Intro
Moderately fast q = 170
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Bridge Burning
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights for FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC Administered by BUG MUSIC
from Foo Fighters - Wasting Light
*Gtr. 1 (dist.)
*Gtr. 1 (dist.)
mf Riff A
µ
1 1
E5
1
D/F#
3 2 1
C
1 3
D5/A
1 1 3 4
Eb5/Bb
End Riff A
*Two gtrs. arr. for one.
**
**Hammer on low note w/ left hand while strumming muted notes behind the bridge.
Gtr. 2 (dist.)
Gtr. 1: w/ Riff A (2 times)
f E5
P.M. P.M. P.M. P.M.
Gtr. 2
P.M. P.M. P.M. P.M.
Gtr. 3 (dist.)
Riff B
f
End Riff B
XX X
9 XX X
XX X
XX X
9 XX X
XX X
XX X
9 XX X
XX X
XX X
XX X
9 XX X
XX X
XX X
9 XX X
XX X
XX X
9 XX X
XX X
XX X
9 XX X
XX X
XX X
9 XX X
XX X
XX X
XX X
9 XX X
XX X
XX X
9 XX X
XX X
10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0
10 12 10 12 10 12 10 12 10 12 0 10 12 0 10 12 10 12 10 12 10 12 10 12 0 10 12 0
5 7 5 7 5 7 5 7 5 7
0 5 7
0 5 7 5 7 5 7 5 7 5 7
0 5 7
0
**Composite arrangement
bridg es Db5
Em
Oh, won’t Eb
you let Dsus4
me twist A7/C#
your fate?
C5 G5
It’s get A7
ting
- kind
Dsus4
a
- late,
Gtr. 4 Riff D1
Gtrs. 2 & 3 Riff D
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
Em Eb
and I
Dsus4
don’t wan A7/C#
na
- wait
C5 G5
no more.
A7 µ
Harm.
8va
End Riff D1 loco
P.M. P.M. P.M. P.M. P.M. P.M. P.M. Harm.
8va End Riff D loco
Gtrs. 2 & 3: w/ Riff D (2 times) Gtr. 4: w/ Riff D1 (2 1/2 times)
Em
Oh, may Eb
I have
Dsus4
this dance A7/C#
of days
C5 G5
locked A7
in your
Dsus4
em - brace?
Em Eb
Passed Dsus4
your test A7/C#
of faith.
C5 G5 A7 µ
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
7 7 5
0 0 6 6 5
0 0 5 5 5
0 0 4 4 5
0 0 3 3 5
0 0 3 3 5
0 0 5 5
5
0 0 5 5 5
50
50
50
50
50
50
50 44
17
7 7 5
0 0 6 6 5
0 0 5 5 5
0 0 4 4 5
0 0 3 3 5
0 0 3 3 5
0 0 5 5
5 3 4
17
Em
An-oth Eb
er
- time,
Dsus4
an - oth A7/C#
er
- place,
C5
an oth G5
- -er line
A7
up - on Dsus4
your face.
Em Eb
An oth
Dsus4
- -er in
A7/C#
your way.
C5 G5
A7 µ
Em
Down crook Eb
ed
- stairs
Dsus4
and side A7/C#
ways
- glanc
C5
es
- comes
G5
the king A7
of sec
Dsus4
ond - chanc
-Gtrs. 2 & 3
P.M.
Em
es.
-Eb
Now throw
Dsus4
him in
A7/C#
the flame.
C5 G5 A7 Dsus4
Gtr. 4
Gtrs. 2 & 3
P.M. let ring
7 7 5
0 0 6 6 5
0 0 5 5 5
0 0 4 4 5
0 0 3 3 5
0 0 3 3 5
0 0 5 5
5
0 0 5 5 5
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
7 7 5
0 0 6 6 5
0 0 5 5 5
0 0 4 4 5
0 0 3 3 5
0 0 3 3 5
0 0 5 5
5
0 0 5 5 0 0
Pre-Chorus Csus2
What ev- - er keeps you warm at night.
A7sus4 Csus2
Doubled throughout
Chorus E5
Your bridg - es are burn
D%
in’
- down. They’re
it’s all
C,7
2
You’re burn - in’ them down.
D%
they’re all C,7
Gtr. 3
Interlude
Gtr. 2: w/ Riff C
Riff F
E5
End Riff F
Gtr. 4 Riff F1
End Riff F1
Gtr. 5 Riff F2
End Riff F2
Verse
Gtrs. 2 & 3: w/ Riff D Gtr. 4: w/ Riff D1 Gtr. 5 tacet
Em
Oh, 2. let
Eb
me put
Dsus4
you in
A7/C#
your place.
