Origami USA Convention 2016
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(3) Origami Collection 2016 Copyright 2016 by OrigamiUSA, a volunteer-based, notfor-profit educational arts organization committed to the elucidation and dissemination of paperfolding as an art and a craft. All rights reserved, including the right to reproduce this book or portions thereof in any form without prior written consent. OrigamiUSA 15 West 77th Street New York, NY 10024-5192 (212) 769-5635 origamiusa.org. Cover Illustration by Nathan Zeichner Cover based on Rabbit, courtesy of Tomoko Fuse and Carrot, courtesy of Jun Maekawa, diagrams available in the 18th Origami Tanteidan Convention collection book Origami Basics section by Marc Kirschenbaum Publication Team Isabella Gandler Marcio Noguchi Omer Shalev Nathan Zeichner. Managing Editors Marc Kirschenbaum JC Nolan Daniel Scher. Submissions to the Origami Collection and other OrigamiUSA publications can be sent to [email protected]. A submission form and copyright guidelines can be found at origamiusa.org/submissions.. i.
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(5) Table of Contents. About the Collection Picture Index The 2016 Origami Collection Origami Basics. v vi 1 228. iii.
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(7) About the Origami Collection The Origami Collection was born in 1980 from ideals fostered by the founding members of OrigamiUSA. Michael Shall (1949-1995) launched this yearly anthology to share origami models from around the world. His mentor, Lillian Oppenheimer (1898-1992), provided the springboard for this effort, as many of the models were drawn from her collection and connections she cultivated. Alice Gray (1914-1994) also provided inspiration by streamlining the communication of origami ideas. All of the novice-level works in this collection are dedicated to Alice and her love of simple, elegant pieces. Throughout the years as our presentation has grown more polished, the goal of showcasing great origami has not diminished. The editors of the Origami Collection spend many hours curating, testing and editing origami designs to produce a book that will appeal to origami aficionados of all levels and interests. Variety is a key criterion; you will find works here by established origami artists as well as many hidden gems from up-and-coming stars. Most of the pieces are making their debut in these pages. We hope you are as excited about discovering these diagrams as we are in presenting them.. v.
(8) Picture Index Picture Index Artigas, Jesús Good Grief Page 1. d’Anger, Max Dragon Page 24. Berty, Viviane. vi. Condori, Julio Eduardo Winged Wolf Page 18. Berty, Viviane Mimi the Mouse Page 5. Puppy Page 11. Dementiev, Ivan Space Telescope Page 32. Bettens, Christiane. Diard, Lydia. Eight-Pointed Star Page 13. Fleur de Noyer Page 38. Chen, Sy. Flores, Edwin Claudio. Cupid’s Arrow Page 15. Armadillo Page 44. Artigas, Jesús. Condori, Julio Eduardo. Good Grief Page 1. Winged Wolf Page 18. Berty, Viviane. d’Anger, Max. Mimi the Mouse Page 5. Dragon Page 24. Berty, Viviane. Dementiev, Ivan. Puppy Page 11. Space Telescope Page 32. Bettens, Christiane. Diard, Lydia. Eight-Pointed Star Page 13. Fleur de Noyer Page 38. Chen, Sy. Flores, Edwin Claudio. Cupid’s Arrow Page 15. Armadillo Page 44. Picture Index.
(9) Fung, Michelle. Gueros, Mathieu. TIM the Beaver (Face) Page 48. Fox Page 76. Gajardo, Nicolas. Hudson, Andrew. Mushroom Monster Page 52. Polychrome Tato Page 84. Galindo, Richard. Inayoshi, Hidehisa. Camel Page 55. Chopstick Envelope (Straberry) Page 87. Gardin, Yannick. Jaramillo, Jorge. Seahorse Page 62. Wheel Bowl Page 88. Gu, Lee Jae. Kato, Shuki. Basset Hound Page 65. Anime Forest Spirits Page 90. Picture Index. vii.
(10) viii. Kirschenbaum, Marc. Lukasheva, Ekaterina. Elephant Page 103. Lathyrus Page 127. Kobayashi, Hiroaki. Marchetti, Peter. Little Whale Page 105. Axolotl Page 130. Liu, Tong. Martinez, Leonardo Pulido. Phonograph Page 111. Scorpion Page 135. Liu, Tong. Meij, Bas. White Rhino Page 116. Slug Page 139. Liu, Tong. Morollón, Ángel. Yellow Henchmen Page 121. Swallow Page 142. Picture Index.
(11) Nguyen, Lisa. Pham, Hoang Tuan. Winged Heart Page 147. Rabbit Page 170. Nguyen, Lisa. Queiroz, Paulo. Yale-Type Cylinder Lock Key Page 149. Orchid Page 174. Nikulshin, Pavel. Quyet, Hoàng Tien. Uintatherium Page 151. Dove Page 179. Nino, Jaime. Randolph, James. Hen Page 162. Bird with Stand Page 181. Okabe, Nobuko. Robinson, Nick. 8-Pointed Starburst Flower Page 165. Cecil the Lion Page 183. Picture Index. ix.
(12) x. Ševerová, Dáša. Stern, Joel. Star Anise Page 185. Flapping Pheasant Bookmark Page 203. Sigalovsky, Mark. Tahir, Hadi. Nocturnal Car Page 189. Peace Sign Page 205. Snyder, Rob. Tai, Hsi-Min. Angel Page 194. Dolphin Page 206. Snyder, Rob. Tan, Benjamin. Secret Heart Owl Page 195. Butterfly and Heart Page 208. Stamm, Tom. Tu, Tuan Nguyen. Sea Serpent Dragon Page 197. Rabbit Page 210. Picture Index.
(13) Yagi, Yara Dachshund Page 211. Yagi, Yara Hen and Chicks Page 218. Yamaguchi, Makoto Penguin Box Page 221. Zodl, Evan Sarah’s Star Page 225. Picture Index. xi.
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(17) Good Grief!. Jesús Artigas. Low Intermediate. ©2014 - Spain. 5. 2. B A. 1. 3. 4. B A. Good Grief!/Jesús Artigas. 1.
(18) 6. A. 8 B. 5 A B. 9 7. 10. 11. 2. Good Grief!/Jesús Artigas. 12.
(19) 17. 10-17. 18. 16 15. 13 14. Good Grief!/Jesús Artigas. 3.
(20) 20B. 21B. 20A. 22B. 19. 23B. 23A 21A. 22A. [email protected] [email protected] g g g g 4. Good Grief!/Jesús Artigas.
(21) Mimi the Mouse. Viviane Berty. Low Intermediate. ©2013 - France. Mimi la Souris © Viviane Berty 2013 Pour un premier essai, prendre un carré de 21 cm X 21 cm. For a first try, use a 21 cm X 21 cm square.. 1 2. Couleur des yeux dessus Color of the eyes up.. 3. 4. Mimi the Mouse/Viviane Berty. 5. 5.
(22) 6. 7. 8. Marquer fortemement les plis sur toutes les couches Crease firmly through all the layers. 9 10. 6. Mimi the Mouse/Viviane Berty. 11.
(23) 12. 13 Pli écrasé pour les yeux Squash-fold to form the eyes.. 14. 15. 16. Mimi the Mouse/Viviane Berty. 7.
(24) 17. 18. 19. 20 Dégager les couches du dessous pour préparer le changement de couleur du nez. Pull out the underneath layers to prepare a color change for the nose. 21 22. 8. Mimi the Mouse/Viviane Berty.
(25) 23. 25. 24. 26. Mimi the Mouse/Viviane Berty. 9.
(26) 27 28. Plier en vallée pour affiner la queue et pincer à la base du dos en soulevant les petits volets pour former le derrière. Form the backside by pinching at the bottom and inflating the inner pockets.. 10. Mimi the Mouse/Viviane Berty.
