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POEMS

FIRST SERIES

(6)
(7)

POEMS

FIRST

SERIES

BY

J.

C.

SQUIRE

LONDON

MARTIN

SECKER

XVII

BUCKINGHAM

STREET

(8)
(9)

DEDICATION

Lord,Ihaveseenatharvest festival

In awhitelamp-litAsking-village church,

Hornthepoorfolk, lackingfinedecorations, Offerthefirst-jruitsoftheirvarious toils:

Not only fruitand blossom ofthe fields,

Ripecornandpoppies, scabious, marguerites,

Melons andmarrows,carrotsandpotatoes,

And

pale roundturnipsandsweetcottageflowers,

Butgifts

of

otherproduce,heapedbrownnets,

Finepollack,silverfish withumberbacks,

And

handsomegreen-dark-blue-striped mackerel,

And

uglier, hornier creatures

from

the sea,

Lobsters, long-clawedandeyed,andsmoothflat crabs,

Ranged

with theflowersuponthewindow-niches,

To

lieinthatsymbolic contiguity

Whilelustyhymns

of

gratitudeascend.

Sol

Here

offerallIhavefound:

A

few

brightstainlessflowers

And

richer, earthlierblooms, andhomelygrain,

And

roots thatgrewdistorted inthe dark,

And

shapes

of

lividhueandsprawling

form

Dragged from

the deepestwatersIhavesearched.

Mostdiversegifts,yetall alike in this:

Theyareallthe naturalproductsof

my

mind

And

heartandsenses;

(10)
(11)

PREFACE

THE

title ofthis

book

was chosen for this reason.

Had

the volume

been

called and Other

Poems

it

might

have given a false impression that its contentswereentirelynew.

Had

it

been

called Collected

Poems

the equally false impres-sion

might

have been given that there was something of

finalityaboutit.

The

title selected

seemed

best to convey

both the fact that it was a collection

and

that,under

Pro-vidence, other (and, let us hope, superior) collections will

follow it.

The

book

contains all that I do not wish to destroy of

the contents of fourvolumes of verse.

A

number

of small corrections have

been

made.

There

are added,also, a few

recent

poems

not previously published.

The

earliest of the

poems

now

reprinted is dated 1905, in

which

year I

was

twenty-one.

Some

ofthesubsequentyears,suchas 1914

and

1915, contributednothingto this

book

: the greater

number

ofthe

poems

werewritten in 1911-1912

and

1916-1917.

Some

ofthe

poems were

not writtenasIshould

now

write

them;

and

many

of

them

reflect transient, though mostly

recurrent,

moods which

I

do

notnecessarily thinkworthy of esteem.

J. C. S.

(12)
(13)

YEAR PAGE DEDICATION 5 PREFACE 7 1905 IN A CHAIR 11

A

DAY

12 1907

THE

ROOF

14 1910

TOWN

16 FRIENDSHIP'S

GARLAND

21 1911

A

CHANT

24

THE

THREE

HILLS 25

AT

NIGHT

26

LINES 27

FLORIAN'S

SONG

30 1912 ANTINOMIES ON A

RAILWAY

STATION 31

TREE-TOPS 35 ARTEMIS

ALTERA

36 EPILOGUE 37 DIALOGUE 38 STARLIGHT 41

SONG

42 CREPUSCULAR 43

FOR

Music 44

THE

FUGITIVE 45 ECHOES 47

1913

THE MIND

OF

MAN

49

A

REASONABLE PROTESTATION 52 IN

THE

PARK

57 IN

THE

ORCHARD

59

THE

SHIP . 60

ODE

: IN A

RESTAURANT

6l 9

(14)

FAITH 71

A

FRESH

MORNING

72

INTERIOR 73

1913-14

ON

A FRIEND RECENTLY DEAD 74

1916

THE

MARCH

80

PROLOGUE: IN

DARKNESS

81

THE

LILY OF

MALUD

82

1917

A

HOUSE

87

BEHIND THE

LINES 89

ARAB

SONG

90

THE

STRONGHOLD

92

To

A BULL-DOG 93

THE

LAKE

96 PARADISE LOST 97 ACACIA

TREE

98

AUGUST

MOON

100

SONNET

102

SONG

103

A

GENERATION 104

UNDER

105 RIVERS 107

I SHALL

MAKE BEAUTY

...

115

ENVOI 116

(15)

IN

A

CHAIR

THE

room

isfull ofthepeace of night,

The

small flames

murmur

andflicker

and

sway,

Within

me

isneithershadow, norlight,

Nor

night,nortwilight,nor dawn, norday.

Forthe brain strivesnot tothe goal of thought,

And

thelimbsliewearied,

and

alldesire Sleepsfora while,

and

I

am

naught

Butapair ofeyesthatgazeata fire.

(16)

A

DAY

I.

MORNING

THE

village fades

away

Where

I lastnight came,

Where

they housed

me

and

fed

me

And

never asked

my

name.

The

sunshines bright,

my

stepis light, I,

who

haveno abode,

Jeerat the stuck,

monotonous

Black postsalongtheroad.

II.

MIDDAY

The wood

is still,

As

here Isit

My

heartdrinksin

The

peaceofit.

A

somethingstirs I

know

not where,

Some

quietspirit

In theair.

O

tallstraightstems!

O

cool

deep

green!

O

hand

unfelt!

O

faceunseen!

(17)

III.

EVENING

The

eveningcloses in,

As

down

this lastlonglane

I plod; there patterround

Firstheavy dropsofrain.

Feetache,legs ache,but

now

Step quickensas Ithink

Of mounds

ofbread

and

cheese

And

somethinghottodrink.

IV.

NIGHT

Ah

!

sleepis sweet,but yet

I will notsleepawhile

Nor

foraspace forget

The

toil of thatlastmile;

But

lie

awake and

feel

The

cool sheets'tremulouskisses

O'erall

my

body

steal . . .

Issleepassweetas thisis ?

