians. We are pleased to have Edie on board and know that her contributions will enhance the quality of the learning experience for voice students and professionals alike.

Since its initiation, the purpose of this text has remained the same:

. . . to provide both the student and the

working clinician with a broad sampling of management strategies as presented by master voice clinicians, laryngologists, and other voice care professionals. The text is meant to serve as a practical adjunct to the more didactic publications.

As the knowledge of voice produc-tion continues to expand, so, too, have the publications dedicated to describ-ing this knowledge. There are currently excellent texts and journals dedicated to the scientific understanding of voice. Other publications are available to help prepare students to evaluate and man-age clinical voice disorders. By necessity, these texts must include great quantities of didactic information so that the stu-dent learns not only “how” but “why.” To utilize a management approach without understanding the underlying basis of the approach is inappropriate.

Nonetheless, because of the breadth of material necessary in these texts, thera-peutic methods for voice disorders are often given only a cursory and gener-alized discussion. This text is meant to bridge that gap. In over 60 case studies involving a wide variety of voice disor-ders with various pathologies and eti-ologies, master clinicians have provided detailed descriptions of management approaches and techniques. It is our hope that the expertise offered in these pages will serve the reader well in guid-ing clinical practice.

Utilizing the format of actual case studies, complete descriptions of diag-nostic and therapeutic methods are pro-vided for a full array of voice disorders. Chapter 1 includes information on the various philosophies of treatment. With the maturation of the voice care spe-cialty, different schools of thought have evolved regarding treatment designs. These philosophical orientations include hygienic, symptomatic, psychogenic, physiologic, and eclectic orientations. Each orientation is discussed and illus-trated with a representative case study. Chapter 2 comments on various voice evaluation techniques. These tech-niques include the formal questionnaire, the patient interview, perceptual voice analysis, patient self-assessment, and instrumental assessment of voice duction. The role of the evaluation pro-cess as a part of the overall management plan is also discussed.

Chapter 3 discusses treatment ap- proaches for the most common type

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xiv Voice Therapy: Clinical Case Studies

of voice disorder, muscle tension dys-phonia (MTD). Following an over-view of MTD by Nelson Roy, manage-ment approaches for both children and adults including hygiene programs, symptomatic modifications, attention to psychosocial issues, and direct phys-iologic manipulation and exercises are presented in illustrative case studies of both primary and secondary MTD.

Treatments for various etiologies of glottal incompetence are described in Chapter 4. Management for voice fatigue, bowed vocal folds, senile lar-yngis, and vocal fold paralysis are described, including direct voice thera-pies, surgical intervention, and a com-bination of these approaches. Many techniques including voice facilitating techniques, semi-occluded vocal tract, expiratory muscle strength training, and phonation resistance training are discussed.

Chapter 5 presents management strategies for laryngeal dystonia, essen-tial tremor, and other neurologic voice disorders. These strategies include be- havioral and medical management of spasmodic dysphonia, voice therapy for essential tremor, and face-to-face and remote treatment of voice and speech symptoms related to Parkinson disease.

Because of the speech-language pathologist’s unique blend of knowl-edge regarding upper respiratory anat-omy and physiology and behavioral therapy, we have become the caregivers for complex respiratory and laryngeal disorders. Chapter 6 provides several detailed case studies regarding the various etiologies, patient profiles, and evaluation and treatment approaches used with those diagnosed with irri-table larynx syndrome. Included in this category are chronic cough and vocal cord dysfunction (VCD). These cases

include treatments for laryngopharyn-geal reflux and VCD in the young child, young athlete, and elite athlete.

The consequences of a voice disor-der may impact the quality of life and threaten the livelihood of individuals dependent upon a healthy voice. Chap-ter 7 presents case studies for those dependent upon their voice such as the elite vocal performer, the occupational voice user, and those whose avocational voice use is related to their quality of life.

The final chapter, Chapter 8, is devoted to a discussion of success-ful voice therapy and patient adher-ence. What makes therapy successful or unsuccessful? This chapter looks at both the therapist and the patient and describes the pitfalls that may influence the ultimate goal of therapy: improved vocal function.

As with the first three editions of

Voice Therapy: Clinical Case Studies, the

most exciting element in the preparation of this text was the support received by the master clinicians who graciously and generously submitted the case studies. What a wonderful opportunity it is to learn from those who are in the trenches, those experts who embody not only superior clinical skills, but won-derful insight as to why they do what they do. We are deeply indebted to all of them and proudly offer their collec-tive expertise. We are certain that the reader will benefit from their vast clini-cal experiences.

Text preparations are extremely time-consuming and require many hours of tedious work. Checking and preparing references, organizing tables, figures, and their legends, reading and re-read-ing in an attempt to make the intent clear to those we are trying to reach are only a few of the tasks involved. We were so very fortunate in the

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Preface xv

tion of this text to have the invaluable editorial assistance of the Plural Pub-lishing professionals. We are indebted to Angie Singh, Megan Carter, Milgem Rabanera, and Mckenna Bailey for en- couraging and supporting this fourth

edition. In addition, we wish to thank our students and colleagues who have suggested ways to improve the text with each new writing. Finally, as usual, we are most appreciative for the support of our families.

