British Film
Learning to listen: histories of women’s soundwork in the British film industry
... Gateway Film Productions, presumably because the Denises’ company was so small it operated under the radar of union ...to British sound history ...women’s film history can also revise our perspective ...
21
Voices of inheritance : aspects of British film and television in the 1980s and 1990s
... Rather than dispute the merits of particular films that lie within this genre I question the construction of the relation between the idea of heritage and contemporary British film and t[r] ...
297
Good of its kind? British film journalism
... “[b]ourgeois film journalists never reflect on their own critical practice” (1982: 24) is not entirely ...over film aesthetics and evaluative principles initiated in 1960 by contributors to the student ...
22
‘Certificated operators’ versus ‘handle turners’ : the British film industry's first trade union
... the British film industry’s first trade union: the National Association of Cinematograph Operators (NACO), an organisation for projectionists established in ...fixed-site film exhibition venues and ...
22
Castles in the air : British film and the reconstruction of the built environment, 1939 51
... government propagandaagencies which is highly from in the that they this aspect of research were constrained the conclusion kind of films on reconstruction they could make despite their [r] ...
393
The representation of communism in post-war British film, theatre, and art 1945-1963
... The question of funding helped to shape post-war theatre. Following on from the wartime Council for the Encouragement of Music and the Arts (CEMA), in 1945 this became the Arts Council of Great Britain with the directive ...
260
Romanticism and the Problem of Capitalism in Post War British Film
... Finally, it might be argued that these reflections enable us to refine our reading of the sublime landscapes in the film. The cinematography was shot in New Zealand and is frequently characterized by aerial ...
56
A British empire of their own? Jewish entrepreneurs in the British film industry
... Much longer-lived was Phil Hyams (1894-1997), who learned the basics through an apprenticeship in a Stepney cinema, part-owned by his father, whose main occupation was that of a baker. Together with his younger brother ...
22
‘Shanghai is Burning’: Extravaganza, transgender representation and transnational cinema
... queer film collective based in Shanghai. The producer of the film, Will Dai, is Chinese and the director Baren is ...The film dialogue is in English, with only scant Chinese dialogues. The ...
23
Sparrows can't sing : East End kith and kinship in the 1960s
... popular British culture and of world theatre and, in turn, enjoyed an international ...the film version, again scripted by ...the film was subtitled for its release in America (1968: ...and ...
12
Producers and Moguls, 1930 1980
... the film landscape had changed and therefore he had to take risks: ‘there is no such thing as playing safe [I am] a gambler, but an extremely cautious one … I back judgement, not ...entire film division, ...
18
In the dark : the BFI archive
... the British Film Institute is in discussion with a range of bodies about the future of its library, special collections and film and television archive (the National Film and Television ...
6
Creativity and commerce: Michael Klinger and new film history
... of British film and cultural history, thereby contributing to the larger revisionist history of the 1970s that is currently underway (see Shail 2008, Newland 2010, Harper and Forster 2010, Harper and Smith ...
31
Introduction : screen Londons
... within British broadcasting over who has the cultural legitimacy to represent the emerging British Asian East ...in British film and ...
14
FILM, ARCHIVE AND MUSIC LAB
... The British Council presents Film, Archive and Music Lab: a week of screenings, live performance and collaboration between film and music professionals in partnership with the British ...
5
The pioneers get shot: music video, independent production and cultural hierarchy in Britain
... of British Music Video, ...a film practice within an unspoken cultural hierarchy of screen arts widely shared in universities, policy circles and the British Film ...of film editors and ...
30
A sociological study of the British independent film field: The case of British Asian film production 1976 1996
... independent film-making in Britain of the 1960s and 1970s. The British film field at the time was structured around two opposing practices: auteur-driven fantastical commercial film practice ...
268
Alternative empires : Soviet montage cinema, the British documentary movement & colonialism
... This is a study of Soviet montage cinema and the British documentary movement of the 1930s which brings together two usually divergent methodologies: postcolonial theory and "new" film h[r] ...
448
The perfect man: fatherhood, masculinity and romance in popular culture in mid-twentieth-century Britain
... on film stars, and other celebrities, increased dramatically from the 1930s, as powerful press barons insisted on greater coverage of this new ...masculinity. British and American actors, comedians, ...
31
Movie going in New Zealand, 1950 1980 : a thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History at Massey University, Manawatū, New Zealand
... When film-goers of this decade were asked to name their favourite films of this decade, titles of western films numbered only 11 out of a total of 160 different titles given ...individual film titles would ...
326