Nature pieces

Newton Armstrong

nature pieces

(2012-13)

Instrumentation

clarinet in Bb

guitar (6-string acoustic, with bottleneck) piano

violin viola violoncello

The score is notated in C. The piece requires a conductor and an electronics operator.

Electronic Sounds

Several passages involve precisely timed interactions between the acoustic instruments and the electronic sounds. These passages are marked by cue numbers on the conductor's staff, where each cue

activates the corresponding electronic sounds, as well as a click-track for the conductor. The cues may be triggered by either the electronics operator or the conductor (using a controller pedal or switch). The electronic sounds are available at:

http://staff.city.ac.uk/newton.armstrong.1/nature-pieces/sounds.zip These are 3-channel soundfiles. The stereo sound to be projected to the loudspeakers appears on channels 1 and 2. The click-track appears on channel 3.

Four loudspeakers should be used for projection of the electronic sounds (see stage layout diagram below), creating a balanced soundfield enveloping the instrumentalists. The electronic sounds should always blend and fuse with the instrumental sounds, never pushing to the foreground. Levels will need to be carefully monitored and adjusted for each performance situation.

Amplification

The guitar should be lightly amplified with a microphone. The amplified sound should be routed to a small, high-quality loudspeaker, positioned close to the instrument. The amplified sound should be as clean and 'pure' as possible. It's best to avoid the use of contact microphones and guitar or keyboard amps.

Depending on the size and acoustic of the performance space, the piano may need to be amplified with microphones. The amplified sound should be routed to a small, high-quality loudspeaker, positioned close to the instrument. The key passages requiring amplification are those employing harmonics, between bars 19-63 of the second movement.

Symbols

J j Kk L l

Approximately ⅛ tone flat or sharp of the designated pitch.

Pizzicato with nail. A sharp, percussive attack.

I B µ ˜

¾ tones flat, ¼ tone flat, ¼ tone sharp, ¾ tones sharp.

Guitar: Plectrum.

P

Mute any continuing resonance (e.g. sounding strings).

Piano: Damp the string between the hammer and the pegs. The notated pitch should be clearly recognisable.

Piano Harmonics

A number of piano harmonics are to be played in the second movement, between bars 19-63. The harmonic nodes should be located in advance of

performance, and marked on the piano strings using small adhesive labels. Sounds are produced at the 5th_{, 7}th _{and 11}th _{harmonic nodes only. Multiple}

nodes are available for the 7th _{and 11}th _{harmonics. Where all other factors are equal (e.g., ease of movement between nodes, layout of the piano frame),}

These two pieces stem from a long-held fascination with the ways in which nature is represented and evoked in music. In particular, I was interested in working with idioms and topics that have historically been put to use in musical 'appeals to nature'; i.e. in constructions and evocations of the folkloric, the idyllic, the

archaic, and the hieratic. These idioms include: pedal points (a

precedent is the gradual expansion and proliferation over the

pedal in the Rheingold Prelude), distant bells (bell-like sonorities,

and also insistent iambic rhythms), mediant modulations

('brightenings', or patterns of shifting light), contained movement

(fluctuation in stasis, 'forest murmurs'), waves of energy, and

haziness/desubstantialisation (the shimmering or 'hovering'

quality in Debussy's Prélude à l'après-midi d'un faune, or

Webern's Im sommerwind). I was not particularly concerned with

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‰ #œœœ_œn ‰

8

IV

P IV

P II

P

ord.

ord.

ord.

& &

&

& &

non vib.

5

Œ..

Œ..

Œ.. Œ..

Œ..

Œ..

Œ..

&

V

& ?

&

&

&

&

8

8 4

16

165

8

8 4

16

163

8

8 4 clar

gtr

vln

vla

vlc pno

elec cond

tasto

tasto

tasto (Sost.)

Ped.

Ped.

68

‰ "Kœ3r œ

‰ rœo ‰ ‰ P

" œ_œnrr >

‰ ‰ ‰

O O

‰ œ# œo$ ‰

‰ œ# œo$ ‰

‰ œ#

# _œo$

‰

‰ œr ‰ ‰

‰ #œœœ_œn ‰

9

I

P III

P

IV

P

ord.

ord.

ord.

