Determining Main Ideas
D. The pressure that comes with not being adequately prepared to react to a tragedy
C. The discrimination against Pakistanis after 9/11
D. The pressure that comes with not being adequately prepared to react to a tragedy
Now, think about this carefully. Most of these answers are pretty plausible, because they all have something to do with the passage. Let’s start with A – the script by which people process and symbolize emotions like patriotism and grief.
Now, Wallace never mentions a script, but he doesn’t have to; the majority of the passage is about the fact that everyone seems to have a flag but him, as though they are all following a memo that he didn’t receive. (“Where has everyone gotten these flags, especially the little ones you can put on your mailbox? Are they all from July 4th and people just save them, like Christmas ornaments? How do they know to do this? Even a sort of half-‐collapsed house down the street that everybody though was
unoccupied has a flag in the ground by the driveway.”) So the script part, while subtle, is true. But what about this “symbolize complex emotions”? At this point, you should realize that the flags here are not just objects but representations of a feeling. After all, Wallace asks his neighbor:
and ask you to say what the purpose of all these flags everywhere after the Horror and everything yesterday was, exactly – what do you think you'd say?"
Clearly, this question demonstrates that there is a larger purpose to these flags, that they symbolize and demonstrate something big. And that’s clear in Mr. N’s answer, too: “to show our support and empathy in terms of what's going on, as
Americans.” Again, the flags are part of a script. They are the answer to a tragedy and a means of showing support, which is demonstrated also in the different types of flags on display – the huge banner-‐style ones, the regulation-‐size ones on flagpoles, the plastic ones, and even the author’s homemade Magic Marker one.
Now, let’s look at the other answer choices:
B. The proper procedures for showing off patriotism and reacting to a national tragedy, is a worthwhile contender. However, remember that at first, Wallace does not have a flag. Based on his characterization of himself and his flag-‐less-‐ness (“If the purpose of a flag is to make a statement, it seems like at a certain point of density of flags you're making more of a statement if you don't have one out. It's not totally clear what statement this would be. What if you just don't happen to have a flag?”), is Wallace the sort of person who would get hung up on “proper procedures”?
Especially when you contrast him with Mr. N, who gives him “the same sort of look he usually gives my lawn.” Though there are points in this essay that are concerned with procedure, these points are more about how other people seem to be acting (again, following a script), rather than an actual guide on the best way to act.
C is perhaps the easiest answer to disregard; the Pakistani storeowner is only mentioned at the very end of the essay, and though Wallace does mention the store owner’s “unspoken understanding” (which alludes, in turn, to the outsider status he probably feels in the wake of the tragedy), nowhere does he explicitly mention discrimination. Additionally, this “unspoken understanding” is only mentioned once, and a main idea is usually repeated and reinforced in multiple ways. This is clearly not the correct answer.
D is a contender – clearly, Wallace feels pressure! This is an instance where there are some good answers that pale in comparison to the “best” answer. While it’s true that there is great pressure in feeling that you are not reacting appropriately to / prepared adequately for a national tragedy, these “reactions” and “preparations” are in turn just part of a larger script that tells people how they should act, how they should deal with their lack of preparedness. D is a good answer because it’s really part of answer A – in many ways, a fragmented or incomplete choice that does not fully express the main idea of the essay.
That was a long, high-‐level passage– not so much because of the words or the structure, but because it is full of subtly-‐expressed and complex ideas. In the next section, you will learn how to break down and summarize these kinds of ideas.
Summarizing
Ever tried to tell a friend a story? When you’re recounting an event or a film, you automatically make choices about which details to emphasize and which to leave out. And though your friend probably won’t mind if you leave in irrelevant details, one of the most highly-‐rated skills in secondary and post-‐secondary education is the ability to summarize key information, which explains why the College Board cares so much about whether or not you can do it well.
There isn’t a big difference between identifying the main idea and being able to cogently summarize the text; after all, the main idea and the summary are interrelated concepts. In a sense, “summarizing” just means that you are able to restate the main idea of all of or part of a text and marshal key pieces of evidence to support your claim.
Learning how to accurately and intelligently summarize information requires three essential skills:
1. Comprehension of the material
2. The ability to identify and isolate key supporting details
3. The ability to describe, in general terms, what those details work together to say
Your ability to do this may depend on the level, complexity, and type of text you’re reading. Luckily, every type of text will have certain “signals” that let you know which pieces of information are important.
Structure
Remember that text structure is paramount in simpler non-‐fiction texts, with each paragraph introduced (or summarized) by a topic sentence that presents the main idea of the paragraph. It’s these bracketing sentences – the first and last of each paragraph – that will work together to present a useful summary of the selection as a whole.
For example, take this excerpt, from a lower-‐complexity non-‐fiction article titled “Traveling Teaches Students in a Way Schools Can’t,” recently published in the Atlantic. I have bolded parts of the first and last sentences in each paragraph, which should all help you to summarize the text of the passage as a whole.
When I turned 15, my parents sent me alone on a one-‐month trip to