(18)

THE ROOF

I

WHEN

the cloudshide the sun

away

The

tallslateroofisdull

and

grey,

And

when

therain

adown

it streams

'Tispolished lead withpale-blue gleams.

When

the clouds vanish

and

therain

Stops,

and

thesun

comes

out again,

It

shimmers

golden inthesun

Almost

too brighttolook upon.

But

soonbeneath the steady rays

The

roofisdried

and

reftofblaze,

'Tisdusty yellowtraversedthrough

By

longthinlinesofdeepestblue.

Then

atthelast,asnightdraws near,

The

lines

grow

faint

and

disappear,

The

roof

becomes

apurplemist,

A

greatsquare darkeningamethyst

Which

sinks intothegathering shade

Till separateform

and

colourfade,

And

it isbut apatch which mars

The

beautyof afieldofstars.

II

Itstandssolonely inthesky

The

sparrowsnever

come

thereby,

The

glossystarlingsseldom stop

To

preen

and

chatteron thetop. 14

(19)

Forawhole

week

sometimes

up

there

No

wing-wavestirs the quietair,

The

rooflies silent

and

serene

As

though

no

life

had

ever

been

;

Till

some

bright afternoon, athwart

The

edge two sudden

shadows dart,

And

two

white pigeons with pinkfeet

Flutterabove

and

pitch

on

it.

Jerkingtheirnecksoutasthey walk

They

talkawhiletheirpigeon-talk,

A

low continuous

murmur

blent

Of mock

reproaches

and

content.

Then

cease,

and

sit there

warm

and

white

An

hour,tillin the fadinglight

They

wake,

and

know

theclose of day,

Flutter above,

and

flyaway,

Leaving the roof

whereon

theysat

As

'twas before, a peacefulflat

Expanse,as silent

and

serene

As

though

no

life

had

ever been.

(20)

TOWN

MOSTLY

in adull rotation

We

bearour loadsandeat

and

drink

and

sleep,

Feeling no tears,

knowing

nomeditation

Too

tired to think, tooclogged withearth toweep.

Dimly

convinced,poorgropingwretches, Like eyelessinsects in a

murky

pond

That

out

and

out this city stretches,

Away,

away,

and

thereis no beyond.

No

larger earth,

no

loftierheaven,

No

cleaner, gentlerairstobreathe.

And

yet,

Even

tous sometimes isgiven

Visions of things

we

other timesforget.

Some

dayis done,its labour ended,

And

as

we

sit

and

broodat

windows

high,

A

steady

wind

fromfar descended,

Blowsoffthefilth that hidthedeeper sky;

There

are the

empty

waitingspaces,

We

watch,

we

watch, unwinking,pale

and dumb,

Tillgliding

up

with noiseless paces,

Nightcoversall thewidearch: Night hascome.

Not

thatsick falsenight of the city,

Lurid

and

lowand yellow

and

obscene, But

mother

Night, pure,full ofpity,

The

star-strewn Night,blue, potent andserene.

(21)

O,as

we

gaze the clamourceases,

The

turbid world around grows

dim and

small,

The

soft-shed influence releases

Our

shroudedspirits fromtheirdusty pall.

No

more

we

hearthe turbulenttraffic,

Not

scornedbut

unremembered

istheday;

The

Night,allluminous

and

seraphic,

Has

brushedits heavy

memories

away.

The

great blueNightso clear

and

kindly,

The

littlestars sowide-eyed

and

sostill,

Open

adoorfor soulsthat blindly

Had

wandered,tunnellingtheendlesshill;

They

draw

thelong-untraversedportal,

Our

soulsslipout

and

tremble

and

expand,

The

immortal feels fortheimmortal,

The

eternalholdsthe eternal

by

the hand.

Impalpably

we

are led

and

lifted, Softly

we

shake intothegulf ofblue,

The

lastenvironingveilisrifted

And

losthorizonsfloatintoourview. Lostlands, loneseas,lands thatafar

gleam

With

a miraculous beauty,faintyetclear,

Forgottenlands ofnight

and

star-gleam,

Seasthat are

somewhere

but that arenothere.

Borne withouteffortorendeavour,

Swifter

and more

etherealthan the wind, In leveltrack

we

stream, whilst ever

The

fairpale

panorama

rollsbehind.

(22)

Now

fleetsbelow atranced moorland,

A

sweep

ofglimmering immobility;

Now

craggy cliffand dentedforeland

Pass backandthere

beyond

unfoldsthesea.

Now

wastesofwaterheaving,drawing,

Greatdarklingtractsofpatternedrestlessness,

With

whitened waves round roughrocks

mawing

And

licking islands in their fierce caress.

Now

coastswith capes

and

ribboned beaches Setsilent'neath thecanopysapphirine,

And

estuaries

and

riverreaches.

Phantasmalsilver inthenight's soft shine.

Ah,

thesefair

woods

thespiritcrosses,

These

quietlakes, these stretched dreamingfields,

These

undulate

downs

with piny bosses Pointing the ridges oftheirslopingshields.

These

valleys

and

these heights that screen them,

These

tawniersands

where

grass

and

tree arenot,

Ah,

we

have

known

them,

we

have seen them,

We

saw

them

long ago and

we

forgot;

We

know them

all, these placidcountries,

And

what

the

pathway

is

and what

the goal;

These

are the gates

and

these the sentries

That

guard that ancientfortressof thesoul.

And

we

speed

onward

flying, flying,

Over

thesundering wavesofhillandplain

To

where

theyrear theirheads undying

The unnamed

mountains of olddaysagain.

(23)

The

snows

upon

theircalmstill summits,

The

chasms,thefilesoftrees thatfootthe snow,

Curvinglikeinky frozen comets, Intothe forest-ocean spread below.

The

glisten

where

thepeaksare hoarest,

The

soundless darkness ofthe

sunken

vales,

The

foldingleagues of

shadowy

forest,

Edge

beyond edge

till all distinctnessfails.

