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(1)

  

Moderately fast Rock q = 168

from Foo Fighters - Greatest Hits

All My Life

Words and Music by Foo Fighters

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC.

All Rights for LIVING UNDER A ROCK MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP.

     Gtr. 1 (dist.) Intro mf Rhy. Fig. 1 µ(G5) 1 3 4 G5

End Rhy. Fig. 1

P.M. 



All

Gtr. 1: w/ Rhy. Fig. 1 (3 ¾ times)

my life I’ve been search -ing for some - thing. Some - thing nev -er comes, nev - er leads to noth - ing. Noth

-

ing

- sat -is -fies but I’m get -ting close, clos - er to the prize at the end of the rope.



All night long I dream of the day. When it comes a - round, and it’s tak -en a - way. Leaves



me with the feel - ing that I feel the most, feel it come to life when I



see your ghost.

Interlude Gm   Am  Gtr. 1 Gtrs. 1 & 2 (dist.) P.M.  Harm. f                                 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5                                                                                                                     



                      3 5 3 5 3 5 3 5 3 5 44 3 5 5 3 3 5 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 5 7 7 5 5 7 7 5 5 7 7 5

(2)

     Gm Bbm Gm  Am Gm Bbm  Verse 1. 2. Calm Will µ(Gm) I down, find don’t a you be re liev - - er, sist. -Am You’ve an µ(Gm) such oth -a er -del one i who - cate be - wrist. lieves, - Rhy. Fig. 2 P.M. P.M.  P.M. P.M.  P.M. P.M.  P.M.  Bbm And an  µ(Gm) if oth -I er -give one it to a de twist, ceive  -Am  P.M.  P.M. P.M.  P.M. P.M.                                     5 7 7 5 3 5 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 6 8 8 6 6 8 8 6 6 8 8 6 6 8 8 6 3 5 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0                               3 5 5 3 3 5 5 3 0 35 5 3 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 3 5 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 6 8 8 6 6 8 8 6 6 8 8 6                                               3 3 3 3 3 3 3 3 3 3 3 3 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 3 3 3 3 3 3 3                                      3 3 3 3 3 6 8 8 6 6 8 8 6 6 8 8 6 6 8 8 6 3 3 3 3 3 3 3 3 3 3 3 3 5 7 7 5 5 7 7 5 5 7 7 5

(3)

 some o thing ver -µ(Gm) to and hold o - ver when down I lose on my my grip. knees?

Bbm Gtrs. 1 & 2: w/ Rhy. Fig. 2

Will If µ(Gm) I I find get some an thing y -in clos - P.M. P.M. 

End Rhy. Fig. 2

P.M. P.M.    there er Am to and µ(Gm) give if me you just o what pen -I up need? wide,  Bbm  An and µ(Gm) oth if - er you - rea let son me - to in bleed, side -Am one on µ(Gm) by and one on hid I den got - up noth my ing to -sleeve. hide. One On Gtr. 2 tacet by and one on hid I den got - up noth

2nd time, Gtrs. 2 & 3: w/ Fill 1

my ing - to sleeve. hide.  Gtrs. 1 & 2 P.M.  P.M. Gtr. 1 mf P.M.   Gtrs. 2 & 3 Fill 1 f P.M.  Harm.                                        5 7 7 5 3 3 3 3 3 3 3 3 3 3 3 3 6 8 8 6 6 8 8 6 6 8 8 6                                                                3 3 3 3 3 3 3 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5     



  1 3 3 5 3 5 44

(4)

C o T odaChorus  Eh, Eb/G

don’t let it go to waste,

G5 I love it but I  Gtrs. 1 & 2 Rhy. Fig. 3 f 

hate the taste.

 Way C/E keep F pin - ning me   down. Bb Eb Bb A

Gtrs. 1 & 2: w/ Rhy. Fig. 3

Eh,

Eb/G

don’t let it go to waste,



End Rhy. Fig. 3

 



G5

I love it but I hate the taste.

  Way C/E keep F

pin - ning me down.

