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Cinema and History

Cinema/history: Philippe Garrel, Bernardo Bertolucci and May 1968

Cinema/history: Philippe Garrel, Bernardo Bertolucci and May 1968

... between cinema and ...the history of ...French history, without resorting to nostalgia or clichéd representation, the slogan can be interpreted as an indictment (intentional or otherwise) of the ...

17

Identification of key films and personalities in the history of cinema from a Western perspective

Identification of key films and personalities in the history of cinema from a Western perspective

... The success of a film is usually measured through its box-office revenue or through the opinion of professional critics; such measures, however, may be influenced by external factors, such as advertisement or trends, and ...

23

The History of Italian Cinema: a Guide to Italian Film from its Origins to the Twenty First Century

The History of Italian Cinema: a Guide to Italian Film from its Origins to the Twenty First Century

... of history he claims it is: despite the author’s protestations, it is intended, and written, as a passionate, infuriating, subjective guide to Italian ...Italian cinema; his closing note (in the epilogue, ...

5

It's all for naught : avant-garde cinema, regional history, and the South

It's all for naught : avant-garde cinema, regional history, and the South

... mediamakers that have not been completely marginalized by the city’s audiences, as they are so few. Both scholars explore the work of the late Helen Hill, van Malssen in the context of a career case study in “Disaster ...

75

Cinema Komunisto: cinema as a memory site

Cinema Komunisto: cinema as a memory site

... between cinema and history ...of cinema as historical document, it extends to challenges faced by filmmakers seeking to ‘revision’ the past (Rosenstone, 2006) through the making of historical ...

78

CENSORSHIP, HISTORY, AND PHILIPPINE CINEMA: TOWARDS AN UNDERSTANDING OF THE MTRCB

CENSORSHIP, HISTORY, AND PHILIPPINE CINEMA: TOWARDS AN UNDERSTANDING OF THE MTRCB

... the cinema as an escapist tool, useful only for solace and consolation, rather than for revolutionary and progressive ...Philippine cinema as a legitimate art ...

13

SPW 3392: Cuban Culture Through Cinema SPW 5396: History Cuban Cinema

SPW 3392: Cuban Culture Through Cinema SPW 5396: History Cuban Cinema

... This course gives an overview of Cuban cinema, from its origins to the present. The course, taught entirely in Spanish, is interdisciplinary and cross-cultural, emphasizing the socioeconomic-economic and political ...

5

History and memory in Italian cinema: a virtual roundtable with Robert Gordon, Giuliana Minghelli and Alan O’Leary

History and memory in Italian cinema: a virtual roundtable with Robert Gordon, Giuliana Minghelli and Alan O’Leary

... comedies in with the canon), but that we need a better figure for cinema and history as such. For me, this is ‘ecology’ in the sense of an evolving cultural ecosystem. This model still has room for the ...

5

BBC2 and world cinema

BBC2 and world cinema

... world cinema for those lacking alternative provision should be recognized, it is equally important to understand the pragmatic reasons why the BBC showed foreign films from very early on indeed in the ...

23

On length : a short history of long cinema

On length : a short history of long cinema

... What is undeniable is that not only are television series increasingly described in terms of their filmic properties, and films watched on the variously sized screens of portable and mobile de- vices as fragmented clips, ...

18

Russians abroad in postcommunist cinema

Russians abroad in postcommunist cinema

... long history and, although the emphasis of this study is on the two waves of the late 20 th century, this migration process has gone on for much ...Israeli cinema has to be analysed in terms of its ...

299

The queer cinema of Jacques Demy

The queer cinema of Jacques Demy

... ‘Time, History and Memory in Les Parapluies de Cherbourg’ (2002), Sylvie Lindeperg and Bill Marshall discuss the function of music, as it relates to a Bersonian conception of time as ‘duration’ in Les ...

321

Music, Cinema and the Representation of Africa

Music, Cinema and the Representation of Africa

... Arte cinema, where they destroyed Karmen posters and threatened to burn down the cinema if the film was ...the cinema the film was banned because of the threat of further ...the history of ...

130

THE ROLE OF CINEMA INTO SCIENCE EDUCATION

THE ROLE OF CINEMA INTO SCIENCE EDUCATION

... Although the local citizens are initially leery of becoming involved, Erin’s persistence and the personal interest she takes in their lives makes them listen. A kindred spirit, Erin is one of them, and her ability to ...

6

STEREOTYPING WOMEN IN INDIAN CINEMA

STEREOTYPING WOMEN IN INDIAN CINEMA

... The decade of the nineties in Hindi cinema was one which popularized the genre of family drama. There were several family films which went on to become blockbusters and which reinforced the patriarchal values of ...

8

Loneliness in Cinema: A Pharmacological Approach

Loneliness in Cinema: A Pharmacological Approach

... In cinema we do not always know at which point we join a narrative; whether we start, for instance, from the beginning or from the ...end. Cinema often produces clarity in retrospect, as well as surprise at ...

12

Iranian cinema in long shot

Iranian cinema in long shot

... Indeed in addition to this, the final chapter of this thesis is intended to demonstrate the connections between the films of Saless and the films of Kiarostami, bringing this overview of[r] ...

240

Stars in East German cinema

Stars in East German cinema

... The opening chapter analyses the discourse on acting and the context of international cinematic trends on the emergence and decline of East German film stars, the most significant factor[r] ...

238

Cinema statistics in Saorstat Eireann

Cinema statistics in Saorstat Eireann

... No official record is kept of the total number of admissions to Cinemas in the Saorstat, but I have endeavoured to arrive at a reasonably accurate estimate for the financial year 1934-35[r] ...

28

The French reception of British cinema

The French reception of British cinema

... The core of this chapter will examine French film culture and criticism after the Liberation and during the Cold War, focusing on the writings of Andre Bazin and Georges Sadoul and on an[r] ...

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