Copyright © 1977 Music Of Stage Three, Song & Dance and Vindaloo Productions
All Rights Reserved Used by Permission Copyright Renewed
69
X X X X X X X X X X X X 3 X X X X X X 3 (3) 3 X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X ( ) 3 2 X 6 5 X 8 9 8 8 8 56 5 X 0 7 pitch: E 0 7 fdbk. 2 2 2 2 2 2 * vol. swell 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 Gtr. 2 (elec.) P.M. w/ fuzz 3 2 X 6 5 X 8 9 8 8 8 56 5 X Gtr. 1 (elec.) w/ dist. 0 7 T 12 T 7Tune Down 1/2 Step:
Gtr. 3 (elec.) 2 3 1 = E = B = G Intro Moderate Rock = 116 5 6 4 = D = A = E A5 * w/ dist. + A.H. +
Back in the Saddle
Words and Music by Tyler/Perry
2 3
Aadd9
2 3 1Am
1 3 2D
1 1A5
Sorgdal70
5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 5 4 3 0 3 0 2 3 P.M. Gtr. 1 Riff A 7 8 7 7 8 7 7 8 7 7 8 7 7 8 7 7 8 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 Gtr. 3 Riff A2 10 15 full (15) (15) (15) Gtr. 2 Riff A1 D I’m Chorus back, N.C.(E5) 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 P.M. 3 2 X 6 5 X 8 9 8 8 8 0 7 Sorgdal5 4 5 4 5 4 XX XX 02 2 0 0 54 02 2 3 3 5 4 5 4 3 2 5 4 5 4 5 4 XX XX 02 2 0 0 54 02 2 3 3 5 4 5 4 3 2
71
Gtr. 1 Rhy. Fig. 1 slight P.M.End Rhy. Fig. 1
0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 5 7 3 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 5 7 3 7
Gtr. 3 Rhy. Fig. 1A End Rhy. Fig. 1A
1. Rid in’ in to town a lone by the light of the moon, I’m
Verse (acous.) Gtr. 4 Rhy. Fig. 1B Add9 Gtr. 2 tacet Am D Add9 Am D
End Rhy. Fig. 1B
back,
Gtrs. 1, 2 & 3: w/ Riffs A, A1 & A2
I’m back in the sad dle a gain.
(3) 0 2 3 5 5 5 4 5 3 0 3 0 2 3 0 2 3 5 5 5 4 5 End Riff A 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 0 5 End Riff A2 (15) full (15) (15) 15 full (15) End Riff A1
I’m back in the sad dle a gain. I’m
72
3 54 54 X X X X 0 2 2 0 0 54 0 54 0 54 54 3 54 3 54 54 X X X X 0 2 2 0 0 54 0 54 0 54 0 54 slight P.M. 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 12 -2 10 w/ bar turned A to gim me a wink, Dthat’d make a grown man cry.
A D I’m 3 54 54 X X X X 0 2 2 0 0 54 0 54 0 54 54 3 54 3 54 54 X X X X 0 2 2 0 0 54 0 54 0 54 0 54 Gtr. 1 slight P.M. 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 14 1/2 (14) 1/2 (14) 13 (13) Gtr. 3 Bar A
Gtr. 4: w/ Rhy. Fig. 1B, 2 times
keep gim me a drink,
D
that’s when she caught my eye,
A D
she
* Chord symbols reflect combined tonality
0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 0 7 5 7 3 7 0 7 0 7 0 7 0 7 13 let ring 1/4 12 -1/2 (12) Gtr. 3 w/ bar *A
Gtrs. 1 & 4: w/ Rhy. Figs. 1 & 1B
look in’ for old Su kie D
Jones, she cra zy horse C
sa loon.
A D C
9 12 12 12 12 12 14
73
Gtr. 2 Verse 2. Come AGtrs. 1, 3 & 4: w/ Rhy. Figs. 1, 1A & 1B, 2 times
eas y, go eas y, al right D
till the ris in’ C sun. A D -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 9 11 9 11 9 11 914 full (14) -1/2 0 7 -1/2 0 7 -1/2 0 7 15 full w/ bar -1/2 -1/2 -1/2 -1/2 -1/2 w/ bar -1/2 -1/2 w/ bar 15 full (15) 15 full (15) (15) (15) (15) (15) (15) End Riff A3
back in the sad dle a gain, I’m back.
-1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 Gtr. 3 -1/2 w/ bar -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 15 full (15) 15 full (15) (15) (15) (15) (15) (15) Gtr. 2 Riff A3 Chorus back N.C.(E5) Gtr. 1: w/ Riff A, 2 times
in the sad dle a gain, I’m back. I’m
74
7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 9 9 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X Gtr. 3 5 7 5 6 7 4 4 7 7 7 6 7 7 7 6 7 7 6 7 6 7 7 6 5 7 5 6 7 4 4 7 7 7 6 Gtr. 1 P.M. P.M. P.M. P.M. P.M. 14 16 15 15 15 15 15 15 15 15 15 15 15 15 15 15 Gtr. 2 P.M. Peal B Gtr. 4 tacetin’ off my boots and chaps E
I’m sad dle sore, four B
bits gets you time in the rack E (12) 12 13 12 13 12 12 14 14 14 14 13 13 13 13 14 14 12 14
I’m like a load ed C gun. A D C (14) 12 14 13 12 1/2 12 1/2 (12) 10 12 12 C I’m call A
in’ all the shots to night, D
7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X
75
7 7 7 6 7 7 6 7 6 7 7 6 5 7 5 6 7 4 4 7 7 7 6 7 7 7 6 7 7 6 7 6 P.M. P.M. P.M. P.M. P.M. P.M. 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 P.M.the girls are soak in’ wet. No B
tongue’s dri er than mine,
E
I’ll come when I get
7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 9 X 7 7 7 6 7 7 6 7 6 7 7 6 5 7 5 6 7 4 4 7 7 7 6 P.M. P.M. P.M. P.M. 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 P.M.