&

&

&

(

&

5

‰. ‰

‰. ‰

‰. ‰

OOOO#b

‰. ‰

!

‰. ‰

‰. ‰

con sord.

con sord.

‰ "_µœ3r _œr _{œ ‰}rr3

‰ " _rœ#o _rœo _rrœo ‰

3 3

‰ " _œn-3rr"‰ ‰

....OOOO

rr OOOO ‰

3

!

!

!

!

p P

art.

Ø & Ø

‰.

‰.

‰. ‰.

‰.

!

‰. ?

‰.

‰ " r

œb> œr _{œ œb>}

3 3

‰ " rrœ# " ‰ " rrœ# "

3 3

" œ.rrr® ‰ " _rrrœ. ® ‰

‰ ‰ 3œ ‰rr ‰

‰ ‰ 3_Oœ$rr _Oœr _{Oœ Oœ}3 #

!

‰ ‰

rr Oœbb#

r

Oœ Oœ Oœbb$

3 3

r

œœ œ œ œ

" .._. r œ œ œb b

" .._. r œ œ œb b

P &

P &

& P

p

& P

P

sim.

ord.

ord.

10

&

r

œ _{œ œb>} œr _{œ œb>}

3 3

‰ rrœ# " ‰ rrœ# "

® rrr

œ. " ‰ ‰ rrœb˘ ". rrr œ.

3

‰ " _rr

œ " ‰ ‰

3

r

Oœ Oœ Oœ Oœ3

!

r

Oœ Oœbb Oœ Oœbb3

œ œ œ œ

" .._. r œ œ œb b

" .._. r œ œ œb b

P &

& P

sim. sim.

p &

p F

&P &P

r

œ _{œ œb> œ œ œb>}r

3 3

®rrœo ® ‰ ‰ rrœ# "

‰ rr œ. ".

rrr

œb˘ ‰ ‰ rrœ.

3 3

‰ _rrr

œ ". ‰ ‰

r

Oœ Oœ Oœ3 Oœ Oœ Oœr 3

!

r

Oœ Oœ Oœbb r

Oœ Oœ Oœbb

3 3

œ œ œ œ

" .._. r œ œ œ b

" .. . r œ œ œ b

P &

& P

P p

P F

& P &P

&

V

& ?

&

&

?

&

8 3

8 3 clar

gtr

vln

vla

vlc pno

elec cond

pont. ord. pont.

(Ped.)

'

Ped.

' 75

r

œ _{œ œb>} œr _{œ œb>}

3 3

‰ rrœo " rrœ " " rrœ#

" œ.rrr® ‰ 3 _rrœn˘ ‰ _rrrœb.". ‰ " _œb>rr" ‰ ‰

3

r

Oœ Oœ Oœbb Oœ Oœbb3

!

r

Oœ Oœ Oœnn Oœ Oœ3

œ œ œ œ

" .. . r œ œ œ b

" .._.

r œ œ œn b n

P &

& P

F p

P f

P

&P &P

r

œ _{œ œb>} œr _{œ œb>}

3 3

" rrœo ‰ rrœ " rrœo " ‰

3 3

‰ ‰ ‰ 3 _rrœb˘ " _rrœn.3 " ‰ _rrœb ‰ ‰ ‰

3

r

Oœ Oœnn Oœ Oœ3

!

r

Oœ Oœbb Oœ Oœbb3

œ œ œ œ

" ..._.

r œœœ œ b n

" ..._.

r œœœ œn n b P

&

&

P F P F &P &P

3 3

r

œ _{œ œb>} œr _{œ œb>}

3 3

" rrœ# " ". _rrrœ " rœ# rœ

3 3

‰ _rrrœ˘". ‰ " _rrrœ˘ ® ‰ " _rr

œb " ‰ ‰

3

r

Oœ Oœ Oœ3 Oœr Oœ Oœbb3

!

r

Oœ Oœ Oœbb r

Oœ Oœ Oœbb

3 3

œ œ œ œ

" ...._.

