Genesis - Invisible Touch.pdf

GENESIS

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TONIGHI, TONIGHT, TONIGHT 8

LAND OF CONFUSION.

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IN TOO DEEB

24

ANYTHING SHE DOES,

32

DOMINO

P A R T O N E _{- I N T H E G L O W O F T H E N I G H T ,} 3 7 P A R T T W O _{- T H E L A S T D O M I N O , 4 6}

THROWING ITALLAWAY 54

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THE BRAZILIAN, 60

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INVISIBLETOUCH

Words & Music:

Tony Banks,

Phil

Collins

& Mike Rutherford.

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well l've been I donl rcal - ly

She don't like

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long game

O Copyright 1986 Antho ny Banks Llmted/Ph pCo nsLmited/ M chae Rutherford L mted/Hit& R!n l'1!si. (Publlsh ng) Limit€d,

81 83 \,^h ton Street LondonSW3

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un - der youl skin mess up your life

t a k e e v e - ry-thi1gshe some thing mys ter i -take cve ry thing she

noth -ing could- go wrong

you'rc ne - ver-quite the

you'll want her- just the

she has sheh got she has

b u i l t i n , a ' b i ii -some - thing-you just can't built in- a bi li -c FH and Ittff l

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and now it seems I'm fall- ing and now it seems I'In fall- ing and now it segms I'm

falf ing for her. falf ing for her.

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grabs right hold She seems to have an in _ vis - i - ble touch yeah,

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She seems to have an in- vis- i'ble touch yeah,

She seems to have an in- vis- i- ble touch yeah, she rcach €s in-it takes

con-hol-and grabs right anal

hold of your heart.

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falL - ing fall - ing for her. She seems to have an in

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TON IGHT,

TONIGHT TONIGHT

Words & Musici

Tony Bank, Phil

Collins

& Mike Rutherford'

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l'm com-ing down I'm go- ing dowrl I'm com ing down

com-ing do\i'n like go -ing dow! like com-ing down like

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O o p g _{' g . a - r o / 8 "} l 1 ' d D i D l h L n _ d m " u . : q , i . * , - a _ , - o 8 P - v 'D'b\L S l L i r 6 d 81 S3walton Street London SWI

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I l:ttll can't _see

-cdrry that weight that you can't see

can't _see

-oo but it's al

but don't you know it's al oo don't you know that ith al

like a load on your back that you try to pick yourselfup and it's iike a load on your back that you

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try to shakc it loose it's iike a hel-ter skelter just try to shake it loose

cut it _{frcc -} just let it

going down and down round and

cui it _{free -} lct it

g o _ just

but but just

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get it a _ way- from

.just get it a - way* lrom get it a - way- from

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cos to-night, because to-night, because to-night, t o - n i g h t , - t o - n i g h t t o - n i g h t , - t o - n i g h t t o " n i g h t , - t o - n i g h t En/G

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to - night,- to-night to - night,- to-night to - night,- to-night o h oh oh

I'm gonna make it we're gonna make it well maybe we'llmake it

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cos I keep cal - ing- bul you're ne-ver home- v h a t a m I g o n n a d o .

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night, to-night I l n N . C .

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Well you keep tell ing _{me -} I've got eve you say I've got

and you keep telling me,you're gonna help me you'r€ gon na help me but you don't

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LAND OF CONFUSION

Words & Music:

Tony Banks,

Phil

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& Mike Rutherford.

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I must've drcamed a thou

Now did you read the news Oh su - per - man where are I won't be com-ing home

sand

dreams-been hunted by a m

-they say that dan-geri gone well everythingt gone wrong

my gen-er-a_tion will put

but I can hear the but I can see the the men of steal we're notjust making

lion

it _right

-- -- + -- # L u 9 4 + W

e)

OCopyright'1986 Anthon/ Banks L m ted/Ph lip Collins L m ted/ l'4icha€l Rutherford L mited/H t & Run MLrsi. (P!b sh nd L mited,

81 83 Waton Street London SW:.

march - ing fire's still p r o - mi-feet atighi , buming in - to the nighl -trol by the hour-w c ' l l n e - v e r k e c p -this mary people is thc place t o g o _ r o u n o _ to go round -mak-rng this D ' Flli

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look l l l F ] l

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ma-ny pro - blems for the fu - turc

can'i you see-this is tell me why this is

of con-fu - sion. of con-fu - sion. D' FIFF

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a land a land * R t t m

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use them- and

g* stand up and

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to make it - a place worth

just where- our lives

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oo when the sun was shin

-stars were bright a.ll through the night - and thc

your laugh - ter as I held you tight

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IN TOO DEEP

Words & Music:

Tony Bank, Phil

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All that time I was search-ing Oh I knowyou're going

witi no-where _{to run} -but I can't be'lieve

wondering what I could make of mY lite

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it it's the

stari -ed me - think-ing

way that you're- leav 'ing i t \ l i k e w e n e v e f knew each oth - er at

O C o D , r p ' r a 8 o A t o , B . . | -a Dt,lipColl 'l ai("d l Y . r . - P - e i o o ' r r 'tea - 8 B. ll , P o h g l L i r _ d

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and who'd be wait-ing it may be my lault

ask ihg all kinds of quest -gave you too ma-ny rca _

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I still re I still rc

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how could I ev_ er for

how colild I ev- er for

car ing 'bout somebody

y o u k n o w I l o v e You

need yolr I'm

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ANYTHING SHE DOES

Words & Music:

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y o u d e c o r - a t e t h e that's all you real- ly you've fig ured in some

that in twen -fY

g a r ' a g e are I wali hang 1 e d i t -you'11 still

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I F H f peo l o o k ple's- halls ial- dreams y o u - r e a l to - day y o u h a d FFFI] _{H] F]} If you could1ell me -lilt goes-y o u ' l ] stil1, F{'/t

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-I won - der what and where you're go when I'm old

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DOM|NO,

PARTONE

IN THE GLOW OF THE NIGHT

, Words & Music:

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Collins

& Mike Rutherford.

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DOMINO, PARTTWO

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7#,

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THE LAST DOMINO

Words

& Music:

Tony Bank, Phil

Collins

& Mike Rutherford.

a = 132 5x

Blood on- the vin - dows

The liqu - id- sul-rounds-me

mil -I fight

lions- of or - din -ary

to - rise fmln - this

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D t f f H l they gaze I stare p e o d F / D ti+]+l is per and play child ren

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if _ ir are svr'imming fect - ly clear ing -with boals

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n e - v e r d i d one with the

night on the what I gotta liv that 1et s u c h a t e r ' r i - ble ing and I'm feel-ing just

may - be if we're luck'y

play - the game of hap-pi

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they will show it n e s s a n o n e v - e r last J u s t c/D ffit D 1

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The.e's nothing you can do when you're the next in

d o - m i Now I'm do - mi _ no.

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THROWING

ITALLAWAY

Words & Music:

Tony Banks,

Phil

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& Mike Rutherford'

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Need I Someday I love- you t o - g e r n - e r sav you'11

need I say- _{I care}

-cannot live _{a pa}

someday when you're free

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need I

that's the u - a ' tion

re - mind you say s11 will share start I've something we don't

known i1 from the

ou. love was meant to

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I don't want- to be eve-ry time -that I late at night when you

try-ing I can't the on 'ly the fu - ture you'll hear- is sit-ting look at call my lo sormd D '

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y o u k n o w I you know I sound of Your

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