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Rochester Institute of Technology

RIT Scholar Works

Theses

Thesis/Dissertation Collections

5-1-2011

Inventory 03 21 -06 20

Maria Casanovas

Follow this and additional works at:

http://scholarworks.rit.edu/theses

This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please [email protected].

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!"#"$

INVENTORY 03 21 -06 20

by

MARIA PROVIDENCIA CASANOVAS

A Thesis Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Imagining Arts

School of Photographic Arts and Sciences College of Imagining Arts and Sciences

Rochester Institute of Technology Rochester NY, May 2011

Approval:

Angela Kelly, Committee Chair Date

Elaine O’Neil, Committee Advisor Date

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ACKNOWLEDGEMENTS

!

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INVENTORY 03 21 -06 20

By

MARIA PROVIDENCIA CASANOVAS

B.F.A., Fac. Belles Arts. Universitat de Barcelona, 1987

M.F.A., Imaging Arts, Rochester Institute of Technology, 2010

ABSTRACT

This thesis explores the essential qualities that make one person different from others,

particularly the characteristics of the self that determine identity through vernacular, ephemeral

objects and everyday experiences. I aim to examine and formulate questions related to the role

that systems, rules and authority play in the formation of that personal sense of uniqueness.

Themes addressed include the relationship of the real and photographic verisimilitude and the

role of the artist in the process. I investigate these issues by establishing a set of rules to create

a photographic inventory of all the objects that entered and exited my apartment during a

three-month period, from March 21, 2010 to June 20, 2010. Employing a working method rooted

theoretically in conceptual art practices,

Inventory

uses the most common quotidian tasks of the

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TABLE OF CONTENTS

Acknowledgements.………..………...ii

Abstract …………...………..………...iii

List of Figures.………...v

I. Introduction.…..………1

II. Planning the archive ………...5

III. Collecting data………...12

IV. Processing information………...18

V. Displaying………...22

VI. Conclusion……….29

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LIST OF FIGURES

Figure 1

Measurament: Room

, Mel Bochner, 1969

Figure 2

Inventory

, Installation view.

Figure 3

Inventory

, Samples.

Figure 4

Gas Tanks

, Bernd and Hilla Becher, 1983-92

Figure 5

Register Book for the

Inventory

Figure 6

The Hotel: Room

, Sophie Calle, 1981

Figure 7

Following Piece, Vitto Acconci, 1969

Figure 8

Time Piece,

Tehching Hsieh

, 1980-1981

Figure 9

Inventory, samples

Figure 10

Inventory list

, Video

Figure 11

Inventory

. Entrance Installation view.

Figure 12

Inventory.

Installation process.

Figure 14

Inventory.

Installation process.

Figure 15

Inventory

, installation view.

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! ! ! !

I. INTRODUCTION: INVENTORY 03!21!2011 — 06!20!2011 !

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Paragraphs on Conceptual Art, Artforum, June 1967. 80
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II. STAGE 1: PLANNING THE INVENTORY10!01!2010 – 03!21!2011

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(16)

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(17)

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(18)

III. STAGE 2: COLLECTING INFORMATION 03!21-06!20 2011 !

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(19)

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!

(24)

IV. STAGE 3: PROCESSING INFORMATION (archiving, classifying) 06!21-09!30 2011

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(25)

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(26)

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19 Green, David. From the Presence to the Performative: Rethinking photographic Indexicality. In: Where is the

Photograph? Photoforum/Photoworks, 2003. 47

20 Ibid, 48

21 Devitt, Michael, and Sterelny, Kim. Language and Reality: An Introduction to the Philosophy of Language.

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(28)

V. STAGE 4: DISPLAYING INVENTORY 10·01-10·30 2011

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(29)

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(30)

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(33)

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(35)

VI. CONCLUSION

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(36)

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(38)

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(39)

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Theses Thesis/Dissertation Collections

Figure

Fig. 15. Inventory, installation view. 2010.

References

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