I scream for more. Fools B
gold out of their mine,
E
*composite arr.
76
7 7 7 6 7 6 9 9 9 8 X 54 54 54 5 7 5 4 2 5 2 3 2 0 2 2 2 2 *Gtrs. 1 & 2Rhy. Fig. 2 End Rhy. Fig. 2
7 5 full 7 5 full 7 5 full 9 7 full 108 full 8 10 full 12 10 full -1 10 12 Gtr. 3 hold bend
w/ bar (grad. bend and release) Bridge
Asus4 A
I’m rid in’,
Bsus4 B
I’m G
load in’ up my pis N.C. tol. A5 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 w/ bar -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2 -1/2
back, I’m back in the sad dle a gain.
13 full (13) slack (13) -1/2 0 7 -1/2 0 7 -1/2 0 7 -1/2 0 7 4 full (4) 2 4 2 Gtr. 3 w/ bar -1/2 w/ bar -1/2 -1/2 -1/2 Chorus back. N.C.(E5)
Gtrs. 1 & 2: w/ Riffs A & A1, 2 times
I’m back in the sad dle a gain. I’m
9 7 full 108 full 8 7 12 10 full
* vib. bottom note only.
(12) 12 1/2 15 (15)
77
* w/ bar Bsus4 B the Gsnake is gon na rat N.C. tle. A5 I’m 12 10 full 13 14 1113 1412 13 13 14 7 5 full 7 5 full sad N.C. dle. A5 Asus4 A
I’m rid in’,
19 17 full 19 17 full 17 17 17 7 5 full 9 7 full 108 full 8 10 8va loco A5 Asus4 A
I’m rid in’,
Bsus4 B I’m G shin in’ up my 7 5 full 7 5 full 9 7 full 108 full 12 10 full 12 10 full 19 17 full 19 17 full Gtr. 3 8va Asus4
Gtrs. 1 & 2: w/ Rhy. Fig. 2, 3 times, simile
A
I’m rid in’,
Bsus4 B
I G
real ly got a fist N.C.
ful.
78
7 full (7) 5 5 5 8 5 8 7 5 7 5 7 5 7 5 7 5 full 7 7 57 full 5 7 5 7 w/ bar 3 3 Asus4 A Bsus4 B GRid in’ high.
N.C. A5 0 2 2 7 1/4 (7) 5 9 (9) 11 9 11 12 14 (14) 1214 1 1/2 (14) Outro Asus4
Gtrs. 1 & 2: w/ Rhy. Fig. 2, 6 times
A Bsus4 B G
Rid in’ high.
N.C. A5 0 0 0 0 0 0 0 2 2 2 0 2 2 0 0 0 0 0 0 15 1 1/2 (15) 8va P.H. loco
back in the sad dle a gain, I’m back.
0 7 0 7 0 7 0 7 0 7 0 7 15 full 15 full 0 7 0 7 0 7 0 7 0 2 2 3 0 2 2 2 Chorus back N.C.(E5)
Gtrs. 1 & 2: w/ Riffs A & A1, 2 times
in the sad dle a gain, I’m back. I’m
5 5 8 full 5 5 8 full 5 5 5 7 1/2 5 8 full 5 X 5 7 7 full
79
A5 Asus4 A O le. Bsus4 B G Ooh, 1/2 (3) 0 -1 (0) -1 0 -1 (0) 5 55 8 full X X 55 8 full 5 5 8 full 5 5 8 full -1 w/ bar -1 -1 A5 Got to. Asus4 A O le. Bsus4 B G N.C. (5) full 7 7 full X 5 7 5 5 4 2 4 2 4 2 5 4 2 4 3 w/ bar Asus4 A O le. Bsus4 B G N.C. 9 8 11 10 13 10 13 1 1/2 1/2 (13) hold bend 12 10 12 10 11 12 11 10 11 (11) -1 (11) 5 w/ bar Asus4 A Bsus4 B GRid in’ high.
N.C. A5
80
0 2 2 5 (5) -1 -1 1/2 0 0 17 14 17 14 18 16 14 1716 full 16 14 16 Harm.w/ bar w/ bar w/ bar
Get on! Yeah! Huh!
16 14 16 full (16) 14 16 16 16 14 15 16 14 16 17 14 17 16 X 17 +1 1/2 (17) +1 1/2 (17) +1 1/2 (17) +1 1/2 (17) slack 0 2 2 w/ bar 11 12 11 11 12 11 11 12 14 12 14 14 12 14 14 12 14 14 12 1416 full 14 16 14 16 16 1416 1/2
O le, o le, o le who.