(27) Puppy. Viviane Berty. Low Intermediate. ©2015 - France. Petit chien /Puppy ©V Viviane Berty 2015 Papier kami bicolore 15 cm X 15 cm. Bicolor kami paper 15 cm X 15 cm. 3. 2. 1. 4. 6. 5. Base du renard de Quyet Hoang.. Quyet Hoang’s Fox base. 7. 8. 9 11. 10 Ouvrir le modèle par dessous pour plier les bissectrices.. Open the model underneath to fold the bissector angles.. Puppy/Viviane Berty. 11.
(28) Pli inversé intérieur pour former la queue.. 12. 12 bis. Inside reverse fold to form the tail.. Vue intermédiaire. Bien comprimer les couches à l’endroit indiqué avant de refermer le modèle.. Intermediate view. Press the layers where indicated before closing the model.. Modèle terminé. Pliage simple.. Modèle terminé. Pliage humide.. Complete model. Dry folding.. Complete model. Wet folding.. Variations 7 bis 12 bis. Pour changer l’attitude du chien, modifier l’angle du pli vallée à l’étape 7.. To modify the dog’s posture, change the valley fold angle on step 7.. 12. Ajuster les couches de papier décalées.. Adjust the shifted layers.. Puppy/Viviane Berty.
(29) Eight-Pointed Star. Christiane Bettens. Intermediate. ©2016 - France 3. 2. 1. 4. 5. 6. 7. octagonal twist. Eight-Pointed Star/Christiane Bettens. 13.
(30) 9. 8. 7-9. (unfold ap from step 7 before repeating). 10. 11. 45°. back side completed. 12. rotate the twist 45° counter-clockwise, creating valley-folds on the layer behind. 13. octagonal twist. Done ! Mélisande* 2016 www.origami-art.org. 14. Eight-Pointed Star/Christiane Bettens.
(31) Cupid’s Arrow. Sy Chen. Intermediate. ©2015 - Maryland. ) * *+,. *#*+ #**+ - "./ $ 0 ' 1
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(41) Winged Wolf. Julio Eduardo Condori. Complex. ©2010 - Bolivia. 1. 2. 3. 5. 4. 9. 6. 7. 10. 8. Sacar la capa que esta por dentro. Sacar la capa que esta por dentro. 18. Winged Wolf/Julio Eduardo Condori.
(42) 12. 11. Abrimos lo de adentro. 14. 13. Hundimos. 16. 15. Hacer una marca interna. 17 Girar. 18. 22. Repetimos el mismo paso 17 por atrás. 23. 19. 20. . 24. 25. 21. Abrir y Girar. Winged Wolf/Julio Eduardo Condori. 19.
(43) 26. 27. 28. En esta parte podemos observar de cómo el centro se estira para luego ser colapsada. . Una vez marcado se va colapsando al mismo tiempo estirando el sector del medio. 29. 31. 30. 32. 33. Abrimos una capa. 34. 35. 36. Abrimos una capa. 38. 20. 39. 40. Winged Wolf/Julio Eduardo Condori. 37. 41.
(44) 42. 44. 43. Volteamos la sección marcada. 46. 45. Volteamos la sección marcada. 47. 48. Pliegue escalonado en la cola. 49. 50. Subir una capa que esta por detras Voltear para el cambio de color en la cola. Winged Wolf/Julio Eduardo Condori. 21.
(45) 52. 51. 54. 53. Hacer un pliegue oreja de conejo. 55. 56. 59. 58. 61. 60. Hacer un pliegue oreja de conejo en las patas traseras. 22. Hacer un pliegue oreja de conejo en las patas delanteras. Winged Wolf/Julio Eduardo Condori. 57.
(46) 63. 62. Dar forma de alas al lobo de forma escalonado , no solo las alas si no también la cola como se muestra la figura final. Fin del Modelo. Winged Wolf/Julio Eduardo Condori. 23.
(47) 24. Dragon. Max d’Anger. Complex. ©2015 - United Kingdom. Dragon/Max d’Anger.
(48) Dragon/Max d’Anger. 25.
(49) 26. Dragon/Max d’Anger.
(50) Dragon/Max d’Anger. 27.
(51) 28. Dragon/Max d’Anger.
(52) Dragon/Max d’Anger. 29.
(53) 30. Dragon/Max d’Anger.
(54) Dragon/Max d’Anger. 31.
(55) Space Telescope. Ivan Dementiev. Complex. ©2015 - Russia. 01. Recommended paper: thin, 16 x 48 cm. Begin the white side up. Divide the sheet by any available method into 4 and into 12 parts accordingly. Detailed view.. 02. Divide each part into 2 parts.. 3. 03. Repeat step 2.. 1 32. Space Telescope/Ivan Dementiev.
(56) 04. The basic grid 16. 48 is ready.. 05. Mark the creases as shown, using the grid lines.. 06. Mark the creases as shown. Space Telescope/Ivan Dementiev. 33.
(57) 07. Mark the creases as shown.. 09. Repeat steps 5-9 with the bottom half.. 08. Mark the creases as shown.. 34. Space Telescope/Ivan Dementiev.
(58) 10. Done. Turn over. 11. Fold on mentioned lines. Space Telescope/Ivan Dementiev. 35.
(59) 36. 12. The view from the front side.. 13. The view from the back side.. 14. Lift the edge of central portion at an angle of 90 degrees.. 15. Fold the central part as shown.. Space Telescope/Ivan Dementiev.
(60) 19. Finish.. 17. Bend the edges.. 7. 5. 9 18. Twisting in a spiral. The free end of the spiral place a inside the model.. Space Telescope/Ivan Dementiev. 37.
(61) 38. Fleur de Noyer. Lydia Diard. Complex. ©2015 - France. Fleur de Noyer/Lydia Diard.
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(115) Armadillo. Edwin Claudio Flores. Intermediate. ©2009 - Bolivia. 1. 4. 7. 44. 2. 3 ("&+$*'+'+ $*(%. 5. 8. Armadillo/Edwin Claudio Flores. 6. 9.
(116) . 10. 11. 14. 15. 12. 13. 16. 17. 45◙. 19. 18. 20. 23. 22. 21. 24. 25 %"(- )%"()*" &)% . Armadillo/Edwin Claudio Flores. 26. 45.
(117) 27. 28. 30 (+$" + )"%$%. 29. 31. 33. %",("(" &)% . 32. 34 35 -%). 46. . 39. Armadillo/Edwin Claudio Flores. . 38. 37. . 36.
(118) 40. 41. 42. 43. 44. 45. (+$+$&" +%(! %$!$"%"-$") %(!)-(%(#" '+ ('+ $%. $"%"%. Armadillo/Edwin Claudio Flores. 47.
(119) TIM the Beaver (Face). Michelle Fung. High Intermediate. ©2010 - California. TIM the Beaver (Face). Model & Diagrams by Michelle Fung Designed: 10/2010 Diagrammed: 11/2011 www.michellefung.net 1. 2 3. Start white side up. Fold and unfold.. Rabbit ear.. Valley fold.. 5. 6. 4. Pull out the layer underneath. Squash fold.. 48. TIM the Beaver (Face)/Michelle Fung. Reverse fold along lines..
(120) 14 16. 15 Pull inner layer out.. 13. Petal fold.. Squash fold.. 12. 11. Valley fold.. 10. Pull inner layer out.. 7. 8. Valley fold.. 2-7. 9. Rabbit ear.. Mountain fold.. Repeat steps 2-7 on the other side.. TIM the Beaver (Face)/Michelle Fung. Fold and unfold. The valley fold will form an approximately square area.. 49.