Soinvulnerable it is,sodeathless,

So

floodstheairthe lovelinessofit,

That

we

stay dazzled,rapt

and

breathless,

Our

beings ebbingtotheinfinite.

There

as

we

pause, thereas

we

hover,

Still-poised in ecstasy,a

sudden

light

Breaksinoureyes,

and

we

discover

We

sitat

windows

gazingto thenight.

Wistful

and

tired,with eyesa-tingle

Where

stillthe sting ofBeautyfaintly smarts ;

But

with our

mute

regrets theremingle

Thanks

fortheresurrection ofourhearts.

O

nightsogreat thatwill not

mock

us!

O

stars sowise thatunderstand the

weak

!

O

vastconsoling

hands

thatrock us!

O

strong

and

perfecttongues thatspeak!

O

night enrobedinazuresplendour!

O

whisperingstars

whose

radiancefallslike

dew

!

O

mighty

presences

and

tender,

You

havegiven usbackthedreams our childhood

knew

!

(24)

Lulled by yourvisionswithout number,

We

seekourbeds content

and

void ofpain,

And

dreaming drowse

and dreaming

slumber

And

dreaming

wake

tosee the dayagain.

(25)

FRIENDSHIP'S

GARLAND

I

WHEN

Iwas aboythere wasa friend of

mine

:

We

thoughtourselves warriors

and grown

folk swine, Stupid oldanimals

who

never understood

And

never

had

an impulse andsaid "you

must

be good.

We

slanklikestoats

and

fledlike foxes,

We

put cigarettes inthepillar-boxes, Lightedcigarettes

and

lettersall aflame

thesurprise

when

the

postman came

!

We

stoleeggs

and

apples

and

made

finehay

Inpeople'shouses

when

people

were

away,

We

brokestreetlamps

and away

we

ran,

Then

I

was

a

boy

but

now

I

am

a man.

Now

I

am

a

man

and

don't have

any

fun,

1hardly evershout

and

Inever, neverrun,

And

Idon't care ifhe'sdead thatfriend ofmine, For then I

was

a boy

and

now

I

am

a swine.

II

WE

met

again the other night

With

people; you werequite polite,

Shook

my

hand and

spokea while

Of common

things with cautious smile;

Paid the usual debt

men

owe

To

fellows

whom

they usedtoknow.

(26)

But,

when

our eyes

met

full,yours dropped,

And

sudden, resolute,you stopped,

Moving

with hurriedsyllables

To make

remarksto

someone

else.

I caught

them

not,to

me

they said:

" Letthe

dead

pastburyitsdead,

Things

were

verydifferentthen, Boysarefools

and

men

are

men."

Severaltimes the othernight

You

did yourbesttobe polite;

When

intheconversation's round

You

heard

my

tongue's familiarsound

You

bentin eager pose

my

way

To

hear

what

I

had

gottosay;

Trying,you thought with

some

success,

To

hidethe chasm's nakedness.

Bat

on youreyes hardfilmsthere lay;

No

mock-interest,no pretence Couldveilyour blankindifference;

And

ifthoughts

came

recallingthings

Far-off, far-off, fromthose old springs

When

underneaththe

moon

and sun

Our

separate pulses beatasone, Vagrant tender thoughtsthatasked Admittance foundthe portal

masked

;

You

spurned

them

;

when

I'd said

my

say,

With

laugh

and

nod

you turned

away

To

tossyourfriends

some

easyjest

That

smote

my

brow and

stabbed

my

breast.

Foplishthoughit be

and

vain

I

am

notmasterof

my

pain,

And

when

1 saidgood-night toyou

(27)

I

hoped

we

shouldnot

meet

again,

And

wondered

how

the soul I

knew

Could change so

much

; have I

changed

too?

Ill

THERE was

a

man

whom

I

knew

well

Whose

choiceit

was

tolive in hell;

Reasonthere was

why

thatwasso

But

what

it wasI

do

notknow.

He

had

a

room

highina tower,

And

satthere drinking hourbyhour, Drinking,drinkingall alone

With

candles

and

a wall ofstone.

Now

and

thenhe sobered

down,

And

stayed a night with

me

intown.

Ifhe found

me

with acrowd,

He

shrank

and

didnot speak aloud.

He

sat ina cornersilently,

And

others ofthe

company

Would

note hiscuriousface

and

eye,

His twitching face

and

timid eye.

When

they saw theeye he

had

They

thought, perhaps, thathe was

mad

:

I

knew

he

was

clear

and

sane

But had

a horrorin his brain.

He

had

much money

and

onefriend

And

drankquitegrimly tothe end.

Why

he choseto diein hell Idid notask, he did not tell.

(28)

A CHANT

GENTLY

the petalsfall as thetreegently sways

That

has

known many

springs

and

many

petalsfall

Year

afteryeartostrew the green desertedways

And

the statue

and

the

pond and

the low,broken wall.

Faded

isthe

memory

of old things done, Peacefloats on the ruinsofancientfestival ;

They

lie

and

forgetin the

warmth

of the sun,

And

askysilver-blue archesoverall.

O

softly,

O

tenderly, the heart

now

stirs

With

desires faint

and

formless; and,seekingnot,I find

Quiet thoughtsthatflashlike azure kingfishers

Across the luminous,tranquil mirror of themind.

(29)

24-THE THREE

HILLS

THERE were

threehills thatstood alone

With woods

abouttheirfeet.

They

dreamed

quiet

when

the sun shone

And

whispered

when

the rain beat.

They

wore

all threetheircoronals

Till

men

with houses

came

And

scoredtheirheads with pits

and

walls

And

thoughtthehills

were

tame.

Red

and

white

when

day shines bright

They

hidethe green for miles,

Where

are the oldhills

gone

?

At

night

The moon

looks

down

and

smiles.

She

sees the captors small

and

weak,

She knows

the prisoners strong,

She

hears the patienthills thatspeak:

"

Brothers,it is notlong;

"

Brothers,

we

stood

when

they

were

not

Ten

thousand

summers

past.

