0001
$30 Film School: How to Write, Direct, Produce, Shoot, Edit, Distribute, Tour With, and Sell Your Own
No-Budget DIGITAL Movie Michael W. Dean
0002 100 Best Movies You've Never Seen Richard Crouse
0003 100 Years of European Cinema: Entertainment or Ideology? Diana Holmes, Alison Smith
0004 1000 Best Movies on Video Peter Waymark
0005 1000 Quick Writing Ideas Stevan Krajnjan
0006 1001 Brilliant Writing Ideas: Teaching Inspirational Story-Writing for All Ages Ron Shaw 0007
101 Most Influential People Who Never Lived: How Characters of Fiction, Myth, Legends, Television, and
Movies Have Shaped Our Society, Changed Our Behavior, and Set the Course of History Dan Karlan, Allan Lazar, Jeremy Salter 0008 12 Step Guerrilla Filmmaking Checklist and Guide And Similar Articles 37 page-article Tressa Sanders
0009 12 Stories They Wouldn't Let Me Do on TV Alfred Hitchcock
0010 15 Soviet Montage (12 Page article) Internet
0011 150 Movies You Should Die Before You See Miller Steve
0012 151 Quick Ideas to Manage Your Time Robert E. Dittmer
0013 2 Column Shooting Script http://chs.smuhsd.org
0014 20 Master Plots and How to Build Them Ronald Tobias
0015 200 Documentaries You Must See Before You Die Kevin Kelly
0016 2012 Filmmaking Survival Guide WeMakeMovies.org
0017 21st Century Superhero: Essays on Gender, Genre and Globalization in Film Richard J. Gray Ii, Betty Kaklamanidou 0018 24p: Make Your Digital Movies Look Like Hollywood Pete Shaner, Gerald Everett Jones
0019 25 Great French Films Roger Ebert
0020 30 Movies to Get You Through the Holidays Roger Ebert
0021 30-Second Storyteller: The Art and Business of Directing Commercials Thomas Richter
0022 3D Lighting: History, Concepts, and Techniques Arnold Gallardo
0023 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance John W. Cones 0024 50 Years of Bond Plus The Untold Story of 007 (Including Over 250 Amazing Photos) 2012 Internet
0025 5001 Nights at the Movies Pauline Kael
0026 9 Frame Analysis Internet
0027 A Brief Guide to Star Trek Brian J Robb
0028 A Cinema of Loneliness Robert Kolker
0029 A Clockwork Orange Stanley Kubrick
0030 A Companion to Alfred Hitchcock Thomas Leitch, Leland Poague
0031 A Companion to Early Cinema
André Gaudreault, Nicolas Dulac, Santiago Hidalgo
0032 A Companion to Film Theory Toby Miller, Robert Stam
0034 A Companion to Literature and Film Robert Stam, Alessandra Raengo
0035 A Companion to Luis Buñuel Gwynne Edwards
0036 A Companion to Michael Haneke Roy Grundmann
0037 A Conversation & Jean Luc Godard [Film Quarterly] James Roy MacBean 0038 A Critical Cinema 2: Interviews With Independent Filmmakers Scott Macdonald 0039 A Critical Cinema 5: Interviews With Independent Filmmakers Scott Macdonald 0040 A Culture of Light: Cinema and Technology in 1920s Germany Frances Guerin 0041 A Feminine Cinematics: Luce Irigaray, Women and Film Caroline Bainbridge
0042 A Free Replay (Notes on Vertigo) Chris Marker
0043 A Guide for Indie Filmmakers Adam Rench
0044 A History of American Movies: A Film-By-Film Look at the Art, Craft, and Business of Cinema Paul Monaco
0045 A History of Greek Cinema Vrasidas Karalis
0046 A History of Horrors: The Rise and Fall of the House of Hammer Denis Meikle
0047 A Hundred Years of Japanese Cinema Donald Richie
0048 A New Guide to Italian Cinema Carlo Celli, Marga Cottino-Jones
0049 A Philosophy of Cinematic Art Berys Gaut
0050 A Pictorial History of Horror Movies Denis Gifford
0051 A Poetics for Screenwriters Lance Lee
0052 A Practical Guide to Video and Audio Compression: From Sprockets and Rasters to Macro Blocks Cliff Wootton 0053 A Sci-Fi Swarm and Horror Horde: Interviews With 62 Filmmakers Tom Weaver
0054 A Second Life: German Cinema's First Decades Thomas Elsaesser
0055 A Short History of Film
Wheeler Winston Dixon, Gwendolyn Audrey Foster, Gwendolyn Audrey Foster
0056 A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting On Jay Holben 0057 A Social History of Iranian Cinema, Volume 4: The Globalizing Era, 1984–2010 Hamid Naficy
0058 A Storied Career Katharine Hansen
0059 A Taste for Indian Films: Negotiating Cultural Boundaries in Post-Stalinist Soviet Society Sudha Rajagopalan
0060 A to Z of Australian and New Zealand Cinema Albert Moran, Errol Vieth
0061 A to Z of Italian Cinema Gino Moliterno
0062 A World History of Film Robert Sklar
0063 A Year of Hitchcock: 52 Weeks With the Master of Suspense Jim McDevitt, Eric San Juan
0064 Abbas Kiarostami Mehrnaz Saeed-Vafa, Jonathan Rosenbaum
0065 About to Die: How News Images Move the Public Barbie Zelizer
0066 Abstract Film and Beyond Malcolm Legrice
0067 Acting for Film Cathy Haase
0069 Acting Reconsidered Phillip B Zarilli
0070 Acting Teachers of America: A Vital Tradition Ronald Rand, Luigi Scorcia, J. Michael Miller 0071 Action Figures: Men, Action Films, and Contemporary Adventure Narratives Mark Gallagher
0072 Action Speaks Louder: Violence, Spectacle, and the American Action Movie Eric Lichtenfeld
0073 Adventures In The Screen Trade William Goldman
0074 Aesthetic Theory Theodor W. Adorno, Robert Hullot-Kentor
0075 Aesthetics and Film Katherine Thomson-Jones
0076 Aesthetics and Politics
Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukács, Fredric Jameson
0077 African Cinema: Postcolonial and Feminist Readings Kenneth W. Harrow
0078 African Film: Re-Imagining a Continent Josef Gugler
0079 African Filmmaking: North and South of the Sahara Roy Armes
0080 After Hitchcock: Influence, Imitation, and Intertextuality David Boyd, R. Barton Palmer
0081 Afterimages of Gilles Deleuze's Film Philosophy D. N. Rodowick
0082 Afterthoughts on Visual Pleasure and Narrative Cinema (6 Page article) Laura Mulvey
0083 Agitator: The Cinema of Takashi Miike Tom Mes, Paul Posse, Makoto Shinozaki
0084 Aim for the Heart: The Films of Clint Eastwood Howard Hughes
0085 Aiming for a Rashomon Storyteller Alejandro Ramírez, Josep Blat
0086 Alanis Obomsawin: The Vision of a Native Filmmaker Randolph Lewis
0087 Alchemies Of Thought In Godard's Cinema: Deleuze And Merleau-Ponty (18 page Article) Elena Del Rio
0088 Alexander Kluge: Raw Materials for the Imagination Tara Forrest
0089 Alexander Medvedkin: The Filmmaker's Companion 2 Emma Widdis
0090 Alfred Hitchcock - a Definitive Study Francois Truffaut, Helen G. Scott
0091 Alfred Hitchcock - a Definitive Study -AUDIO Francois Truffaut, Helen G. Scott
0092 Alfred Hitchcock (On Directors Series) Nicholas Haeffner
0093 Alfred Hitchcock (The Pocket Essential) Paul Duncan
0094 Alfred Hitchcock and the British Cinema: Second Edition Tom Ryall
0095 Alfred Hitchcock and the Making of Psycho Stephen Rebello
0096 Alfred Hitchcock: A Life in Darkness and Light Patrick McGilligan
0097 Alfred Hitchcock: Filming Our Fears Gene Adair
0098 Alfred Hitchcock: The Icon Years John William Law
0099 Alfred Hitchcock's Psycho: A Casebook Robert Kolker
0100 Alfred Hitchcock and François Truffaut Course description
0101 All Quiet on the Western Front: The Story of a Film Andrew Kelly
0103 Allied Artists Horror, Science Fiction and Fantasy Films Michael R. Pitts 0104 Alternate Americas: Science Fiction Film and American Culture M. Keith Booker
0105 Alternative Scriptwriting: Successfully Breaking the Rules Ken Dancyger, Jeff Rush
0106 Alternative Worlds in Hollywood Cinema James Walters
0107 American Cinema 1890-1909: Themes and Variations André Gaudreault
0108 American Cinema of the 1910s: Themes and Variations Charlie Keil, Ben Singer
0109 American Cinema of the 1930s: Themes and Variations Ina R. Hark
0110 American Cinema of the 1960s: Themes and Variations
Barry Keith Grant, Murray Pomerance, Prof. James Morrison, Prof. Anna Everett, Prof. Joe McElhaney, Prof. Leslie Abramson, Prof. David Desser, Prof. Harry Benshoff, Prof. Christopher Sharrett, Prof. Eric Schaefer, Prof. Christie Milliken