(121) 18. 17. 19 20. Valley fold.. Crease lightly.. Petal fold. Unfold step 16.. 21 22. 23. Valley fold. Flip out corner flap.. 29. Pleat.. 30. Pleat.. 28 24. Valley folds.. Back. Front. Unfold steps 26-29 while keeping the spread sinks in place.. Spread sinks on the right and left edges.. Front. 25. Underside. 27. 26. Mountain folds. Mountain and swivel folds. Mountain fold.. 50. TIM the Beaver (Face)/Michelle Fung.
(122) 47. 46. 45. 48. 49. Mountain folds. Mountain folds. Mountain fold to round edges. Open sink above teeth.. Mountain folds.. 42. 43. 44. Done!. 41 Tuck excess flaps underneath top layer.. Squash fold. Mountain folds with swivel folds at the base.. Reverse fold tips of ears. Mountain fold to round edges.. 40. 38. 39. 37 Squash fold.. Reverse fold.. Petal fold.. Pull out paper to reveal white side.. 36 35 34. Mountain and valley folds. No new creases are made in this step. The circled corners correspond to the points circled in step 37.. Unfold to step 32, then spread front open along middle. Valley fold.. 33 32. 31. Turn over.. Closed sinks and petal folds on right and left sides. The paper should lie flat.. TIM the Beaver (Face)/Michelle Fung. Rabbit ear.. 51.
(123) Mushroom Monster. Nicolas Gajardo. Intermediate. ©2014 - Colombia. 1 2. 4 3. 5 6. 7. Hundido abierto por la mitad de las solapas. 52. Mushroom Monster/Nicolas Gajardo. Marcar.
(124) 8. 10 9. 11. 12 13 Estirar. 15 16 14. Liberar capa. 18 19 Repetir los últimos pasos en la otra solapa. 17. 20. Mushroom Monster/Nicolas Gajardo. 53.
(125) 21 23 22. 25. 24. 26 Estirar las capas del interior. 27 28. 29 30. Modelar. 54. Mushroom Monster/Nicolas Gajardo.
(126) Camel. Richard Galindo Halle (diagrams) ©2014 - Bolivia. CAMELLO. Complex. by Richard Galindo. 1 6. 30 x 30 Permite muchos tipos os de papel Desplegar todo. 3 2 5. 4. 7. 8. 9 Camel/Richard Galindo. 55.
(127) 17. 18. 21 21. 16. 1199. 20. 1155. 10 56. 14. 11 Camel/Richard Galindo. 13. 12.
(128) 2 23 22 24 45º 45º. 2 26. 25. 27. 288. Crimp, con un pliegue invertido interior. Ver siguiente paso. En proceso. 31. 30 29 Al hacer el pliegue, se empuja una capa interna. Camel/Richard Galindo. 57.
(129) 42. 41 41. 40 40 39 33 32. 30-. 34. 3388. 37 35. 58. Pliegue invertido exterior. Pasar una capa delante. Camel/Richard Galindo. 36.
(130) 444 Desplegar hasta el paso 39. 43. Pliegue compuesto de un doble crimp y pliegue invertido exterior. 4455. 46 47. 51 51. 48 Pliegue petalo 50. 49 Camel/Richard Galindo. 59.
(131) 63. 64 Desdoblar. Abrir y mirar por dentro. 65 62. 55-61. Pliegue invertido exterior. 61 59. 5533. 60 Squash fold. Pasar la capa al interior. 58. 54. 56. 55 55. 60. 57 Camel/Richard Galindo.
(132) Formar la cabeza. 71. 66. 67. Hundido abierto. 68. Modelar la oreja. 70. Modelar el morro. 69. Creador: Richard Galindo Flores Simbolos: Pere Olivella Diagramas by Halle 2015. 72. Redondear el abdomen. 73. Bajar una capa. Camel/Richard Galindo. 74. 61.
(133) 62. Seahorse. Yannick Gardin. Intermediate. ©2014 - France. Seahorse/Yannick Gardin.
(134) Seahorse/Yannick Gardin. 63.
(135) 64. Seahorse/Yannick Gardin.
(136) Basset Hound. Lee Jae Gu. Complex. ©2015 - Korea. 1. 3. 2. 4 4/1. Basset Hound/Lee Jae Gu. 65.
(137) 5. 7. 9. 6. 8. 10 3/1. 66. Basset Hound/Lee Jae Gu.
(138) 11. 12. 13. 15. 14. 16. 17. Basset Hound/Lee Jae Gu. 67.
(139) 18 19. 20 4/1. 21. 22 4/1. 23. 68. Basset Hound/Lee Jae Gu.
(140) 24. 25. 26. 27. 28. 29 27~28. Basset Hound/Lee Jae Gu. 69.
(141) 30. 31 1. 32. 1. 33. 35. 34. 36. 37. 평행하게 70. Basset Hound/Lee Jae Gu.
(142) 38. 39. 40. 41. 42. 43 반대쪽도 똑같이. Basset Hound/Lee Jae Gu. 90도. 71.
(143) 44. 45. 46. 47. 48 49. 72. Basset Hound/Lee Jae Gu.
(144) 50. 52. 54. 51. 49~50. 53. 55. Basset Hound/Lee Jae Gu. 73.
(145) 57. 56. 58. 60. 74. 59. 61. Basset Hound/Lee Jae Gu.
(146) 62. 63. 64. 65. Basset Hound/Lee Jae Gu. 75.
(147) Fox. Mathieu Gueros. Intermediate. ©2015 - France. . . . . . .
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(172) Polychrome Tato. Andrew Hudson. Complex. ©2009 - California. , - #- ),.# */$# (#**" 0 & .
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(206) Chopstick Envelope (Strawberry). Hidehisa Inayoshi. Intermediate. ©2013 - Japan. Ṝ. ṛ. ṝ. Ṟ. ộ. ࣹ͢ὀὯᾍὣᢧ࿙ἼἨἷẩ ἨἱἢὛἪἩὣἵἢ ͢רὀɥὣᢧ࿙ἼἨἷẩὛἪἩὣἵἢ. ṽẟẜẐẋẍẏṤ ẜẏẎ ṬẋẍẕṤ ẑẜẏẏẘ. Ớ. ṣ. Ṣ. ớ ἹὒἷὛἪἩὣἵἢ ếញॄὣᦉὠἻἕὙἼỀ. ᫌἕἷἵἪὙἼ. ṛṚ. ṛṛ. ͳὠὛὛ. ṛṝ. ṛṜ. ἤἿὙἼἻ ế͜ᦼᥟỀ ɧὣூ࿙ἼἨἷẩࣸኆổỔἸἵἕἰὛ ἪἩἿ࢘ᠼὣҸὝಃἙἷὛἰἰὑ. ɥӈἿΦ࿙ὣᥨᆷᏱἸ ͢ἿἿὐὛἪἩὣἵἢ. ṛộ. ṛỘ ἼἨҸὝ. ᠼὛ. ฌἿۈὀɥӈὣକݸ. ỖỔ. ổờ. ṛṢ. ṛớ. ṛỚ. ࢘Ὓ. Ỗṛ ࢘Ὓ. ࢘Ὓ. ᎩἜἠใὛ. ἸἓἝὛ ǥࣸኆổỘǗổờὀẩ ἥᔬᄉἼὦᾰᾷὼἨἷἠἱἦἕ. Chopstick Envelope (Strawberry)/Hidehisa Inayoshi. 87.
(207) Wheel Bowl. Jorge Jaramillo. Complex. ©2015 - Colombia. Use a stiff, rather thick square of paper of at least 15 cm on the side.. ©. 1. 3. 2. 4 5. 6. x7. 7. 88. x7. 8. Wheel Bowl/Jorge Jaramillo. 9.