Bb  Eb Bb A                                                                                  3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 6 5 3 4 3 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X                                                                              3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 0 3 2 0 1 0 0 3 2 0 1 0 0 3 2 0 1 0 0 3 2 0 1 0 0 3 2 0 1 0 0 3 2 0 1 0 0 3 2 0 1 0 1 3 3 2 1 1 1 3 3 2 1 1 1 3 3 2 1 1 1 3 3 2 1 1 1 3 3 2 1 1 1 3 3 2 1 1 1 3 3 2 1 1                         6 8 8 7 6 6 6 8 8 7 6 6 6 8 8 7 6 6 6 8 8 7 6 6 6 8 8 7 6 6 6 8 8 8 6 8 8 7 6 6 0 0 0 0 0 0                    

(5)

     Gm  (Oh.) Am Gm Bbm  Gtrs. 1 & 2 

Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2 tacet  µ(G5)        All Bridge

Gtr. 1: w/ Rhy. Fig. 1 (1 ¾ times) Gtrs. 2 & 3: w/ Fill 2 (8 times)

µ(G5)

mylifeI’vebeensearchingforsomething.Some



thing

- nev - er comes, nev - er leads to noth - ing. Noth - ing sat - is - fies but I’m



get - ting close, clos - er to the prize at the end

Gtr. 1: w/ Rhy. Fill 1 of the rope.  Gtrs. 2 & 3 Fill 2 f Harm.  15 ma

* Harmonic located three tenths the distance between 3rd & 4th frets.

* 3.3 3.3 3.3 3.3 3.3 3.3 3.3 3.3 3.3 3.3 3.3 3.3  Rhy. Fill 1 Gtr. 1 P.M.                                                    3 5 5 3 3 5 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 5 7 7 5 5 7 7 5 5 7 7 5 5 7 7 5 3 5 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 3 5 5 3 0 35 5 3 6 8 8 6 6 8 8 6 6 8 8 6                                              





 





        3 5 3 5 3 5 3 5 3 5

(6)



All

Gtr. 1: w/ Rhy. Fig. 1 (5 ¾ times)

G5

night long I dream of the day. When it comes a round,- and it’s tak en- a -way. Leaves



Gtr. 3 Rhy. Fig. 4A End Rhy. Fig. 4A

1 1

 Gtr. 2

*

Rhy. Fig. 4 End Rhy. Fig. 4

P.H. 

*To produce harmonics while strumming, use all downstrokes and tilt right hand slightly so that edge of thumb brushes against strings. Move strumming hand up and down length of strings to produce ascending and descending harmonic pitches.



Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (4 ¾ times)

me with the feel ing- that I feel the most, feel it come to life when I see your ghost. Then I’m



done, done, on to the next one. Done, done and I’m



on to the next one. Done, done and I’m on to the next one. Done,



done and I’m on to the next one. Done, done and I’m



on to the next one. Done, done and I’m on to the next one. Done,

                                     4 3 4 3                                                                                                 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X                                                                                                   

(7)

      D.S. al Coda 

done and I’m on to the next one. Done, I’m done and I’m on

Gtrs. 1 & 2: w/ Rhy. Fills 2 & 3

to the next.  Gtr. 3 Harm. 1 1  Gtrs. 1 & 2 Gtr. 3 tacet f Rhy. Fig. 5 G5

End Rhy. Fig. 5



Done,

Gtrs. 1 & 2: w/ Rhy. Fig. 5

done, on to the next one. Done, I’m done and I’m on to the next one. Done,



done, on to the next one. Done, I’m done and I’m on to the next.

 Gtrs. 1 & 2  Gtr. 1 Rhy. Fill 2 P.M.  Harm. Rhy. Fill 3 Gtr. 2  *P.H. 

*See footnote on previous page.

                                  4 3 4 3 4 4                                                         3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5                                                                                                         3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5 3 5 5                     3 3 3 4 4 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 3 0 0 3 3 X 44

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Coda Gtrs. 1 & 2 G5   (Oh.)  Gtr. 3  11 13 1 13 15 1 13 15 1 11 13 1 Outro 

Done, done, on to the next one. Done,

  14 16 1 14 16 1 11 13 1 13 15 1 13 15 1 

I’m done and I’m on to the next.

   11 13 1 14 16 1 14 16 1 17 15 1 17 15                                                                                                    9 6                                                      118

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Moderately fast Rock q = 144

Low

Words and Music by Foo Fighters

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC

All Rights for M.J. TWELVE MUSIC and FLYING EARFORM MUSIC Controlled and Administered by EMI VIRGIN SONGS, INC.

    Gtr. 2 (dist.) Drop D tuning: (low to high) D-A-D-G-B-E

Intro Riff A1 *G5  f   Gtr. 1 (dist.) f Riff A  

*Chord symbols reflect implied harmony.