End Rhy. Fig. 3
Gtrs. 2 & 4: w/ Rhy. Fig. 3, 10 times, simile
A5 (7) (7) full (7) 9 full (9) 12 full 12 12 12 10 11 12 12 12 11 12 11 11 12 11 11 12 11 ooh, ooh. N.C. A5 Gtrs. 2 & 4 Rhy. Fig. 3 A5 Gtr. 1 tacet Sorgdal
4 full 2 4 2 4 2 3 0 02 2 0 0 0 0 0 0 0 0 2
81
P.M. Gtr. 2 Gtr. 4 tacet A5(
T 2 7)
(0) 2 17 20 17 19 20 17 19 20 17 19 20 17 19 20 17 19 20 17 19 20 full (20) -1 1/2 (20) 20 full 20 20 + fdbk. 3 6 6 3 hold bend w/ bar w/ bar 0 -1 1/2 pitch: G (0) -1 (0) -1 (0) -1 (0) -1 (0) -1 (0) -1 1/2 w/ bar fdbk. 8va -1 w/ bar -1 -1 -1 -1 14 12 14 12 X 14 14 12 14 12 12 14 12 14 14 55 5 +1/2 (5) w/ bar 16 17 16 14 16 14 16 14 15 16 14 0 14 13 13 12 12 12 14 14 12 X 12 X 14 14 12 14 12 X SorgdalCopyright © 1952 by Bienstock Publishing Company and Quartet Music
International Copyright Secured All Rights Reserved Used by Permission Copyright Renewed
43
7 7X 5 9 7 5 10 X X 7 5 7 5 9 7 5 10 5 7 79 46 P.M.End Rhy. Fig. 1
D5 I real D6 ly D5 get D7 her D5 go in’ D6 D5 D7 D5 when I E5 whip 3 out N.C.
my big ten inch re cord of C 5 a 5 7 7 5 9 7 5 7 7 5 4 6 5 7 5 7 5 9 5 7 5 7 5 7 5 9 5 7 5 7 5 7 5 9 5 7 X X 5 7 X X 6 P.M. Rhy. Fig. 1 P.M. an; D6 D5 G 5 be A5 lieve me, A6 this A5 chick’s no A6 A5 cinch. A6 A5 C 5 But 7 7 7 8 7 6 5 4 3 4 6 5 7 5 9 7 5 7 7 5 9 7 Gtr. 1 (slight dist.) Joe Perry P.M. Intro Moderately = 88 N.C.(E5) C 5 1. Got Verse D5 me D6 D5 the strang D6 est D5 wom
Big Ten Inch Record
Words and Music by Fred Weismantel44
5 7 3 5 3 5 2 4 2 4 0 7 5 7 5 7 3 5 3 5 2 4 2 4 0 7 5 7 5 7 5 7 3 5 3 5 2 4 2 4 0 7 5 7 5 7 5 7 3 5 3 5 2 4 2 4 0 X 57 Gtr. 1 P.M. P.M. 7 7 5 7 5 7 7 7 5 7 5 6 7 7 7 5 7 5 1/4 7 7 7 5 7 5 8 full 8 full Gtr. 2 (dist.) Joe Perry P.M. 3 P.M. P.M. 3 P.M. 3 P.M. 3 P.M. 3 P.M. Guitar Solo A5 G5 F 5 E5 A5 G5 F 5 E5 A5 G5 F 5 E5 A5 G5 F 5 E5 D5 7 9 7 9 7 9 7 9 99 99 99 9 0 7 9 99 9 9 X 5 7 5 9 5 7 5 10 5 7 5 9 5 7 5 7 P.M. P.M.End Rhy. Fig. 2
P.M.
3
E7
just love my big E5
ten inch re cord of her fa vor ite A5 blues. A6 A5 Now A7 A5 my A6 band! A5 5 7 5 9 5 10 5 9 5 7 5 5 5 5 5 5 4 6 5 7 5 9 5 7 5 10 7 5 7 5 9 7 5 7 5 7 5 5 5 5 5 5 5 5 9 Rhy. Fig. 2 P.M. let ring 3 let ring 3 P.M. Chorus D5 band D6 that plays D7 D6 the D5 blues, D9 well, a G 5 band A5 A6 that A5 plays A7 A5 A6 the A5 blues. Am7 She Sorgdal
7 9 7 9 7
(
5 6)
5 5 9 11 1045
Gtr. 2 Fill 1 5 7 5 8 X X X 7 8 4 6 Gtr. 1 let ring Verse D5 Gtr. 2 tacet night I cov er tried her with to tease kis Gtr. 2: w/ Fill 1, 2nd time her; ses, I ’n’ G 5 7 9 7 9 5 7 4 6 2 4 2 X 7 9 7 9 5 7 4 6 2 4 5 7 5 9 5 7 5 10 7 5 7 5 9 7 5 7 X X 5 7 46 P.M. 1/2 (7) 5 5 7 (7) 1/4 5 7 (7) 1/4 5 7 (7) 1/4 5 7 1/2 5 8 5 8 7 5 7 7 7 75 5 5 7 5 5 5 3 3 D5 C 5 B5 E5 D5 C 5 B5 A5 A6 A5 A7 A5 A6 A5 2. Last C 5 5 7 3 5 2 4 0 X 5 7 5 7 3 5 2 4 0 X 5 7 5 7 3 5 3 5 2 4 2 4 0 X 5 7 5 7 3 5 3 5 2 4 2 4 0 X 79 P.M. P.M. (8) 5 77 1/2 (7) 5 7 7 5 6 5 5 7 8 5 7 8 5 8 7 7 7 1/2 (7) 5 7(
5 6)
5 7 C5 3 B5 A5 D5 C5 B5 A5 G5 F 5 E5 A5 G5 F 5 E5 Sorgdal46
5 7 5 7 5 9 5 7 5 10 5 7 X X 57 XX 7 7 X X 77 77 4 6 Rhy. Fill 1 Gtr. 1 P.M. P.M. 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 5 9 5 10 5 9 5 7 Gtr. 1 P.M. 3poco a poco cresc.