— Joseph C. Stemple Edie R. Hapner

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Contributors

Moya L. Andrews, EdD

Professor Emerita

Department of Speech and Hearing Sciences Indiana University Bloomington, Indiana Chapter 3 Mary V. Andrianopoulos, PhD Associate Professor Clinical Consultant Department of Communication Disorders

Center for Language, Speech, and Hearing

University of Massachusetts-Amherst Amherst, Massachusetts

Chapter 6

Susan Baker Brehm, PhD

Associate Professor and Chair

Department of Speech Pathology and Audiology Miami University Oxford, Ohio Chapter 3 Julie Barkmeier-Kraemer, PhD Professor Department of Otolaryngology University of California, Davis Sacramento, California

Chapters 4 and 5

Mara Behlau, PhD

Permanent Professor

Graduate Program in Human Communication Disorders Director

Specialization Course in Voice

Universidade Federal de São Paulo UNIFESP and Centro de Estudos da

Voz-CEV

São Paulo, SP, Brazil Chapters 3 and 4

Alison Behrman, PhD, CCC-SLP

Associate Professor

Department of Speech-Language-Hearing Sciences

Lehman College/City University of New York

Bronx, New York Chapter 7

Maia Braden, MS

Speech-Language Pathologist University of Wisconsin-Madison Voice and Swallow Clinics

American Family Children’s Hospital Madison, Wisconsin

Chapter 6

Kimberly Coker, MS

Speech-Language Pathologist North Texas Voice Center Dallas, Texas

Chapter 3

Starr Cookman, MA

Assistant Professor Clinical Faculty

University of Connecticut Health Center

Farmington, Connecticut Chapter 7

Mark S. Courey, MD

Professor

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xviii Voice Therapy: Clinical Case Studies

Director

Division of Laryngology

University of California, San Francisco San Francisco, California

Chapter 7

Kate DeVore, MA

Speech-Language Pathologist Total Voice, Inc.

Chicago, Illinois Chapter 7 Maria Dietrich, PhD Assistant Professor Department of Communication Disorders University of Missouri Columbia, Missouri Chapter 4 Osíris do Brasil, MD

Centro de Estudos da Voz CEV, São Paulo, SP Associate Professor São Paulo, Brazil Chapter 4

Patricia B. Doyle, MA

Instructor

University of Connecticut Health Center Farmington, Connecticut Chapter 7 Eileen M. Finnegan, PhD Associate Professor University of Iowa Iowa City, Iowa Chapter 5

Cynthia Fox, PhD

Research Associate

National Center for Voice and Speech University of Colorado-Boulder Denver, Colorado Chapter 5 Lisa Fry, PhD Adjunct Faculty Department of Communication Disorders Marshall University Huntington, West Virginia Chapter 3

Jackie Gartner-Schmidt, PhD

Associate Professor Otolaryngology Associate Director UPMC Voice Center

Director of Speech Pathology-Voice Division

University of Pittsburgh Medical Center

Pittsburgh, Pennsylvania Chapter 3

Shirley Gherson, MA

Clinical Specialist-Voice Disorders NYU Langone Medical Center Rusk Rehabilitation

New York, New York Chapter 7

Amanda I. Gillespie, PhD

Assistant Professor University of Pittsburgh UPMC Voice Center Pittsburgh, PA Chapters 4 and 8

Marina Gilman, MM, MA, CCC-SLP

Speech-Language Pathologist Emory Voice Center

Otolaryngology-Head & Neck Surgery Emory University

Atlanta, Georgia Chapter 7

Laureano A. Giraldez-Rodriguez, MD

Fellow

Head and Neck Cancer Surgery– Microvascular Reconstruction

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Contributors xix

Department of Otolaryngology-Head & Neck Surgery

Mount Sinai School of Medicine New York, New York

2013 Fellow

Emory Voice Center

Department of Otolaryngology-Head & Neck Surgery

Emory University Atlanta, Georgia Chapter 6 Leslie E. Glaze, PhD Speech-Language Pathologist Minneapolis, Minnesota Tucson, Arizona Chapter 3 Stephen Gorman, PhD Voice Pathologist

Blaine Block Institute for Voice Analysis and Rehabilitation Dayton, Ohio

Professional Voice Center of Greater Cincinnati

Cincinnati, Ohio Chapter 4

Rebecca L. Hancock, MEd

Senior Speech Pathologist

University of Kentucky Voice and Swallow Clinic Lexington, Kentucky Chapter 3 Edie R. Hapner, PhD, CCC-SLP Associate Professor Department of Otolaryngology-Head & Neck Surgery