F#5

End Riff A1

  End Riff A



Gtrs. 1 & 2: w/ Riffs A & A1

G5

  F#5 

1. Hey you,

 Verse

Gtrs. 1 & 2: w/ Riffs A & A1 (4 times)

G5 (Ba by- blue.) are don’t you go in no F#5 there? where. - (Don’tgo no - where.) I’m I’m stuck right out be side side -                8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 10X 13 10X 13 10X 13 10X 13 10X 13 10X 13 10X 13               5 5 5 5 5 5 5 5 5 5 5 5 5 5                 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 8 X 11 4 X7 4 X7 4 X7 4 X7 4 X7 4 X7 4 X7                4 4 4 4 4 4 4 4 4 4 4 4 4 4               

(10)

  G5  you, you, oo. oo. F#5 We Me could and use you  G5

(Me and you.)

one go an ing -oth no -F#5 er, where.

-- (Go ing- no - where.)

an I’m oth right - er be - like side - G5  you, you, oo. oo.

F#5   You Pre-Chorus G5 be my pass F#5 er - - by,  Gtr. 1 Riff B  I’ll be your Bb5 

new one to pass

                                                                                             5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4                                                           

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C o T oda 1.  2.  E5 through.   End Riff B  Screws 1st time, Gtr. 1: w/ Riff B

2nd & 3rd times, Gtr. 1: w/ Riff B (1st 7 meas.)

G5

in - side turn

F#5

so tight, turn - ing on



Bb5

you. I’m hang - ing on

E5

you. Oo,

 Interlude

Gtrs. 1 & 2: w/ Riffs A & A1

G5 oo.   F#5 2. Ba - by blue, 

Tak - ing you as

Chorus low Eb5 as you go, C5 as 

Gtr. 1 Rhy. Fill 1 End Rhy. Fill 1

Gtrs. 1 & 2

Rhy. Fig. 1 End Rhy. Fig. 1

                                 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 4                                                                                                        2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 11 1 X X X X 11 1 X X X X 11 1 10 10 10 X X X X 1010 10 X X X X 1010 10

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D.S. al Coda

Coda



low

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

Eb5

as you go.

C5

Tak - ing you as low

Eb5 as you go, C5 as  low Eb5 as you go. C5 F5 

Rhy. Fig. 2 End Rhy. Fig. 2

 Interlude

*Gtr. 1 & 2: w/ Riffs A & A1 (2 times)

*Gtr. 1 w/ Phase shifter (next 8 meas.)

G5  Oo,   F#5 oo,   G5 oo.   F#5   Gtr. 1: w/ Rhy. Fill 1

Tak - ing you as

Chorus

low

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)

Eb5 as you go, (Low C5 as you go. as  low Eb5  as you go. Low C5 as you Tak go. ing - you as low  Eb5 as you go,  Low C5 as you go. as low

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Eb5  as you go. As low C5 as you go.) F5                                                   1 1 1 X X X X 11 1 X X X X 11 1 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 X X X 3 3 3 3 3 3                                                                                 

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 Guitar Solo G5   F#5  (Low  as you go.  Gtr. 2 Riff C1  Gtr. 3 (dist.) mf Riff C2  Gtr. 1 f Riff C  F5  As low  as you go.) E5    End Riff C1  End Riff C2  End Riff C                10X 12  10X 12  12X 14  13X 15  13X 15       5  5  7  7  7                                            5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 8 10 11 10 8 10 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 8 10 11 8 10 8                           12X 14  8 X 10  15X 17  13X 15  12X 14      7  3  4  4                                         3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 8 10 11 10 8 10 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 2 4

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

Gtrs. 1, 2 & 3: w/ Riffs C, C1 & C2

Gm  (Low  as you go.  D(#5)/F# As low  as you go.  Gtr. 4 (dist.) * 3 3 3 3 3 3 *Vol. swells  Bb/F  Low  as you go.) C/E    3 3 3 3 3 3  Interlude Gtr. 4 tacet G5 Oo,  oo.   Gtr. 1 w/ phase shifter

Riff D End Riff D

 Gtr. 2 Riff D1 * **  Harm.  Harm.  End Riff D1 Pitches:

*Harmonic located six tenths the distance between 2nd & 3rd frets. C 2.6 A 3.3 A 3.3 A 3.3 F#4 F#4 C 2.6 A 3.3 A 3.3 A 3.3 F# 4 F# 4                                     5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 5 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3 4 3 3 3                                3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5                               5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

     

 

     

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

Tak - ing you as

  Pitches: C 2.6 A 3.3 A 3.3 A 3.3 F#4 F#4 Harm.   low Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (7 times)

Eb5 as you go, C5 as low Eb5 as you go. C5

Tak-ing you as

 low Eb5 as you go, C5 as low Eb5 as you go. C5

Tak-ing you as

 low Eb5 as you go, (Low C5 as you go. as low Eb5  as you go. Low C5 as you Tak go. ing - you as  low Eb5 as you go, Low C5 as you go. as low

Gtrs. 1 & 2: w/ Rhy. Fig. 2

Eb5  as you go. As low C5 as you go.) F5  Outro

Gtrs. 1 & 2: w/ Riffs D & D1 (4 times)

G5

Oo, oo, oo, oo,



oo, oo, oo.