(208) 22.5°. x7 [9]. 10. If this step is being difficult, perform it with every pair of sides and then fold all together.. 11. x7. 13. The diamond shape should be concave. 12. The black dot should be concave, the mountain While doing this move, press from behind to creases as well as the short valleys, should already be help the area take shape, and on the front there. The long valley crease should form in the process. reinforce the mountain crease. Bring the top corner down to the reference. The area around the dot should become 3D and keep its shape by itself.. 14. Wheel Bowl/Jorge Jaramillo. 89.
(209) 90. Anime Forest Spirits. Shuki Kato. Complex. ©2016 - Montana. Anime Forest Spirits/Shuki Kato.
(210) Anime Forest Spirits/Shuki Kato. 91.
(211) 92. Anime Forest Spirits/Shuki Kato.
(212) Anime Forest Spirits/Shuki Kato. 93.
(213) 94. Anime Forest Spirits/Shuki Kato.
(214) Anime Forest Spirits/Shuki Kato. 95.
(215) 96. Anime Forest Spirits/Shuki Kato.
(216) Anime Forest Spirits/Shuki Kato. 97.
(217) 98. Anime Forest Spirits/Shuki Kato.
(218) Anime Forest Spirits/Shuki Kato. 99.
(219) 100. Anime Forest Spirits/Shuki Kato.
(220) Anime Forest Spirits/Shuki Kato. 101.
(221) 102. Anime Forest Spirits/Shuki Kato.
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(224) Little Whale. Hiroaki Kobayashi. High Intermediate. ©2015 - Japan. Little Whale/Hiroaki Kobayashi. 105.
(225) 106. Little Whale/Hiroaki Kobayashi.
(226) Little Whale/Hiroaki Kobayashi. 107.
(227) 108. Little Whale/Hiroaki Kobayashi.
(228) Little Whale/Hiroaki Kobayashi. 109.
(229) 110. Little Whale/Hiroaki Kobayashi.
(230) Phonograph. Tong Liu. Intermediate. ©2014 - China. [email protected]. © 2014 Tong Liu Origami. Phonograph/Tong Liu. 111.
(231) 112. Phonograph/Tong Liu.
(232) Phonograph/Tong Liu. 113.
(233) 114. Phonograph/Tong Liu.
(234) Phonograph/Tong Liu. 115.
(235) White Rhino. Tong Liu. Intermediate. ©2015 - China. Use paper that is the same color on both sides.. . . . 116. . . . . . ҋ୍࠵ז 8KVKGZYZKV. White Rhino/Tong Liu.
(236) . . . . . . . . . . White Rino/Tong Liu. . . 117.
(237) . . . ҋ୍࠵ז 8KVKGZYZKV. . . 90°. . . 118. . . White Rhino/Tong Liu. . .
(238) ਅவबգ 8KVKGZHKNOTJ. . . . . ਅவबգ 8KVKGZHKNOTJ. . . . . . . . ਅவ୍࠵ז 8KVKGZYZKVHKNOTJ. . White Rino/Tong Liu. 119.
(239) ਅவबգ 8KVKGZHKNOTJ. ਅவबգ 8KVKGZHKNOTJ. ਅவबգ 8KVKGZHKNOTJ. ਅவबգ 8KVKGZHKNOTJ. ਅவबգ 8KVKGZHKNOTJ. ਅவबգ 8KVKGZHKNOTJ. 22.5°. . . . ؏ۨ͠ ,OTOYNKJ͠. 120. White Rhino/Tong Liu.
(240) Yellow Henchmen. Tong Liu. Complex. ©2015 - China. www.flickr.com/photos/gt-liu e-mail: [email protected]. ଣ҆ࡁڙ▲ܫО ङͫ ђग▲வڐ澞 )NUUYKGVGVKXXGZOUUL ͫ YZGXZ]OZNZNK]NOZKYOJK[V ܑӟܑक LURJGTJ[TLURJ. ܑӟܑक ,URJGTJ[TLURJ. ܑӟܑक ,URJGTJ[TLURJ. Yellow Henchmen/Tong Liu. 121.
(241) ܑӟܑक ,URJGTJ[TLURJ. ܑӟܑक ,URJGTJ[TLURJ. ৬ӱՆவ :[XTZNKVGVKXU\KX. ܑӟܑक ,URJGTJ[TLURJ. ܑӟܑकͫ৬ӱՆவ ,URJGTJ[TLURJͫZNKTZ[XTZNKVGVKXU\KX. 122. Yellow Henchmen/Tong Liu.
(242) ܷࣁّહিܑ 'IIUXJOTMZUZNKIXKGYKLURJOTM. ӄୂםݹୂق /TYOJK`UUSOT. Ց۸ڐҋୂӣ 0[YZUVKTZNKXOMNZYOJK . ܷࣁّહিܑ 'IIUXJOTMZUZNKIXKGYKLURJOTM. ܷࣁّહিܑ 'IIUXJOTMZUZNKIXKGYKLURJOTM. Yellow Henchmen/Tong Liu. 123.
(243) 90° ӄࡹէٌܑ٘ͫٷԹٵ /TYOJKZUZNKRKLZSU[TZGOTLURJͫ ZNKTYW[GYN. Дҋգܑ࠼ޞեͫޔq 6RKGZLURJUTHUZNYOJKY. էեܑ ,URJVGVKXHGIQ]GXJY. Дঀէեܑ ,URJVGVKXHGIQ]GXJYUTHUZNYOJKY. ܷࣁّહিܑۨॹѽূࣙڥਭ֣եவ 3GQK*[YOTMZNKIXKGYKYOTJOIGZKJ *KZGORKJ\OK]TK^Z. 124. Yellow Henchmen/Tong Liu.
(244) Gୂ֣םݹ <OK]LXUSZNKZUV. 19.. H֣םݹୂڂ <OK]LXUSZNKJU]T]GXJY Дҋܷࣁّહিܑ (UZNYOJKYGIIUXJOTMZUZNKIXKGYKLURJOTM. ّܑq 3U[TZGOTLURJq. ۸ͫڐҟۨऴ䧚ࣙڥ 5VKTU[ZZUSGQKZNKK_K. Yellow Henchmen/Tong Liu. 125.
(245) Ր▲יҋबգ୍ͫ࠵זd 8KVKGZYZKVYdUTZNKRKLZ. ऴ䧚؏ۨ :NKK_KYIUSVRKZK. ܚӟДҋङ务匫 6[RRU[ZZNKGXSY ףثͫ֗չਓୂ੧ѩԗڥޅ 5VZOSO`KZNKJKZGORYͫLUXK^GSVRK ZNKNKGJͫSU[ZNͫGTJRKMY. Gش௰ы؏ۨ 3OTOUTYLOTOYNKJ Hߧײͫࣀڢ҂ࣞۨړऴङش௰ыͫ Т҂Ց֨࠵ङޞҘͫ رДՑऴ䧚ՠиО▲ԯՕ 5LIU[XYKOL_U[]GTZZUMKZGUTKK_KJSOTOUTY _U[IGTHGIQZUZNKYZKVGTJSGQKZNKZ]UK_KYZUMKZNKX. 126. Yellow Henchmen/Tong Liu.
(246) Lathyrus. Ekaterina Lukasheva. Complex. ©2013 - California. Lathyrus/Ekaterina Lukasheva. 127.
(247) 128. Lathyrus/Ekaterina Lukasheva.
(248) Lathyrus/Ekaterina Lukasheva. 129.