Brothers,

when

theyare clean forgot

We

shall outlivethelast;

"

One

shalldie

and

oneshall flee

With

terror in his train,

And

earth shalleat thestones,

and

we

Shallbealone again." 25

(30)

AT

NIGHT

DARK

fir-tops footthe

moony

sky, Blue moonlight barsthe drive;

Here

at the

open window

I

Sit

smoking

andalive.

Wind

in the branchesswellsandbreaks Like ocean ona beach;

Deep

inthe sky and

my

heart there

wakes

A

thought I cannotreach.

(31)

LINES

WHEN

London was

alittle

town

Lean by

theriver's marge,

The

poetpacedit witha frown,

He

thought itvery large.

He

loved bright shipandpointing steeple

And

bridge with houses loaded

And

priests

and

many-coloured people . .

But

ah,they

were

not

woaded

!

Not

allthewallscould shedthespell

Of

meres

and

marshes green,

Nor any

chaffering

merchant

tell

The

beautythat

had

been:

The

crying birdsatfall of night,

The

fisherin his coracle,

And,

grim on Ludgate's

windy

height,

An

oak-tree

and

an oracle.

Sickforthe past his hairhe rent

And

dropt atear inseason;

Ifhe

had

causefor his lament

We

have

much

betterreason.

For

now

the fields andpaths

he

knew

Are

coffined allwithbricks,

The

lucid silverstream he

knew

Runs

slimyas the Styx;

(32)

-North

and

south andeast

and

west, Far astheeye cantravel,

Earth witha sombre

web

isdrest

That

nothing can unravel.

And

we

must wear

asblack a frown, Wail withas

keen

a

woe

That

London

wasa little

town

Five

hundred

yearsago.

Yet

even this place ofsteamystir,

Thispitof belch

and

swallow,

With

chrismofgold

and

gossamer

The

elements can hallow.

Ihave a

room

in

Chancery

Lane,

High

in a worldofwires,

Whence

fallthe roofsa raggedplain

Wooded

with

many

spires.

There

inthe

dawns

of

summer

days

I stand,

and

therebehold

A

cityveiledin rainbow haze

And

spangled allwithgold.

The

breezeswaftabroadthe rays Shot by the

waking

sun,

A

myriad chimneyssoftly blaze,

A

myriad shadowsrun.

Round

thewiderimin radiantmist

The

gentlesuburbs quiver,

And

nearerlies the shining twist

Of

Thames,

a holyriver.

(33)

Left

and

right

my

visiondrifts,

By

yonder towersI linger,

Where

Westminster'scathedrallifts

Its belled Byzantinefinger,

And

hereagainst

my

perched

home

Where

hold wise conversedaily

The

loftier

and

thelesser

dome,

StPaul'sand the

Old

Bailey.

(34)

FLORIAN'S

SONG

MY

soul,itshall not takeus,

O

we

will escape

This world thatstrives tobreakus

And

cast us toits shape;

Its chisel shallnotenter, Itsfire shallnot touch,

Hard

from rimtocentre,

We

will notcrack orsmutch.

'Gainstwords sweet

and

flowered

We

have an amulet,

We

will not play thecoward For any black threat;

If

we

butgiveendurance

To

what

is

now

within

The

single assurance

That

itis

good

towin.

Slaves thinkit better

To

be

weak

thanstrong,

Whose

hateisa fetter

And

theirlove a thong. But

we

will viewthose others

With

eyeslike stone,

And

if

we

have no brothers

(35)

ANTINOMIES

ON

A

RAILWAY

STATION

As

I stand waitingin therain

Forthe foggy hootofthe

London

train.

Gazingat silent walland

lamp

And

post andrail

and

platformdamp.

What

isthis

power

that

comes

to

my

sight

That

Isee a nightwithout the night,

That

Isee

them

clear,yet look

them

through,

The

silverythings

and

the darklyblue,

That

thesolid wallseemssoftas death,

A

wavering

and

unanchoredwraith,

And

railsthatshine

and

stones thatstream Unsubstantial asa

dream

?

What

sudden doorhas

opened

so,

What

hand

has passed, that I should

know

This

moving

vision nota trance

That

melts the globe of circumstance,

This sight that

marks

not leastormost

And

makes

a stone a passing ghost?

Isit that a yearago

Istood

upon

thisself-same spot;

Isitthat since a yearago

The

place

and

I havealtered not;

Is itthatI halfforgot,

A

yearago,

and

all despised

Fora space the things that I had prized:

The

raceoflife, theglittering

show

?

Isitthat

now

ayearhas passed 31

(36)

In vain pursuit ofglittering things,

Infruitlesssearching, shouting, running,

And

greedylies

and

candourcunning,

Here

as Istand the year above

Sudden

the heats

and

thestrivingsfail

And

fall away,afluctuantveil,

And

thefixed familiarstones restore

The

oldappearance-buriedcore,

The

unmoving and

essential

me,

The

eternal personality

Alone enduringfirst andlast?

No, this I have

known

inother ways,

In otherplaces,otherdays.

Not

only here,

on

thisone peak,

Do

fixity

and

beauty speak

Of

the delusiveness ofchange,

Of

the transparency ofform,

The

bootlessstressofmindsthat range,

The

awful calm behindthe storm. In

many

places,

many

days,

The

invadedsoul receivesthe rays

Of

countriesshe

was

nurtured in,

Speaksinhersilentlanguage strange

To

that

beyond

whichisherkin.

Even

inpeopled streets attimes

A

metaphysic

arm

is thrust

Through

the partitioningfabric thin,

And

tears

away

the darkeningpall Castby the bright phenomenal,

And

clears the obscuredspirit'smirror

From

shadows of deceptive error, 32

(37)

And

showsthe bells

and

alltheirringing,

And

all the crowds

and

alltheirsinging, Carillonsthat are nothing's chimes

And

dust thatisnoteven dust. . . . Butrarelyhold Iconverse thus

Where

shapesare bright

and

clamorous,

More

often

comes

the

word

divine In places motionless

and

far;

Beneaththewhitepeculiar shine

Of

sunless

summer

afternoons;

At

eventideonpale lagoons

Where

hangs reflectedone palestar;

Or

deep

in thegreen solitudes

Of

still erect entranced woods.