3 3 3 7 5 6 5 5 Gtr. 2 Harmonica Solo D5 3 D6 D7 D6 D5 5 6 7 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 Gtr. 1 P.M. 3 3 3 3 3 3 3 3 2 N.C. (A5) E7
just loves my big E5
ten inch re cord of her fa vor ite blues. A5 1 Gtr. 1: w/ Rhy. Fill 1 A6 3. I, A5 A7 I, A5 I’ll D5 Chorus band D5
Gtr. 1: w/ Rhy. Fig. 2, simile
that D6 plays D7 the D6 blues, D5 D9 well, a band G 5 A5 that A6 plays A5 A7 A5 the A6 blues.” A5 Am7 She in’, ed. D6 D5 D7 ’n’ D5 When now she whip beg E5 3 out for N.C. your
my big ten inch rec ord of a C 5 gave
when A5
Gtr. 1: w/ Rhy. Fig. 1, simile
my we’re love in A6 a a A5 lit lov tle er’s A6 pinch. clench A5 A6 A5 But she C 5 she D5 3 said, gets D6 “Now all D5 stop D7 that ex jiv cit D5 Sorgdal
5 7 5 7 5 7 5 7 5 X 77 5 7 5 7 5 7 5 7 X X 77 XX X X 5 7 77 XX X7
47
Gtr. 1 P.M. P.M. Verse Gtr. 2 tacet D5girl don’t go for smok in’;
A5
liq uor just make her flinch. Seems
7 X 99 99 99 X X 5 X 77 5 7 5 7 X X 77 77 77 77 57 P.M. 5 5 5 6 5 5 5 5 6 5 5 5 5 6 5 5 5 5 5 5 5 3 3 3 let ring A5 4. My D5 5 7 5 7 5 9 5 7 5 10 5 X 5 7 5 7 5 7 5 9 5 7 5 10 5 9 5 7 5 7 5 7 5 9 5 7 5 10 X X XX 79 7X 9 9 X X 7 9 7 9 P.M. P.M. 7 5 6 5 5 5 5 6 5 5 5 5 6 5 D6 D5 D7 D5 A5 A6 3 A5 A7 A6 A5 A6 A5 A7 3 A5 E5 3 Sorgdal
48
* Chord symbol reflects overall tonality.
4 (4) (4) Free Time *A9 fdbk. 9 X X X X 9 9 X X 9 9 X X X X 7 9 9 8 10 8 9 7 5 7 5 7 Gtr. 1 P.M. rit. E5
ten inch rec ord of N.C.
her fa vor ite blues.
Outro
rit. Chorus
band D5
Gtr. 1: w/ Rhy. Fig. 2, 1st 5 meas., simile
that D6 plays D7 the D6 blues, D5 D9 band G 5 A5 that A6 plays A5 A7 A5 the A6 blues. A5 Am7 She E7
just love my big
5 7 5 7 77 77 X X X X 77 X 7 5 7 7 7 7 X X X X X 7 9 9 4 6 P.M. D5
she don’t go for noth in’
3
’cept E5
for N.C.
my big ten inch rec ord of a C 5
3
All Rights Reserved International Copyright Secured Used by Permission© 1977 COLGEMS-EMI MUSIC INC.
3 0 0 0 0 0 2 0 1 3 0 0 0 2 X 0 3 3X 2 0 1 3 0 0 2 X 0 3 3 0 1 3 0 0 0 2 4 3 5 3 5 6 3 5 5 2 4 P.M. Rhy. Fig. 1 0 0 0 0 0 0 0 2 0 1 0 0 0 0 X 46 57 59 3 3 4 5 5 XX 7 8 4 5 55 57 44 P.M. C/G G 1. You F 5 Verse act G5 like C/G a G
pri ma don na,
G5/F G5 C/G G play B5 C5 in’ so F/C hard C to get, B5 3 5 5 3 5 6 3 5 5 0 2 2 0 2 3 0 2 2 3 X 0 3 0 1 3 0 0 3 X 0 0
Gtr. 2 (elec.- Brad Whitford)
0 0 0 0 0 20 1 0 0 0 X X X 0 55 5 5 5 75 6 5 5 5 2 2 2 2 2 42 3 2 2 2 0 0 0 0 0 20 1 0 0 0 0 0 0 0 Gtr. 1 C/G G P.M. don’t pick C F/C C A D/A A G C/G G
* Chord symbols reflect implied tonality.