Emory University School of Medicine Director

Speech-Language Pathology Emory Voice Center

Atlanta, Georgia Chapters 4 and 5

Sara Harris, FRCSLT

Speech-Language Pathologist Lewisham Hospital Voice Disorders

Unit

London, United Kingdom Chapter 3

Marc Haxer, MA

Clinical Senior Speech Pathologist Departments of

Otolaryngology-Head & Neck Surgery and Speech-Language Pathology

University of Michigan Health System Ann Arbor, Michigan

Chapter 6

Rita Hersan, MS

Speech-Language Pathologist Voice Clinician

University of Pittsburgh Voice Center Pittsburgh, Pennsylvania

Chapter 3

Robert E. Hillman, PhD

Co-Director Research Director

Center for Laryngeal Surgery and Voice Rehabilitation

Massachusetts General Hospital Director

Research Programs

MGH Institute of Health Professions Professor of Surgery

Harvard Medical School Boston, Massachusetts Chapter 3

Henry Ho, MD, FACS

Director

Head and Neck Program

The Florida Hospital Cancer Institute Orlando, Florida

Chapter 4

Bari Hoffman Ruddy, PhD

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xx Voice Therapy: Clinical Case Studies Department of Communication

Sciences and Disorders University of Central Florida Orlando, Florida

Chapters 4 and 7

Barbara Jacobson, PhD

Assistant Professor Associate Director

Medical Speech-Language Pathology Department of Hearing & Speech

Sciences Vanderbilt University Nashville, Tennessee Chapter 7 Michael M. Johns, MD, FRCS Associate Professor Otolaryngology Director

Emory Voice Center

Department of Otolaryngology-Head & Neck Surgery

Emory University Atlanta, Georgia Chapter 5

Lisa N. Kelchner, PhD, BCS-S

Associate Professor

Director of Graduate Studies Department of Communication

Sciences and Disorders University of Cincinnati Cincinnati, Ohio

Chapter 3

Wendy D. LeBorgne, PhD, CCC-SLP

Voice Pathologist Singing Voice Specialist Clinical Director

The Blaine Block Institute of Voice Analysis and Rehabilitation

Provoice Center of Cincinnati College-Conservatory of Music

Dayton and Cincinnati, Ohio Chapter 7

Jeffrey Lehman, MD, FACS

Clinical Professor

College of Health and Public Affairs University of Central Florida

Medical Director The Voice Care Center Winter Park, Florida Chapter 7

Glaucya Madazio, PhD

Fonoaudiologa Especialista em Voz Consultora em Comunicacao Humana Sao Paulo, SP, Brazil

Chapter 3

Stephen C. McFarlane, PhD

Foundation Professor/Professor Emeritus

Speech Pathology Department University of Nevada, School of

Medicine Reno, Nevada Chapter 4

Claudio F. Milstein, PhD

Director

The Voice Center Cleveland Clinic Associate Professor Otolaryngology

Cleveland Clinic Lerner College of Medicine

Cleveland, Ohio Chapter 3

Jennifer C. Muckala, MA, CCC-SLP

Senior Speech Pathologist Singing Voice Specialist Vanderbilt Voice Center Nashville, Tennessee Chapter 7

Chayadevie Nanjundeswaran, PhD

Assistant Professor

Department of Audiology and Speech-Language Pathology

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Contributors xxi

East Tennessee State University Johnson City, Tennessee

Chapter 4

Gisele Oliveria, PhD

Associate Professor

CEV–Centro de Estudos da Voz Sao Paulo, SP, Brazil

Assistant Professor Touro College Brooklyn, New York Chapter 4

Bryn Olson, MS

Speech-Language Pathologist The Communication Development

Center

Madison, Wisconsin Chapter 8

Diana M. Orbelo, PhD

Assistant Professor

Mayo Clinic College of Medicine Rochester, Minnesota

Chapter 3

Rita R. Patel, PhD

Assistant Professor

Department of Hearing and Speech Sciences Indiana University Bloomington, Indiana Chapter 3 Madeleine Pethan, MA Speech-Language Pathologist Emory Voice Center

Department of Otolaryngology-Head & Neck Surgery

Atlanta, Georgia Chapter 6

Brian E. Petty, MA, MA

Speech-Language Pathologist Emory Voice Center

Department of Otolaryngology-Head & Neck Surgery

Atlanta, Georgia Chapter 7

Bruce J. Poburka, PhD

Professor

Communication Disorders

Minnesota State University, Mankato Mankato, Minnesota

Chapter 4

Carissa Portone-Maira, MS

Lead Speech-Language Pathologist Emory Voice Center

Department of Otolaryngology-Head & Neck Surgery

Atlanta, Georgia Chapters 3 and 8 Lorraine Ramig, PhD Professor University of Colorado-Boulder Senior Scientist

National Center for Voice and Speech-Denver

Adjunct Professor Columbia University New York, New York Chapter 5

Linda Rammage, PhD, RSLP

Director

Provincial Voice Care Resource Program, UBC

Vancouver, BC, Canada Chapter 6

Christin Ray, MA (ABD)

Doctoral Candidate

Department of Speech and Hearing Science

The Ohio State University Columbus, Ohio

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xxii Voice Therapy: Clinical Case Studies

Clark A. Rosen, MD, FACS

Professor

Department of Otolaryngology University of Pittsburgh School of

Medicine Director

University of Pittsburgh Voice Center Pittsburgh, Pennsylvania

Chapter 4

Nelson Roy, PhD, CCC-SLP, ASHAF

Professor

Department of Communication Sciences and Disorders

Division of Otolaryngology-Head & Neck Surgery

Department of Surgery, School of Medicine

University of Utah Salt Lake City, Utah Chapter 3

Brienne Ruel, MA

Speech-Language Pathologist UW Voice and Swallow Clinics,

Department of Surgery Madison, Wisconsin Chapter 7 Mary J. Sandage, PhD Assistant Professor Auburn University Auburn, Alabama Chapter 6 Christine M. Sapienza, PhD Program Director Speech Pathology Associate Dean