0111 American Cinema of the 1970s: Themes and Variations
Lester Friedman, Paula J. Massood, Michael Deangelis, Mimi White, David Cook, Mia Mask, Frances Gateward, Glenn Man, Frank Tomasulo, Charles Maland
0112 American Cinema of the 1980s: Themes and Variations Stephen Prince, Prof. Douglas Kellner 0113 American Cinema of the 1990s: Themes and Variations Christine Holmlund
0114 American Cinematographer Manual Roderick T. Ryan
0115 American Drama in the Age of Film Zander Brietzke
0116 American Film and Society Since 1945 Leonard Quart, Albert Auster
0117 American Film in the Digital Age Robert C. Sickels
0118 American Films of the 70s: Conflicting Visions Peter Lev
0119 American Gangster Cinema: From 'Little Caesar' to 'Pulp Fiction' Fran Mason
0120 American Independent Cinema: An Introduction Yannis Tzioumakis
0121 American Science Fiction Film and Television Lincoln Geraghty
0122 American Science Fiction TV: Star Trek, Stargate, and Beyond Jan Johnson-Smith 0123 American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
John T. Soister, Henry Nicolella, Steve Joyce, William F. Chase, Harry Long
0124 An Accented Cinema : Exilic and Diasporic Filmmaking Hamid Naficy
0125 An Actor's Revenge Ian Breakwell
0126 An Eye for Hitchcock Murray Pomerance
0127 An Introduction To Popular Genres FilmEducation
0128 An Introduction to the American Underground Film Sheldon Renan
0129 Analysing the Screenplay Jill Nelmes
0131 Anatomy of a Guerrilla Film: The Making of RADIUS Helmut Kobler
0132 Anatomy of an Adult Film R. Richard, Sunset Thomas, Kyle Torke
0133 André Bazin and Italian Neorealism Bert Cardullo, Andr Bazin
0134
Andre Bazin on automatically made images, on Automatically Made Images [Journal of Aesthetics & Art
Criticism 51-1 Winter 1993] Article Andre Bazin
0135 André Bazin: A Brief Biography Internet
0136
André Bazin’s Ontology of Photographic and Film
Imagery , 14 Page Part Jonathan Friday
0137 Andrei Rublev Robert Bird
0138 Andrei Tarkovsky Sean Martin, Andreĭ Arsenʹevich Tarkovskiĭ
0139 Andrei Tarkovsky: Elements of Cinema Robert Bird
0140 Andrei Tarkovsky: Interviews John Gianvito
0141 Andrei Tarkovsky: The Winding Quest Peter Green
0142 Angelina Jolie: A Biography Kathleen A. Tracy
0143 Animal Farm Ian Wooldridge, George Orwell
0144 Animated Realism: A Behind the Scenes Look at the Animated Documentary Genre Judith Kriger
0145 Animation - the Art of Layout and Storyboarding Mark Byrne
0146 Animators of Film and Television: Nineteen Artists, Writers, Producers and Others Noell K. Wolfgram Evans
0147 Anime and Its Roots in Early Japanese Monster Art Hosei University, Tokyo Zília Papp 0148
Anime From Akira to Howl's Moving Castle, Updated Edition: Experiencing Contemporary Japanese
Animation Susan J. Napier
0149 Anime: From Akira to Princess Mononoke Susan J. Napier
0150 Anthology Of Individualist & Egoist Thought Ardent Press
0151 ApProppriations & ImProppieties ~ Problems in the Morpholgy of Film Narrative David Bordwell
0152 Arab Filmmakers of the Middle East: A Dictionary Roy Armes
0153 Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music Sheila Curran Bernard, Kenn Rabin 0154
Aristo-Poetika
Şiir Sanatı Üzerine Internet
0155 Aristotle in Hollywood, Anatomy of Successful Storytelling Ari Hiltunen
0156 Art by Film Directors Karl French
0157 Art in Cinema: Documents Toward a History of the Film Society Scott Macdonald
0158 Art in the Cinematic Imagination Susan Felleman
0159 Art of Watching Films Joseph M. Boggs, Dennis W. Petrie
0160
Artists in Exile: How Refugees From Twentieth-Century War and Revolution Transformed the American
Performing Arts Joseph Horowitz
0162 As Film Studies: The Essential Introduction Sarah Casey Benyahia, Freddie Gaffney, JohnWhite
0163 Atonement Ian McEwan, Tba
0164 Attractive Empire: Transnational Film Culture in Imperial Japan Michael Baskett
0165 Audiences Ian Christie
0166 Audio Postproduction for Film and Video Jay Rose
0167 Audio-Vision: Sound on Screen Michel Chion, Claudia Gorbman, Walter Murch
0168 Audiovisions: Cinema and Television as Entr'actes in History Siegfried Zielinski
0169 Australian Cinema After Mabo Felicity Collins, Therese Davis
0170 Australian Film Saskia Vanderbent
0171 Australian National Cinema Tom O'Regan
0172 Australian Post-War Documentary Film: An Arc of Mirrors Deane Williams 0173
Automated Lighting, Second Edition: The Art and Science of Moving Light in Theatre, Live Performance, and
Entertainment Richard Cadena
0174 Avid Editing, Fourth Edition: A Guide for Beginning and Intermediate Users Sam Kauffmann
0175 Avoiding the Subject: Media, Culture and the Object Justin Clemens, Dominic Pettman
0176 Awake in the Dark: The Best of Roger Ebert Roger Ebert, David Bordwell
0177 Backstory 3: Interviews With Screenwriters of the 60s Patrick McGilligan
0178 Bad: Infamy, Darkness, Evil, and Slime on Screen Murray Pomerance
0179 Barbra: The Way She Is Christopher Andersen
0180 Barton Fink (Screenplay) Ethan Coen, Joel Coen
0181 Basic Elements of Filmmaking II Handbook Rob Danielson
0182 Basic Tool Kit & Resource Guide For Young Filmmakers AFI
0183 Basics Film-Making 04: The Language of Film
John Marland, Robert Edgar-Hunt, Steven Rawle
0184 Basics Film-Making: Producing Charlotte Worthington
0185 Basics of Screenwriting AFI
0186 Bastard Culture! How User Participation Transforms Cultural Production Mirko Tobias Schafer 0187 Bazin on Post-Neorealistic Rossellini, De Sica and Visconti: Three original Reviews Andre Bazin
0188 Beauty and the Beast: Italianness in British Cinema Elisabetta Girelli 0189 Becoming Film Literate: The Art and Craft of Motion Pictures Vincent Lobrutto
0190 Being Hal Ashby: Life of a Hollywood Rebel Nick Dawson
0191
Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration, With a Complete
Filmography of Their Films Together Gregory William Mank
0192 Beowulf Caitlin R. Kiernan, Neil Gaiman
0194 Best of British: Cinema and Society From 1930 to Present Anthony Aldgate, Jeffrey Richards 0195 Better Location Shooting: Techniques for Video Production Paul Martingell
0196 Between Stage and Screen: Ingmar Bergman Directs Egil Tornqvist
0197 Between Stillness and Motion: Film, Photography, Algorithms Eivind Rossaak
0198 Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary Chris Holmlund, Cynthia Fuchs 0199 Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film Jigna Desai
0200 Beyond Dolby Mark Kerins
0201 Beyond the Epic: The Life and Films of David Lean Gene D. Phillips
0202 Beyond the Subtitle: Remapping European Art Cinema Mark Betz
0203 Bicycle Thieves Robert Gordon
0204 Big Screen Rome Monica Silveira Cyrino
0205 Black Directors in Hollywood Melvin Donalson
0206 Black Narcissus: Turner Classic Movies British Film Guide Sarah Street
0207 Blade Runner Scott Bukatman
0208 Blade Runner Sketchbook Syd Mead, David Scroggy
0209 Blood Money: A History of the First Teen Slasher Film Cycle Richard Nowell
0210 Blood, Guns, and Testosterone: Action Films, Audiences, and a Thirst for Violence Barna William Donovan
0211 Bluebeard's Legacy: Death and Secrets From Bartók to Hitchcock Griselda Pollock, Victoria Anderson 0212 Blue-Collar Hollywood: Liberalism, Democracy, and Working People in American Film John Bodnar
0213 Blueprint for Screenwriting: A Complete Writer's Guide to Story Structure and Character Development Rachel Ballon
0214 Body Shots: Early Cinema's Incarnations Jonathan Auerbach
0215 Bold! Daring! Shocking! True: A History of Exploitation Films, 1919-1959 Eric Schaefer
0216 Bollywood: A Guidebook to Popular Hindi Cinema Tejaswini Ganti
0217 Bollywood: A History Mihir Bose
0218 Bombay Cinema: An Archive of the City Ranjani Mazumdar
0219 Book Review: To The Distant Observe: Form and Menaing In The Japanese Cinema David Bordwell 0220 Books in Motion: Adaptation, Intertextuality, Authorship Mireia Aragay