5 5 5 5 7 5 6
** Release finger pressure to mute and .
5 5 5 5.8 0 22 2 2 2 2 4 4 2 3 2 2 2 5 0 00 0 0 2 0 1 0 0 0 0 0 0
Gtr. 1 (dist.- Joe Perry) Gtrs. 1 & 4; Tuning: 2 3 1 = B = G = E Intro Half-Time Feel Moderately = 136 *C 5 6 4 = G = D = D F/C ** C 8va Harm. loco P.M. A D/A sim. A P.M. G C/G G
Chip Away the Stone
Words and Music by Richard Supa4
3 5 3 5 6 3 5 5 5 2 X 0 3 3 0 1 3 0 0 X X 2 X 0 3 3 0 0 1 3 0 0 2 4 3 5 3 5 6 3 5 5 2 4 P.M. 5 55 57 7 9 5 0 3 3 0 3 3 X X 0 3 3 0 0 0 3 3 X X 44 55 5 57 44 P.M. P.M. P.M. P.M. C5 F/C C G5/F You G5 keep a C/G wall G a round G5/F G5 ya, C/G G ’n’ B5 C5 I’ll get F/C through C some day. B5 3 5 3 5 6 3 5 5 2 4 3 5 3 5 6 3 5 5 2 X 0 3 0 0 0 1 3 0 0 6 8 6 7 7 9 7 8 7 10 7 8 X X 2 4 5 5 5 5 5 7 5 8 8 4 5 55 57 4 6 5 7 5 3 3 0 0 2 0 0 2 0 0 4 P.M. P.M. C5 F/C C sit B5 C5 tin’ so F/C cool C ’n’ non F 5 G5 G cha C/G lant, G drag E m7 Em7 gin’ on Em7sus4 a cig Em7 a rette. B5 X all Sorgdal5
3 X 0 3 X 0 3 X 2 3 X 2 3 X 0 3 X 0 3 X 2 3 X 2 3 X 0 3 X 0 3 X 2 3 X 2 3 X 0 3 X 0 3 X 2 5 7 5 7 5 9 5 7 5 10 5 9 5 57 57 59 57 105 59 57 0 let ring 0 0 0 12 12 12 22 22 00 3 1/4 0 0 9 0 7 9 7 107 79 77 7 0 7 7 7 7 7 9 7 7 7 10 7 9 0 0 Harm. P.M. P.M. P.M. G5 G6 G5 G6 G5 G6 G5 G6 D5 I won’t D6 D5 stop D7 D6 D5till your love D6 is D5 my D7 ver D6 y D5 own. N.C. 7 9 7 8 7 9 10 7 7 8 2 4 3 5 3 5 5 6 3 5 5 X X X X 3 X 0 3 X 0 3 X 2 3 3X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 2
End Rhy. Fig. 1
2 4 0 0 2 2 5 5 5 57 55 XX 0 00 let ring 0 0 0 3 0 0 0 0 0 0 0 0 3 3 0 0 0 3 3 0 0 P.M. chip Em7 that Em7sus4 wall Em7 a B5 way. C5 F/C
End Half-Time Feel
C Chip a way, G5 Chorus G6 G5 G6 G5 chip a G6 G5 way at G6 the stone, 3 5 3 5 6 3 5 5 2 3 3 5 6 3 5 5 2 X 0 3 3X 0 20 1 3 0 0 6 8 6 7 5 5 5 5 5 7 7 5 1/2 let ring 5 5 5 5 0 0 0 5 0 3 3 0 3 3 P.M. P.M. C5 F/C C B5 C5 I want F/C your C love, babe if G5/F push G5 comes C/G to shove, G gon E m7 na G5 ’N’ Sorgdal
6
5 7 5 7 5 9 5 7 5 10 5 9 5 7 0 3X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 2 X 0 (0) 7 7 7 0 7 7 7 0 0 0 3 3 0 0 0 03 3 0 0 0 3 3 5 6 1/2 3 3 5 5 3 3 0 0 wan na get D6 D5 next D7 ta D6 you. D5 G5 G6 G5 G6 G5 G6 G5 2. Ya G5/F 3 X 0 3 X 0 3 X 2 3 X 2 3 X 0 3 X 0 3 X 2 3 X 2 3 X 0 3 X 0 3 X 2 3 X 2 3 X 0 3 X 0 3 X 2 5 7 5 7 5 9 5 7 5 10 5 9 5 7 5 7 0 0 0 0 0 0 0 0 0 0 3 3 0 0 0 0 0 3 3 0 0 0 0 0 3 3 0 0 0 0 0 5 7 7 7 7 9 X X 5 7 5 7 0 G5 G6 G5 G6 G5 G6 G5 G6 Sweet D5 lit D6 tle D5 ma D7 ma, D6 D5 I 3 3X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 2 3 3X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 2 3 X 0 3 X 0 3 X 2 3 X 2 3 3 0 00 3 1 0 0 0 5 00 00 00 0 00 00 0 0 0 0 0 0 0 0 P.M. G5 G6 G5 G6 G5 G6 G5 Chip a G6 way, G5 G6 G5 G6 G5 that’s what G6 I’m G5 gon na G6 do. 7 7 Sorgdal7