College of Health Sciences Jacksonville University Jacksonville, Florida

Research Career Scientist BRRC Malcolm Randall VA Gainesville, Florida Chapters 4 and 7 Sarah L. Schneider, MS Director Speech-Language Pathology

UCSF Voice and Swallowing Center University of California, San Francisco San Francisco, California

Chapter 7 Sandra A. Schwartz, MS Clinical Faculty/Instructor Duquesne University Pittsburgh, Pennsylvania Chapter 3 Erin Silverman, PhD

Research Assistant Professor University of Florida

Gainesville, Florida Chapter 4

Tara Stadelman-Cohen, BM, MS

Senior Voice Pathologist

Center for Laryngeal Surgery and Voice Rehabilitation

Massachusetts General Hospital Adjunct Clinical Instructor

School of Health and Rehabilitation Sciences

MGH Institute of Health Professions Part-time Faculty Boston Conservatory Boston, Massachusetts Chapter 3 Heather Starmer, MA Assistant Professor Department of Otolaryngology-Head & Neck Surgery

Johns Hopkins University Baltimore, Maryland Chapter 3

Joseph C. Stemple, PhD, CCC-SLP, ASHAF

Professor

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Contributors xxiii

College of Health Sciences University of Kentucky Lexington, Kentucky Chapters 1, 2, 3, 4, 5, and 8 R.E. Stone Jr, PhD Retired Director of Speech-Language Pathology

Vanderbilt Voice Center

Vanderbilt Bill Wilkerson Department of Communication Sciences and Disorders

Nashville, Tennessee Chapter 3

Jennifer Thompson, MA

Clinical Voice Pathologist Clinical Instructor

James Care Voice and Swallowing Disorders Clinic

The Ohio State University Columbus, Ohio

Chapter 6

Lyn Tindall Covert, PhD

Speech-Language Pathologist Department of Veterans Affairs

Medical Center Lexington, Kentucky Chapter 5

Michael D. Trudeau, PhD

Emeritus Associate Professor The Ohio State University Columbus, Ohio

Chapter 6

Eva van Leer, PhD, MFA Assistant Professor

Department of Education

Psychology, Special Education, and Communication Disorders

College of Education Georgia State University Atlanta, Georgia

Chapter 8

Miriam van Mersbergen, PhD

Assistant Professor

Speech-Language Pathology Northern Illinois University DeKalb, Illinois

Chapter 7

Jarrad Van Stan, MA, BRS-S

Senior Clinical Research Coordinator Speech-Language Pathologist

MGH Center for Laryngeal Surgery and Voice Rehabilitation

PhD Student

MGH Institute of Health Professions Boston, Massachusetts

Chapter 3

Katherine Verdolini Abbott, PhD

Professor

Department of Communication Science and Disorders, Otolaryngology McGowan Institute for Regenerative

Medicine

University of Pittsburgh Center for the Neural Basis of

Cognition

Carnegie-Mellon University and University of Pittsburgh Pittsburgh, Pennsylvania Chapter 3

Shelley Von Berg, PhD

Associate Professor

Communication Sciences and Disorders

California State University, Chico Chico, California

Chapter 4

Nicole Yee-Key Li, PhD, M.Phil.

Assistant Professor

University of Maryland-College Park

College Park, Maryland Chapter 3

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xxiv Voice Therapy: Clinical Case Studies

Aaron Ziegler, MA (ABD)

Doctoral Candidate University of Pittsburgh Pittsburgh, Pennsylvania Chapter 4

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1

Principles of Voice Therapy

Introduction

In preparing the fourth edition of this text, it was necessary to review almost 80 years of history related to voice ther-apy techniques and approaches. It is a rich and interesting history that gives an excellent understanding of how the treatment of voice disorders has grown and evolved to our present practice. Some of the therapy approaches devel-oped by early speech pathologists con-tinue to be used successfully in the remediation of voice disorders to this day. Because of the growth in our knowl-edge and understanding of voice pro-duction, other therapy approaches once commonly used were proven to be inef-fective. The past 30 years have yielded tremendous growth in our knowledge and understanding of vocal function. Computer models of phonation,1–6

his-tologic studies of the vocal folds,7–10

analysis of the vocal fold cover and tis-sue engineering,11–19 and genetic issues

associated with voice disorders20–23 are

but a few of the many advances in voice science. Furthermore, consider the rap-idly evolving ability to measure and describe normal and pathologic voice function objectively through sophisti-cated acoustic and aerodynamic instru-mentation, as well as the ability to observe vocal fold vibration. All of these scientific advancements have provided voice clinicians with the tools to confirm the efficacy of their approaches.