                     5 5 5 5 5 5 5 5 5 5 17

    

    17                                                                                                                                           

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Moderately fast Rock q = 162

Have It All

Words and Music by Foo Fighters

© 2002 EMI VIRGIN SONGS, INC., M.J. TWELVE MUSIC, FLYING EARFORM MUSIC, LIVING UNDER A ROCK MUSIC and I LOVE THE PUNK ROCK MUSIC

  Gtr. 1 (slight dist.) Intro * Riff A C5add#4 End Riff A  w/ chorus mf let ring    f Gtr. 2 (dist.)

Riff A1 End Riff A1

Gtr. 3 (fuzz) divisi Gtr. 2 mf Harm. 

*Chord symbols reflect implied harmony.

Gtr. 1Am Am7 Am D C   Gtr. 2 Gtr. 3 Harm.  Gtr. 4 (dist.) f    1/4 1/4 1/4                            4 4 55 4 4 55 4 4 55 4 4 55 4 4 55 4 4 55 4 4 55 4 4 55 75 5 7 5 5                         

 

  9 9 10 9 9 10 9 9 10 9 9 10 9 9 10 9 9 10 9 9 10 9 9 70 70                            7 5 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 7 5 8 7 5 7 5 7 5 5 7 7 77 7 7 7 77 7 5 5 55 5 5 5 55 5 7 5 5 7 5 5            0 7 0 0                            0 0 0 7 0 0 7 0 0 7 0 7 0 7 0 5 5 57 5 5 57 3 3 35 3 3 35 0

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Rhy. Fig. 1

Am Am7 Am D C

End Rhy. Fig. 1

D Eb   Riff B    End Riff B 1/4 1/4 1/4  Gtr. 1 Rhy. Fig. 2 Gtr. 2 tacet Am7 D C

End Rhy. Fig. 2

D Eb  Gtr. 3    Rhy. Fill 1 f  Gtr. 4 Riff C    End Riff C 1/4 1/4 1/4                             7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 8 7 5 7 5 7 5 7 5 5 7 5 5 7 7 77 7 7 7 77 7 5 5 55 5 5 5 5 7 7 7 8 8 8       

   0 7                              0 0 0 7 0 0 7 0 0 7 0 7 0 7 0 5 5 57 5 5 57 3 3 35 0 3 5 5 7 6 8                             8 8 8 7 5 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 7 5 7 5 8 7 5 5 7 7 77 7 7 7 77 7 5 5 55 5 5 5 5 7 7 7 8 8 8      3 5 5 7 6 8                               6 8 0 0 0 7 0 0 7 0 0 7 0 7 0 7 0 5 5 57 5 5 57 35 35 35 0 3 5 5 7 6 8

(18)

 Gtr. 3

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times)

Am7

D

End Rhy. Fill 1 Gtr. 2

Gtr. 3: w/ Rhy. Fill 1 (2 times)

C D Eb  Gtr. 2 Riff D Am7 D C D Eb 1/2   Gtr. 1 Rhy. Fig. 3 Am7 D C

End Rhy. Fig. 3

 Gtr. 2 End Riff D   Gtr. 4 Riff E    End Riff E 1/4 1/4 1/4            6 8 12 14 12 14 12 14                                7 7 5 5 8 8 7 7 5 5 8 8 7 7 5 5 7 7 5 5 7 7 5 5 5 5 5 5 5 7 7                              8 8 8 7 5 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 7 5 7 5 8 7 5 5 7 7 77 7 7 7 77 7 5 5 55 5 5 5 55 5 5 5 5                                 7 7 5 5 8 8 7 7 5 5 8 8 7 7 5 5 7 7 5 5 7 7 5 5 5 5 5 5 3 5 3 5                              6 8 0 0 0 7 0 0 7 0 0 7 0 7 0 7 0 5 5 57 5 5 57 3 3 35 3 5 3 5