5 5 5 57 55 7 5 1/2 (7) 1/2 5 7 5 0 0 33 0 0 P.M. P.M. strike C5 it F/C night C and day. B5 C5 F/C C If B5 ham C5 mer I F/C must, C I’m gon na G5/F 0 0 let ring 2 2X 0 0 44 55 55 55 3 5 5 7 5 7 0 0 3 3 0 0 3 3 2 0 1 let ring 0 0 0 0 0 0 4 4 P.M. Em7 all Em7sus4 prom Em7 e nade. B5 C5 F/C C E G5/F G5 ven a C/G rock G will crum G5/F G5 ble C/G G if ya B5 5 5 5 7 5 5 5 5 5 7 5 5 0 7 3 3 3 3 0 0 C5 F/C C all B5 C5 decked F/C out C in your an F 5 G5 tique G C/G dress Gwhile the boys E m7 0 3 3 0 3 3 3 0 0 3 3 4 4 5 5 5 5 5 7 5 5 Gtr. 1 P.M. P.M. P.M. Verse Half-Time Feel stand G5
Gtr. 2: w/ Rhy. Fig. 1, simile
like C/G
a mar G
ble stat ue,
G5/F G5 C/G try B5 C5 in’ ta F/C look C so hard, B5 G Sorgdal
8
5 7 5 9 5 7 5 10 5 9 5 7 5 7 5 7 5 9 5 7 5 10 5 9 0 3 3X 0 3 X 0 3 X 2 3 X 0* Pull-off sounds both strings.3
X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 7 7 7 9 7 107 107 7 8 (8) 7 7 7 7 7 9 00 0 3 3 6 33 5 5 5 5 1/4 3 5 5 1/4 3 3 5 5 1/4 3 3 * I D5 won’t D6 stop D5 D7 D6 ’til D5 your love is D6 my D5 ver D7 D6 y own. N.C. G5 G6 G5 G6 G5 G6 G5 Chip a G6 way, G5 3 0 0 let ring 0 0 0 2 0 1 3 X 0 0 0 0 0 0 3 X 2 0 1 3 X 0 0 0 3 X 0 3 X 0 0 0 3 X 2 0 1 0 0 0 3 X 0 0 0 3 X 0 0 0 3 X 2 0 1 3 X 0 0 0 3 X 0 0 0 3 X 2 0 1 0 0 3 X 0 0 0 0 0 0 2 0 1 0 0 0 3 X 0 0 3 X 0 0 0 3 X 2 0 1 0 0 0 3 X 0 0 0 0 0 0 0 Gtr. 2 Rhy. Fig. 2 0 0 0 0 3 3 let ring 0 0 3 5 0 0 0 let ring 0 0 3 3 3 3 0 00 0 let ring 0 0 0 2 0 1 33 33 0 3 3 0 9 Gtr. 1 Chorus G5 G C/G G C/G G chip a C/G way G at the C/G stone, G C/G G C/G G C/G G N.C. ’n’ 3 3 0 0 0 3 3 2 4 8 7 4 5 55 57 5 55 XX 0 00 P.M. P.M. G5
get through your C/G crust; G gon E m7 na chip Em7 that Em7sus4 stone Em7 a B5 way. C5 F/C C
End Half-Time Feel
Chip a way, G5
9
5 7 5 7 5 9 5 7 5 10 5 9 5 7 5 7 5 7 5 9 5 7 5 10 5 9 0 3X 0 3 X 0 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 3X 0 3 X 2 3 X 0 3 X 0 3 X 5 4 X 6 5 X 7End Rhy. Fig. 2
0 7 7 1/2 full 7 7 0 0 7 7 1/2 full 7 7 0 0 3 3 5 6 5 6 1/2 3 3 5 5 3 3 5 3 0 6 5 3 12 Sweet D5 lit D6 tle D5 ma D7 ma, D6 D5 I wan na get D6 D5 next D7 to D6 you. N.C.G5 G6 G5 Look out! G6 G5 G6 G5 C5 C 5 Hunh! D5 3 X 0 3 X 0 3 X 2 3 3X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 3X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 2 5 3 3 5 5 1/4 3 3 5 5 1/4 3 3 3 3 5 5 1/4 1/2 3 3 3 3 5 5 1/4 3 3 5 5 1/4 3 3 5 5 1/4 5 5 1/2 3 3 5 5 3 3 5 3 3 5 5 1/4 1/2 5 5 7 7 G6 G5 G6 G5 that’s what G6 I’m G5 gon na G6 do. G5 G6 G5 G6 G5 G6 G5 N.C. 0 X Sorgdal
10
3 5 3 5 3 7 3 5 3 5 3 7 3 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 4 6 4 6 5 7 5 7 5 7 5 9 5 7 5 7 5 7 * Vib. str. only.3 5 7 5 9 5 Gtr. 2 12 12 10 10 12 12 12 10 10 12 12 12 10 10 12 12 1/2 full 12 12 10 10 12 12 10 10 12 10 10 12 12 10 10 12 13 full 12 13 full (12) 1312 Gtr. 1Gtr. 3: w/ Riff A, 3 times, simile
C6 C5 C6 C 5 D5 D6 D5 * D6 D5 5 7 5 7 5 9 5 7 5 7 5 7 5 9 5 7 5 7 5 7 5 9 5 7 5 7 5 7 4 6 3 5 Gtr. 2 5 3 full 3 5 full 3 5 3 35 full 5 full 3 5 3 5 3 Gtr. 3 (slight dist.) Riff A
hold bend hold bend
End Riff A 10 10 12 1/2 10 10 13 13 10 12 12 1/2 full 12 12 12 12 10 10 12 12 10 10 12 12 12 10 10 Gtr. 1 Guitar Solo D6 D5 D6 D5 D6 D5 C 5 C5 C5 full
let ring hold bend
X X X
D5
11