(249) Axolotl. Peter Marchetti. High Intermediate. ©2015 - Pennsylvania. Axolotl. Diculty: High-Intermediate Folding Time: 20-40 mins Recommended Paper: 25x25 cm Designed by Peter Marchetti Diagrams ©2015 Peter Marchetti. 2. 1. 3 Slide the top layer over.. 45. Start with white side up. Fold in half and unfold, then fold the upper half in half and unfold.. Fold into quarters, alternating mountain and valley.. 4 5 6. Fold the corner up. Fold a rabbit ear. Fold both small aps over and unfold.. 7 8. The marked distances should be about equal.. 130. Repeat steps 3-7 on the other side.. Axolotl/Peter Marchetti. 9. Fold and unfold through all layers..
(250) 19. 20. Crease the angle bisectors.. 18. Repeat steps 17-20 behind.. Crease the diagonals of the 'outer' square.. 17 Fold the large ap over.. 14. 15. Sink darkened part in and out.. Repeat steps 11-14 behind.. 16. 13. Fold both aps to the other side.. Fold into quarters and unfold.. 10 Inside reverse fold, forming a pleat.. 12 11. Open sink.. Fold and unfold.. Axolotl/Peter Marchetti. 131.
(251) 24 Fold nearest ap to the left.. 23 22. Crimp using the fold made in steps 19-20.. Fold the left half of the ap over, while pulling the circled point down.. 21 Squash fold.. 25 Fold it back, pulling the circled point down.. 28. 26. Repeat for the two smaller aps.. Open out the aps.. 27 Focusing on the area around the aps, thin out the largest one, by reverse folding along the angle bisectors as shown.. 29. 32 Fold the three shorter aps over.. Repeat steps 22 to 23 behind.. 30 Fold and unfold. Note that these are not angle bisectors.. 132. 31 Open sink to thin legs and gills.. Axolotl/Peter Marchetti.
(252) 41 40. Thin the tail.. Repeat for the front legs.. 39 Pull hind legs down as far as you can. Be gentle- don't tear the paper.. 37 Fold the model closed again, with the legs inside. Incorporate a reverse fold to adjust the head's position. The gills may not lie at.. 38 Result.. 36 Open up the model.. 33 Crease through all layers. Note the reference point.. 35 Fold the gills back to the right.. 34 Outside reverse fold.. Axolotl/Peter Marchetti. 133.
(253) 43 Spread the gills to the left, while valley folding the top gill upwards.. 42 Focus on the head.. 45 Unwrap the paper around the upper two gills and fold it behind. Be gentle- it's easy to rip the paper here.. 44. Unwrap the paper around the lowest gill and fold it behind.. 46 Fold the gills out to the side.. Finished.. 47 Repeat steps 43-47 behind.. 49 Press down on the head, to widen it slightly.. 48 Shape the head, legs, and tail.. 134. Axolotl/Peter Marchetti.
(254) Scorpion. Leonardo Pulido Martinez. Complex. ©2004 - Colombia. Use bicolor paper White side up. http://www.flickr.com/photos/origamileo/. 1. Form a Water Bomb Base. 2. Squash fold 3. Petal fold. 2-5. 4. Fold down the tip. 5. Valley fold in half. 6. Repeat steps 2 - 5. = =. 7. Open sink in half (precrease first). 8. Sink and fold up (precrease first). Scorpion/Leonardo Pulido Martinez. 9. Pleat. 135.
(255) 180º. = = = = 10. Open view in this tip. 11. Fold and unfold at 1/4. 12. Valley fold (90º). 12-14. 13. Valley fold. 17. Moutain fold behind. 14. Unfold. 15. Repeat steps 12 - 14. 18. Squash. 19. Sink. 16. Open and squash from the creases. 20. Squash. 180º 21. Valley fold. 10-22 22. Close. 24. Turn over. 136. 23. Repeat steps 10 - 22. =. = = = = = = 25. Divide in eight parts. Scorpion/Leonardo Pulido Martinez. =.
(256) 26. Pleat. 27. Sink. 28. Sink. 29. Repeat sink. 30. Sink at 1/4 in each side ( View CP`s structure)). 31. Sink at 1/4 in each side (View CP`s structure). Scorpion/Leonardo Pulido Martinez. 137.
(257) 34. Open and form the tweezers 32. Pleat. 35. Sink in the 8 paws. 33. Pleat. Paw`s detail. 37. Form the sting and de paws. 36. Squash the legs and form the tail. 38. Finished model. 138. Scorpion/Leonardo Pulido Martinez.
(258) Slug. Bas van der Meij. Intermediate. ©2015 - Netherlands. 1. Fold and unfold the diagonals.. 2. Fold and unfold the angle bisectors.. 4. pull the bottom flaps down.. 5. The result is a fish base.. 7. Valley fold the edges to the middle and unfold.. 3. Fold the bottom point behind.. 8. Use the valley folds made in step 7 and form two flaps.. Slug/Bas van der Meij. 6. Valley fold the edges to the middle.. 9. Valley fold and unfold the edges to the middle.. 139.
(259) 10.Valley fold and unfold along the angle bisectors.. 11. Unfold back to step 5, the fish base. Turn the model over.. 12. Valley fold the tip down, only the top flap is used in this step.. 1/3. 2/3. 13. Valley fold the tip up at about 1/3 of the flap.. 16.Valleyfold along the existing creases.. 140. 14. Valley fold along the indicated lines. Use the mountainfolds to thin the flap.. 17. Open sink throug all layers using the existing lines.. Slug/Bas van der Meij. 15. This step shows the result of step 14. Turn the model over.. 18. This step shows the result of step 17. Turn the model over..
(260) 19. Rabbit ear the two long flaps up. Fold the model in half using a mountain fold. The next step will show the model from the side.. 21. Valley fold the tail.. 20. Rabbit ear the two short flaps. Round the flap on the back of the slug. Inside reverse fold the tail.. 22a.. 22. Valley fold the tail inside. This locks the tail.. 25. Result of step 24. Pull layers from the inside.. 23. Result of step 22. The next step will focus on the long flaps.. 26. Fold the bottom edge up. Round the body to give the slug a natural shape.. Slug/Bas van der Meij. 22b.. 22c.. 24a. Unfold the top. 24b. Fold the white side to the outside. 24c. Round the tip to form an eye.. 27. The fini she dm ode l.. 141.
(261) Swallow. Ángel Morollón Halle (diagrams) ©2015 - Spain. Intermediate. Golondrina by Ángel Morollón ón. 1. 25 x 25 Papel morera Doble seda Kraft fino = =. 2. 3. Pinch P inch 1/2. =. =. 4. 6. 142. 5. 7. Swallow/Ángel Morollón.
(262) 8 4-8. 9. 11. 10. 13. 11-1 2. Abrir. =. 12. Desplegar todo. =. ado contrario 14 Colocar las dos puntas interiores al lado 15 derecha al que vamos a trabajar, en este caso a la derecha, puntas a la izquierda. Swallow/Ángel Morollón. 143.
(263) 16. Referencia marcada por los pliegues del interior. 17. Deshacer. 14. -19. 19 Plegar y sacar las puntas. 18. 21. Abrir. 90 º. 20. interiores hacia la derecha. 22. 144. 23. Swallow/Ángel Morollón. Voltear y repetir en la otra punta de la cola.
(264) 24 Valle casi paralelo al eje central, e ligeramente ligeramen g te por p arriba se abre. 26. 25. 27. 28.A. 28 Hundido cerrado como se muestra en 28.a y 28.b. -29. 24. 28.B 29. Swallow/Ángel Morollón. 145.
(265) Hundido cerrado en los ojos, como se ve en los pasos 32 y 33. 30. 31. 32. 34. 33 3 3. 35 Humedecer. ligeramente y sujetar. 36 146. Dejar secar y retirar la cinta o sujeción. Swallow/Ángel Morollón.