The number of traditional therapy approaches that continue to be used in voice therapy today is a strong state-ment of appreciation and admiration for the voice pedagogues, clinicians, and scientists of earlier days. The accuracy of their practical observations regard-ing voice function has proved to be uncanny. The efficacy of many of these traditional voice therapy techniques is now being tested through systematic outcomes research.24 Proof of the

use-fulness of many of these techniques, however, has been well established by

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2 Voice Therapy: Clinical Case Studies

the clinical results of skilled speech-language pathologists.

The major difference in voice ther-apy today compared with even 20 to 25 years ago is the ability to diagnose a problem quickly and accurately and to confirm the efficacy of our management approaches through objective measures. These objective measures may also be used as patient feedback during the therapeutic process. Although our man-agement approaches have changed over the years, voice therapy remains a blend of science and art.

The scientific nature of voice ther-apy involves the clinician’s knowledge of several important areas of study. These areas include the anatomy and physiology of normal and pathologic voice production; the nuances of laryn-geal pathologic conditions; the acoustics and aerodynamics of voice production; and the etiologic correlates of voice disorders, including patient behav-iors, medical causes, and psychological contributions:

n When considering the voice, we are

considering the most widely used instrument on earth.

n To understand the voice disorder, we

must understand the instrument’s physical structure and functional components.

n We must have the skills to measure

these components objectively and to relate these measures to our manage-ment choices.

n In addition, we must possess a broad

knowledge of the common causes of voice disorders and the nuances of laryngeal pathologic conditions.

The artistic nature of voice therapy is dependent on the human interac-tion skills of the clinician. Compassion,

understanding, empathy, and projec-tion of credibility, together with listen-ing, counsellisten-ing, and motivational skills are essential attributes of the success-ful voice clinician. Philosophically, we might make these statements about the artistic nature of voice:

n When considering the voice, we must

consider the whole person.

n To examine a voice disorder is to

examine a unique individual.

n The feelings of that individual, both

physical and emotional, may be directly reflected in the voice.

n To remediate a voice disorder, we

must have the skills to counsel and motivate the patient and empower readiness for change.

The successful voice clinician will combine attributes of the artistic ap- proaches toward voice therapy with the objective scientific bases to identify the problem and then plan and carry out appropriate management strategies. Nonetheless, possession of a solid base of didactic information augments expe-rience. Experience continues to teach even the masters. It is hoped that the experiences of others provided in this text will prove helpful in the develop-ment of superior voice clinicians.

Historical Perspective

In examining the evolution of the treat-ment of voice disorders, we find it was not until around 1930 that a few lar-yngologists, singing teachers, instruc-tors in the speech arts, and a fledgling group of speech correctionists became interested in retraining individuals with voice disorders. This group used drills

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Principles of Voice Therapy 3

and exercises borrowed from voice and diction manuals designed for the normal voice in an attempt to modify disordered voice production. Many of these rehabilitation techniques were and remain creative and effective, but they were not necessarily based on sci-entific principles. The “artistic” portion of voice treatment was the strong point of early clinicians.

Out of this artistic approach came the general treatment suggestions of: (1) ear training, (2) breathing exercises, (3) relaxation training, (4) articulatory compensations, (5) emotional retrain-ing, and (6) special drills for cleft palate and velopharyngeal insufficiency.25,26

These treatment suggestions became the foundation of vocal rehabilitation.

Several general management phi-losophies have arisen from the early foundations of voice rehabilitation. These philosophical orientations are based primarily on the clinician’s mind-set and previous training regarding voice disorders that directs the manage-ment focus. For the sake of discussion, we classify these management philoso-phies as:

n hygienic voice therapy n symptomatic voice therapy n psychogenic voice therapy n physiologic voice therapy n eclectic voice therapy

In short, hygienic voice therapy focuses on identifying inappropriate vocal hygiene behaviors, which then are modified or eliminated. Once modified, voice production has the opportunity to improve or return to normal.

Symptom-atic voice therapy focuses on modification

of the deviant vocal symptoms identi-fied by the speech-language pathologist, such as breathiness, low pitch, glottal

attacks, and so on. The focus of

psycho-genic voice therapy is on the emotional

and psychosocial status of the patient that led to and maintains the voice dis-order. The physiologic orientation of voice therapy focuses on directly modifying and improving the balance of laryngeal muscle effort to the supportive airflow, as well as the correct focus of the laryn-geal tone. Finally, the eclectic approach of voice therapy is the combination of any and all of the previous voice therapy orientations.27

None of these philosophical orienta-tions are pure. Much overlap is present, often leading to the use of an eclectic approach. With this introduction, let us examine the orientations of voice ther-apy in greater detail.

Hygienic Voice Therapy

Hygienic voice therapy often is the first step in many voice therapy programs. Many etiological factors contribute to the development of voice disorders. Poor vocal hygiene may be a major develop-mental factor. Some examples of behav-iors that constitute poor vocal hygiene include shouting, talking loudly over noise, screaming, vocal noises, cough-ing, throat clearcough-ing, and poor hydration. When the inappropriate vocal behaviors are identified, then appropriate treat-ments can be devised for modifying or eliminating them. Once modified, voice production has the opportunity to improve or return to normal.