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           1. You’re 2. Wind Verse Am7 my ing - through size, I this need maze to you try hold you me on, in, D C  Csus2 

Gtr. 1 Rhy. Fig. 4 End Rhy. Fig. 4

 Gtrs. 2 & 3

Riff F End Riff F

 Gtr. 4 Riff F1    End Riff F1 1/4 1/4 1/4  some search

Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtrs. 2 & 3: w/ Riff F Gtr. 4: w/ Riff F1 (3 times) Am7 one ing -in all be these tween days - the to right find and the wrong. end. D C Csus2 Through You’re ev ev - Am7 ’ry ’ry -thing thing, - you’ve you’re kept ev your ’ry -wings thing - I’m a part. not. -Gtr. 2 tacet D C Csus2 But Through I’m ev an - Gtr. 2    Gtr. 3

Riff G End Riff G

                                           7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 7 5 7 5 8 7 5 5 7 7 77 7 7 7 77 7 5 5 55 5 5 7 5 7 5 7 5 7     0                             0 0 0 7 0 0 7 0 0 7 0 7 0 7 0 5 5 57 5 5 57 3 3 35 3 3 35 0                                       0                            0 0 0 0 0 0 0 0 0 0 0 0 0 3 3 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5 3 3 5

(20)

  Gtr. 3: w/ Riff G Am7 ’ry y -thing thing, -you I’m stayed an the y -same one -old you art. want. D

C And Csus2 when I’ve  had Asus2 e A nough... - She   Gtr. 4

Rhy. Fill 2A End Rhy. Fill 2A



 *Gtrs. 1 & 3

Rhy. Fill 2

fdbk.

End Rhy. Fill 2



*Composite arrangement Pitch: E



drains Chorus

A

me when I’m emp

Dadd9/G ty. - She fills A  Gtr. 1  Gtr. 4 let ring   Gtr. 3

let ring let ring

                               0 9 0 11 0 11           0 2 2 0 2 2 0 2 2 0 2 2                                                                     0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 7 6 5                                       0 0 119 0 0 119 0 0 119 0 0 119 0 0 119 0 119 10 0 119 10 0 119 10 0 7 9 7 0 9 09 09 9 0 9 09 09 9 0 9 09 09 9 0 7 0 7 0 9 0 11                                   0 11 0 9 0 9 11 9 0 7 0 7 0 7 0 7 9 7 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 7 0 7 0 9 0 11

(21)



her - self, she takes

Dadd9/A it all. In G  Gtr. 1  Gtr. 4  Gtr. 2     Gtr. 3 let ring                                                                    0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 7 6 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 0 4 2 5 5 0 03 3                                             0 11 0 0 119 0 0 119 0 0 119 0 0 119 0 0 119 0 119 10 0 119 10 0 119 10 0 7 9 7 0 9 09 09 9 0 9 09 09 9 0 9 09 09 9 9 3 X0 0 3 3     10                                     0 11 0 9 0 9 0 9 11 9 0 7 0 7 0 7 0 7 9 7 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 0 4 3 X0

(22)

 too deep, D/F# she’s spill F6add9 ing -Fmaj13 o - ver G6 me. A G 

 Riff H End Riff H





let ring let ring

                                          0 3 3 0 3 3 0 3 3 2 3 2 2 3 2 2 3 2 3 2 3 3 3 2 3 3 3 2 3 0 3 2 3 0 3 2 3 0 0 0 3 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 3 3                   3 0 0 3 3 7 8 7 8 7 8 7 8 6 5 6 5 6 5 6 5 6 5 6 5                        10 10 10 12 10 9 9 9 10 9 8 8 8 10 7 10                            3 0 3 X0 3 X0 3 X0 5 3 X2 0 2 X0 2 X0 2 X0 3 2 X1 0 1 X0 1 X0 3 X0 02 02 02 02 02 02 3 X 0

(23)

C o T oda 1.   In Gtr. 4 tacet the deep, D/F# Gtr. 4: w/ Riff H she’s spill F6add9 ing - o Fmaj13 ver -G6 me. A Go on and   Gtr. 1   Gtr. 2   Gtr. 3

let ring let ring

  have Gtr. 1: w/ Riff A Gtr. 3 tacet C5add#4 it all. Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff D Gtr. 4: w/ Riff B Am  Am7 Am D   Gtr. 2     Gtr. 3: w/ Rhy. Fill 1 C  D Eb  Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff E Am7  D  C                                                0 3 3 0 3 3 0 3 3 2 3 2 2 3 2 2 3 2 3 2 3 3 3 2 3 3 3 2 3 0 3 2 3 0 3 2 3 0 0 0 3 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2                      10 10 10 12 10 9 9 9 10 9 8 8 8 10 7                         3 0 3 X 0 3 X0 3 X0 5 3 X2 0 2 X0 2 X 0 2 X0 3 2 X1 0 1 X0 1 X0 3 X0 02 02 02 02 02 02                       9 9 10 9 9 10 9 9 10 9 9 5 7