(266) Winged Heart. Lisa Nguyen. Intermediate. ©2014 - France. . &$ ' # . +, . !! "#$. ()! . -)! !. Winged Heart/Lisa Nguyen. % $. *&$ $. ./$ $ 0 $ . 147.
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(287) Uintatherium. Pavel Nikulshin. Complex. ©2015 - Russia. 2. 1.. 4. NPV. 3.. Uintatherium/Pavel Nikulshin. 151.
(288) 5.. 6.. 7.. 9.. 152. Uintatherium/Pavel Nikulshin. 8.. 10..
(289) Unfold from step 9.. 11.. 12.. 13.. 14.. A. 15.. Uintatherium/Pavel Nikulshin. 16.. 153.
(290) Rotate model on 90 degrees.. Repeat steps 12-16 from other side. 1/4 12-16. 17. 18.. Point A from step 16.. To pull from point, unsink layer of paper. A. 19. 20.. 21. 22.. 154. Uintatherium/Pavel Nikulshin.
(291) 23.. 24. To pull from point, un sink corner.. 25. 26. To pull from point B (see step 27). B. 27.. 28. Uintatherium/Pavel Nikulshin. 155.
(292) 29.. 30. Create line between to points.. 31. 32. Unsink.. 33. 34.. 156. Uintatherium/Pavel Nikulshin.
(293) Model not absolutely flat.. 35.. 36.. 37. 38.. 39.. 41.. Uintatherium/Pavel Nikulshin. Open.. 40.. 42.. 157.
(294) Open.. 43.. 44.. 45.. 46.. View from behind.. To up corner.. 47.. 48. 158. Uintatherium/Pavel Nikulshin.
(295) 44-49. Repeat steps 44-49. 50.. 49. 1. To up corners. 2. Fold model in two.. Model not absolutely flat.. 2. 1.. 1.. 52.. 2.. 51. Unsink. To up one layer.. 52-54.. 53.. Repeat steps 52-54 from behind.. 54. Inside revers-fold.. 55. Uintatherium/Pavel Nikulshin. 56.. 159.
(296) 59.. 58.. 57. Unfold from step 59.. Sink between second and third layer.. 60. The part of two top layer not show.. 61. 62. The part of two top layer not show.. 63. 65.. 64.. 66. To press from two sides.. Repeat steps 58-67 behind.. 67.. 68.. 69. 160. 58-67. Uintatherium/Pavel Nikulshin.
(297) Make tho small pleat-fold. To give form of horns. Repeat steps 69-7 behind. 69-71. 70.. 71.. 72.. Steps 74-78 to do simultaneously from both sides.. 73. 75. 74.. 76. 77. To give model the finished form.. 78. Finished.. 79.. 80. Uintatherium/Pavel Nikulshin. 161.
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(301) 8-Pointed Starbust Flower. Nobuko Okabe. Intermediate. ©2015 - New Jersey. 8-Pointed Starbust Flower/Nobuko Okabe. 165.
(302) 166. 8-Pointed Starbust Flower/Nobuko Okabe.
(303) 8-Pointed Starbust Flower/Nobuko Okabe. 167.
(304) 168. 8-Pointed Starbust Flower/Nobuko Okabe.
(305) 8-Pointed Starbust Flower/Nobuko Okabe. 169.
(306) Rabbit. Hoang Tuan Pham. High Intermediate. ©2015 - Vietnam. .
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(347) Orchid. Paulo Queiroz Mario Noguchi (dgrms.) ©2015 - Brazil. High Intermediate. 1. 2. Fold in half. Unfold.. Fold one diagonal. Unfold. Turn over.. 3 4. 5. Fold and unfold the angle bisectors.. 6. Fold one corner to the center. Fold in half.. 8 9. Open and squash.. 7. Open the layers. See next step for progress. Model will not lie flat. Fold the corners to the line and fold symmetrically. See next step for expected result.. Petal fold.. 174. Orchid/Paulo Queiroz.
(348) 21. 20. 19. Fold the corner up, using the creases created in the previous steps.. Open sink on the creases created.. Fold edge to the center. Crease well. Unfold.. 15. 18. 14 Open the layer to see inside. The model will not lie flat.. Close back to step 15.. 16. 17. Turn over.. 13 Fold the edges to the center. Unfold.. Fold the edges to the center. Unfold.. 10. Open the model and carefully untrap the top layer.. Fold the flap down.. 11. 12. Collapse symmetrically using existing creases.. Orchid/Paulo Queiroz. Collapse symmetrically using existing creases.. 175.
(349) 22. 23. 24 25. Open the layer. The model will not lie flat.. Elias strech. Create new creases as indicated. See next step in proress.. 30. 31. Elias strech in progress. Close and flatten.. 22 - 24. Repeat steps 22 to 24 on the other side.. 29. 26. Fold corner to corner.. Reverse fold as indicated. Swivel the paper attached to flatten.. Turn over.. 28. 27. Reverse fold the corner under the layer right underneath it. Reverse fold between the second and third layer.. 32 33. Fold corner to corner.. 34 28 -33. Reverse fold the hidden corner. Reverse fold the hidden corner.. 176. Orchid/Paulo Queiroz. Repeat steps 28 to 33 on the other side..
(350) 46. 45. 47. Rabbit ear fold.. Rabbit ear fold.. Fold about a quarter of the corner.. 44. 40. 41. Fold between the points.. Turn over. Fold and unfold.. 42. 39. 43 Reverse fold.. Reverse fold.. Fold the flap up.. 35. 36. 37. 38 35 -37. Fold the corner to the center and swivel the paper under.. Keeping the swivel in place, open and stretch the flap.. Closed sink the area indicated and flatten.. Orchid/Paulo Queiroz. Repeat steps 35 to 37 on the other side.. 177.
(351) 49. 48. 50. 51 Fold the corners.. Fold the corner.. Fold the corner.. Turn over.. 54. 52. 55 Fold the corner underneath. Fold the corners.. 56. 53. Fold the flap down.. Carefully release some paper and push to create a concave shape, forming the lip.. Rabbit ear to form the column.. 57 58 Fold the corners, round and shape the petals. Finished Orchid.. 178. Orchid/Paulo Queiroz.
(352) Dove. Hoàng Tien Quyet. Intermediate. ©2015 - Vietnam. . . .
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(369) Bird with Stand. James Randolph. Intermediate. ©2015 - New Jersey. Bird with Stand/James Randolph. 181.
(370) 182. Bird with Stand/James Randolph.
(371) Cecil the Lion. Nick Robinson. Simple. ©2015 - England. 1) Crease a diagonal, then fold the lower sides to the centre. Turn over.. 4) Fold edges to the nearest crease where shown, then unfold.. 7) Refold behind. Turn over.. 2) Crease then unfold. Turn over.. 3) Fold so circles meet then unfold fully.. 5) Refold the sides inwards.. 6) Fold the flaps behind (check next drawing).. 8) Fold in half to the right. Rotate the paper.. Cecil the Lion/Nick Robinson. 9) Fold to the right, press and flatten the coloured flap.. 183.
(372) 10) Fold the top corner to the centre. Fold the tail to the left.. 13) Fold the top edge down (let the flap flip out). Fold the tail to the right.. 11) leave a gap then fold the tail back. Turn over.. 14) Leave a gap then fold the tail back. Turn over.. 12) Fold the corner over. Fold the angled edges to the vertical centre.. 15) Fold the top flap down (let the flap flip out).. Walter Palmer, the US dentist who killed Cecil the Lion in Zimbabwe, paid about £32,000 for the “pleasure”. He claims that he thought the hunt was legal and was unaware Cecil was protected. Leaving aside the nature of the man who enjoys this type of murder, the fact is the kill could easily have been perfectly legal. How, in this day and age, can any country allow the massacre of such a magnificent and endangered species?. 184. Cecil the Lion/Nick Robinson.