5 6 5 6 1/4 5 6 5 6 1/2 7 7 7 9 7 7 7 10 7 9 0 7 7 7 7 7 9 7 7 X X 5 7 5 7 0 0 P.M. P.M. C/G G (Hon ey, I I N.C. D5 won’t won’t D6 D5 stop stop D7 D6 till till D5 your your love love is is D6 my my D5 ver ver D7 y y D6 own. own. D5 N.C. ) 0 0 0 3 3 0 3 3 0 0 0 3 3 0 3 3 0 0 3 3 0 3 3 0 0 3 3 5 6 1/4 5 6* Pull str. off side of fretboard (pitch: C). 5 6 1/4 5 6 X 5 6 1/4 Gtr. 1 P.M. P.M. P.M. P.M. * Chorus G5
Gtr. 2: w/ Rhy. Fig. 2, simile
G C/G G C/G G chip a C/G way G at the C/G stone. G C/G G C/G G 5 7 5 7 5 9 5 7 5 7 5 7 4 6 3 5 3 5 3 5 3 7 3 5 3 5 3 7 3 7 3 5 3 5 3 5 3 7 3 5 3 5 3 7 0 3 0 12 13 full (12) 1312 full 12 13 full (12) 1213 1213 1213 1415 full 15 15 15 15 14 full 15 14 (14) 14 12 14 12 0 0 * hold bend Chip a way, D6 D5 C 5 C5 C6 C5 C6 C5 C6 C5 C6 N.C. G5 X *Vib. only.3 Sorgdal
12
3 X 0 3 X 0 3 X 2 3 X 0 3 X 0 3 X 0 3 X 2 55 Gtr. 2 7 8 7 X X X 3 3 5 55 3 3 0 3 3 0 0 3 3 0 3 3 0 3 5 5 5 5 wan na get D6 D5 next D7 ta D5 you. N.C. G5 G6 G5 G6 G5 Yes, I G6 do. G5 (Yes, I G6 do. C 0 3 3 5 5 1/2 5 5 5 5 1/2 5 5 3 3 5 3 (3) 0 15 0 7 9 7 7 10 9 7 8 G6 G5 G6 G5 G6 G5 Sweet D5 lit D6 tle D5 ma D7 D6 ma D5 ma, I 0 3 3 5 5 5 3 3 5 5 0 0 3 3 0 0 0 3 3 0 0 0 0 0 3 3 0 0 P.M. G5 G6 G5 G6 G5 G6 G Chip G6 a way, G5 G6 G5 G6 G5 that’s what G6 I’m G5 gon na G6 do. G5 N.C. Sorgdal13
3 5 5 3 5 6 3 5 5 0 2 2 0 2 3 0 2 2 3 X 3 0 1 3 0 0* Don’t pick; sound harm. w/ L.H.3
0 0 0 3 3 3 3 3 3 2 2 X X 3 5 5 5 5 5 5 5 75 6 5 5 5 7 0 22 2 2 2 42 3 2 2 2 X X X 00 0 0 0 20 1 0 0 0 0 2.6 5 00 0 0 0 3 3 3 3 3 3 2 2 X X 5 5 P.M. 8va * Harm. loco 3 3 3 9 9 9 14 14 14 12 12 12 5 5 5
steady gliss. steady gliss.
F/C C A D/A A G C/G G B 5 Chip A5 a C5 way, 3 5 5 56 3 5 5 0 2 2 0 2 2 3 0 2 2
* Pick harm. while barring strings at 2nd fret.
3 0 3 0 1 3 0 0 3 0 3 2 0 1 3 0 0 3 5 5 Gtr. 2 5 5 5 5 7 5 6 5 5 5 7 0 22 2 2 2 42 3 2 2 2 5 00 0 0 02 0 1 0 0 0 0 0 0 0 0 2 0 1 0 0 0 X X X X 5 5 5 Gtr. 1 P.M. * Harm. 8va loco 2 2 2 Gtr. 4 (dist.-Perry)
w/ slide and MXR Phase 90
F/C C A D/A A G C/G G C/G G C ) Interlude X X X 0 Sorgdal
14
(3) 0 0 0 3 X 2 0 1 3 3X 0 0 3 3X 2 0 1 3 3X 0 0 3 X 2 0 1 0 0 3 X 0 0 0 0 0 0 0 0 0 3 5 5 3 5 5 3 5 5 3 5 5 6 3 5 5 6 5 5 5 3 5 5 5 5 5 5 0 0 0 3 0 0 3 0 0 3 0 3 1 0 3 1 1 03 03 0 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 C/G G C/G G C/G G I won’t C stop. (I won’t Csus4 stop. I C won’t 3 0 0 3 X 0 3 X 0 0 3 X 0 0 3 X 0 0 0 0 33 3 5 3 5 5 6 3 5 5 6 3 5 5 5 3 5 5 5 X X X 0 2 2 2 0 2 2 2 0 2 2 3 2 2 3 0 2 2 3 0 2 2 2 0 2 2 2 3 0 3 2 0 3 1/4 0 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 0 0 Chip a way, C Csus4 chip a way A Asus4 at the A stone. G 3 5 5 * let ring * next 18 meas. 5 5 5 3 5 5 6 3 5 5 6 3 5 5 5 0 X X X 0 2 2 2 0 2 2 0 2 2 3 2 2 3 0 2 2 3 0 2 2 2 0 X X 3 X 0 0 3 X 0 3 X 0 00 3 X 0 0 3 X 0 0 3 3X 0 0 5 5 5 5 5 7 5 5 5 5 5 5 0 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 3 4 00 0 0 0 3 3 2 Gtr. 4 tacet C Csus4 chip C a way A Asus4 at the A stone. G C Gtr. 2 Gtr. 1 Outro Sorgdal15