r œœœœ œ bb

" ... . r œœœœœœ œb bbb

P &

& P

f

p

F f

& P &P

3

P

r

œ œrr‰ ‰ ‰

3

œ œno

" ‰ ‰ ‰

3

‰ ‰ 3_rrœb˘ ‰ ‰ !

r

Oœ Oœ Oœbb3 Oœ Oœ Oœbbr 3

!

r

Oœ Oœ Oœbb r

Oœ Oœ Oœbb

3 3

œ œ œ œ

" ..._....

r œœœœœœ œœœ b b b b b b

b œœœœœœ

œœ

P &

& P

F &

3

!

!

! !

r

Oœ Oœ Oœbb3 Oœ Oœ Oœbbr 3

! B

r

Oœ Oœ Oœbb r

Oœ Oœ Oœbb

3 3

œ œ œ œ

˙ ˙ ˙

P &

& P

œb> œ> œ> œ> r

œ

J œn_{" rr}œo " _rrœ#o _{" ‰}

3

rr œœ oo rr œb

-" -" rrœb " rrœ " ‰

3

rr œ

r

Oœ Oœ Oœbb3 Oœ Oœ Oœbbr 3

œbä œbä

r

Oœ Oœ Oœbb r

Oœ Oœ Oœbb

3 3

œ œ œ œ

˙ ˙ ˙

& P

P &

&

p &p &

&

bend

3 4

3 2 5

&

V

& ?

&

B

?

&

8

8 3

8

8 4

16

165

8

8 4

8

8 3

8

8 4 clar

gtr

vln

vla

vlc pno

elec cond

pont. ord. pont. ord. pont. ord. pont. ord.

' ' '

Ped.

' '

' 81

œ> œ> œ> r

œb _‰ 3_rrœ#o _‰ rr

œ o " rr

œo

3

rr œb

-" rrœb ‰ rrœ ‰

3 3

!

r

Oœ Oœ Oœbb3 Oœr

œbä

r œbä

r

Oœ Oœ Oœbb r Oœ

3

œ œ œ

. . . œ œ œ

& P

p &pp

3 4

2

P _p

œ> œ> ‰ ‰

rr œo

" rrœo ‰ ‰ ‰

3

œb œ _{" ‰ rr}œb _{" rr}œb _‰

3 3

!

Oœ Oœbb3 Oœr Oœ Oœbb3 Oœr

r

œ œbä _‰

Oœ Oœbb r

Oœ Oœ Oœbb r Oœ

3 3

œ œ œ œ

˙ ˙ ˙

P &

& P

pp

& &

‰. ‰

‰. ‰

‰. ‰ ‰. ‰

Oœ ..Oœbb

!

Oœ ..Oœbb

œ œ œ œ œ

. . . œ œ œ

œ œ œ P &

œb> œ> œ> œ> r

œ

J _"œn _rrœo _{" rr}œ#o _{" ‰}

3

rr œœ oo rr

œb- _{" " rr}œb3 _{" rr}œ _{" ‰} rr

œ

Oœ ..Oœbb Oœ ..Oœbb

œbä œbä

Oœ ..Oœbb Oœ ..Oœbb

œ œ œ œ

˙ ˙ ˙

P &

& P

p &p

&

bend

3 4

3 2 5

P p

œ> œ> ‰

rr œo

" rrœo ‰ ‰

3

œb œ _{" ‰ rr}œb _{" rr}œb

3 3

!

Oœ ..Oœbb Oœ Oœbb

œbä _‰

Oœ ..Oœbb Oœ Oœbb

œ œ œ

. . . œ œ œ

P &

& P

p &

&

!

!

! !

..Oœ Oœbb ..Oœ Oœbb

!

..Oœ Oœbb ..Oœ Oœbb

œ œ œ œ

˙ ˙ ˙

P &

& P

!

!

! !

..Oœ Oœbb Oœr.. "

!

..Oœ Oœbb .. r Oœ _"

œ œ œ œ

œ œ œ

. . . r œ œ œ "

P &

&

V

& ?

&

B

?