0221 Border Bandits: Hollywood on the Southern Frontier Camilla Fojas
0222 Brand Bollywood: A New Global Entertainment Order Derek Bose
0223 Brazil on Screen: Cinema Novo, New Cinema, Utopia Lúcia Nagib
0224 Brazilian Cinema Randal Johnson, Robert Stam
0225 Bright Boulevards, Bold Dreams: The Story of Black Hollywood Donald Bogle
0226 Brigitte Bardot and the Lolita Syndrome Simone de Beauvoir
0227 British Cinema in the Fifties: Gender, Genre and the 'New Look' Christine Geraghty
0228 British Cinema of the 1950s: A Celebration Ian Duncan MacKillop, Neil Sinyard
0230 British Film Directors: A Critical Guide Robert Shail
0231 British Horror Cinema Steve Chibnall, Julian Petley
0232 British National Cinema Sarah Street
0233 British Silent Cinema and the Great War Michael Williams, Michael Hammond
0234 Broken Screen: Expanding the Image, Breaking the Narrative Doug Aitken, Noel Daniel
0235 Brutal Intimacy: Analyzing Contemporary French Cinema Tim Palmer
0236 Building Interactive Worlds in 3D: Virtual Sets and Pre-Visualization for Games, Film & the Web Jean-Marc Gauthier
0237 Building Tension Wen Spencer
0238 Buñuel and Mexico: The Crisis of National Cinema Ernesto R. Acevedo-Muñoz
0239 Burning Darkness: A Half Century of Spanish Cinema Joan Ramon Resina
0240 Cahiers Du Cinéma, 1969-1972: The Politics of Representation Nick Browne, Jim Hillier 0241 Cahiers Du Cinéma: Cahiers Du Cinema - Volume 4: 1973-1978: History, Ideology, Cultural Struggle David Wilson
0242 Cahiers Du Cinéma: The 1950s: Neo-Realism, Hollywood, New Wave Jim Hillier
0243 Calibre Quick Start Guide John Schember
0244 Camera Angles: Close-Ups and Long Shots AnnenbergMedia
0245 Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Richard Allen, Malcolm Turvey 0246 Camera Shot Types Camera Angles Editing Techniques, How Sound Is Used In Film (7 page pictorial) Internet
0247 Camera Work Shot Language videomaker.com
0248 Cameras Into the Wild: A History of Early Wildlife and Expedition Filmmaking, 1895-1928 Palle Bogelund Petterson 0249 Cannibal Holocaust: The Savage Cinema of Ruggero Deodato
Julian Grainger, Harvey Fenton, Gian Luca Castoldi
0250 Careers for Film Buffs & Other Hollywood Types Jaq Greenspon
0251 Carry on Films (Pocket Essentials) Mark Campbell
0252 Case for Cognitivism - Further Relections David Bordwell
0253 Case for Cognitivism, Cinema and Cognitive Psychology David Bordwell 0254 Catching the Big Fish: Meditation, Consciousness, and Creativity David Lynch 0255 Cecil B. DeMille and American Culture: The Silent Era Sumiko Higashi
0256 Celluloid Mushroom Clouds: Hollywood and Atomic Bomb Joyce A. Evans
0257 Celluloid Vampires: Life After Death in the Modern World Stacey Abbott 0258 Censoring Hollywood: Sex and Violence in Film and on the Cutting Room Floor Aubrey Malone
0259 Changing Direction: A Practical Approach to Directing Actors in Film and Theatre: Foreword by Ang Lee Lenore Dekoven, Ang Lee
0260 Chapaev: Kinofile Filmmakers' Companion, 11 Julian Graffy
0261 Characters in Fictional Worlds: Understanding Imaginary Beings in Literature, Film, and Other Media Jens Eder
0262 Charles Burnett: Interviews Robert E. Kapsis
0263 Charlie Chaplin Andre Bazin
0265 Childhood and Cinema Vicky Lebeau 0266 Children of Marx and Coca-Cola: Chinese Avant-Garde Art and Independent Cinema Xiaoping Lin 0267 Children, Cinema and Censorship: From Dracula to Dead End Sarah Smith
0268 China on Screen: Cinema and Nation Christopher J. Berry, Mary Ann Farquhar
0269 Chinatown Michael Eaton
0270 Chinese Martial Arts Cinema: The Wuxia Tradition Stephen Teo
0271 Chris Marker - Alexandre Ivanovitch Medvedkine Bernard Eisenschitz
0272 Christmas at the Movies: Images of Christmas in American, British and European Cinema Mark Connelly
0273 Chromatic Cinema: A History of Screen Color Richard Misek
0274 Cinema 1: The Movement Image Gilles Deleuze
0275 Cinema 2: The Time-Image Gilles Deleuze
0276 Cinema And I Ritwik Ghatak
0277 Cinema and Nation Mette Hjort, Scott Mackenzie
0278 Cinema and Painting: How Art Is Used in Film Angela Dalle Vacche
0279 Cinema and Sensation: French Film and the Art of Transgression Martine Beugnet
0280 Cinema and Spectatorship Judith Mayne
0281 Cinema and the Sandinistas: Filmmaking in Revolutionary Nicaragua Jonathan Buchsbaum
0282 Cinema and the Swastika: The International Expansion of Third Reich Cinema David Welch, Roel Vande Winkel 0283 Cinema Anime: Critical Engagements With Japanese Animation Steven T Brown
0284 Cinema as a Graphic Art Vladimir Nilsen
0285 Cinema Genre Raphaelle Moine, Hilary Radner, Alistair Fox
0286 Cinema Houston: From Nickelodeon to Megaplex David Welling, Jack Valenti
0287 Cinema in Finland Sakari Toiviainen
0288 Cinema Inferno: Celluloid Explosions From the Cultural Margins Robert G. Weiner, John Cline 0289 Cinema Italiano: The Complete Guide From Classics to Cult Howard Hughes
0290 Cinema of Mamoru Oshii: Fantasy, Technology and Politics Dani Cavallaro
0291 Cinema of the Psychic Realm: A Critical Survey Paul Meehan
0292 Cinema Studies: The Key Concepts Susan Hayward
0293 Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era Douglas M. Kellner
0294 Cinema Yesterday and Today René Clair
0295 Cinema, Philosophy, Bergman: On Film as Philosophy Paisley Livingston
0296 Cinema, Space and Polylocality in Globalizing China Yingjin Zhang
0297 Cinema: A Visual Anthropology Gordon Gray
0298 Cinema: The Archaeology of Film and the Memory of a Century
Jean-Luc Godard, Youssef Ishaghpour, John Howe
0300 Cinemas of the Other: A Personal Journey With Film-Makers From the Middle East and Central Asia Gonul Donmez-Colin 0301 Cinemas of the World: Film and Society From 1895 to the Present James Chapman
0302 Cinematic Body Steven Shaviro
0303 Cinematic Game Secrets for Creative Directors and Producers: Inspired Techniques From Industry Legends Rich Newman
0304 Cinematic Geopolitics Michael J. Shapiro
0305 Cinematic Identity: Anatomy of a Problem Film Cindy Patton
0306 Cinematic Mythmaking: Philosophy in Film Irving Singer
0307 Cinematic Thinking: Philosophical Approaches to the New Cinema James Phillips
0308 Cinematographers Field Guide Judy Hensley
0309 Cinematography : Capturing Images on Film Roberta Nusim
0310 Cinematography: Theory and Practice: Image Making for Cinematographers and Directors Blain Brown
0311 Cinepaternity: Fathers and Sons in Soviet and Post-Soviet Film Helena Goscilo, Yana Hashamova
0312 Cinephilia and History, or the Wind in the Trees Christian Keathley
0313 Cinephilia: Movies, Love and Memory Marijke de Valck, Malte Hagener
0314 Circles of Confusion: Film Photography Video Texts 1968 1980 Hollis Frampton
0315 Cities and Cinema Barbara Mennel
0316 City of Darkness, City of Light: Emigre Filmmakers in Paris, 1929-1939 Alastair Phillips
0317 City That Never Sleeps: New York and the Filmic Imagination
Murray Pomerance, Wheeler Winston Dixon, Barry Keith Grant, Aaron Baker, Gwendolyn Audrey Foster, Professor Paula J. Massood, Professor Steven Alan Carr, Professor Joe McElhaney, Professor William Rothman, David Sterritt, Professor David Gerstner, Professor Randy Thom, Professor Elizabeth Weis, Professor Scott Bukatman, Professor Pamela Grace, Professor David Desser, William Luhr, Peter Lehman
0318 Clark Gable, in Pictures: Candid Images of the Actor's Life Chrystopher J. Spicer
0319 Class, Language, and American Film Comedy Christopher Beach
0320 Classic American Films: Conversations With the Screenwriters William Baer
0321 Classic Books, Classic Films Film Education
0322 Classic Hollywood, Classic Whiteness Daniel Bernardi
0323 Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968 Stephen Prince 0324 Classics in Film and Fiction
Deborah Cartmell, I. Q. Hunter, Heidi Kaye, Imelda Whelehan
0325 Classroom Classics Film Education