3 0 3 3X 0 0 1 3 X 0 0 1 3 X 0 0 0 0 0 0 3 0 0 3 5 5 5 3 5 5 5 3 5 5 6 5 5 6 3 5 5 5 5 5 3 5 5 0 X X 0 2 2 2 0 2 2 2 0 2 2 3 0 2 2 3 0 2 2 0 2 2 2 0 2 2 3 (0) let ring 6 6 6 6 6 6 6 0 0 55 55 4 4 5 5 5 5 4 4 5 5 5 5 4 4 5 5 5 5 2 2 2 2 2 2 2 2 2 2 22 00 G Gsus4 G Chip C it, Csus4 CI’m gon na nip A it Asus4 all night A long. G 3 5 5 5 3 5 5 3 5 5 6 3 5 5 5 5 5 3 5 5 5 5 5 5 0 2 2 2 0 2 2 2 0 2 2 23 0 2 2 2 2 2 2 2 2 0 3X 0 0 0 3 3X 0 0 1 0 0 0 3 3 0 0 3 X 0 0 1 0 0 1 5 5 5 5 5 7 5 5 5 5 5 5 5 7 5 5 2 2 2 2 2 2 2 22 22 22 0 6 6 6 6 6 6 6 6 0 0 stop. C I won’t Csus4 stop. C I won’t stop. A I won’t Asus4 stop. A I won’t stop. G I won’t Gsus4 G stop.) Gsus4 0 2 2 2 0 2 2 2 0 2 2 3 0 2 2 3 0 2 2 3 0 2 2 2 0 2 2 2 2 2 3 0 0 0 3 X 0 0 1 0 0 1 0 0 1 0 0 0 3 2 0 0 0 0 0 0 3 X 0 0 0 0 0 1 0 0 1 0 0 1 0 0 1 0 0 0 0 0 0 0 X X 2 2 24 22 22 22 22 0 6 6 6 6 6 6 6 6 0 0 6 6 6 6 6 6 6 6 stop. A I won’t Asus4 stop. I A won’t stop. G I… Gsus4 G Gsus4 I G won’t X X X Sorgdal
16
3 5
* Depress bar and release bend simultaneously.
0 0 (11) 1/2 (11) -1/2 (11) -1/2 -1/2 (11) (11) -1/2 (11) -1/2 (11) 1/2 11 (11) -2 1/2 Free Time w/ bar -1/2 -1/2 -1/2 -1/2 -1/2 fdbk. w/ bar
* depress bar grad.
3 0 3 3 2 3 0 0 3 X 0 0 3 X 0 0 3 X 2 0 1 0 0 0 3 X 0 0 0 0 0 0 3 X 0 0 1 0 0 0 3 X 0 0 0 0 0 0 3 0 0
* Studio fade in.
3 5 5 5 5 5 5 3 5 5 6 5 5 6 3 5 5 3 5 5 3 5 5 5 00 0 0 2 2 2 0 2 2 2 0 2 2 3 0 2 2 3 0 2 2 3 X X X 4 X 6 3 X 5 Gtr. 2 0 0 2 2 0 0 2 2 0 0 2 2 0 0 2 2 0 0 2 2 0 0 2 2 0 0 2 2 0 0 2 2 2 2 0 0 1 1 0 0 Gtr. 1 10 11 10 11 12 1011 1011 12 1011 1011 12 12 11 Gtr. 5 (dist.- Perry) * C/G G C/G G C/G G C Csus4 C A Asus4 A A 5 G5 X X X X Sorgdal
Intro
Moderate Rock
q = 132
Draw the Line
Words and Music by Steven Tyler and Joe Perry
Copyright © 1980 Music Of Stage Three All Rights Administered by Stage Three Music (U.S.) Inc.
All Rights Reserved Used by Permission
Verse
Open A tuning:(low to high) E-A-E-A-C#-E
* *
A5
mf
E5
w/ dist.*Wear slide on pinky throughout.
A7
let ring
let ring
Check
1.
2. See additional lyrics
E5
mate
-
hon
-
ey,
beat
you
at
your own damn
game.
A7
No
E5
dice
hon
-
ey,
I’m
liv
-
in’
on
the
as
-
tral
plane.
let ring
0 0 0 0 0 0 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7
0 2 3 4 3 2 0 5 3 0 3 0 2 3 4 3 2 0 5 3 0 3
0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 2 3 4 3 2 0
5 3 0 3 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is im plied or claim ed.
1
1.
A7
Feet’s
E
on
the ground
and your
let ring
head’s
go
-
in’
down
the
drain.
A7
Oh,
heads
let ring
D5
I win,
tails
you lose
E5
to the nev er
-
mind,
G5
when to draw
the line.
w/ slide
A7
The
2.
w/o slide let ring
let ring
0 2 3 4 3 2 0 5 3 0 3 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7
0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 7 7 7 0 2 3 4 3 2 0 5 3 0 3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
0 2 3 4 3 2 0 5 3 0 3 0 2 3 4 3 2 0 5 3 0 3Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is im plied or claim ed.