Poor vocal hygiene may also in- clude the habitual use of inappropriate pitch or loudness, reduced respiratory support, poor phonatory habits (glot-tal attacks, fry), or inappropriate reso-nance. Functional inappropriate use of

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4 Voice Therapy: Clinical Case Studies

these voice components may contribute to the development and maintenance of a voice disorder. Hygienic voice therapy presumes that many voice dis-orders have a direct behavioral cause. This therapy strives to instill healthy vocal behaviors in the patient’s habitual speech patterns. Good vocal hygiene also focuses on maintaining the health of the vocal fold cover through ade-quate internal hydration and diet. Once identified, poor vocal hygiene habits can be modified or eliminated leading to improved voice production.

Symptomatic Voice Therapy

Symptomatic voice therapy was a term first introduced by Daniel Boone.28 This

voice management approach is based on the premise that modifying the symp-toms of voice production including pitch, loudness, respiration, and so on, will improve the voice disorder. Once identi-fied, the misuses of these various voice components are modified or reduced using voice therapy facilitating techniques.

In the voice clinician’s attempt to aid the patient in finding and using his best voice production, it is neces-sary to probe continually within the patient’s existing repertoire to find the best one voice which sounds “good” and which he is able to produce with relatively little effort. A voice therapy facilitating technique is that technique which, when used by a particular patient, enables him easily to produce a good voice. Once discovered, the facilitating technique and resulting phonation become the symptomatic focus of voice therapy . . . This use of a facilitating technique to produce a

good phonation is the core of what we do in symptomatic voice therapy for the reduction of hyperfunctional voice disorders.28(p11)

Boone’s original facilitating ap- proaches included:

1. altering of tongue position 2. change of loudness

3. chewing exercises 4. digital manipulation 5. ear training

6. elimination of abuses

7. elimination of hard glottal attack 8. establishment of a new pitch 9. explanation of the problem 10. feedback

11. hierarchy analysis 12. negative practice 13. open mouth exercises 14. pitch inflections 15. pushing approach 16. relaxation

17. respiration training 18. target voice models 19. voice rest

20. yawn-sigh approach

Many if not all of these facilitators remain useful and popular in the treatment of voice disorders and are described in greater detail in cases throughout this text.

The main focus of symptomatic voice therapy is direct modification of vocal symptoms. For example, if the patient presents with a voice quality characterized by low pitch, breathiness, and hard glottal attacks, then the main focus of therapy is to directly modify the symptoms. The facilitating approaches used to modify these symptoms might include explanation of the problem, ear training, elimination of hard

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glot-Principles of Voice Therapy 5

tal attack, and respiration training. The speech-language pathologist constantly probes for the “best” voice and attempts to stabilize that voice with the various, appropriate facilitating techniques. Symptomatic voice therapy assumes voice improvement through direct symptom modification.

Psychogenic Voice Therapy

Early in the study of voice disorders, the relationship of emotions to voice pro-duction was well recognized. As early as the mid-1800s, journal articles dis-cussed hysteric aphonia.29,30 West,

Ken-nedy, and Carr26 and Van Riper25

dis-cussed the need for emotional retraining in voice therapy. Murphy31 presented

an excellent discussion of the psycho-dynamics of voice. Friedrich Brodnitz,32

as an otolaryngologist, was uniquely sensitive to the relationship of emotions to voice. These early readings are most interesting and remain informative to those treating voice disorders.

Our understanding of psychogenic voice therapy was further expanded by Aronson,33 Case,34 Stemple,35 and

Colton and Casper.36 These authors

discussed the need for determining the emotional dynamics of the voice dis-turbance. Psychogenic voice therapy focuses on identification and modifica-tion of the emomodifica-tional and psychosocial disturbances associated with the onset and maintenance of the voice problem. Pure psychogenic voice therapy is based on the assumption of underlying emo-tional causes. Voice clinicians, therefore, must develop and possess superior interview skills, counseling skills, and the skill to know when the treatment

for the emotional or psychosocial prob-lem is beyond the realm of their skills. A referral system of support profession-als must be readily available.

Physiologic Voice Therapy

Physiologic voice therapy includes voice therapy programs that have been devised to directly alter or modify the physiology of the vocal mechanism. Normal voice production is dependent on a balance among airflow, supplied by the respiratory system; laryngeal muscle balance, coordination, and stam-ina; and coordination among these and the supraglottic resonatory structures (pharynx, oral cavity, and nasal cav-ity). Any disturbance in the physiologic balance of these vocal subsystems may lead to a voice disturbance.37

These disturbances may be in respi-ratory volume, power, pressure, and flow. Disturbances also may manifest in vocal fold tone, mass, stiffness, flexibil-ity, and approximation. Finally, the cou-pling of the supraglottic resonators and the placement of the laryngeal tone may cause or may be perceived as a voice disorder. The overall causes may be mechanical, neurologic, or psychologi-cal. Whatever the cause, the manage-ment approach is direct modification of the inappropriate physiologic activity through exercise and manipulation.

Inherent in physiologic voice ther-apy is a holistic approach to the treat-ment of voice disorders. They are thera-pies that strive to at once balance the three subsystems of voice production as opposed to working directly on sin-gle voice components, such as pitch or loudness. Examples of physiologic voice

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6 Voice Therapy: Clinical Case Studies

therapy include Vocal Function Exer-cises,38 Resonant Voice Therapy,39 and

the Accent Method of Voice Therapy,40

all of which are presented in this text.