(373) Star Anise. Dáša Ševerová. Complex. ©2016 - Switzerland. Paper recommendation: thicker paper around 100 gsm should work well. For the first try, use bicolor paper. Size: 15 cm square will produce a star with diameter around 10 cm.. 1. Colored side up.. 2. Bisect all angles as shown.. 3. 5. Fold as indicated, crease only in the middle. Repeat 7 more times. Turn over.. 6. 4. Cut off all corners.. Fold as indicated, don't crease in the middle. Repeat 7 more times.. Colored side up, crease only in the middle. Repeat 7 more times.. 7. Star Anise/ Dáša Ševerová. Fold in half using existing crease.. 185.
(374) 8. Be careful, folds on the left and on the right side are similar, but not the same. Turn over after.. 9. 10 11. Crease only where it is needed. Repeat 7 more times.. 12 Form a structure similar to table cloth using shown lines.. 186. 13. Same as step 8. Folds are different on the left and on the right side.. Unfold to step 7, repeat steps 7 - 9 three more times.. Something like this. Continue collapsing as shown. Repeat 7 more times.. Star Anise/Dáša Ševerová.
(375) 2 1. 15 16 First fold part 1, then part 2. Carefully squash the middle part (next step shows the result).. 14. 17 Repeat steps 15, 16 all around. 18. Bring all marked points together to create star like shape.. 20 Turn over. 19. Fold as indicated to lock the central part. Repeat all around.. Star Anise/ Dáša Ševerová. 187.
(376) Model is almost flat from the top side now. Place both your thumbs on marked circles with other fingers supporting the model from downside (as shown in schematic side view) and push carefully down to open the model a bit. Repeat the procedure from three more directions (I, II, III) until you gain the final shape. In the end the model should stand still on the flat surface. If it does not, continue with opening.. I.. II.. III.. Schematic side view in the beginning: III.. II.. I.. Schematic side view of the final shape:. Finished model:. You can shape the model to give it more rounded look:. 188. Star Anise/Dáša Ševerová.
(377) Nocturnal Car. Mark Sigalovsky. Complex. ©2003 - Kazakhstan. Nocturnal Car/Mark Sigalovsky. 189.
(378) 190. Nocturnal Car/Mark Sigalovsky.
(379) Nocturnal Car/Mark Sigalovsky. 191.
(380) 192. Nocturnal Car/Mark Sigalovsky.
(381) Nocturnal Car/Mark Sigalovsky. 193.
(382) 194. Angel. Rob Snyder. Simple. ©2015 - Ohio. Angel/Rob Snyder.
(383) Secret Heart Owl. Rob Snyder. Low Intermediate. ©2015 - Ohio. Square, white side up. Squash fold eyes.. Secret Heart Owl/Rob Snyder. 195.
(384) Pull slightly to form horns. Fold up beak.. Unfold squashed squares to form and shape eyes.. 196. Secret Heart Owl/Rob Snyder. Complete. Hold up to the light to reveal the heart..
(385) Sea Serpent Dragon Intermediate. Sea Serpent Dragon/Tom Stamm. Tom Stamm JC Nolan (diagrams) ©1992 - California. 197.
(386) 8-14 A. A A. A. Super Accurate here... but also soft in the creases when near the point, don't over stress the paper. Also, keep all layers flat and intact.. 198. Sea Serpent Dragon/Tom Stamm.
(387) head. wing. wing. tail. Sea Serpent Dragon/Tom Stamm. 199.
(388) 200. Sea Serpent Dragon/Tom Stamm.
(389) Sea Serpent Dragon/Tom Stamm. 201.
(390) 202. Sea Serpent Dragon/Tom Stamm.
(391) Flapping Pheasant Bookmark. Joel Stern. Low Intermediate. ©2013 - California. 2. Fold top edge to bottom. Repeat behind.. 3. Fold and unfold top left corner to bottom edge; repeat behind.. 1. Color side up. Fold bottom to top.. 4. Inside reverse top left corner; repeat behind.. 7. Fold and unfold single flap on the left.. 10. Fold in half top to bottom.. 13. Squash-fold.. 5. Fold and unfold left corner inward; repeat behind.. 8. Bring top and bottom edges to center and pinch, then unfold.. 11. Pleat the front flap, tucking the shaded portion inside as you bring the vertical crease made in step 7 to the crease made in step 9; repeat behind. When complete, the shaded portion will be completely hidden. This is also known as a crimp fold.. 14. Fold and unfold edges to center.. Flapping Pheasant Bookmark/Joel Stern. 6. Unfold.. 9. Fold and unfold corners to the pinchmarks.. 12. Fold the left flap over; repeat behind.. 15. Petal-fold.. 203.
(392) 16. Fold diamond in half. Tilt the model slightly.. 17. Reverse-fold head. Fold up at the diagonal; repeat behind.. The Flapping Peacock Bookmark. To flap the wings, pull and push the flaps.. 204. Flapping Pheasant Bookmark/Joel Stern.
(393) Peace Sign. Hadi Tahir. Intermediate. ©2014 - Indonesia . . . . . . . . . .
(394) . Peace Sign/Hadi Tahir. 205.
(395) 206. Dolphin. Hsi-Min Tai. Intermediate. ©2015 - Taiwan. Dolphin/Hsi-Min Tai.
(396) Dolphin/Hsi-Min Tai. 207.
(397) 208. Butterfly and Heart. Benjamin Tan. Intermediate. ©2010 - Singapore. Butterfly and Heart/Benjamin Tan.
(398) Butterfly and Heart/Benjamin Tan. 209.
(399) Rabbit. Tuan Nguyen Tu. Intermediate. ©2009 - Vietnam. 1. 2. Fold and unfold.. 4. Valley fold to the center.. Crimp fold and pull back the ears.. Crimp fold the ear. Reverse fold the mouth, jaw and back Mountain fold the leg. Repeat behind.. Repeat behind.. 11. 10. Crimp fold to create the eyes & hind leg. Sink to creat the tail. Shaping the back, front legs & thigh.. Open sink.. 9. 8. 7. Reverse fold.. 6. 5. Mountain fold at the axis, crimp fold.. 210. 3. Rabbit. Rabbit/Tuan Nguyen Tu. Crimp fold the thigh. Repeat behind..
(400) Dachshund. Yara Yagi Marc Sky (diagrams) ©2015 - Brazil. Intermediate. 1. 2. 3. 4. 5. 6. 7. 8. 9. NOSE COLOR SIDE. Dachshund/Yara Yagi. 211.
(401) 10. 11. 12. 13 HEAD TAIL 1/3. 1/4. 2/3. 14. 15. Fold, then open.. Angle bisect up to crease line.. 16. 17. Reverse the creases to match the other side. Blunt the nose.. 212. Dachshund/Yara Yagi. Pleat/push in to collapse....
(402) 18. ...in progress.... 21. Push in.... 24. 19. 20. ...in progress.... 22. ...in progress.... 25. 23. ...squash flatten.. 26. Fold under.. Pinch the crease.... ...push to the right.... Dachshund/Yara Yagi. ...flatten. Repeat steps 21-25 behind.. 213.
(403) 27. 28. Squash.. Petal fold.. 29. 30. 31. 32 33. 214. Dachshund/Yara Yagi.
(404) 34. 35. Diagonal creases.. 36. TOP VIEW. Spread open the top and sink the points.... 38. 37. ...in progress, push center down.... 39. ...in progress. Repeat with other three points. ...in progress.... 40. 41. Inside reverse fold bottom points.. Dachshund/Yara Yagi. 215.
