piano music
Conventions, Genres, Practices in the Performance of Liszt’s Piano Music
... his music in earlier years through the voluminous amount of reports of his performances, correspondence and ...the piano’, of particular influence on Russian schools of piano playing 19 ...
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Michael Finnissy at 70: The piano music (1)
... such music. This type of music forms one of the three fundamental categories of material to be found in the work, the others being a tempestuous writing (which Finnissy had developed in earlier piano ...
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The Anatomy of Melancholy - The Piano Music of Marc Yeats (CD Recording)
... of Music, The Queen’s College, Oxford, as a Fulbright Scholar, at the Juilliard School in New York, and did his PhD at Cardiff ...main piano teacher, and a major influence on his work, was the Hungarian ...
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Considerations for pedalling Debussy's piano music
... well as musicians or In the last section of the same chapter there is also a discussion of pedalling trends have been Debussy may acquainted.Chapter 4 is dedicatedto the with which his i[r] ...
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Michael Finnissy - The Piano Music (10 and 11) - Brochure from Conference 'Bright Futures, Dark Pasts'
... popular music, is ...militaristic music is anti-subjective almost goes without saying – its very purpose is to inspire unified collective feelings rather than incite unique and individualised ...popular ...
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Michael Finnissy at 70: The piano music (9)
... withdrawn Piano Studies (1977-79), the second from a withdrawn work for piano and ensemble, Long Distance (1977-78); Finnissy also uses material from another withdrawn work, Guwark (1982), for part of the ...
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Michael Finnissy at 70: The piano music (8)
... then-complete piano works. Twenty years later, Finnissy’s output for piano is well over twice that size (the five-and-a-half hour The History of Photography in Sound (1995-2000) alone takes the equivalent ...
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Three Concert Series - History of Contemporary Piano Music, York Late Music Festival
... Bartók’s Allegro barbaro is one of his best known and most widely performed solo piano pieces. It was written in 1911 but did not receive its official premiere until 1921. However, Bartók himself had played it ...
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Michael Finnissy at 70: The piano music (7)
... Chopin-esque piano works, most prominently and recognisably the Prelude in G# minor, ...tonal music towards three different canons (in the loosest sense of the term), perhaps a reference to Skryabin’s own ...
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Transcription of piano music with deep learning
... Cilj tega diplomskega dela je bila preuˇ citev transkripcije klavir- ske glasbe z metodami globokega uˇ cenja, za kar so bili implementirani in preizkuˇseni trije modeli globokih nevrons[r] ...
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Aspects of the organisation of pitch and time in the early piano music of Morton Feldman
... None of the essays in The Music of Morton Feldman dealt with the works discussed in this dissertation, although two addressed works of the 1950s: John Welsh wrote about Feldman's pioneer[r] ...
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Michael Finnissy at 70: The piano music (3)
... Aboriginal music, all except one (the later Quabara) written during a period spent in teaching in Australia at the beginning of the 1980s, and several of which, including this, Banumbirr, Aijal and Teangi for ...
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Michael Finnissy at 70: The piano music (4)
... new music who have worked with Finnissy: critic Paul Driver in ...of Music Richard Steele in ...United Music Publishers (UMP)Jutta Avaly in ...The Music of Michael Finnissy and tireless ...
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Michael Finnissy at 70: The piano music (2)
... ‘visual music’, the rhythm and detail of his editing, the intimacy and introspection, the obvious self-involvement, the sense of ‘documenting’ rather than fantasy-narration - his work has remained a visual model ...
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Michael Finnissy at 70: The piano music (5)
... upon music of the 20th and 21st ...200 piano works, including works by Patrícia de Almeida, Julian Anderson, Richard Barrett, Konrad Boehmer, Luc Brewaeys, Aaron Cassidy, James Clarke, James Dillon, Pascal ...
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Michael Finnissy at 70: The piano music (6)
... the music of Brahms (to which he would return in later works such as the piano trio In Stiller Nacht (1990, ...Brahms’s music; this link would later influence Finnissy’s composition Mit Arnold ...
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The English piano in the Classical Period: Its Music, Performers, and Influences
... Dussek’s piano music or used it as teaching material, as there is in the case of the music of Clementi and Cramer, nor does Dussek’s name appear in Beethoven’s ...Dussek’s music, and not ...
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Organicism, motivic parallelism, and performance in Beethoven's piano sonata Op 2 No 3 : a thesis submitted to the New Zealand School of Music in fulfillment of the requirements for the degree of Master of Music in Musicology
... the music, through the repetitive harmonic progression that naturally accompanies the turning ...early piano music sound full of vitality, and different from that of his contemporaries, is the degree ...
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Group Piano Teaching: an alternative strategy for the tertiary teaching of piano
... TABLE OF CONTENTS CHAPTER 1 -INTRODUCTION 1.1 Music: Discipline and pleasure 1.2 The emergence of the piano as dominant lnSlrument 2 1.3 4 The contemporal' piano 1.4 Acquiring instrument[r] ...
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The reverse action Piano Harp: Innovation and adaptation from Piano and Autoharp
... perspective. Autoharps traditionally rely on friction pins, similar to (though smaller than) those on a piano. Higher end models include a fine-tuning arrangement at the dead pin end. Zither pins, which require a ...
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