(24)

2.  have Gtrs. 1 & 4: w/ Riff A C5add#4 it  all, A  

Gtr. 2 Riff I End Riff I

Gtrs. 1 - 4

Riff J End Riff J

 have Gtrs. 1 & 4: w/ Riff A Gtr. 2: w/ Riff I C5add#4 it all, Gtrs. 1 - 4: w/ Riff J A   have

Gtrs. 1 & 4: w/ Riff A (2 times)

C5add#4 it  all.  Gtr. 2  Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff D (1st 7 meas.) Gtr. 4: w/ Riff B Am  Am7 Am D  Gtr. 3: w/ Rhy. Fill 1 (3 times)  C D Eb 

Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times) Am7  D   C D You’re ev Eb Am7 ’ry

- - thing, you’re ev - ’ry - thing I’m not.

D

Gtr. 2 Riff K End Riff K

1/2                        9 9 10 9 9 10 9 9 10 9 9 10 110 110 110 110 110 09 07 07 07 07 07 07 07                                         9 9 10 9 9 10 10 9 9 10 9 9 10 9 9 10 10 9 9 10 10 9 9 10 0 0 10 7                                                       5 5 5 5 5 7 7 7 7 5 5 8 8 7 7 5 5 8 8 7 7 5 5 7 7 5 5 7 7 5 5

(25)

D.S. al CodaCoda  Gtr. 2: w/ Riff K C But D I’m an Eb Gtr. 1: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff E Am7 y

- - thing, I’m an - y - one you want.

D

C

Gtrs. 1 & 3: w/ Rhy. Fill 2

Asus2  A She   Gtr. 2 Gtrs. 2 & 4   (Go on and In have G too it deep, all.) D/F# Gtr. 4: w/ Riff H she’s spill F6add9 - Gtr. 1 Rhy. Fig. 5  Gtr. 2   Gtr. 3 Rhy. Fig. 5A let ring                                 5 5 5 5 3 3 3 5 0 09 110 07                                   2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 3 3 0 3 3 2 3 2 2 3 2 2 3 2 3 2 3 3               7 10 10 10 12 10 9 9 9 10 9 8                     0 2 0 2 0 2 0 2 0 2 0 2 0 2 3 X0 3 X 0 3 X0 5 3 X2 0 2 X0 2 X0 2 X0 3 2 X1 0

(26)

 ing -Fmaj13 o - ver G6 me. A In

Gtrs. 1 & 3: w/ Rhy. Figs. 5 & 5A

G5

the deep,

D/F#



End Rhy. Fig. 5



 End Rhy. Fig. 5A

 Gtr. 4: w/ Riff H she’s spill F6add9 ing -Fmaj13 o - ver G6 me. A   Gtr. 2   Have

Gtrs. 1 & 4: w/ Riff A (2 times) Gtr. 2: w/ Riff A1 (2 times) C5add#4 it  all.                            3 2 3 3 3 2 3 3 3 2 3 0 3 2 3 0 3 2 3 0 0 0 3 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2                   8 8 8 10 7 7 7 7 7 7 10 10 10 12 10 9              1 X0 1 X0 1 X0 3 X0 02 02 02 02 02 02 02                                    9 9 9 10 9 8 8 8 10 12 12 12 12 12 12      

(27)

Outro Am Am7  Am  Am7  C D Eb   Gtr. 1        sim.   Gtr. 2 Gtr. 3 divisi Harm. *    *Gtr. 2 to left of slash in tab.  Gtr. 4    Gtr. 5 (dist.)

mf w/ bar grad. bend grad. release

  +1/2                                    7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 5 7 5 5 7 5 5 7 5 5 7 5 5 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 7 5 8 5 5 5 7 7 7 8 8 8                       0 7 3 5 5 7 5 X8 7 X 10 8 X 11 6 8                                0 0 0 0 0 0 0 0 0 12 0 0 0 12 0 0 0 0 0 12 0 12 0 0 0 0 0 35 57 68         0 2 0 2 0 2 3 5 5 7 6 8

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