C5 G5
I love A7
it when
Dsus4
you say
Em Eb
you’re giv Dsus4
in’
- ev
A7/C#
’ry
- thing
C5
- a
G5
way.
A7
- But
µ
tell E5
me, what’s Eb5
in it D5
for me?
Db5
Tell C5
me now, what’s G5
in it A5
for me?
D5
No E5
Gtrs. 2 & 3
7 9 7 9 7 9 7 9 7 9
0
7 9
0
7 9 7 9 7 9 7 9 7 9
0
7 9
0
7 7 7 7
0 0 0 0
7 99
7 99
7 99
6 88
6 88
6 88
5 77
5 77
5 77
4 66
4 66
3 55
3 55
3 55
5 5
5 5
5 5
7 7
7 7
7 7
5 77
5 77
7 99
D.S. al Coda 1
Coda1
one’s get Eb5
tin’
- this
D5
for free, Db5
so tell
C5
me now, what’s G5
Riff G1
1 1 1 1 1 1 1 1 1
Gtrs. 2 & 3 Riff G P.M.
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
D.S.S. al Coda 2 Coda2
End Rhy. Fig. 5
way.
C
Gath er- -in’the ash - es,
D5/A
scat Eb5/Bb
ter
- as they blow a
- End Riff G1
1 1 1 1 1 1 1 1 1
End Riff G
P.M.
way.
Gtrs. 3 & 4: w/ Riffs G & G1 Gtr. 5: w/ Rhy. Fig. 5
E5
Gath er- -in’ the ash - es,
D/F#
ev ’ry- -thing thrown a
-
Gtr. 2
way.
C
Gath er- -in’ the ash - es,
D5
scat Eb5
ter
- as they blow a
-
way.
Gtr. 2: w/ Riff C (1st 2 meas.)
Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2 (1st 2 meas.)
E5
all
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (last 2 meas.)
C,7
com - in’ down.
E
108 8
108
8 8
108
8 8
108
8 8
12 10
8 10
12 10
10 10
13 11
10 11
13 11 11
13 11
10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 6 8 6 8 6 8 6 8
7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9
7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 8 10 8 10 8 10 8 10
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 2 (1 1/2 times) Gtr. 5: w/ Rhy. Fig. 2A (2 times)
E5
Your bridg - es are burn
D%
in’
- down. They’re
(Gath Voc. Fig. 1
er
- - in’ the ash - es, ev -’ry-thing thrown a
-
all C,7
com - in’ down, E
it’s all C,7
com- in’ ’round.
E E5
You’re
way. Gath er- -in’ the ash - es, scat ter- as they blow a - way.)
End Voc. Fig. 1
burn
Bkgd. Voc.: w/ Voc. Fig. 1
in’
- them down.
D%
It’s all
Gtrs. 2, 3 & 4: w/ Riff E
C,7
com - in’ ’round, E
they’re
all C,7
com - in’ down.
E
You’re bridg
Gtr. 2: w/ Rhy. Fig. 4 Gtrs. 3 & 4: w/ Rhy. Fig. 3 Gtr. 5: w/ Rhy. Fig. 3A
C,7
es
- are burn
E
in’
- down.
D5
Eb5
Gtr. 2: w/ Riff C
Gtrs. 3, 4 & 5: w/ Riffs F, F1 & F2
Outro
E5
Gtr. 3
Gtr. 2
P.M. P.M.
7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9 7 9
0
7 9
0
10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 10 12 0 10 12 0
Intro
Moderately q = 138
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear
Rope
Copyright © 2011 SONGS OF UNIVERSAL, INC., MJ TWELVE MUSIC, LIVING UNDER A ROCK MUSIC, I LOVE THE PUNK ROCK MUSIC, FLYING EARFORM MUSIC and RUTHENSMEAR MUSIC
All Rights for MJ TWELVE MUSIC and I LOVE THE PUNK ROCK MUSIC Controlled and Administered by SONGS OF UNIVERSAL, INC.
from Foo Fighters - Wasting Light
Gtr. 1 (slight dist.)
*
**w/ delay Rhy. Fig. 1
mf
Bm11 F#m11 Dm11
End Rhy. Fig. 1
*Chord symbols reflect implied harmony.
**Delay set for quarter-note triplet regeneration w/ 5 repeats.
Gtr. 2 (slight dist.)