Eclectic Voice Therapy

Adherence to one philosophical ori-entation of voice therapy would not be advisable. Successful voice therapy depends on utilization of an approach that happens to work for the therapist and the individual patient. The more management approaches are under-stood and mastered by the clinician, the greater the likelihood for success. Man-agement techniques that prove success-ful for one patient may not be successsuccess-ful for a similar patient. The clinician, there-fore, must possess the knowledge to adjust the management approach.

Some techniques that work well for one therapist may prove to be difficult for another. In whatever management approach you choose, you must have supreme confidence in your under-standing of the technique and your ability to make that approach work suc-cessfully. Your confidence is one factor that will determine the success or failure of therapy. Using a typical case, let us examine how each therapy orientation might be used to treat the vocal difficul-ties of this composite patient.

Case Study: Patient A

Patient A, a 52-year-old woman, was referred by her laryngologist to the voice center for postsurgical evaluation and treatment. Large, bilateral, draping polyps were first identified by an

anes-thesiologist while intubating the patient for a laminectomy 6 months prior to her voice evaluation. Because of the large polyps, intubation had been difficult. The problem was reported to her fam-ily physician, who in turn referred the patient to an otolaryngologist for a laryngeal examination.

Indirect mirror examination revealed bilateral polypoid degeneration, worse on the left than the right. Audible inspi-ratory stridor was noted by the physi-cian, and the patient reported shortness of breath during even limited physical exertion. Therefore, two surgeries (one for each vocal fold) were scheduled 6 weeks apart for aspiration of fluid and laser vaporization of redundant tissue. The surgeries were performed without complication, and the patient was seen for voice evaluation following appropri-ate healing.

History of the Problem

The patient reported that she had always had a “deep” voice, which had lowered even more over the past several years. Her presurgical voice quality had not been a concern to her, however. Instead, it was the shortness of breath that led her to agree to surgery. She reported that voice quality following the first sur-gery (left fold) was a little “hazy” but returned to “normal” within 1 week. The second surgery left her with signifi-cant, bothersome hoarseness that made her “wish I had never had surgery.”

Medical History

The patient reported undergoing two previous surgeries: removal of her gall bladder 10 years earlier and the

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lami-Principles of Voice Therapy 7

nectomy performed earlier this year. Even with the difficult intubation and the risk of vocal fold paralysis inherent in laminectomy, her presurgical voice quality was maintained. In addition to surgeries, she had been hospitalized 3 years before for 3 weeks and treated for chronic depression.

Chronic medical disorders included frequent upper respiratory infections including bronchitis, high blood pres-sure, circulatory problems in her legs, elevated blood sugar, and chronic neck and back pain. Daily medications were taken for blood pressure, chronic pain, depression, and sleep. She continued a 30-year history of smoking 1½ to 2 packs of cigarettes per day. Her liquid intake consisted mostly of 6 cups of caffeinated coffee per day. Chronic throat clear-ing and a persistent cough were noted throughout the evaluation.

Social History

Patient A had been married for 12 years to her second husband, following a first marriage of 18 years and divorce. She had two adult children from her previ-ous marriage. Her elderly mother-in-law lived with her and her husband, a situation that often caused friction and conflict with her husband. She was not shy in reporting her unhappiness with her marital relationship. This unhappi-ness was said to be a major factor in her history of depression.

Both the patient and her husband were employed by the local automobile assembly plant. She had worked as an assembler for 14 years in an environ-ment described as “noisy, dusty, and full of fumes” and was on a temporary medical disability because her back problems precluded her working in the

plant. Present activities included shop-ping with her daughter, talking on the telephone, caring for her home (back permitting), watching daytime televi-sion “talk” shows, and bowling two nights per week in two different leagues.

Voice Evaluation

Perceptually, the patient’s voice quality was described as moderately dysphonic, characterized by low pitch, inappropriate loudness, strained raspiness, and inter-mittent glottal fry phonation. Acoustic and aerodynamic analyses revealed a low fundamental frequency (150 Hz), limited frequency range (118–290 Hz), increased habitual intensity (76 dB), normal airflow volume (2300 mL H2O), reduced airflow

rate (<80 mL H2O/s), and reduced

maxi-mum phonation time (<12 s).

Laryngeal videostroboscopic ob- servation revealed mild-to-moderate bilateral true vocal fold edema and ery-thema. Glottic closure demonstrated an irregular glottal chink with a moder-ate ventricular fold compression. The edges of the vocal folds were rough and irregular, worse on the left than on the right. The amplitude of vibration was severely decreased bilaterally. The mucosal waves were barely percep-tible. The closed phase of the vibratory cycle was strongly dominant, whereas the symmetry of vibration was gener-ally irregular. No mass lesions, paresis, or paralysis was evident. In short, the patient had an edematous, stiff, hyper-functioning vocal fold system.