&

8 3

8 3

8 4

8 4 clar

gtr

vln

vla

vlc pno

elec cond

Ped. Ped.

pont.

ord.

ord. pont. ord. pont.

ord. pont.

pont. ord. pont.

1

!

!

rrr

œä ". ‰ ‰ !

® ._œ#>rr _œrr_. ® ‰

® ._rrœ . rr œ ® ‰

® ..Oœ ..rr Oœrr# Oœ#® ‰ &

!

p

p %

‰ = 48

p

% %

pont.

‰ = 48

tasto

II

&

(senza sord.)

(senza sord.)

!

!

! !

!

!

!

!

!

!

! !

!

!

!

!

!

!

. rr œ

- ®‰ ‰ !

!

!

!

r

œ ‰ ‰

œ œ œ

® .µ_rrœ œ P

1

!

!

! !

!

!

!

œ œ œ

.œ

!

!

! !

!

!

!

œ œ œ

.œ .œ

" _œ-r3 _œ

!

... . œœœ œ#

b#ä >()œœ rœœ œœ œ3 .O

" _œr3 _{œ œ}3 rr_Kœ‰3

" r

œ# œ

rr˜œ‰

3 3 3

" _œr3 _œ#æ> _{œ œ}rr ‰3

œ œ œ

.œ n

%

Ped.

% F sub. p %

pont.

% F %

pont.

P & F %

tasto

f

.œ

!

œ ‰ .O

!

!

!

œ œ œ

.œ

˙

" " œo œ#o" ‰ ‰

3

rr ‚

>¿ " ‰ ‰ ‰

.O ‰

" rrr_œœ

˜ ® ‰ ‰ ‰

!

®oorrr_œœ" ‰ ‰ ‰

œ œ œ œ

˙ F

vib. largo, rit.

4 5

pizz. (pos. ord.)

pizz. (pos. ord.)

P

p p

p

r

œ œr"‰ ‰

3

!

! !

!

!

!

œ œ Œ

r rœ#"‰ ‰ 3

%

&

V

& ?

&

B

&

8

8 3

8

8 4

8

8 3 clar

gtr

vln

vla

vlc pno

cond

Sost. Ped.

11

!

!

! !

!

!

!

!

" r œb-3 .œ

!

...œœœœœ#b #b

ä œœœ >()

...œœœ

" _rœo3 .œo

" rœo .œo

3

" r œ Jo3 .œo

!

arcoIV7

arco

%

Ped.

p

p ƒ

%

pos. ord.

.œ

!

. .œœ

œo rr œo ‰3

.œo

œo rr œo ‰3

?

!

F

F

.œ

rr œ#o

"Krrœo ‰ ‰

3

. .œœ

" _rrœo3" ‰ ‰

.œo

‰ ®œrrr_rœ".. ‰ œ#

!

pizz. pizz.

p

F %

5 6

III

III/II p P p

p %

!

!

! !

!

!

!

!

!

!

! O OOO b b #

!

!

!

!

‰ œ œ œ

!

... . rr œœœœœœ##b ä

®‰ ‰ ‰

!

‰ _rrœo# _{‰. ® .œ}rr

‰ ‰ ‰ ® ._rrœ

‰ rrœo

#

‰. ® .œæ>rr

!

arco

IV III

III

II

tasto

pont. arco

p

p

p f

f P %

p Ï

fsub.

%

II

p

pizz.

˙

!

! !

!

!

!

!

!

rrr

œo _{". ‰ ‰} P

‰ ‰ " ‰ ‰ "

rr œ

O #

-rrr œœ

˜ ". ‰ ‰

P

‰ ‰ " rr

œ#-rrr œ

". ‰ ‰ P

!

pizz. (pos. ord.)

pizz. (pos. ord.) poco vib.

P

P P

arco

& &

o 5

!

!

! !

!

!

!

!

!

!

! !

!

!

! &

&

V

& ?

&

B

&

8 4

8 4

8 3

8 3

8 5

8 5

8 3

8 3

169

169

8 3

8 3

8 4

8 4 clar

gtr

vln

vla

vlc pno

cond

' ' '

'

Ped. Ped. Ped. Ped.