(405) 42. 43. Fold along crease lines, then pull down.. 44. 45. 46. ...in progress.... ...in progress.... Fold in half, then curve up.. 47. Pinch front leg point and third point and stretch, then mountain fold and collapse underneath (similar to stretched bird base technique). Repeat to collapse other two points.. 216. Dachshund/Yara Yagi.
(406) Sink top points.. VARIATION. Leyla Torres created a step-by-step video of the folding sequence. You can watch it at www.origamispirit.com/2015/08/origami-dog-dachshund. Dachshund/Yara Yagi. 217.
(407) Hen and Chicks. Yara Yagi Halle (diagrams) ©2012 - Brazil. Low Intermediate. bbyy Yara Yarrra a Yagi YYaggi gi. Wet folding ng. Gallina: 15 x 15 Pollitos: 8 x 8 Papel de 80 ggramos. . . . 218. . En proceso. Hen and Chicks/Yara Yagi.
(408) . . Presionar la parte posterior del cuello del modelo con el dedo índice, mientras se levanta la cola con el pulgar. . . . Hen and Chicks/Yara Yagi. 219.
(409) . . Puede plegarse el cuello hacia la derecha o hacia la izquierda. . Red Redo Redondear. Proceso y diseño: Yara Yagi Diagramas by Halle 2012. 220. Hen and Chicks/Yara Yagi.
(410) Penguin Box. Makoto Yamaguchi Origami House (diagrams) ©2016 - Japan. Intermediate. Penguin Box/Makoto Yamaguchi. 221.
(411) 222. Penguin Box/Makoto Yamaguchi.
(412) Penguin Box/Makoto Yamaguchi. 223.
(413) 224. Penguin Box/Makoto Yamaguchi.
(414) Sarah’s Star. Evan Zodl. Low Intermediate. ©2016 - New Jersey. Sarah’s Star Designed and Diagrammed by Evan Zodl. 1. Fold and unfold.. 2. Fold two opposite corners to the center. Turn the model over.. 3. Fold and unfold.. 5. Bisect the marked angle and crease half way.. 6. Repeat step 5 three more times.. 1/8. 4. Fold and unfold. Rotate the model 1/8 turn.. a b c. 7. Create two new creases using existing creases as references. Turn the model over.. 8. Create two new creases as in step 7. Turn the model over.. Sarah’s Star/Evan Zodl. 9. Collapse along existing creases.. 225.
(415) 11. Rabbit-ear along existing creases. 10. Scale change. Fold over the top group of layers along an existing crease.. 12. Fold over the top group of layers along an existing crease.. 13. Create two angle bisectors.. 14. Fold over the top group of layers along an existing crease.. 15. Fold up the top flap using the indicated references.. 16. Fold over the top group of layers along an existing crease.. 17. The result. Turn the model over.. 18. Completed unit. Now you must fold 7 more.. 1/16. 19. Begin the assembly with two units. Turn over both units.. 226. 20. Fold over the top group of layers along existing creases. Rotate each unit 1/16 turn.. Sarah’s Star/Evan Zodl. 1/16.
(416) 21. Fold over the top group of layers on the first unit.. 22. Fold over the top group of layers on the second unit.. 23. Mountain-fold behind to align with the long axis of the second unit.. 24. Mountain-fold behind to lock both units together.. 25. Pull out the trapped layers from inside.. 26. Reinforce existing mountain folds to flatten the untrapped layers.. 27. Mountain-fold the flaps behind to hide the untrapped layers.. 28. The result. Turn the model over.. 29. Repeat steps 19-28 on the remaining six units to complete the assembly.. 30. Completed Sarah’s Star.. Sarah’s Star/Evan Zodl. 227.
(417) Origami Basics Line Styles. Valley Fold. Mountain Fold or. Crease. Hidden/X-Ray. 228. Origami Basics.
(418) Arrows. Fold Forward. Fold Behind. Fold and Unfold or. Sink/Reverse/ Push In/ or Closed Sink. Turn Over. Rotate 90°, 1/2 Turn, Etc. 1/2. 1/2. Repeat. Origami Basics. 229.
(419) Maneuvers. Reverse Fold. Crimp. Rabbit Ear. Squash. Petal Fold. Sink. Closed Sink. 230. Origami Basics.
(420) Sink Triangularly. Pleat. Swivel. Common Bases. Kite Base/ Ice Cream Cone Base. Fish Base. Waterbomb Base. Preliminary Base. Origami Basics. 231.
(421) Bird Base. Frog Base/Lily Base. Windmill Base. Stretched Bird Base. Blintzed Bird Base. 232. Origami Basics.
(422) Index by Model. Cupid’s Arrow. Angel. Dove. Dachshund. Dolphin. 194. 90. 44. 130. 65. 181. 208. Inayoshi, Hidehisa. 13. Elephant. 103. Flapping Pheasant Bookmark. 203. Fleur de Noyer. 38. Diard, Lydia. 55. Fox. 76. Gueros, Mathieu. 183. Robinson, Nick. Chopstick Envelope (Strawberry). Eight-Pointed Star. Stern, Joel. Galindo, Richard. Cecil the Lion. 165. Kirschenbaum, Marc. Tan, Benjamin. Camel. 8-Pointed Starburst Flower. Bettens, Christiane. Randolph, James. Butterfly and Heart. 24. Okabe, Nobuko. Gu, Lee Jae. Bird with Stand. Dragon d’Anger, Max. Marchetti, Peter. Basset Hound. 179. Quyet, Hoàng Tien. Flores, Edwin Claudio. Axolotl. 206. Tai, Hsi-Min. Kato, Shuki. Armadillo. 211. Yagi, Yara. Snyder, Rob. Anime Forest Spirits. 15. Chen, Sy. Good Grief. 1. Artigas, Jesús. 87. Hen. 162. Nino, Jaime. Index of Models. 233.
(423) Hen and Chicks. 218. Yagi, Yara. Lathyrus. 127. 105. 5. 52. 189. 174. 205. 221. 111. 84. Pham, Hoang Tuan. 234. 195. Slug. 139. Space Telescope. 32. Star Anise. 185. Swallow. 142. TIM the Beaver (Face). 48. Fung, Michelle. 11. Berty, Viviane. Rabbit. Secret Heart Owl. Morollón, Ángel. Hudson, Andrew. Puppy. 62. Ševerová, Dáša. Liu, Tong. Polychrome Tato. Seahorse. Dementiev, Ivan Puppy. Yamaguchi, Makoto. Phonograph. 197. Meij, Bas. Tahir, Hadi. Penguin Box. Sea Serpent Dragon. Snyder, Rob. Queiroz, Paulo. Peace Sign. 135. Gardin, Yannick. Sigalovsky, Mark. Orchid. Scorpion. Stamm, Tom. Gajardo, Nicolas. Nocturnal Car. 225. Martinez, Leonardo Pulido. Berty, Viviane. Mushroom Monster. Sarah’s Star Zodl, Evan. Kobayashi, Hiroaki. Mimi the Mouse. 210. Tu, Tuan Nguyen. Lukasheva, Ekaterina. Little Whale. Rabbit. Uintatherium. 151. Nikulshin, Pavel. 169. Wheel Bowl Jaramillo, Jorge. Index of Models. 88.
(424) White Rhino. 116. Liu, Tong. Winged Heart. 147. Nguyen, Lisa. Winged Wolf. 18. Condori, Julio Eduardo. Yale-Type Cylinder Lock Key. 149. Nguyen, Lisa. Yellow Henchmen. 121. Liu, Tong. Index of Models. 235.
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