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Music and identity

Mark Fitzgerald and John O’Flynn (eds), Music and Identity in Ireland and Beyond (2014)

Mark Fitzgerald and John O’Flynn (eds), Music and Identity in Ireland and Beyond (2014)

... that Music and Identity in Ireland and Beyond does not quite fulfil the promise of such an expansive title and is not quite the book I had hoped it would be, it is nonetheless a valuable collection that ...

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Music of a more perfect union : symphonic constructions of American national identity, 1840 - 1870

Music of a more perfect union : symphonic constructions of American national identity, 1840 - 1870

... affords little encouragement to the vigorous cultivation of any particular science, we can hardly hope for the production among us of valuable compositions in music.” 8 Despite this agreement about the problem, ...

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Contemporary klezmer : music, identity, and meaning

Contemporary klezmer : music, identity, and meaning

... all music, allows musicians, dancers, and listeners to come together in common ...and identity, the music becomes a vehicle through which individuals and groups affirm, even temporarily, their unity ...

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“Conducting is Everywhere!” A Case Study of the Development of Preservice Music Teacher Occupational Identity in a Beginning Conducting Course

“Conducting is Everywhere!” A Case Study of the Development of Preservice Music Teacher Occupational Identity in a Beginning Conducting Course

... occupational identity through the lens of ...and identity that frame performing and teaching as separate identities that often compete with each other (L‟Roy, 1983; Roberts, ...the identity ...

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The Language of Rock: Iranian Youth, Popular Music, and National Identity

The Language of Rock: Iranian Youth, Popular Music, and National Identity

... popular music arrived in Iran on the wave of Westernisation which swept the country in the period following the Second World ...popular music (or “pop”) came to occupy the fraught intersections between ...

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Moving the music : dance, action, and embodied identity

Moving the music : dance, action, and embodied identity

... popular music seem to me a call to action to get up and get ...of music videos have evolved over recent decades, dance and designed physical movement remain a regular – if not primary- element of many ...

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Complex Centers and Powerful Peripheries:

Catholicism, Music, and Identity Politics in Indonesia

Complex Centers and Powerful Peripheries: Catholicism, Music, and Identity Politics in Indonesia

... the music that people are then permitted to use, or not, and who controls that permission, and how? There is an elaborate process in the Catholic Church for seeking and granting permission for Church sanctioned ...

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Apple Music. Identity Guidelines for Affiliates and Music Providers

Apple Music. Identity Guidelines for Affiliates and Music Providers

... Apple Music badge must be used in all marketing communications promoting music content on Apple ...Apple Music. See “Linking to Apple Music and iTunes” on page ...Apple Music badge is a ...

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THE HYBRID IDENTITY ON MUSIC: A STUDY OF MUSICAL FACTS IN TALEMPONG GOYANG ENSEMBLE AT MINANGKABAU – WEST SUMATERA

THE HYBRID IDENTITY ON MUSIC: A STUDY OF MUSICAL FACTS IN TALEMPONG GOYANG ENSEMBLE AT MINANGKABAU – WEST SUMATERA

... of music are the fact that the tone order in Talempong Goyang is arranged following the diatonic musical interval ...of music in the tradition of diatonic ...diatonic music, but the limitation is not ...

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Music, Eurocentrism and Identity: The Myth of the Discovery of America in Chilean Music History

Music, Eurocentrism and Identity: The Myth of the Discovery of America in Chilean Music History

... In the discourses of both Díaz Meza and Pereira Salas there is an adaptation of what we can call the “hard da- ta”. There is no reason to doubt that a harpsichord arrived in 1707 aboard the Maurepas 8 , but rather the ...

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Bledi Cockneys: music, identity and mediation in Algerian London

Bledi Cockneys: music, identity and mediation in Algerian London

... distribute music amongst audiences in France and the ...his music, and this has allowed him to connect with a transnational audience, particularly in France and ...

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SEEKING IDENTITY AND IRISH TRADITIONAL MUSIC

SEEKING IDENTITY AND IRISH TRADITIONAL MUSIC

... liked music, they were off to hear the gramophone’ (Flynn quoted in Bradshaw 1998: ...Irish music sessions today, for instance, the reel ‘Tarbolton’ is usually followed by ‘The Longford Collector’ and ‘The ...

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The performance of identity in Chinese popular music

The performance of identity in Chinese popular music

... As dancer Zhu Yonglong turns pirouettes, long black drapes fly around his naked chest. He follows Leslie Cheung, who doesn’t look back, across the stage. Only Zhu and Cheung are standing erect. Che- ung sings the second ...

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Rebirth of Self and Identity: An Analysis of Meena Alexander’s  Manhattan Music

Rebirth of Self and Identity: An Analysis of Meena Alexander’s Manhattan Music

... for identity and emotional insecurity of immigrants have hitherto been the dominant themes of diasporic ...Manhattan Music analyses the impact of transplantation from natal to post-marital space in the ...

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Nazi Punks Folk Off: Leisure, Nationalism, Cultural Identity and the Consumption of Metal and Folk Music

Nazi Punks Folk Off: Leisure, Nationalism, Cultural Identity and the Consumption of Metal and Folk Music

... national music for England, rooted in a mythicised past. Both music scenes are therefore attractive to far-right activists and ideologues seeking to use each music scene as a site of political action ...

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PRS for MUSIC ONLINE MUSIC LICENCE MUSIC DOWNLOAD SCHEME

PRS for MUSIC ONLINE MUSIC LICENCE MUSIC DOWNLOAD SCHEME

... The identity of such expert shall either be agreed or, in the absence of such agreement within 7 days of the written notice of referral, shall be determined by the President for the time being of the Institute of ...

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The Importance of Music. A National Plan for Music Education

The Importance of Music. A National Plan for Music Education

... regional music and performing arts centres specifically to support “in- school” activity with an additional offer of ensemble ...to music making of a higher standard than any one individual school or local ...

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Events are Not Simple: Identity, Non Identity, and Quasi Identity

Events are Not Simple: Identity, Non Identity, and Quasi Identity

... Given the impossibility of either approach to support practical work, AI scholars have devoted some attention to so-called Identity Criteria. Gua- rino (1999) outlines several ‘dimensions’ along which entities can ...

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The music. manifesto. More music for more people

The music. manifesto. More music for more people

... believe music has a unique contribution to make to education – and by that we mean the education of all children, not just those with the potential to become great professional musicians and ...of music- ...

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The Impact of Computer Music Technology on Music Production

The Impact of Computer Music Technology on Music Production

... how an idea will sound, the composer is still responsible for the underlining musical initiative. David Cope, the inventor of a computer composition programme rejects the idea that composers have the only creative drive ...

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