22

!

rr œo

"P‰ ‰

! !

rr œo _"P_{‰ ‰}

rr œo

"P‰ ‰

rr œo _"P_{‰ ‰}

!

(pizz.)

(pizz.)

‰ = 56

ƒ

ƒ

‰ = 56

pizz.

ƒ F

!

œo œoµ

"P‰ ‰

3

! !

rr

œo _" P_{‰ ‰}

rr œo

" P‰ ‰

rr

œo _" P_{‰ ‰}

! 5 11

P

P P

P

!

rr œ Ko

"P‰ ‰ ‰

rr œ

K _{"‰ ‰ ‰}

.O ‰

rr œo

"P‰ ‰ ‰

!

rr œœ oo_"P_‰

‰ ‰

! o 7 6

F

F F

p

!

rr œ#o

"P‰ ‰

rr œ B _{" ‰ ‰}

.O b

!

!

!

! o 11

f

P

!

rr œ#o

"P‰ ‰ ‰ ‰

! !

rr

œ- "P‰ ‰ ‰ ‰

!

rr œ

B- _"P_{‰ ‰ ‰ ‰}

!

p

p p

III

!

!

rr œ " ‰ ‰

Ob ‰

!

rr œo

"P‰ ‰

!

! o 5

%

P

!

rr œ Ko

"P‰ ‰

rr œ K " ‰ ‰

.O

!

!

!

! o 7

4

f

P

!

rr œo K

"P‰ ‰ ‰.

rr œ

µ "‰ ‰ ‰.

.O #

‰.

!

rr

œo "P‰ ‰ ‰.

rr œ

o

"P‰ ‰ ‰.

! o 11

p P

p

p

!

rr œo

"P‰ ‰

! !

rr œ

" P‰ ‰

!

rr œ

"P‰ ‰

!

ƒ

ƒ ƒ

!

rr œo " P‰ ‰

! !

rr œo

" P‰ ‰

rr œo _" P_‰

‰

rr œo "P‰ ‰

!

p

p p

p

!

!

! !

!

!

!

&

V

& ?

&

B

&

8

8 5

16

167

8

8 3

16

169

8

8 4

16

169

8

8 4 clar

gtr

vln

vla

vlc pno

cond

Ped. Ped. Ped. Ped.

33

‰ 3_rrœ œ _rrœ "

rr œbo

" ‰ ‰ " "P

œ

B µœ3" ‰ ‰ " "

O O

‰ rrœo

#

œo rr œo

" P

3

‰ rrœo

#

œo rr œo

" P

3

‰ rr œ Jo# œo

rr œo P"

3

! o 11

art.

IV7

arco arco

‰ = 48

p

p

p

P

P

P f

F p

‰ = 48

arco

p P

o 11

". µ_rrrœ .œ _rrœ "

" rrœo " ‰ ‰ ‰ " "P

3

rr œ

K "3Bœrr ‰ ‰ ‰ " "

O _Ob

". _rrrœo

#

.œo

rr œo

" P

rrr œ

K .œ œrr

". n _rrrœ

#

.œ

rr œ P_"

". _œorrr

#

.œ

o _rr

œo P"

! o 7 o 11

p

p

p

F

F

F f

F

P

p F

II/I

‰ ‰ ‰ J_rrœ

rr

œ#o _{" ‰ ‰.}

rr œ

L " œ#rr"µœrr" ". b œœœœœb œb

3 3

O# O O ".

‰ ‰ ‰ _rrœb

‰ ‰ ‰ _Oœbbrr

‰ ‰ ‰ J_rrœ

! o 7 o 5 o 11

P p &

P

P p

%

% %

.œ

!

.. . œœ œ

.œ

..Oœ

.œ

!

P P

.œ _‰.

‰ ‰ ‰ ‰.P

.. . œœ œ

‰. ‰.

.œ _‰.

..Oœ ‰.

.œ _‰.

!

%

%

% % P

˙

rr

œo _"K_rrœo _{" ‰ ‰}

œ œK ‰ µœrr‰ ‰

3

Ob O _O

˙o

˙o

˙o

! 5

o 5o 7 o 11

f P f F

p

p

p

p F p

p

". _rrrœ# œ rœ.