O,inthe

woods

alonelying, Scarcea

bough

in the

wind

sighing,

Gaze

Ilong with fervid

power

At

leaf

and

branch

and

grass

and

flower,

Breathe Ibreaths oftremblingsight

Shed

from great urns ofgreendelight,

Take

I draughts and drink

them

up-Poured from

many

a stalk

and

cup.

Now

do

I burnfornothing

more

Than

thustogaze, thustoadore Thisexquisiteness of nature ever Insilence. . . .

But

withinstantlight

Rends

thefilm; withjoy I quiver

To

seewith

new

celestial sight

Flower

and

leaf

and

grass

and

tree,

Doomed

barks on aneternalsea,

(38)

Flit phantom-likeastransientsmoke. Beauty herself her spellhas broke,

Beauty, the herald

and

thelure,

Her

message told,

may

notendure;

Her

portal opened, she hasdied,

Supreme

immortalsuicide.

Yes,sleeplessnature soundlessflings Invisiblegrapplesroundthesoul,

Drawing

her through the

web

of things

To

the primal

end

ofherjourneyings,

Her

ultimate

and

constantpole.

For Beauty with her handsthat

beckon

Is but the Prophetof aHigher,

A

flaming

and

ephemeral beacon,

A

Phoenix perishing

by

fire.

Herself from us herself estranges, Herself her

mighty

tale dothkill,

That

allthingschange yetnothingchanges,

That

allthings

move

yetall are still.

Icannotsink, I cannotclimb,

Now

that I see

my

ancient dwelling,

The

central orb untouchedof time,

And

tasteapeace allbliss excelling.

Now

I havebroken Beauty's wall,

Now

that

my

kindred world I hold, I carenot though the cities fall

(39)

TREE-TOPS

THERE beyond

my

window

ledge,

Heaped

against thesky, a

hedge

Of

huge and waving

tree-tops stands

With

multitudes offluttering hands.

Wave

they, beatthey, to

and

fro,

Never

stillness

may

they

know,

Plunged by

the

wind

and hurled

and

torn

Anguished, purposeless,forlorn. "

O

ferocious,

O

despairing, Inhuddledisolation faring

Through

ascattered universe,

Lostcoinsfrom theAlmighty'spurse!

"

"

No, below you do not see

The

firmfoundations of the tree;

Anchored

to arock beneath

We

laughinthe

hammering

tempest's teeth.

"

Boughs

like

men

but burgeonsare

On

an adamantinestar;

Men

aremyriad blossoms on

A

staunch and cosmicskeleton."

(40)

ARTEMIS

ALTERA

O

FULL ofcandourand compassion,

Whom

love

and

worship both

would

praise,

Love

cannot frame nor worshipfashion

The

image

ofyour fearless

ways

!

How

show

your noble brow'sdark pallor,

Your

chivalrouscasque of

ebon

hair,

Your

eyes' bright strength,yourlips' softvalour,

Your

supple shoulders

and

handsthatdare?

Our

souls

when

naivelyyou examine,

Your

sword of innocence,naming, huge,

Sweeps

overus,

and

thereis famine

Within the ports of subterfuge.

You

hate

contempt

andlove not laughter;

With

your sharp spear ofvirgin will

You

harry the wickedstrong; butafter,

O

huntress

who

could neverkill,

Should they be trodden

down

orpierced, Swift, swift,you flywith burning cheek

To

place yourbeauty's shield reversed

(41)

EPILOGUE

THAN

farthest stars

more

distant,

A

mile more,

A

milemore,

A

voice crieson insistent: "

You

may

smile

more

ifyouwill;

"

You may

sing too

and

spring too;

But

numb

atlast

And

dumb

atlast,

Whatever

portyou clingto,

You

must come

at lasttoa hill.

"

And

never a

man

you'llfindthere

To

take your

hand

And

shake your

hand

;

But

when

you go behind there

You

must

make

your

hand

a sword

"

To

fencewith a

foeman

swarthy,

And

swink there

Nor

shrink there,

Though

cowardly

and

worthy

Must

drink there onereward."

(42)

DIALOGUE

THE ONE

THE

dead

man's gone, the live man's sad, the dying leaf

shakes onthe tree,

The

wind

constrains the window-panes and

moans

like

moaning

ofthe sea,

And

sour's the taste

now

culled in haste of lovelythings

I

won

too late,

And

loud

and

loud above the

crowd

the Voice of

One

more

strongthan we.

THE OTHER

This Voice you hear, this call you fear, is it unprophesied

or

new

?

Were

you so insolent to think its rope

would

never circle

you?

Did

you then beastlike live

and

walk with ears and eyes that

would

not turn?

Who

bade

you

hope your service 'scape in that eternal retinue?

THE ONE

No

; forI swear

now

bare's the tree

and

loud the

moaning

ofthe wind,

I

walked

no rut with eyelids shut,

my

ears and eyes

were

neverblind,

Only

my

eager thoughts I bent on

many

things that I

desired

To make

my

greedy heart content ere flesh and blood I

leftbehind.

(43)

THE OTHER

Ignorance, then, was all your fault

and

filmed eyes that could not

know,

That

half discerned

and

never learned the temporal

way

that

men

must go

;

You

set the

image

of the world high for your heart's idolatry,

Though

with yourlips

you

called the world atoy, a ghost,

a passingshow.

THE ONE

No, no; this is not true;

my

lips spoke only

what

my

heart believed.

Called I the world a toy; I spoke not echo-like or

self-deceived.

