Drama/theatre
Drama/theatre education for democracy : the role of aesthetic communities
... how drama/theatre education can contribute to such an effort and follows Nussbaum’s ideas that democracies need the humanities in order to thrive (2009, ...
347
Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context
... Korean theatre movement was launched in 1921 when a small group of college students in Tokyo organised a theatrical troupe and started performances throughout ...through theatre (Yi ...
372
Interactive Theatre: Drama as Social Intervention
... Applied Drama, participants – workshop members, audience, children in drama classes – are often encouraged to explore the life-situations generated in the ...Interactive Theatre programmes end at a ...
26
CONTRIBUTION OF GIRISH KARNAD’S DRAMA IN THE MODERNITY OF INDIAN THEATRE
... Modern Theatre: Against the foundation of this rich tradition, Indian drama was reawakened amid British provincial interregnum in eighteenth and nineteenth hundreds of ...Indian drama and the ...
8
Theatre and Anti-Theatre-The Escape of Self in the Contemorary British and American Drama
... The Theatre of the Absurd has much in common with the existential philosophy of Heidegger, Sartre, and ...the Theatre of the Absurd are rooted in the avant- garde experiments in art of the 1920s and 1930s ...
9
Living through extremes: an exploration of integrating a Bondian approach to theatre into 'living through' drama
... process drama we can find that of the spectator as ...of theatre and consciously creates possibilities of spectating the unfolding ...the drama being made creates a different type of involvement and ...
218
BRECHT'S EPIC THEATRE AS A MODERN AVANT-GARDE AND ITS INFLUENCE ON POSTMODERN THEATRE/DRAMA
... POSTMODERN THEATRE Going into the second half of the century, when politically the two dominant ideologies (liberalism/capitalism and socialism/communism) were engaged in a cold war; modern theatre, in ...
13
Metamorphosis at 'the margin' : Bruce Mason, James K Baxter, Mervyn Thompson, Renée and Robert Lord, five playwrights who have helped to change the face of New Zealand drama : a thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy in English at Massey University, Palmerston North, New Zealand
... 72 Towards the end of his life Mason's contribution to the literature of New Zealand was recognized. In 1 979 he was awarded an honorary Doctorate in Literature from Victoria University of Wellington. In 1 980 he was ...
366
A Study of the Subject of National Healing and Reconciliation in Selected Plays at the Kenya National Drama Festival 2008-2010.
... a theatre performance system is made up of “language, tone, facial mime, gesture, movement, make up, hairstyle, costume, décor, props, lighting, music and ...
183
Community Theatre and Development Practices in the Nyanza Region of Kenya
... of theatre forms have emerged such as Theatre for Development (TfD), Community Theatre, Theatre in Education (TIE), popular theatre, Theatre for social change, Theatre of ...
15
An investigation into the space where drama education and dramatherapy meet What does this mean in conceptual and practical terms for practitioner and participant?
... ritual theatre model approach, whilst Derby offers an integrated approach and Exeter offers an eclectic ...using drama and theatre based approaches with anthropology and the work of Victor ...of ...
414
Together I'm someone : drama, community and achievement in urban youth
... Applied Theatre and Drama (AT/D) in the development of community on the class of students who participated, as well as consideration of the effects of that community on the academic performance of the ...of ...
18
Developments towards a theatre of the absurd in England, 1956 1964
... Brechtian theatre were significantly more sophisticated than in 1934.1® 'Theatre Workshop' (the only English equivalent of Brecht’s Berliner Ensemble) came to specialise in three distinct types of ...
289
Theatres in India after Independence with Special Reference to Mahesh Dattani’s works
... in Bengali and include Chitra (Chitrangada, 1892), The King of the Dark Chamber (Raja, 1910), The Post Office (Dak ghar, 1913), and Red Oleander (Rak tak arabi, 1924). GirishKarnad is a noted playwright, who has written ...
5
Copenhagen: A Brechtian Play
... the theatre that are the driving force of epic or dialectic ...on theatre. Brecht explains in 1930, in “The Modern Theatre is the Epic Theatre,” “once the spectator, instead of being enabled ...
78
'The Return to the People’: Empire, class, and religion in Lady Gregory’s dramatic works
... the financial means to keep hold of the landed tradition of Coole. Whilst Gregory’s comedies became Abbey staples, this chapter considers lesser known and less successful plays. These neglected dramas of Gregory’s oeuvre ...
299
The dramatic illusion in the theory and later plays of Friedrich Schiller
... of theatre, too, is clearly dif ferent from what we would describe as *i11usionistic1 theatre, where the audience is encouraged to believe in the reality of what it sees and to allow itself to be caught up ...
399
Dalit Theatre: A Theatre of Protest
... Thamba Ramrajya Yet Ahe by Prakash Tribhuvan is written on the background of the renaming Marathwada University and the rise of conflict resulting among the Dalits/non-Dalits. The title itself indicates the folly in the ...
13
Performing the Nation: Theatre in Post Genocide Rwanda
... The theatre group started in November 2004 when a group of secondary students heard radio announcements that genocide ideology was being taught in the ...their theatre produc- tion Umurage Ukwiye (The Good ...
20
Acting Real: Testimony of Rachel Corrie on Stage
... Although Rachel struggled even more and could never make it home, she has continued to talk about Palestine and its people after she died. As David Hare asserts verbatim theatre aims to give “voice to voiceless” ...
6