Kunapipi
Kunapipi
Volume 19 Issue 3
Article 2
1997
Kunapipi 19(3) Contents
Kunapipi 19(3) Contents
Anna Rutherford
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Recommended Citation
Rutherford, Anna, Kunapipi 19(3) Contents, Kunapipi, 19(3), 1997.
Available at:https://ro.uow.edu.au/kunapipi/vol19/iss3/2
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Kunapipi 19(3) Contents
Kunapipi 19(3) Contents
Abstract
Abstract
Contents
L661
ÂŁ }JJ9J!'JnN XIX
3WD10i\
~U!liJM (I?IUO(O:)-!SOd JO (I?UJOO(ldldVND>I
Kunapipi is
a
tri-
annual arts
magazine
with special
but not
exclusive
emphasis on
the new literaturel>
written in English.
ltaims
to fulfil the
requirements 1
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believed
a journal should
have: to introtiucc the
work of
new
or
little known
writers of
talent, to provide
critical eva
l-uation
of
the
work of
living
authors,
both
famous and
unknown, and
t
o
be truly international.
Itpublishes
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material
and crihetsm.
Articles and
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and sociological
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Copyright©
1997 Dangaroo Press
This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act no part may be reproduced without written penmss10n !::.nquiries should be made to the editor.
VOLUME XIX NUMBER 3, 1997
Editor-in-ChiefANNA RUTHERFORD
Guest Editor
SHIRLEY CHEW
Editorial Advisors
Kunapipi
DIANA
BRYDON,
KEE
THUAN
CHYE,
ANNE
COLLI::Tf,
MARGARET
DAYMOND,
ERNEST
K.
EMENYONU,
HfLEN
GILBERT,
GARETH GR
IFFITHS,
ALAMGIR HASHMI, ARITHA VAN
HJ::RK, ALAN LAWSON, RUSSELL McDOUGALL, HENA
MAI:S-JEUNEK, GANESH MISHRA, ALASTAIR NIVEN, KIRSTEN HOLST
PETERSEN, BRUCE CLUNIES ROSS, PAUL SHARRAD, KIRPAL
S1NGJ
l
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Acknowledgements
Kunapipi
is published with assistance
from
the
European
branch
of
Association for
Commonwealth Literature
and Language Studtes,
Faculty of
Arts and
the
Centre
for
Research
in Textual and
Studies
(CRITACS)
at
the University
of
Wollongong
,
and
theCouncil of England.
We wish to thank all contributors to this journal and also to acknowledge writers and publishers perm1ss1on to reprint extracts from the followmg
San1ukta Dasgupta, 'To Avanllsundari', 'Trapped', 'Red Ants' from ::.n.oroS111081tl
(Calcutta: Writers Workshop). Shama Futehally, 'Photographs' was
The Book Review (New Delhi), vol. 17, no. 5, 1997. Githa Hariharan,
Deep, Deep Well', 'The Sting in the Scorpion's Tail' are excerpted from The r., • . . -of Vasu Master (New Delh~: Vikin~ 1994), pp. 235-48. N.P. Mohamed,
lhe Eye of God (Macmillan India: Chennai, 1997) a volume in the Modem
Novels in Translation Series, trans. by Gita Krishnankutty from Malayalam. A4~•11• Sidhwa, excerpt from An American Brat (Minneapolis: Milkweed Editions).
Shash1 Deshpande, a vers1on of whose essay was delivered as a Plenary Lecture at IACLALS annual conference, 'Text and Culture', llyderabad, 23-25 janu.uy, 1997 Front cover: 'Mughal' 1996, by Sarbjit Natt (born 1962)
Textile dyes and pigments on silk (168.5x110 em) Back cover: Foreground: 'Turning the World Inside Out' 1997, by Amsh Kapoor
Stamless steel (148x184x188 em)
Funded from the proceeds of the National Lottery through the England
Back cover: Background: 'Humamty Overcommg War' 1925, by Francis Derwent Wood.
Serravezza Marble (2.9x2.lx1.4 m) All from the collections of Bradford Art Galleries and Museums.
hnally we would like to thank Sarah Graves for all her help with the rna
We have done our best to ensure that we have mduded all the people publishers who should be thanked. If we have inadvertently left anyone out wt apologize.
Kunapipi refers
to the Australian
Aboriginal Myth of
the
Rainbow
Serpent
which is the
symbol
both
of
creativity
and
regeneration.
The
journal's
emblem
is to be found
on
an
Aboriginal shield from
the Roper
River
area of
the Northern
Territory
in Australia.
~on
tents
CTION
'5uniti
NamjoshJ~'The
Message, the Medium
and
the Missionary'
14
~adat
Ha.o;an Manto
,
'ItHappened
in
1919' 16TRANS. ALOK BHALLA
~ahasweta Dev1~ 'From Sati'
43
· TRANS. RANJANA ASH
!Aamer
Hussein
'S
weet Rice
'
51
tshama
Futehally,
'Photographs'
59
f
Citha Hariharan
'From The Ghosts of
Vasu Master
'
75
'W.P.
Mohamed,
'From
The
Eye of God'
94
TRANS. Gn A KRISHNANKUT! Y
~Nirmal Verma
,
'Terminal'
99!•TRANS. ALOK BHALLA
~psi
Sidhwa
,
'From
An American Brat'
128
r;,eelum Saran
Gour,
'Song
Without
End'
134
f}iukhsana Ahmad
,
'After
Life'
166
roETRY
faiz Ahmed
Faiz,
'The
Dawn
of Freedom' (Pakistan 1947)
t TRANS. SIIOAIB I lAS! !MI
~njukta
Dasgupta
,
'To Avanhsundari'
'
'Trapped'
"Red
Ants
'
·
•Sometimes
'
shna
Bose
,
'Donation'
~Hymn
to the
Goddess'
'fRANS. SANJUKTA DASGUPTA
taki Kushari Dyson
,
'Short Story'
'Historical'
TRANS. SANJUKIA DASGUPTA
P!'Jata
Bhatt
,
'Squirrels'
'Meeting the Artist in Durban'
fshwar Naheed,
'The
Palace
of
Wax'
rtJte Land
of
the Burning Sun'
nlte Prayer
of
the
Unborn'
iJRANS. SIIOAIB HASIIMI
itav
Ghosh,
'T
he
March of the
Novel through llistory
:
IJhe
Tt!stimony
of
my
Grandfather's Bookcase'
1
40
40
41
42
83
84108
109
139
141
153
154
155
2Alok Bhalla
,
'Dance
of
Grotesque
Masks:
A Critical Reading of Manto's"1919 Ke Ek Baat'
"
22
Shashi
Deshpande
,
'
Where do we belong?
The
"
Pr
o
blem"
of English
in India'
65
Sujit
Mukherjee
,
'Transcreating
Translation
:
An
Indian
Mode
'
85
T
ejas
wini Niranjana
&
S.
V
Srinivas,
'
Managing the Crisis:
Bharateeyudu
and the Ambivalence
of
being
"Indian'"
111
AUTOBIOGRAPHIES
Sa
hma Ha
s
hmi
,
'Ra
mblings
o
f
a
Paint
e
r
'
142
Nima
Poovaya-Smith,
'Co
nfessions
of
an Indolent
Curator'
148
Baama
,
'
From
Karukku
,
the
autobiography of a
Tamil Dalit
woman'
157TRANS. LAKSIIMI I IOLMSTROM