Impressions

Patient A presented with a voice disor-der that disor-derived from the following pos-sible causal factors:

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8 Voice Therapy: Clinical Case Studies

n cigarette smoking

n harsh employment environment n talking over noise at work n large caffeine intake

n frequent upper respiratory infections n prescription medications

n coughing and throat clearing n emotional instability

n talking too loudly (suggesting

pos-sible hearing loss, which later proved not to be present)

n using a low pitch

n laryngeal muscle tension

n postsurgical vocal fold mucosal

changes

Recommendations

Hygienic Voice Therapy

The general focus would be to identify the primary and secondary vocal mis-uses and then to modify or eliminate these nonhygienic behaviors. The pri-mary etiologic correlates include:

n Smoking

n Laryngeal dehydration from caffeine

and drugs

n Voice abuse, such as coughing, throat

clearing, and talking loudly over noise at work

Secondary precipitating factors that result from the pathologic condition include:

n Laryngeal area muscle tension and

hyperfunction caused by vocal fold stiffness

n Low pitch caused by increased mass n Increased loudness caused by the

effort used to force stiff vocal folds to vibrate

Therapy would focus on modifi-cation or elimination of the primary

causes. The patient would be aided in her attempt to stop smoking, encour-aged to begin a hydration program, and given vocal hygiene counseling to aid in elimination or reduction of the vocally abusive behaviors. The second-ary causes most likely would improve spontaneously as the primary causes were modified and the vocal fold con-dition improved.

Symptomatic Voice Therapy

The general focus would include use of facilitating techniques to:

n raise pitch n reduce loudness

n reduce laryngeal area tension and

effort

This direct symptom modification would follow an explanation of the problem and would run concurrently with mod-ification of vocally abusive behaviors, including:

n smoking n caffeine intake

n coughing and throat clearing

Psychogenic Voice Therapy

The general focus would be to explore the psychodynamics of the voice disor-der. Techniques would include:

n Detailed interview with the patient

to determine the cause and effects of depression

n Determination of the relationship

of emotional problems and voice problem

n Counseling of the patient

regard-ing the effects of emotions on voice production

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Principles of Voice Therapy 9

n Reduction of the musculoskeletal

tension with the use of laryngeal manipulation/laryngeal massage

n Referral for marital counseling as

deemed appropriate.

The secondary focus would deal with modification or elimination of the abu-sive behaviors, including:

n smoking

n caffeine and medications n coughing and throat clearing

Inappropriate use of pitch and loud-ness would most likely be viewed as obvious symptoms of the problem. These symptoms would likely improve as the psychodynamics were improved.

Physiologic Voice Therapy

The general focus would be on evalu-ating the present physiologic condition of the patient’s voice production and developing direct physical exercises to improve that condition. We know that the patient presented with extreme laryngeal tension. Irregular vocal fold edges caused a glottal chink. In addi-tion, her vocal folds were extremely stiff, both in amplitude and mucosal wave.

Normal voicing is dependent on near total closure of the vocal folds, permitting air pressure to build below the folds. As the pressure builds, it eventually overcomes the resistance of the approximated folds, permitting the release of one puff of air. As the air rushes between the vocal folds, sub-glottal, suprasub-glottal, and intraglottal pressures, along with the static posi-tion of the vocal folds, draw them back together to complete one vibra-tory cycle. Air gaps, or glottal chinks, change the physical dynamics of vocal

fold vibration, requiring an increased subglottic pressure. Patients such as this woman often make physical com-pensations in an attempt to push out the “best” voice by hyperfunctioning the supraglottic structures. Add vocal fold muscular and mucosal stiffness to this mix, and the patient presents with a significant muscle tension dysphonia with associated respiratory, laryngeal, and resonance dysfunctions.

Direct physiologic voice therapy would focus on exercises designed to rebalance the three subsystems of voice production: respiration, phonation, and resonance. Therapy methods chosen to accomplish this task might include Vocal Function Exercises, Resonant Voice Therapy, or the Accent Method of Voice Therapy. (All methods are described in subsequent chapters.)

Eclectic Voice Therapy

In this review of philosophical orienta-tions of voice therapy, you have seen the various strengths of each management orientation, as well as the difficulty in subscribing to any one philosophy. All patients will be treated best by a speech-language pathologist with knowledge and understanding of all possible man-agement strategies and alternatives. As you read and study the many case presentations of this text, it is benefi-cial to evaluate the philosophy behind the treatment approach as a means of better understanding the reasons for the approach. The successful speech-language pathologist is both an artist and a scientist with an eclectic point of view. Therapy for Patient A should focus on:

n vocal hygiene counseling n symptom modification

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10 Voice Therapy: Clinical Case Studies

n attention to the psychodynamics of

the problem

n direct physiologic vocal exercise

Voice Care Professionals

Thus far, we have discussed the treat-ment of voice disorders in terms of direct voice therapy. Voice care, however, is a shared province, with contributions from the primary care physician, laryn-gologist, speech-language pathologist, neurologist, allergist, gastroenterolo-gist, pulmonologastroenterolo-gist, psychologastroenterolo-gist, vocal coach, singing instructor, and others. Case studies presented in all chapters of this text describe the unique interdis-ciplinary and complementary relation-ships of each of these professionals with the others and with their patients.

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