But

that I thought the toy was

mine

to play with,

and

the passing

show

Would

sate at least

my

passinglusts,

and

did not, therefore

am

I

grieved.

What

did I do that I

must

bear this lifelong tyranny of

my

fate,

That

I

must

writhe in bonds unsought of accidental love

and

hate?

Had

chance butjoined different dice, but once or twice,

butonceor twice,

All lovely things that I desired I should have held before toolate.

Surely I

knew

that flesh

was

grass nor valued

overmuch

theprize,

But

allthe powers of chance conspired to cheat a

man

both

just

and

wise.

(44)

Happy

I'd been

had

I but

had

my

due reward,

and

not

asword

Flaming

in diabolic

hand between

me

and

my

Paradise.

N

THE OTHER

No

hooded

band

of fates did stand your heart's ambitions

togainsay,

No

flaming brand in evil

hand

was ever thrust across your way,

Only

the thingsall

men

must

meet,the

common

attributes

of

men,

That

men

may

flinch to see or, seeing, deny, but avoid

them

no

man

may.

Fall the dice, not once or twice but always, to

make

the self-same

sum

;

Chance

what may,

a life's a life

and

to a single goal

must

come

;

Though

a

man

search far

and

wide, never is hunger

satisfied;

Nature brings her natural fetters,

man

is

meshed and

the wise are

dumb.

O

vain all art to assuage a heart with accents of a mortal tongue,

All earthly words are incomplete

and

only sweet are the songs unsung,

Never

yet was cause for regret, yet regret

must

afflict

usall,

Better it were to grasp the world 'thwart which this world

isa curtainflung.

(45)

STARLIGHT

LASTnightI

lay inan

open

field

And

looked atthestarswith lipssealed;

No

noise

moved

the windlessair,

And

Ilookedatthe starswith steadystare.

There were

some

thatglittered

and

some

thatshone

With

a soft

and

equalglow,

and

one

That queened

it over the sprinkled round,

Swaying

the hostwithsilentsound.

"Calm

things," Ithought,

"in

your cavernblue, I will learn

and

hold

and

master you;

I will

yoke and

scornyou asI can,

Forthe pride of

my

heartis the pride of a man."

Grass to

my

cheekinthe

dewy

field,

Ilayquite still withlips sealed,

And

the pride of a

man

and

his rigid gaze Stalkedlike swords on heaven's ways.

But

througha sudden gate therestole

The

Universe

and

spreadin

my

soul;

Quick went

my

breath

and

quick

my

heart,

And

I lookedatthe starswith lipsapart.

(46)

SONG

THERE

isa

wood

where

thefairies dance All nightlongin aring of

mushrooms

daintily,

By

each treebolesitsa squirrelor a mole,

And

the

moon

throughthebranchesdarts.

Light onthe grass theirslimlimbs glance,

Their shadows inthe moonlightswingin quiet unison,

And

the

moon

discoversthattheyallhavelovers,

But they never breaktheirhearts.

They

nevergrieveat allforsands that run,

They

never

know

regret fora

deed

that'sdone,

And

they never think ofgoingtoashed with a

gun

At

the risingofthe sun.

(47)

No

creature stirsin thewide fields.

The

riftedwesternheavenyields

The

dyingsun's illumination.

This isthe houroftribulation

When,

with clear sight ofeve engendered, Day's

homage

todelusion rendered,

Mute

ather

window

sits thesoul.

Cloudsand skies

and

lakesandseas, Valleys

and

hills

and

grass

and

trees,

Sun,

moon, and

stars, allstandtoher

Limbs

ofone lordless challenger,

Who,

without deigningtauntorfrown,

Throws

a perennial gauntlet

down

:

"

Come

conquer

me

and take thy toll."

No

cowardice orfearshe knows,

But,asonce

more

she girds, there grows

An

unresigned hopelessness

From memory

offormer stress.

Head

bent, she

muses

whilst he waits:

How

with such

weapons

dinthis plates?

How

quell this vast

and

sleeplessgiant Calmly,immortally defiant,

How

fellhim, bindhim,

and

control

(48)

FOR

MUSIC

DEATH

inthe cold grey

morning

Came

tothe

man

where

helay

;

And

the

wind

shivered,andthetree shuddered

And

the

dawn

wasgrey.

And

thefaceofthe

man

was grey inthedawn,

And

the watchers by the

bed

Knew,

as they heard theshaking ofthe leaves,

(49)

THE

FUGITIVE

FLYINGhis hair

and

his eyesaverse,

Fleet arehisfeet andhis heartapart.

How

could oursong hischarmsrehearse?

Fleet arehis feet

and

his heartapart.

High

on

a

down

we

found

him

last,

Shy

asa hare,

he

fled as fast;

How

could

we

clasp

him

or everhepassed?

Fleet arehisfeet

and

hisheart apart.

How

could

we

cling to hislimbs that shone,

Ravishhischeeks' redgonfalon,

Or

the wild-skin cloak thathe

had on

?

Fleet are his feet

and

hisheartapart.

Forthe

wind

ofhis feetstillstraightlyshaping,

He

loosedatour breasts fromhis eyesescaping

One

crookedswiftglance like a javelin leaping.

Fleet arehisfeet

and

hisheartapart.

And

hisfeetpassedoverthesunset land

From

the place forlorn

where

aforlorn

band

Watching him

flying

we

still did stand.

Fleet arehis feet

and

hisheartapart. 45

(50)

Vanishing

now who

would

notstay

To

the blue hillson the verge ofday.

O

soft! soft! Music

play,

Fading away, (Fleet are his feet

And

hisheart apart)

Fading away.

(51)

ECHOES

THERE

isafarunfadingcity

Where

bright immortal peopleare;

Remote

from hollow

shame and

pity,

Theirportalsframe

no

guiding star

But

blightless pleasure'smoteless rays

That

follow their footsteps asthey dance

Long

lutanied measures througha

maze

Of

flower-like song

and

dalliance.