Bm11
mf
F#m11 Dm11
Gtr. 1
delay off f
Gtr. 3 (dist.)
f
7 75 0
14 0 1412
10 0 108
10 0 108
7 75
7 75
7 75
7 07
7 75
14 1412
14 1412
14 1412 0
14 14
14 1412
10 0 108
10 0 108
10 0 108
0 10
8 10 108
10 0 108
10 0 108
10 0 108
77 5 0
14 0 1412
10 0 108
7 5 0 7 5 0
7 5 0 7 5 0
Rhy. Fig. 2
Bm11
F#m11
Riff A
Riff A1
Dm11
End Rhy. Fig. 2
A5
Rhy. Fig. 3
Bm11
End Riff A Riff B
End Riff A1 Riff B1
77 5 0
77 5 0
77 5 0
77 5 0
7 07 0
77 5 0
14 0 1412
14 0 1412
14 0 1412
14 0 1412 0
14 0
14 14
0 1412
0 7 7 7 7 7 5
7 9 9 9 9 9 7
9
0 7 7 7 7 7 5
7 9 9 9 9 9 7
9
10 0 108
10 0 108
10 0 108
10 0 108
0 10 8
10 108
10 0 108
10 0 108
10 0 108
10 0 108
0 10 8
10 108
0 7750
7 75 0
7 75 0
7 75 0
7 07 0
7 75 0
10 10 10 10 10 8 10 10 10 10 10 10 8 10 0
7 7 7 7 7 5
7
5 5 5 5 5 3 5 5 5 5 5 5 3 5 0
7 7 7 7 7 5
7
F#m11 *Dm11
End Rhy. Fig. 3
A5
End Riff B
End Riff B1
*Bass plays F.
Verse
This 1.
Bm11
in - de - ci sion
F#m11
- got me climb
Dm11
in’
- up a wall.
A5
**Gtr. 2 Rhy. Fig. 4
End Rhy. Fig. 4
**Doubled throughout
Gtrs. 1 & 3 Riff C
14 0 1412
14 0 1412
14 0 1412
14 0 1412 0
14 0 14 14
0 1412
10 0 108
10 0 108
10 0 108
10 0 108
100 8
10108
10 0 108
10 0 108
10 0 108
10 0 108
7 5 0 7 5 0
9 9 9 9 9 7
9 8 8 8 8 8 7 8 8 8 8 8 8
7 5 0 7 5 0
9 9 9 9 9 7
9 5 5 5 5 5 3 5 5 5 5 5 5
7 5 0 7 5 0
0 7750 7 75 0
7 75 0
7 75 0
7 07 0
7 75 0
14 0 1412
14 0 1412
14 0 1412
14 0 1412 0
14 0 14
14 0 1412
10 0 108
10 0 108
10 0 108
10 0 108
0 10
8 10 108
10 0 108
10 0 108
10 0 108
10 0 108
0 10 8
10 108 0
0 0
Gtrs. 2 & 3: w/ Rhy. Fig. 3
Been Bm11
cheat - in’ grav i
F#m11
- - ty and wait
Dm11
in’
- on the fall.
A5
Gtrs. 1 & 3
End Riff C
Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4
How Bm11
did this come o
F#m11
ver
- me? Thought I
was Dm11
a - bove it all.
A5
Gtr. 2: w/ Rhy. Fig. 3
Our Bm11
hopes gone up in
F#m11
smoke, swal
-
-Dm11
low your crown.
A5
Pre-Chorus
Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4
Bm11
Yow!
F#m11
On
a
kiss,
Dm11
thought I’d save my breath for
A5
you.
Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3
Bm11
Yow!
F#m11
On
a kiss,
Dm11
thought I’d save my breath for you.
A5
0 7 5 0 7 5 0
I’m hang A5
- the clear. When
Gtr. 2 Rhy. Fig. 6
C
*Composite arrangement
**Bass plays F.
D.S. al Coda
Coda
Verse
Gtrs. 1 & 3: w/ Riff C Gtr. 2: w/ Rhy. Fig. 4 Gtr. 4 tacet
These 2.
Bm11
prem - o - ni tions
F#m11
- got me cry
Dm11
in’
- up a storm.
A5
Gtr. 2: w/ Rhy. Fig. 3
Leave Bm11
your con - di tion,
F#m11
- this po si
- tion
-Dm11
does no harm.
A5
Pre-Chorus
Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 2: w/ Rhy. Fig. 4
Bm11
Yow!