0327 Clint Eastwood: Evolution of a Filmmaker John H. Foote 0328 Closely Watched Films: An Introduction to the Art of Narrative Film Technique Marilyn Fabe
0329 Collected Interviews: Voices From Twentieth-Century Cinema
Wheeler Winston Dixon, Gerard Malanga, Alex Nicol, Brian Clemens, Bryan Forbes, Freddie Francis, John Kricfalusi, Jonathan Miller, Ralph Thomas, Roger Corman, Roy Ward Baker, Wendy Toye, Terence Davies, Vincent Price, Sally Cruikshank, John O'Shea
0330 Color and Mastering for Digital Cinema Glenn Kennel
0331 Color Correction Handbook: Professional Techniques for Video and Cinema Alexis van Hurkman
0332 Combat Films: American Realism, 19452010, 2D Ed. Steven Jay Rubin
0333 Comedy Writing Secrets Mel Helitzer, Mark Shatz
0334 Comedy-Horror Films: A Chronological History, 1914-2008 Bruce G. Hallenbeck 0335 Coming Soon: A Technological History of the Film Trailer Keith M. Johnston
0336 Commentaires Vol 1 Chris Marker
0337 Commerce in Culture: States and Markets in the World Film Trade Andrew J. Flibbert 0338 Committed Cinema: The Films of Jean-Pierre and Luc Dardenne: Essays and Interviews Bert Cardullo 0339 Companion Encyclopedia of Middle Eastern and North African Film Oliver Leaman
0340 Complete Online Filmmaking Reference Freefilmschool.org
0341 Composers in the Movies: Studies in Musical Biography John C. Tibbetts 0342 Compositing Visual Effects: Essentials for the Aspiring Artist Steve Wright 0343 Compression for Great Video and Audio: Master Tips and Common Sense Ben Waggoner
0344 Concepts in Film Theory Dudley Andrew
0345 Conflicts of Memories Emiliano Perra
0346 Conquest of the Useless: Reflections From the Making of Fitzcarraldo Werner Herzog
0347 Conspiracy Theory in Film, Television, and Politics Gordon B. Arnold
0348 Constructing the Image of the Mexican Revolution: Cinema and the Archive Zuzana M. Pick
0349 Contemporary American Cinema Linda Ruth Williams, Michael Hammond
0350 Contemporary Hollywood Stardom Thomas Austin, Martin Barker
0351 Contemporary Indonesian Film: Spirits of Reform and Ghosts From the Past Katinka van Heeren 0352 Contemporary New Zealand Cinema: From New Wave to Blockbuster Ian Conrich, Stuart Murray 0353 Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia Shohini Chaudhuri
0354 Conversation with Laura Mulvey (Article) Annie van den Oever
0355 Conversations With Cinematographers David Ellis
0356 Conversations With Mohsen Makhmalbaf Mohsen Makhmalbaf, Hamid Dabashi
0358 Conversations With the Great Moviemakers of Hollywood's Golden Age: At the American Film Institute George Stevens Jr.
0359 Cool And Crazy: Modern Norwegian Cinema 1990-2005 Peter Cowie
0360 Corporate Video Production: Beyond the Board Room Stuart Sweetow
0361 Course Syllabus - Intro to Film Kelly Clement
0362 Crash Iain Sinclair
0363 Crash Course in Screenwriting David Griffith
0364 Creating Digital Content : Video Production for Web, Broadcast, and Cinema Brian McKernan, John R. Rice
0365 Creating DSLR Video: From Snapshots to Great Shots Richard Harrington
0366 Creating Motion Graphics With After Effects: Advanced Techniques Trish Meyer, Chris Meyer
0367 Creative Careers in Hollywood Laurie Scheer
0368 Creative Motion Graphic Titling for Film, Video, and the Web: Dynamic Motion Graphic Title Design Yael Braha, Bill Byrne
0369 Crime Culture: Figuring Criminality in Fiction and Film Bran Nicol, Eugene McNulty, Patricia Pulham
0370 Crime Fiction New Critical Idiom John Scaggs
0371 Crime Films Thomas M. Leitch
0372 Crime Wave: The Filmgoers' Guide to the Great Crime Movies Howard Hughes
0373 Criminology Goes to the Movies: Crime Theory and Popular Culture Nicole Rafter, Michelle Brown 0374 Critical Dictionary of Film and Television Theory Roberta Pearson, Philip Simpson 0375 Criticisms of Laura Mulvey Focus The Piano by Jane Campion Internet
0376 Csi ( (Wiley-Blackwell Series in Film and Television) Derek Kompare
0377 Cuban Cinema Michael Chanan
0378 Cult Cinema Ernest Mathijs, Jamie Sexton
0379 Cult Movies in Sixty Seconds: The Best Movies in the World in Less Than a Minute Soren McCarthy 0380
Cut by Cut (Syllabus - How to Read Cuts and Understand Editing
A Course on Film Editing Theory, Practice, and History) Gael Chandler
0381 Cut the Unseen Cinema Baxter Phillips
0382 Cutting Edge: Art-Horror and the Horrific Avant-Garde Joan Hawkins
0383 Cutting Rhythms: Shaping the Film Edit Karen Pearlman
0384
Cutting the Body: Representing Woman in Baudelaire's Poetry, Truffaut's Cinema, and Freud's
Psychoanalysis Eliane Dalmolin
0385 Cyborg Cinema and Contemporary Subjectivity Sue Short
0386 Czech and Slovak Cinema: Theme and Tradition Peter A. Hames
0387 Dancefilm: Choreography and the Moving Image Erin Brannigan
0388 Dances With Wolves Michael Blake
0389 Dark Dreams 2.0: A Psychological History of the Modern Horror Film From the 1950s to the 21st Century Charles Derry
0390 Dark Places: The Haunted House in Film Barry Curtis
0392 David Cronenberg: Author or Filmmaker? Mark Browning
0393 David Lynch: Beautiful Dark Greg Olson
0394 David Mamet in Conversation Leslie Kane
0395 Dead Poets Society: The Screenplay Tom Schulman
0396 Death 24x a Second: Stillness and the Moving Image Laura Mulvey
0397 Death on the Cheap: The Lost B Movies of Film Noir Arthur Lyons
0398 Decolonizing the Lens of Power: Indigenous Films in North America Kerstin Knopf
0399 Deleuze and Cinema: The Aesthetics of Sensation Barbara Kennedy
0400 Deleuze and Cinema: The Film Concepts Felicity Colman
0401 Deleuze and the Cinemas of Performance: Powers of Affection Elena Del Rio
0402 Deleuze and the Schizoanalysis of Cinema Patricia MacCormack, Ian Buchanan
0403 Deleuze and World Cinemas David Martin-Jones
0404 Deleuze on Cinema Ronald Bogue
0405 Deleuze, Altered States and Film Anna Powell
0406 Deleuze, Cinema and National Identity: Narrative Time in National Contexts David Martin-Jones
0407 Deleuze, Cinematographic Consciousness Deleuze
0408 Deleuzian Encounters: Studies in Contemporary Social Issues Anna Hickey-Moody, Peta Malins
0409 Deleuzian Fabulation and the Scars of History Ronald Bogue
0410 Delirium Guide to Italian Exploitation Cinema 1970-1974 Part 1 Adrian Luther-Smith 0411 Delirium Guide to Italian Exploitation Cinema 1975-1979 Part 2 Adrian Luther-Smith
0412 Derek Jarman's Angelic Conversations Jim Ellis
0413 Designing With Video: Focusing the User-Centred Design Process Salu Pekka Ylirisku, Jacob Buur 0414 Destroy All Movies!!! The Complete Guide to Punks on Film Zack Carlson, Bryan Connolly
0415 Deterritorializing the New German Cinema John E. Davidson
0416 Developing Story Ideas Michael Rabiger
0417 Devotional Cinema Nathaniel Dorsky
0418 Dialectic Approach to Film Form (Essay) Sergei Eisenstein
0419 Dialogue Editing for Motion Pictures: A Guide to the Invisible Art John Purcell 0420 Diasporas of Australian Cinema
Catherine Simpson, Renata Murawska, Anthony Lambert
0421 Dictionary of Media Studies Jane Russell
0422 Dictionary of Video & Television Technology Keith Jack, Vladimir Tsatsoulin 0423 Digital (Photo) Restoration From Start to Finish: How to Repair Old and Damaged Photographs Ctein
0424 Digital Audio and Video Techniques Pearson Custom Publishing
0425 Digital Cinematography Paul Wheeler
0427 Digital Compositing for Film and Video Steve Wright 0428 Digital Compositing for Film and Video, Third Edition Steve Wright 0429
Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual
Archives Academy of Motion Picture Arts, Sciences
0430 Digital Filmmaking for Teens Pete Shaner, Gerald E. Jones
0431 Digital Filmmaking Secrets FilmSchoolOnline
0432 Digital Image Processing With Application to Digital Cinema Ks Thyagarajan
0433 Digital Intermediates for Film and Video Jack James
0434 Digital Lighting and Rendering Jeremy Birn
0435 Digital Material: Tracing New Media in Everyday Life and Technology
