Virginia Woolf’s
Virginia Woolf’s The Waves: Splitted Feminine “I”’s
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Between Parentheses: The Poetics of Irrelevance in Virginia Woolf’s Experimental Fiction
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The Literary Essay as Encomium in Virginia Woolf’s “The Enchanted Organ”
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THE PRESENTATION OF GENDER ROLES IN AND OUTSIDE FICTION, AND THE REBELLIOUS SPIRIT OF WOMEN ARTISTS IN VIRGINIA WOOLF'S TO THE LIGHTHOUSE AND A ROOM OF ONE'S OWN*
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Feminine writing and the problem of the self : an examination of Virginia Woolf's novels in the light of recent critical and psychoanalytic theories
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Androgyny and the reconciliation of opposites in the novels of Virginia Woolf
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oa Marang : Journal of Language and Literature - Time and chronology in modern novels: an example of Woolf and Joyce
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Women, Nature, Culture: Ecological Discourse in Virginia Woolf Mrs Dalloway
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Editing Virginia Woolf and the Arts: Woolf and the Royal Academy
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The hours: A gaze, a kiss and the lapse between them. An eventalisation
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A case for modernism : tracing Freud in Bloomsbury
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The Unity of to the Lighthouse Achieved by Sonata Form
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Unearthing Real Women: Reclaiming Sylvia Plath and Virginia Woolf from Their Suicide Narratives
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“All This Was My Life”: Constructing Textual Self-Identity in Diaries
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Virginia Woolf and Vanessa Bell: "the same pair of eyes, only different spectacles"
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Harmony and integration: The core of Woolf’s truth: A brief analysis of “wedge-shaped core of darkness” in to the 'lighthouse
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“When a woman speaks the truth about her body”: Ethel Smyth, Virginia Woolf, and the challenges of lesbian auto/biography
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Virginia
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Virginia
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Bellows_unc_0153D_16025.pdf
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