F#m11
On
a kiss,
Dm11
thought I’d save my breath for
A5
you.
Gtrs. 1 & 3: w/ Riffs B & B1 Gtr. 2: w/ Rhy. Fig. 3
Bm11
Yow!
F#m11
On
a kiss,
Dm11
thought I’d save my breath for you.
A5
Interlude
B5 A5 B5 D5/A E5/B µ
B5
A5 B5 D5/A E5/B µ
B5 A5 B5 D5/A E5/B µ
B5 A5 B5 D5/A E5/B µ
7 9
5 7
7 9
5 57 7
7 79 9
7 9
5 7
7 9
5 57 7
7 79 9
7 9
5 7
7 9
5 57 7
7 79 9
7 9
5 7
7 9
5 57 7
7 79 9
17
Gtr. 5 (dist.)
B5
A5 B5 D5/A E5/B G5
A5 E5 B5
A5 B5 D5/A E5/B G5 A5 E5
f
Gtrs. 2 & 3 Rhy. Fig. 7
let ring
End Rhy. Fig. 7
let ring
Gtr. 5
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Fig. 7 (3 times)
B5 A5 B5 D5/A E5/B G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5
Harm.
E5
Harm.
Pitch: G# B
*
*Harmonic located three-tenths the distance between the 3rd & 4th frets.
3.3 D 2.6
G# B
3.3 D 2.6
G# B
3.3
G# B
3.3 D 2.6
G# B
3.3 G 2.6
F#
w/ wah-wah
B5 A5 B5 D5/A E5/B G5 A5 E5
1 1
B5 A5 B5 D5/A E5/B
G5 A5 E5 B5 A5
Harm.
B5 D5/A E5/B
1 1
G5 A5 E5 B5 A5 B5 D5/A E5/B G5 A5 E5
1 1 1/2 11
00
7 9
5 7
7 9
5 57 7
7 79 9
X XX X
X XX X
X XX X
X XX X
3 5
3 5
3 5
5 7
5 7
0 2
00
7 9
5 7
7 9
5 57 7
7 79 9
X XX X
X XX X
X XX X
X XX X
3 5
3 5
3 5
5 7
5 7
0 2
00
4 4 4 4 4 000
4 000
00 7 10 7
9 7 10 7
9 10 7
9 00
10 7 10 7
10 7 10 7
10 9 7 9 7
9 7
9 7 9 7
9 7
10 7 5 7 5 7
7
00 7 7
00
10 10 8
7 10 10
00
10 10 7 10 7 10 10
0 0
12
00 1212 1212 1212
Chorus
Gtrs. 2 & 3: w/ Rhy. Figs. 5 & 5A (3 1/2 times)
G5
Gim me- some rope, Gtr. 5 tacet
Em7
I’m com - in’ loose.
Bm('4)
I’m hang A5
in’
- on you.
G5
Gim me- some rope, Em7
I’m com - in’ loose.
Bm('4)
I’m pull A5
in’
- for you now.
G5
Gim me- some hope, Em7
I’m com - in’ through.
Bm('4)
I’m count A5
in’
- on you.
G5
Gim me- some rope, Em7
I’m com - in’ out
Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A
Bm('4)
of my head, in
A
to
- the clear. When
you G5
go,
E/G#
I
A5
come...
F#/A#
Gtr. 1
Outro
*w/ delay
Bm11
F#m11 Dm11
delay off
*Set as before.
Gtr. 3
16 16
77 5 0
14 0 1412
10 0 108
10 0 108
7 5 0 7 5 0
7 5 0
loose.
Bm7'4 F#m7'4
Gtr. 2
Gtr. 1
Gtr. 3
Dm11
77 50
77 50
77 50
77 50
7 0 7 0
77 50
14 0 14 12
14 0 14 12
14 0 14 12
14 0 14
12 0
14 0
14 14
0 14 12
0 7 7 7 7 7 5
7 9 9 9 9 9 7
9
0 7 7 7 7 7 5
7 9 9 9 9 9 7
9
10 0 108
10 0 108
10 0 108
10 0 108
0 10 8
10 108
10 0 108
10 0 108
10 0 108
7 5 0 7 5 0
8 8 8 8 8 7 8 8 8 8 8 8
7 5 0 7 5 0
5 5 5 5 5 3 5 5 5 5
7 5 0 7 5 0
Intro
Moderately q = 124
Words and Music by David Grohl, Taylor Hawkins, Christopher Shiflett, Nate Mendel and Pat Smear