Marianne van Den Boomen, Sybille Lammes, Ann-Sophie Lehmann, Joost Raessens, Mirko Tobias Schafer
0436 Digital Moviemaking: All the Skills, Techniques and Moxie You'll Need to Turn Your Passion Into a Career Scott Billups
0437 Digital Storytelling Cookbook february 2007 Joe Lambert
0438 Digital Storytelling: A Creator's Guide to Interactive Entertainment Carolyn Handler Miller
0439 Direct Your Own Damn Movie! Lloyd Kaufman, Sara Antill, Kurly Tlapoyawa
0440 Directing and Producing for Television, Fourth Edition: A Format Approach Ivan Cury
0441 Directing for Stage and Screen Marian F. Monta, Jack R. Stanley
0442 Directing the Documentary Michael Rabiger
0443 Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation Francis Glebas 0444 Directing, Fourth Edition: Film Techniques and Aesthetics Michael Rabiger
0445 Directing-Assessment Forms Forms, Checklists
0446 Directing-Audition form Forms, Checklists
0447 Directing-Budget Estimate form Forms, Checklists
0448 Directing-Checklist Part 1 Forms, Checklists
0449 Directing-Checklist Part 2 Forms, Checklists
0450 Directing-Checklist Part 3 Forms, Checklists
0451 Directing-Checklist Part 4 Forms, Checklists
0452 Directing-Checklist Part 5 Forms, Checklists
0453 Directing-Checklist Part 6 Forms, Checklists
0454 Directing-Checklist Part 7 Forms, Checklists
0455 Directing-Checklist Part 8 Forms, Checklists
0456 Directing-Earlier Technology Notes Forms, Checklists
0457 Directing-Form and Aesthetics Questionnaire Forms, Checklists
0458 Directing-Teacher's Notes Forms, Checklists
0460 Directory of World Cinema: Australia and New Zealand Ben Goldsmith, Geoff Lealand
0461 Directory of World Cinema: Japan John Berra
0462 Directory of World Cinema: Spain Lorenzo J. Torres Hortelano
0463 Dirty and Dangerous Jobs: Movie Stunt Worker 2011 William David Thomas, Susan Nations 0464
Disaster Movies: A Loud, Long, Explosive, Star-Studded Guide to Avalanches, Earthquakes, Floods,
Meteors, Sinking Ships, Twisters, Viruses, Killer ... Fallout, and Alien Attacks in the Cinema!!!! Glenn Kay, Michael Rose, Mike Nelson 0465 Disney, Pixar, and the Hidden Messages of Children's Films M. Keith Booker
0466 Displaced Allegories: Post-Revolutionary Iranian Cinema Negar Mottahedeh
0467 Diva: Defiance and Passion in Early Italian Cinema Angela Dalle Vacche, Guy Maddin 0468 Dmitri Shostakovich: A Life in Film: The Filmmaker's Companion 3 John Riley
0469 Documentary Film: A Very Short Introduction Patricia Aufderheide
0470 Documentary Filmmakers Speak Liz Stubbs
0471 Documentary in the Digital Age Maxine Baker
0472 Documentary Screens: Non-Fiction Film and Television Keith Beattie
0473 Documentary Storytelling: Creative Nonfiction on Screen Sheila Curran Bernard
0474 Documentary Superstars Marsha Mccreadie
0475 Documentary Time: Film and Phenomenology Malin Wahlberg
0476 Documentary: The Margins of Reality Paul Ward
0477 Documenting D-Day Film Education
0478 Doing Philosophy at the Movies Richard A. Gilmore
0479 Don Bluth's Art of Storyboard Don Bluth, Gary Goldman
0480 Doubting Vision: Film and the Revelationist Tradition Malcolm Turvey
0481 Dramatica: A New Theory Of Story Melanie Anne Phillips, Chris Huntley
0482 Dreams and Dead Ends: The American Gangster Film Jack Shadoian
0483 Dreams of Darkness: Fantasy and the Films of Val Lewton J. P. Telotte 0484 Drive-In Dream Girls: A Galaxy of B-Movie Starlets of the Sixties Tom Lisanti 0485 Driven to Darkness: Jewish Emigre Directors and the Rise of Film Noir Vincent Brook
0486 Driving Visions: Exploring the Road Movie David Laderman
0487 DSLR Cinema: Crafting the Film Look With Video Kurt Lancaster
0488 DSLR Cinematography Guide nofilmschool.com
0489 Dudley Murphy, Hollywood Wild Card Susan B Delson
0490 DV Filmmaking: From Start to Finish Ian David Aronson
0491 Dziga Vertov: Defining Documentary Film Jeremy Hicks
0492 Early Cinema in Russia and Its Cultural Reception Yuri Tsivian, Richard Taylor
0493 Early Film Criticism of Francois Truffaut Wheeler Winston Dixon
0495 East Asian Cinemas: Exploring Transnational Connections on Film Leon Hunt, Leung Wing-Fai
0496 E-Books Suggestions Internet
0497 Echo and Narcissus: Women's Voices in Classical Hollywood Cinema Amy Lawrence
0498 Economics in Film and Fiction Milica Bookman, Aleksandra Bookman
0499 Eisenstein Film Education
0500 Eisenstein as Theorist Dana B. Polan
0501 Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema Robert Robertson 0502 Eisenstein Rediscovered
Ian Christie, Professor Richard Taylor, Richard Taylor
0503 El Topo: A Book of the Film
Alexandro Jodorowsky, Ross Firestone, Bob Cato, Janne Pottlitzer
0504 Elements of Fiction Writing - Characters & Viewpoint Orson Scott Card
0505 Elia Kazan: The Cinema of an American Outsider Brian Neve
0506 Elizabeth Taylor: A Shining Legacy on Film Cindy de La Hoz
0507 Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films Roberta E. Pearson 0508 E-Motion Picture Magic: A Movie Lover's Guide to Healing and Transformation Birgit Wolz
0509 Enactive Cinema: Simulatorium Eisensteinense Pia Tikka
0510 Encyclopedia of African American Actresses in Film and Television Bob McCann
0511 Encyclopedia of Chinese Film Zhiwei Xiao, Yingjin Zhang
0512 Encyclopedia of Early Cinema Richard Abel
0513 Encyclopedia of Film Noir Geoff Mayer, Brian McDonnell
0514 Encyclopedia of Movie Special Effects Patricia D. Netzley
0515 Encyclopedia of Orson Welles
Chuck Berg, Thomas L. Erskine, John C. Tibbetts, James M. Welsh
0516 Encyclopedia of Religion and Film Eric Michael Mazur
0517 Encyclopedia of Television Film Directors Jerry Roberts
0518 Encyclopedia of Television Shows, 1925 Through 2007 Vincent Terrace
0519 Engaging the Moving Image Noel Carroll
0520 Entertainment Industrialised: The Emergence of the International Film Industry, 1890-1940 Gerben Bakker
0521 Ernst Lubitsch: American Comedy William Paul
0522 Ernst Lubitsch: Laughter in Paradise Scott Eyman
0523 Escape Artist: The Life and Films of John Sturges Glenn Lovell
0524 Essential Cinema: On the Necessity of Film Canons Jonathan Rosenbaum
0525 Essential Film Themes, 10 Years Of The Very Best Film Themes Jack Long
0526 Eternal Sunshine of the Spotless Mind Christopher Grau
0528 European Cinema After 1989: Cultural Identity and Transnational Production Luisa Rivi
0529 European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe Daniela Berghahn, Claudia Sternberg
0530 European Cinema: Face to Face With Hollywood Thomas Elsaesser
0531 European Cinemas in the Television Age Dorota Ostrowska, Graham Roberts
0532 European Film Theory & Cinema Cinema, A Critical Introduction Ian Aitken
0533 Every Frame a Rembrandt: Art and Practice of Cinematography Andrew Laszlo, Andrew Quicke
0534 Everything You Always Wanted to Know About Lacan Slavoj Zizek
0535 Evil Arabs in American Popular Film: Orientalist Fear Tim Jon Semmerling
0536 Examining Camera Techniques in Hitchcock Internet
0537 Exile Cinema: Filmmakers at Work Beyond Hollywood Michael Atkinson
0538 Existentialist Cinema William C. Pamerleau
0539 Expanded Cinema Gene Youngblood
0540 Experimental Cinema in America Lewis Jacobs
0541 Expressionist Film--New Perspectives Dietrich Scheunemann
0542 Eyeball: Compendium 1989-2000 Sex Horror art and exploitation Stephen Thrower 0543 Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson P. Adams Sitney
0544 Eyewitness Companions: Film Anita Ganeri, Ronald Bergan
0545 F Is for Phony: Fake Documentary and Truth's Undoing
Alexandra Juhasz, Alexandra Juhasz Jesse Lerner
0546 Fabricating the Absolute Fake: 'America' in Contemporary Pop Culture Jaap Kooijman
0547 Falling in Love Again: Romantic Comedy in Contemporary Cinema Stacey Abbott, Deborah Jermyn 0548 Fantastic Voyages of the Cinematic Imagination: Georges Melies's Trip to the Moon Matthew Solomon
0549 Fantasy Femmes of Sixties Cinema: Interviews With 20 Actresses From Biker, Beach, and Elvis Movies Tom Lisanti