There

always glows the vernal sun,

There happy

birds foreversing,

There

faint

perfumed

breezes run

Through

branchesof eternal spring;

There

faces

browned

andfruit

and

milk

And

blue-winged words and rose-bloomedkisses

Ingalleys

gowned

with gold

and

silk

Shake on

a lake of dainty blisses.

Coyness isnot, nor bear they thought,

Saveof a shining graciousflow;

All natural joys are temperate sought, For calm desire there they

know,

A

firepromiscuous, languorous, kind;

They

scornallfiercerlusts

and

quarrels,

Nor

blow about onanger'swind,

Nor

burn with love,norrustwith morals. 47

(52)

Folkin thefar unfadingcity,

Burning with lusts

my

sensesare,

I

am

tornwith love

and

shame

andpity,

Be

to

my

heart aguiding star:

Wise

youths

and

maidensin the sun,

With

eyes that

charm and

lips thatsing,

And

gentlearms that rippling run,

(53)

THE MIND

OF

MAN

I

BENEATH

my

skull-bone

and

my

hair,

Coveredlike a poisonouswell,

There

is aland: if

you

lookedthere

What

you saw you'd quail totell.

You

that sitthere smiling,

you

Know

that

what

I sayis true.

My

headisvery small to touch,

I feelitallfromfront toback,

An

earedround thatweighs not

much,

Eyes, nose-holes,

and

apulpy crack:

Oh,

how

small,

how

smallit is!

How

could countries be in this?

Yet,

when

I watch with eyelids shut,

Itglimmers forth,

now

dark,

now

clear,

The

cityof Cis-Occiput,

The

marshes

and

the writhing mere,

The

land that every

man

Isee

Knows

inhimselfbut not inme.

II

Upon

theborders ofthe weald

(I

walk

therefirst

when

Istepin)

Set in green

wood

and

smilingfield,

The

city stands,unstained ofsin;

White

thoughts and wishes pure

Walk

the streetswith stepsdemure. 49

(54)

Initsclean grovesand spacioushalls

The

quiet-eyed inhabitants

Hold

innocent sunnyfestivals

And

mingleindecorousdance;

Things that destroy,distort,deface,

Come

nevertothatlovely place.

Never

could evilenter thither,

Itcouldnotlivein thatsweetair,

The

shadow

ofanill

deed

must

wither

And

fall

away

tonothing there.

You

would

sayas thereyou stand

That

allwas beautyin the land.

But

go youout

beyond

the gateway, Cleave

you

the

woods and

pass the plain,

Cross

you

thefrontierdown,

and

straightway

The

trees will end, the grass willwane,

And

you

will

come

to a wilderness

Of

sticks

and

parched barrenness.

The

middleof the land isthis,

A

tawny

desert

midmost

set,

Barrenoflivingthingsit is,

Savingatnight

some

vampires flit

That

nest

them

in the farthermarish

Where

all save vilestthings

must

perish.

Here

in thisreedy marsh ofgreen

And

oily pools,

swarm

insectsfat

And

birdsofprey

and

beasts obscene, Thingsthatthetravellershudders at,

(55)

All cunningthings that creepand fly

To

suck men'sblooduntil theydie.

Rarely fromhence does aught escape Into theworldofouterlight,

But

now

and then

some

sable shape

Outward

willdash in suddenflight;

And men

stand stonied ordistraught

To

know

the loathly

deed

or thought.

But,ah !

beyond

the

marsh

you reach

A

purulent place

more

vilethanall,

A

festering lake toofoul forspeech,

Rotten

and

black,with coilsacrawl,

Where

writhe withlecherous squeakingsshrill

Horrors that

make

the heart stand still.

There, 'neath aheaven diseased,it lies,

The

mere

alive withslimy worms,

With

perverseterribleinfamies,

And

murders and repulsiveforms

That

have

no

name, butslidehere deep, WhilstI, theirholder, silencekeep.

(56)

A REASONABLE

PROTESTATION

\ToF., whocomplainedofhisvaguenessand lackof

dogmaticstatement]

NOT, I suppose, since I

deny

Appearance

isreality,

And

doubt thesubstance of the earth

Does

your remonstrance

come

to birth;

Not

thatatonce Ibothaffirm

"Tisnotthe skin that

makes

the

worm

And

everytactile thingwithmass

Must

find itssymbolinthe grass

And

witha coolconviction say

Even

acritic's

more

thanclay

And

every

dog

outlives hisday.

This kindofvaguenesssuitsyourview,

You

would

notcarpatit; foryou

Did

neverstandwiththose

who

take Theirpleasuresin aworld opaque.

For youa tree

would

neverbe Lovely wereitbuta tree,

And

earthly splendoursneversplendid

Ifby transienceunattended.

Your

eyes areona farther shore

Than

any ofearth; nor

do

adore

As godhead

God's dead hieroglyph.

Nor would

you be perturbed if

Some

prophet with avoice ofthunder

And

avalanche

arm

should blast

and

founder 52

(57)

The

logicalpillars thatmaintain

This visible worldwhich loads thebrain, Loadsthe brain

and

withers the heart

And

holds

man

from his

God

apart.

But

stillwith

you

remains the craving

For

some more

solidsubstance, having

Surfacetotouch, colour tosee,

And

form

compact

in symmetry.

You

arenotsatisfiedwith these

Vague

throbbings, namelessecstasies,

Nor

can yourspiritfind delight

Inan amorphicgreatwhite light.

Not

with suchsickles can

you

reap;

Ifa denseearth you cannot

keep

You

want

adense heavenassubstitute

With

trees of

plump

celestial fruit,

Red

apples,golden pomegranates,

And

a riverflowingby tall

gates

Of

topaz

and

ofchrysolite

And

wallsof

twenty

cubits height. Frank, youcry out against the age!