‰ " Krrœo ‰ ‰.

® œ_œœb œ œ # œ

œ .

. œ

œ ‰.

® ‰.

.œo

‰.

.œo

‰.

.œo _‰.

!

6

(barely audible)

Ø

p

p F

F F

P

&

V

& ?

&

B

& 8 4

8 4

8 5

8 5

8 4

8 4

8 3

8 3

8 4

8 4 clar

gtr

vln

vla

vlc pno

cond

Ped. (

Ped.

40 ˙

œ#o œKo "# o.œ

3

rr

œ# " "Lœrr ‰ ‰

O _O#

" rrœ#o .œo

!

" _rrœ#o .œo

! 5

art.

o 5 o 7

&

&

F P

F P

2

˙n

rr œ#o

" ® rrœ#o ® ‰ ‰

"µ_rrœ ‰ ‰ ‰

O

˙o

˙o

˙o

! o 11

2 4

P

P p

f

P P

&

˙

˙

rr

œ "µrrœ "Kœrr" ‰ ‰

3 3

Ob O O

œo

‰ ‰

˙o

œo _{‰ ‰}

! o 5 o 11 o 7

&

& %

P

p & %

P &

!

!

! !

!

! &

!

!

!

œœo œo3_{" ‰ ‰ ‰}

rr œ

µ " Kœrr " ‰ ‰

O _O#

‰ 3#_rrœœ œ ..œ

‰ 3_rrœ#o .œo

‰ 3_rrœo# .œ

! o 11 o 7

1 6 5

II/I

& P

& P

p &

P

&

!

!

! !

..œ œ

.œo

.œo

!

P

‰ "J_rœ3 œ

‰ # .œ " rrœ#o .œ

rr œ

B _{" ‰ rr} œ

J ‰ ‰

3

Ob _O

œœ œb3# .œ

r

œo œo œb#3 œ

˙ J#

! o 11 o 7

art.

& f

&

& f

p &

&

.œ r œ

.œ .œ

! !

.œ r œ#

.œ r œ#

.œ r œ

#

!

(non cresc.)

(non cresc.)

(non cresc.)%

% % f

(non cresc.)%

&

V

& ?

&

&

&

8

8 3

8

8 4

8

8 3

8

8 4

8

8 3 clar

gtr

vln

vla

vlc pno

cond

'

( 48

˙

!

! !

˙

˙

˙

!

˙b

!

rr

œ " ‰ " _rr œ œœb "

rr œœ œ ## _"

3

Ob

˙

$

˙

$

˙b

$

! o 5

sub. F

‰ = 56

sub. F

F

F

‰ = 56

F

.œ

‰ ‰ _rrrœ>o".

‰ " rrœ>"‰

3

!

œ _‰

œ _{" rr}œo _"

3

r

œ ‰ ‰ ?

!

p p

p

f F

P

pizz.

p

‰ _rr œ œ

3

!

! ‰ rr

‚¿ > ‰ ‰

3

!

!

‰ rr œ œ

3

!

p F

F

p

tastoII

r œ

" _{œb œ}rr

‰ _rrrœ#o-". ‰ ‰

rr œ#

" " œœ_{œb ®}rr .. . rr œœ œb

‰

O

!

‰ " _{œb œ}rr

‰ ‰ _rœ#- ‰

! o 5

p

F P

p

pizz. (pos. ord.)

p

tasto arco

œ œr. "

‰ rrœ#>o " ‰ _rrrœ>o".

‰ rrœ#> ‰ " _rrrœ>® ‰

3

!

‰ ‰ ‰ " rrœo

œ œr. "

!

!

f ƒ

F f

F

f &

pizz.

&

!

!

! !

!

rr œo

" ‰ ‰

!

!

p

pizz. (pos. ord.)

˙b

‰ 3_rrœb- .œ

rr œ#

" " _œœrr œb

# " " œœrr œb

‰

3

O

˙b

˙b

˙b

! o 5

arco

arco

p f

f F

p f

F

arco

p f

&

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