0550 Fantasy Film: A Critical Introduction James Walters
0551 Fassbinder Film Maker Ronald Hayman
0552 Fatal Women: Lesbian Sexuality and the Mark of Aggression Lynda Hart
0553 Feminist Film Studies: Writing the Woman Into Cinema Janet McCabe
0554 Field Audio Fall 2006 Rob Danielson
0555 Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography Leslie Devereaux, Roger Hillman
0556 Fifteen Thousand Useful Phrases Grenville Kleiser
0557 Fifty Contemporary Filmmakers Yvonne Tasker
0558 Fight Choreography: The Art of Non-Verbal Dialogue John Kreng
0559 Figures Traced in Light: On Cinematic Staging Internet
0560 Figuring the Past: Period Film and the Mannerist Aesthetic Belen Vidal
0561 Film Susan Stempleski, Barry Tomalin
0563 Film Adaptation and Its Discontents: From Gone With the Wind to the Passion of the Christ Thomas Leitch 0564 Film and Community in Britain and France: From La Règle Du Jeu to Room at the Top Margaret Butler
0565 Film and Ethics: Foreclosed Encounters Lisa Downing, Libby Saxton
0566 Film and Female Consciousness: Irigaray, Cinema and Thinking Women Lucy Bolton
0567 Film and Other Magazines Front Cover Analysis Internet
0568 Film and Phenomenology: Towards a Realist Theory of Cinematic Representation Allan Casebier
0569 Film and Television Makeup Herman Buchman
0570 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema Tim Bergfelder, Sue Harris, Sarah Street
0571 Film Art - an Introduction 8th Kristin Thompson; David Bordwell
0572 Film Art: An Introduction, 9th Ed David Bordwell, Kristin Thompson
0573 Film as a Subversive Art Amos Vogel, Scott Macdonald
0574 Film as Art: 50th Anniversary Printing Rudolf Arnheim
0575 Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell Rupert Read, Jerry Goodenough
0576 Film as Religion: Myths, Morals, Rituals John Lyden
0577 Film as Social Practice Third Ed. Graeme Turner
0578 Film Comment Magazine Jan-Feb 1975 Hollywood Cartoon Special The Film Society Of Lincoln Center
0579 Film Consciousness: From Phenomenology to Deleuze Spencer Shaw
0580 Film Dictionary misteridigital.com
0581 Film Directing Fundamentals, Third Edition: See Your Film Before Shooting Nicholas Proferes 0582 Film Directing Shot by Shot: Visualizing From Concept to Screen Steven D. Katz
0583 Film Directing, Tips & Tricks Karl Boyard
0584 Film Editing (PPT)
Arav Preeti, Anusha Bitul, Monisha Harshodaya, Jaineet Megha Arun
0585 Film Fables Jacques Ranciere, Emiliano Battista
0586 Film Festival Secrets: A Handbook for Independent Filmmakers Christopher Holland 0587 Film Festivals: From European Geopolitics to Global Cinephilia Marijke de Valck 0588
Film Front Weimar: Representations of the First World War in German Films of the Weimar Period
(1919-1933) Bernadette Kester
0589 Film Genre Reader 3 Barry Keith Grant
0590 Film Genre: From Iconography to Ideology Barry Keith Grant
0591 Film Genre: Hollywood and Beyond Barry Langford
0592 Film Histories: An Introduction and Reader
Paul Grainge, Mark Jancovich, Sharon Monteith
0593 Film History: An Introduction 2nd Ed. Kristin Thompson, David Bordwell
0594 Film in the Aura of Art James Dudley Andrew
0596 Film Is Not Dead: A Digital Photographer's Guide to Shooting Film Jonathan Canlas, Kristen Kalp 0597
Film Making
Learn Basics to Becoming a Film Maker master-resale-rights.com
0598 Film Music Paul Tonks
0599 Film Music: A History James Wierzbicki
0600 Film Music: A Very Short Introduction Kathryn Kalinak
0601 Film Noir and the Cinema of Paranoia Professor Wheeler Winston Dixon
0602 Film Noir: From Berlin to Sin City Mark Bould
0603 Film Piracy, Organized Crime, and Terrorism
Gregory F. Treverton, Carl Matthies, Karla J. Cunningham, Jeremiah Goulka, Greg Ridgeway, Anny Wong
0604 Film Posters Exploitation Tony Nourmand, Graham Marsh, Dave Kehr
0605 Film Production Checklist Daren Okafo
0606 Film Production Management, Third Edition Bastian Cleve
0607 Film Production Technique: Creating the Accomplished Image Bruce Mamer
0608 Film Production Theory Jean Pierre Geuens
0609 Film Quarterly: Forty Years--A Selection Brian Henderson, Ann Martin
0610 Film Remakes Constantine Verevis
0611 Film Remakes as Ritual and Disguise: From Carmen to Ripley Anat Zanger 0612 Film Sequels: Theory and Practice From Hollywood to Bollywood Carolyn Jess-Cooke
0613 Film Soleil D. K. Holm
0614 Film Structure and the Emotion System Greg M. Smith
0615 Film Studies Andrew M. Butler
0616 Film Studies: The Basics Amy Villarejo
0617 Film Study lecture on the film Psycho (1960) Jay Seller
0618 Film Style and Technology: History and Analysis Barry Salt
0619 Film Technique and Film Acting - the Cinema Writings of V.I. Pudovkin V. I. Pudovkin
0620 Film Techniques Lesson 3 Internet
0621 Film Techniques of Alfred Hitchcock - suspense, camera angles, style, editing, basics Chris Edwards
0622 Film Technology in Post Production, Second Edition Dominic Case
0623 Film Theory Alan Papprill
0624 Film Theory and Contemporary Hollywood Movies Warren Buckland
0625 Film Theory and Criticism Leo Braudy, Marshall Cohen
0626 Film Theory: An Introduction Robert Stam
0627 Film Theory: An Introduction Through the Senses Thomas Elsaesser, Malte Hagener
0629 Film Trilogies: New Critical Approaches Claire Perkins, Constantine Verevis
0630 Film Voices: Interviews From Post Script Gerald Duchovnay
0631 Film, Folklore and Urban Legends Mikel J. Koven
0632 Film, Theory, and Philosophy: The Key Thinkers Felicity Colman
0633 Film: A Critical Introduction Value Package Maria T. Pramaggiore, Tom Wallis
0634 Film: An Introduction William H. Phillips
0635 Film: The Essential Study Guide Ruth Doughty, Deborah Shaw
0636 FilmCraft: Editing Justin Chang
0637 Film-Induced Tourism Sue Beeton
0638 Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film Daniel Bernardi 0639
Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada,
1939-46 Malek Khouri
0640 Filming the Fantastic: A Guide to Visual Effects Cinematography Mark Sawicki 0641 Filming the Fantastic: A Guide to Visual Effects Cinematography Second edition Mark Sawicki 0642 Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World Lina Khatib 0643 Filmmakers and Financing: Business Plans for Independents Louise Levison
0644 Filmmaking for Dummies Bryan Michael Stoller
0645 Filmmaking for Dummies (With Readers Notes) Bryan Michael Stoller
0646 Film-Marketing (PPTX) Agata Wesek
0647 Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai Thorsten Botz-Bornstein
0648 Film's Musical Moments Ian Conrich, Estella Ticknell
0649 Films of the World 1888-1900 ((Including color tinted and experimental sound films) John Winner
0650 Films of Vincent Price Iain F. McAsh
0651 Films That Work: Industrial Film and the Productivity of Media Vinzenz Hediger, Patrick Vonderau
0652 Filmy Nerd Prelims (Quiz) Anmol Garg, Rohan Desai
0653 Final Cut Pro 4 and the Art of Filmmaking
David Teague, Jason Teague, Jason Cranford Teague, Sybex
0654 Fine Cuts: The Art of European Film Editing Roger Crittenden
0655 First-Time Filmmaker F*#^-Ups: Navigating the Pitfalls to Making a Great Movie Daryl Goldberg
0656 Five Films by Frederick Wiseman: Titicut Follies, High School, Welfare, High School II, Public Housing Frederick Wiseman, Barry Keith Grant
0657 Fix It in Post: Solutions for Postproduction Problems Jack James
0658 Flash Cinematic Techniques: Enhancing Animated Shorts and Interactive Storytelling Chris Jackson
0659 Folklore/Cinema: Popular Film as Vernacular Culture Sharon R. Sherman, Mikel J. Koven
0660 For a Few Days More (Screenplay) April Rider
0661 For and Against the views of Laura Mulvay Re: Feminist Film Theory and Male Gaze Internet 0662 Forbidden Fruit: The Golden Age of the Exploitation Film Brett Wood
0663 Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary Abe Mark Nornes