Nor

younorI can disengage

Ourselvesfrom thatin

which

we

live

Nor

seize

on

things

God

does notgive. Thirstyasyou, perhaps, Ilong

Forcourtyards of eternal song,

Even

asyours

my

feet

would

stray

In acity

where

'tisalways day

And

agreen spontaneous leafygarden

With

God

inthe middle fora

warden

;

(58)

But

though I

hope

with strengtheningfaith

To

taste

when

I havetraversed death

The

unimaginable sweetness

Of

certitude ofsuch concreteness,

How

should I

draw

thehue

and

scope

Of

substances I only

hope

Or

blaze

upon

a paperscreen

The

evidence of thingsnotseen?

Thisart of oursbut grows

and

stirs

Experience

when

itregisters,

And

you

know

wellas I

know

well This

autumn

oftimein which

we

dwell

Isnot an ageof revelations Solidasonce,butintimations

That

touchus with

warm

mistyfingers

Leavinga nameless sense thatlingers

That

sight isblind

and

Time's a snare

And

earthless solidthan the air

And

deep

belowall

seeming

things

There

sitsa steadykingof kings

A

radiant agelesspermanence,

A

quenchlessfount ofvirtue

whence

We

draw

ourlife; a sense that

makes

A

staunch convictionnothing shakes

Of

our

own

immortality.

And

though,being

man,

with certainglee

Ieat

and

drink, though I suffer pain,

And

love

and

hate

and

love again

Well

orin

mode

contemptible,

Thus

shackled

by

the body's spell I seethrough pupils of the beast

(59)

Though

itbe faintand blurred withmist

A

Star thattravels in the East. I see

what

I can,not

what

1will.

In things thatmove,things that are still;

Thin

motion, evencloudierrest,

I see thesymbols

God

hathdrest.

The

movelesstrees,thetreesthat

wave

The

clouds that heavenlyhighwayshave. Horsesthat run, rocks that arefixt,

Streamsthathave rest

and

motion mixt,

The

main

with itsabiding flux,

The

wind

that up

my

chimney

sucks

A

mounting

waterfallofflame,

Sticks,straws, dust, beetles

and

that

same

Old

blazing sunthe Psalmist

saw

A

testifierto thelaw:

Divinely to the hearttheyspeak Saying

how

they arebut weak,

Wan

will-o'-the-wisps

on

thecrystalsea;

But

staysthatseastill darktome.

Did

I

now

gliblyinsolent

Charttheulteriorfirmament,

Would

you not

know

my

words

were

lies,

Where

not

my

testimonial eyes Mortalorspirituallodge,

Mere

uncorroboratedfudge?

Praiseme,

though

praise I do not want,

Rather, that Ihavecast

much

cant,

That

what

I see

and

feel Iwrite,

Read what

I canin this

dim

light

Granted

to

me

in nether night.

(60)

And

though I

am

vague

and

shrinktoguess

God'severlastingpurposes,

And

neversaveinperplext

dream

Have

caughtthe least clear-shapen

gleam

Of

the great

kingdom and

thethrone In theworld thatliesbehindour own,

I havenotlacked

my

certainties,

I have nothaggard

moaned

theskies,

Nor waged

unnecessary strife

Nor

scornednorovervaluedlife.

And

though you say

my

attitude

Isquestioning,concede

my

mood

Does

neverbring totongue orpen

Accents of

gloomy modern

men

Who

wail or hail the death of

God

And

weigh

and

measure

man

the clod,

Or

saythey

draw

reluctant breath

And

musically

mourn

that

Death

Isa

queen

omnipotentof

woe

And

Life herleancicisbeo,

Abject

and

pale,

whom

vampire-like

She

playethwith ere sheshall strike,

And

posesad riddles to the Sphinx

With

raven quillsinpurple inks,

Then

sendthe boytofetch

more

drinks.

(61)

IN

THE

PARK

THISdense hard

ground

Itread.

These

iron bars thatripple past,

Willthey

unshaken

stand

when

I

am

dead

And

my

deep

thoughts outlast?

Isit

my

spirit slips,

Falls,like this leafI kick aside;

Thisfirmnessthat I feelabout

my

lips,

Isitbut

empty

pride?

Mute

knowledge

conquers

me

;

I contemplate

them

as theyare,

Faint earth

and shadowy

barsthat shake and flee,

Less hard,

more

transientfar

Than

thoseunbodied hues

The

sunsetflingson the calmriver;

And,

as I look,a swiftness thrills

my

shoes

And

my

hands with empire quiver.

Now

lighttheground I tread,

Iwalk not

now

but ratherfloat;

Clearbut unreal isthesceneoutspread,

Pitiful, thin,remote.

Poor vapouristhe grass,

So frailthe trees

and

railingsseem,

That, didI

sweep

my

hand

around, 'twould pass

Through

them,as in adream. 57

(62)

Godlike I fearno changes;

Shatter theworld with thundersloud,

Still would Iray-likeflitaboutthe ranges

Of

dark

and

ruddycloud.

(63)

IN

AN

ORCHARD

AIRY and

quick

and

wise

Inthe shedlight ofthe sun,

You

clasp with friendlyeyes

The

thoughts from

mine

thatrun.

But

something breaks the link;

Isolitary stand

By

a giantgully'sbrink

In

some

vast

gloomy

land.

Sole centralwatcher, I

With

steadfast sadness

now

In thatwaste placedescry

'Neaththe awfulheavens

how

Your

life dothdizzy drop

A

little

foam

offlame

From

a

peak

withouta top

To

a pitwithouta name.

(64)

THE

SHIP

THERE

was no song norshout of joy

Nor

beam

of

moon

or sun,

When

she

came

back from the voyage

Long

ago

begun

;

But

twilighton the waters

Was

quiet

and

grey,

And

she glided steady, steady

and

pensive,

Over

the

open

bay.

Her

sails

were

brown and

ragged,

And

hercrew hollow-eyed,

But

their silent lipsspoke content

And

their shoulders pride;

Though

she

had no

captives on herdeck,

And

in herhold

There

were

no

heapsof corn ortimber

Or

silksorgold.

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