0664 Framed Time: Toward a Postfilmic Cinema Garrett Stewart
0665 Framing Female Lawyers: Women on Trial in Film Cynthia Lucia
0666 Frank Capra: The Catastrophe of Success Joseph McBride
0667 Freedom of the Screen: Legal Challenges to State Film Censorship, 1915-1981 Laura Wittern-Keller
0668 French Cinema: A Student's Guide Phil Powrie, Keith Reader
0669 French Cinema: From Its Beginnings to the Present Rémi Fournier Lanzoni
0670 French Hiroshima Sarah French
0671 French National Cinema Susan Hayward
0672 French New Wave Chris Wiegand
0673 French Queer Cinema Nick Rees-Roberts
0674 French Tales Helen Constantine
0675 Freud's Drive: Psychoanalysis, Literature and Film Teresa de Lauretis
0676 From Bananas to Buttocks: The Latina Body in Popular Film and Culture Myra Mendible
0677 From Berlin to Sin City Mark Bould
0678 From Box Office to Ballot Box: The American Political Film M. Keith Booker
0679 From Caligari to Hitler: A Psychological History of the German Film Siegfried Kracauer, Leonardo Quaresima 0680 From Grain to Pixel: The Archival Life of Film in Transition Giovanna Fossati
0681 From Hobbits to Hollywood: Essays on Peter Jackson's Lord of the Rings Murray Pomerance
0682 From Moscow to Madrid: European Cities, Postmodern Cinema Ewa Mazierska, Laura Rascaroli 0683 From Pinewood to Hollywood: British Filmmakers in American Cinema, 1910-1969 Ian Scott
0684 From Script To Screen, Importance Of Copyright In The Distribution Of Films WIPO
0685 From Sennett to Stevens, Interview & William Hornbeck David Bordwell, Kristin Thompson 0686 From the Arthouse to the Grindhouse: Highbrow and Lowbrow Transgression in Cinema's First Century John Cline, Robert G. Weiner
0687 Fundamentals of Camerawork and Shot Composition Cambridge Community TV
0688 Funny Pictures: Animation and Comedy in Studio-Era Hollywood Daniel Goldmark, Charlie Keil 0689 Gay Fandom and Crossover Stardom: James Dean, Mel Gibson, and Keanu Reeves Michael Deangelis
0690 Gaze and The Media Helen Clarke
0691 Gaze and Voice as Love Objects Renata Salecl, Slavoj Zizek
0692 Gender and French Cinema Alex Hughes, James S. Williams
0693 Generation Multiplex: The Image of Youth in Contemporary American Cinema Timothy Shary
0694 Genre in Asian Film and Television: New Approaches Felicia Chan, Angelina Karpovich, Xin Zhang 0695 Genre, Myth, and Convention in the French Cinema, 1929-1939 Colin Crisp
0696
Georg Wilhelm Pabst. Présentation Par Barthélémy Amengual. Choix De Textes Et Propos De Pabst. Extraits De Scénarios. Panorama Critique. Témoignages. Filmographie. Bibliographie. Documents
0697 George A. Romero: Interviews Tony Williams 0698
George Lucas's Blockbusting: A Decade-By-Decade Survey of Timeless Movies Including Untold Secrets of
Their Financial and Cultural Success Alex Ben Block, Lucy Autrey Wilson
0699 German Lieutenant Stanley Kubrick, Richard Adams
0700 German Postwar Films: Life and Love in the Ruins Wilfried Wilms, William Rasch
0701 Get Carter: A British Film Guide Steve Chibnall
0702 Getting Into Films and Television: How to Spot the Opportunities and Find the Best Way In Robert Angell 0703 Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968 Kevin Heffernan
0704 Giant: George Stevens, a Life on Film Marilyn Ann Moss
0705 Gilles Deleuze Claire Colebrook
0706 Gilles Deleuze: Cinema and Philosophy Paola Marrati, Alisa Hartz
0707 Gilles Deleuze: Vitalism and Multiplicity John Marks
0708 Girl Show: Into the Canvas World of Bump and Grind A. W. Stencell
0709 Global Art Cinema: New Theories and Histories Rosalind Galt, Karl Schoonover
0710 Global Neorealism: The Transnational History of a Film Style Saverio Giovacchini, Robert Sklar
0711 Godard on Godard Jean-Luc Godard
0712 Godard: Images, Sounds, Politics
Colin MacCabe, Mick Eaton, Laura Mulvey, Jean-Luc Godard
0713 Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986 Adam Rockoff 0714
Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through the 25 Best and Worst Films in
History Tom Pope
0715 Goodbye Cinema, Hello Cinephilia: Film Culture in Transition Jonathan Rosenbaum 0716 Gossip, Letters, Phones: The Scandal of Female Networks in Film and Literature Ned Schantz
0717 Graham Greene and the Politics of Popular Fiction and Film Brian Lindsay Thomson
0718 Grammar of the Edit, Second Edition Roy Thompson, Christopher J. Bowen
0719 Grammar of the Shot, Second Edition Christopher J. Bowen, Roy Thompson
0720 Guide To Feature Film Writing, A Screenwriter’s Workbook J T Velikovsky
0721 Guide to Postproduction for TV and Film: Managing the Process Barbara Clark, Susan Spohr
0722 Guide to the Silent Years of American Cinema Christophe P. Jacobs, Donald McCaffrey
0723 Guidelines for Better Photographic Composition. photoinf.com
0724 Gus Van Sant: His Own Private Cinema Vincent Lobrutto
0725 Gwyneth Paltrow Valerie Milano
0726 H.G. Wells, Modernity and the Movies Keith Williams
0727 Happily Ever After, Part Two David Bordwell
0728 Hard Core: Power, Pleasure, and the "Frenzy of the Visible", Expanded Edition Linda Williams 0729 Hard Hats, Rednecks, and Macho Men: Class in 1970s American Cinema Derek Nystrom
0730 Harmony and Dissent: Film and Avant-Garde Art Movements in the Early Twentieth Century R. Bruce Elder
0731 Harun Farocki: Working the Sight-Lines Thomas Elsaesser
0732 Hearst Over Hollywood Louis Pizzitola
0733 Hearths of Darkness: The Family in the American Horror Film Tony Williams 0734 Herr Lubitsch Goes to Hollywood: German and American Film After World War I Kristin Thompson
0735 Herzog on Herzog Paul Cronin, Werner Herzog
0736 Hide in Plain Sight: The Hollywood Blacklistees in Film and Television, 1950-2002 Paul Buhle, Dave Wagner
0737 High Definition Cinematography, Third Edition Paul Wheeler
0738 High Definition Postproduction: Editing and Delivering HD Video Steven E. Browne 0739 Hindi Cinema and Half-Forgotten Dialects: An Interview with Ashis Nandy Christopher Pinney
0740 Historical Dictionary of Film Noir Andrew Spicer
0741 Historical Dictionary of French Cinema Dayna Oscherwitz, Mary Ellen Higgins
0742 Historical Dictionary of German Cinema Robert C. Reimer, Carol J. Reimer
0743 Historical Dictionary of Horror Cinema Peter Hutchings
0744 Historical Dictionary of Italian Cinema Gino Moliterno
0745 Historical Dictionary of Science Fiction Cinema Keith M. Booker
0746 Historical Dictionary of Spanish Cinema Alberto Mira
0747 Historical Dictionary of Surrealism Keith Aspley
0748 Historical Dictionary of Westerns in Cinema Paul Varner
0749 History in the Media: Film and Television Robert Niemi
0750 History of the American Cinema 01 - The Emergence of Cinema: The American Screen to 1907 Charles Musser 0751 History of the American Cinema 02 - The Transformation of Cinema, 1907-1915 Eileen Bowser 0752
History of the American Cinema 03 - An Evening's Entertainment: The Age of the Silent Feature Picture,
1915-1928 Richard Koszarski
0753 History of the American Cinema 04 - Talkies: American Cinema's Transition to Sound, 1926-1931 Donald Crafton 0754 History of the American Cinema 05 - Grand Design: Hollywood as a Modern Business Enterprise 1930-1939 Tino Balio 0755 History of the American Cinema 07 - The Fifties: Transforming the Screen, 1950-1959 Peter Lev 0756 History of the American Cinema 08 - The Sixties: 1960-1969 Paul Monaco 0757
History of the American Cinema 09 - Lost Illusions: American Cinema in the Shadow of Watergate and
Vietnam, 1970-1979 David A. Cook
0758
History of the American Cinema 10 - A New Pot of Gold: Hollywood Under the Electronic Rainbow,
1980-1989 Stephen Prince
0759 History of the American Cinema: Boom and Bust: The American Cinema in the 1940s Thomas Schatz
0760 History on Film/film and History Robert A. Rosenstone
0761 Hitchcock - the First Forty-Four Films Eric Rohmer, Claude Chabrol
0763 Hitchcock on Film FilmEducation
0764 Hitchcock on Hitchcock: Selected Writings and Interviews Alfred Hitchcock, Sidney Gottlieb 0765 Hitchcock on Hitchcock: Selected Writings and Interviews, Book Review Sidney Gottlieb
0766 Hitchcock Pathfinder 2010 Brian Stambaugh
0767 Hitchcock: Past and Future Richard Allen, Sam Ishii-Gonzales
0768 Hitchcock's America Jonathan Freedman, Richard Millington
0769 Hitchcock's Cryptonymies: 1 Secret Agents Tom Cohen
0770 Hitchcocks Cryptonymies: Volume 2: War Machines Tom Cohen
0771 Hitchcock's Motifs Michael Walker
0772 Hitchcock's Music Jack Sullivan
0773 Hitler's Heroines: Stardom and Womanhood in Nazi Cinema Antje Ascheid 0774 Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance Hye Seung Chung 0775 Hollywood Beyond the Screen: Design and Material Culture Anne Massey 0776 Hollywood Bloodshed: Violence in 1980s American Cinema James Kendrick
0777 Hollywood Camera Work Blocking Template Internet
0778 Hollywood Catwalk: Exploring Costume and Transformation in American Film Tamar Jeffers McDonald 0779 Hollywood Drive: What It Takes to Break In, Hang in & Make It in the Entertainment Industry Eve Light Honthaner 0780 Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry Arthur de Vany 0781 Hollywood Films About Schools: Where Race, Politics, and Education Intersect Ronald E. Chennault
0782 Hollywood From Vietnam to Reagan Robin Wood
0783 Hollywood Game Plan: How to Land a Job in Film, TV and Digital Entertainment Carole M. Kirschner 0784 Hollywood Genres and Post-War America: Masculinity, Family and Nation in Popular Movies and Film Noir Mike Chopra-Gant 0785 Hollywood Genres: Formulas, Filmmaking, and the Studio System Thomas Schatz 0786 Hollywood Heroines: Women in Film Noir and the Female Gothic Film Helen Hanson 0787 Hollywood in Berlin: American Cinema and Weimar Germany Thomas J. Saunders
0788 Hollywood Musicals, the Film Reader Steven Cohan
0789 Hollywood Portraits Roger Hicks, Christopher Nisperos
0790 Hollywood Portraits: Classic Shots and How to Take Them Roger Hicks, Christopher Nisperos 0791 Hollywood Quarterly: Film Culture in Postwar America, 1945-1957 Eric Smoodin, Ann Martin
0792 Hollywood Script Writing: How To Birth Your Idea Into A Bankable Screenplay Sandy Eiges 0793 Hollywood Utopia: Ecology in Contemporary American Cinema Pat Brereton 0794 Hollywood v. Hard Core: How the Struggle Over Censorship Created the Modern Film Industry Jon Lewis 0795 Hollywood's New Radicalism: War, Globalisation and the Movies From Reagan to George W. Bush Ben Dickenson
0796 Hollywood's Tennessee: The Williams Films and Postwar America R. Barton Palmer, William Robert Bray 0797 Hollywood's West: The American Frontier in Film, Television, and History Peter C. Rollins, John E. O'Connor 0798 Home/Land/Security: What We Learn About Arab Communities From Action-Adventure Films Karin Gwinn Wilkins
0799 Home: A Memoir of My Early Years Julie Andrews
0800 Hong Kong Action Cinema Bey Logan
0801 Hong Kong Cinema: The Extra Dimensions Stephen Teo
0802 Hong Kong Film, Hollywood and New Global Cinema: No Film Is an Island Gina Marchetti, Tan See Kam
0803 Horror Brigid Cherry
0804 Horror Film and Psychoanalysis: Freud's Worst Nightmare Steven Jay Schneider
0805 Horror Films of the 1990s John Kenneth Muir
0806 Horror Of Dracula Script Internet
0807 Horror Zone: The Cultural Experience of Contemporary Horror Cinema Ian Conrich
0808 Horror, the Film Reader Mark Jancovich
0809 How I Broke Into Hollywood Pablo F. Fenjves, Rocky Lang
0810
How I Filmed the War; A Record of the Extraordinary Experiences of the Man Who Filmed the Great
Somme Battles, Etc. Geoffrey H Malins, Low Warren
0811 How I Made a Hundred Movies in Hollywood and Never Lost a Dime Roger Corman 0812 How Not to Make a Short Film: Secrets From a Sundance Programmer Roberta Marie Munroe
0813 How to Be a Comedy Writer Marc Blake
0814 How to Be a Movie Star: Elizabeth Taylor in Hollywood William J. Mann 0815 How to Become a Porn Director: Making Amateur Adult Films Nick Ryder
0816 How To Begin Writing A Screenplay Hailey
0817 How to Do Everything With Your Digital Camera Dave Johnson
0818 How to Format a Script the Absolute 100% Correct Way Notes
0819 How to Format Your Screenplay Like a Pro John P. Leppla
0820 How to Make Your Own Video or Short Film: All You Need to Know to Make Your Own Ideas Shine Bob Harvey
0821 How to Read a Film Michael Goldberg
0822 How to Read a Film: Movies, Media, and Beyond James Monaco
0823 How to Shoot a Feature Film for Under $10,000 Bret Stern
0824 How to Survive a Horror Movie Seth Grahame-Smith
0825 How To Turn Your Boring Movie Into a Hitchcock Thriller Internet
0826 How to Write about the Middle East Internet
0827 How to Write Great Screenplays: And Get Them Into Production Linda M. James
0828 How to Write High Structure, High Concept Movies Rob Tobin
0829
Human Comedy of Antoine Doinel, From Honor‚ de Balzac to Fran‡ois Truffaut [The European Legacy, Vol.
9, No 2, 2004] Aner Preminger
0830 Human Figure in Motion Eadweard Muybridge, B. L. Masterson
0831 Humphrey Jennings and British Documentary Film: A Re-Assessment Philip C. Logan 0832 Hyper-Narrative Interactive Cinema: Problems and Solutions. Nitzan Ben Shaul
0833 I Talked With a Zombie: Interviews With 23 Veterans of Horror and Sci-Fi Films and Television Tom Weaver
0834 Idols of Modernity: Movie Stars of the 1920s
Patrice Petro, Professor Scott Curtis,
Professor Mary Desjardins, Lucy Fischer, Krin Gabbard, Professor Gerd Gemunden, Professor Lea Jacobs, Professor Amy Lawrence, Professor Paula J. Massood, Professor Joanna Rapf, Professor Yiman Wang, Charles Wolfe
0835 If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling Patti Bellantoni
0836 Ifp/Los Angeles Independent Filmmaker's Manual Eden H. Wurmfeld, Nicole Shay Laloggia
0837 I'm So-So Krzysztof Kieslowski
0838 Imag(in)ing Otherness, Filmic Visions of Living Together S. Brent Plate, David Jasper
0839 Image and Territory: Essays on Atom Egoyan Monique Tschofen, Jennifer Burwell
0840 Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television Larry P. Gross, John Stuart Katz, Jay Ruby
0841 Image-Music-Text Roland Barthes, Stephen Heath
0842 Images: A Reader Sunil Manghani, Arthur Piper, Jon Simons
0843 Immoral Tales: European Sex & Horror Movies, 1956-1984 Cathal Tohill, Pete Tombs 0844
In A New, Never Before Published Translation, Legendary Film Critic Andre Bazin Heralds The Cinema Of
The Future Chris Marker
0845 In Excess: Sergei Eisenstein's Mexico Masha Salazkina
0846 In Godzilla's Footsteps: Japanese Pop Culture Icons on the Global Stage William M. Tsutsui, Michiko Ito 0847 In Search of Cinema: Writings on International Film Art Bert Cardullo, Richard Gilman 0848 In the Blink of an Eye: A Perspective on Film Editing Walter Murch, Francis Ford Coppola 0849 In the Mind's Eye: Julian Hochberg on the Perception of Pictures, Films, and the World
Mary A. Peterson, Barbara Gillam, H. A. Sedgwick
0850 Ingmar Bergman: The Life and Films of the Last Great European Director Geoffrey Macnab
0851 Ingmar Bergman: The Magic Lantern : An Autobiography Ingmar Bergman
0852 Ingmar Bergman's Persona Lloyd Michaels
0853 Inside the Film Factory: New Approaches to Russian and Soviet Cinema
Ian Christie, Professor Richard Taylor, Richard Taylor
0854 Inside the Gaze: The Fiction Film and Its Spectator Francesco Casetti 0855 Inside the Hollywood Fan Magazine: A History of Star Makers, Fabricators, and Gossip Mongers Anthony Slide
0856 Inside the Worlds of Star Wars Trilogy Curtis Saxton
0857
Inside the Worlds of Star Wars, Episode I - the Phantom Menace: The Complete Guide to the Incredible Locations
Kristen Lund, Cynthia O'Neill, Hans Jenssen, Richard Chasemore, Kristin Lund
0858
Insultingly Stupid Movie Physics: Hollywood's Best Mistakes, Goofs and Flat-Out Destructions of the Basic
