POSTED

POSTED 6-27-' 04

This manual i. fo...f.r"nr" -d historical purposes, all rigbts reserved. This page is copyright @ by M. Butkus. NJ.

This page may not be sold or distributed without the expressed permission ofthe I have no connection with anv camera comDanv

OnJine camera manual library

This is the full text and images from the manual. T h i s m a v t a k e 3 f u l l m i n u t e s f o r t h i s P D F d o c u m e n t t o d o w n l o a d .

The r4ain page is located at www.butkus.org/chinon

Ifyou find this manual useful, how about a donation of$3 to: M. Butkus, 29Lrke Ave., High Bridge, NJ 08829-1701

and send your e-mail address so I can thank you. Most other places would charge you $7.50 for a electronic copy or

$18.00 for a hard to read Xerox copy.

This will allow me to continue to buy new manuals and pay their shipping costs. Ifll make you feel belter, won't it?

Ifyou use Pay Pal or wish to use your credit card, use the Pay Pal Link on my page. Ifyou found this page from any other location (other then a link)

9 . B e d 1 0 . S h u t t e r 1 1 . L e n s

1 2 . F o c u s i n g K n o b 1 3 . S h u t t e r S e t t i n g

Lever

14. Shutter Release 1 5 . R a n g e F i n d e r

H o l d e r

1 6 . B u t t o n s for Closing Front

1 7 . D e p t h o f F i e l d I n d i c a t o r

18. Tripod Socket 2

K O D A K R E T I N A

I

Br"o*n loadittg your Kodak with film, and before taking any pictures with it, read these instructions carefully. Take especial care to learn how to operate the shutter, see pages 12 to 15. T O L O A D

use the Kodak Magazine loaded with one of the followittg films. K o d a k P a n a t o m i c F i l m F 1 3 5 ' T h i s f i l m records color ztalues correctly in a black-and-white print. Its very fine grain permits making enlargements of [reat sire. Available in 36- and 18-ex-posure (24 x 36 mm.) lengths. Kodak Super Sensitive Panchromatic Film SS 135. For indoor pictures with arti-ficial light, and when the lighting con-ditions are poor. This film gives correct color ztaluei in a black-and-white print. In 36-exposure lengths onlY.

K o d a k S u p e r X P a n c h r o m a t i c F i l m X 1 3 5 . This extraordinary film goes a steP farther even than Kodak SS Panchro-(1

FI

o

(1

=

. rrl F

-O

B

_o

a

P.

,54 +-)

J .c

t-ts

B

1 . L o c k f o r B a c k 2 . B u t t o n f o r O p e n

-i n g F r o n t 3 . F i l m W i n d i n g

K n o b

1. I-ever Controlling C l u t c h f o r F o r -ward and Reverse W i n d i n g

matic Film. In spite of its great speed, Super. X does not show any increase in grain size. In 36- and 18-exposure lengths.

K o d a c h r o r n e F i l m K 1 3 5 o r K 1 3 5 A . For color film positives, use the K 135 for daylight, and the K 135A for Photoflood or Photoflash light. Both in 1S-exposure lengths only. The Kodachrome Film must be returned to an Eastman Kodak Laborator\z for processing.

Load and unload your camera in subdued light, never in direct sun-light or in exceptionally strong artifi-cial light. The magazine should not be allowed to remain unprotected in the light ; any slight light-leak through the slot will fog the film.

Lift the lock I, page 2, and open the back of the Kodak. Draw out the film rewind knob 7, page 5, as far as it will come and insert the Kodak

Maga-zine in the recess opposite the reel, with the end in which a crosspiece is seen, towards the rewind knob. Push in the rewind knob as far as it will go.

Insert the end of the film in a slot of the reel, see illustration . Do not attempt to remove tlt,e reel from th'e camera.

The lever 4, c o n t r o l l i n g the clutch for w i n d i n g f o r -ward, must be at the letter " A . "

T u r n t h e film winding knob 3, in the d i r e c t i o n o f the arrow, to bind the film on the reel until the full width of film just emerges from the magazine. See illustration on page 6 " Be sure that the film will ride

position. Now close the back of the camera and lock it.

number of exposures made. Immedi-ately after pushing the lever release 5, turn the film winding knob 3 until it locks; this brings the next section of film into position. Either 36 or 18 expo-sures can be made on the film in the Kodak Magazine, see Pages 3 and 4. After every exposure, push the lever release 5 and turn the winding knob 3 to bring the next section of film for-ward. Ttris prevents making two pic-tures on one section of film.

O P E N I N G T H E K O D A K

Press the button 2, Page 2, and draw down the bed 9 until it locks. T H E F I N D E R

The finder 8, page 5, shows what will appear in the picture, but on a much reduced scale.

-In

viewing, the rear of the finder is brought as close to the eye as possible with the camera pressed firmly against the face, see page 8. All vertilal -lines in the subject should appea r parallel with the vertical lines of the front frame of the finder.

For vertical pictures the camera is simply turned end up.

e4 F(

o

F F( . tr( F. r-(

C)

b

_t-'(

o

,n

F+

tJ

.v

_{-)

)

s

: >

K

Turn the film winding knob 3, page 5, in the direction of the arrow until it locks. Push the lever release 5 to the other end of the slot, let it spring back, and again turn the winding knob until it locks. Repeat this operat,ion Enough film will now be wound on the take-up reel to avoid havirg the first exposure ruined by fog. The lever release 5 should now be moved, ?s often as it may be necess _{&ry , to bring the} indi-cator of counter 6 to the figure 1. The Kodak is now ready for the first exposure.

F O C U S I N G T H E K O D A K

To focus the Kodak move the focus-irg knob 12 until the figure represent-irg- the distance between the^subject and camera comes to the focusing iit e !21,., see page 13. The focusing collar is engraved for the followirg distances: 3 . 5 , 1 , 5 , 6 , 8 , 1 0 , 1 2 , 1 5 , 2 5 , a n d 5 0 fe e t , a n d Inf . (infinity).

Before making a horizontal

expo-sure, when using the focusing scale marked in red, tilt the Kodak a trifle to see if it is correctlv focused.

To be sure of obtaining sharply focused pictures, a Kodak Pocket Range Finder is recommended, which can be attached to

t h e t o p o f t h e Kodak Retina by sliding the round end of the Range Finder between the two grooves of the

Range Finder Holder 15, with the distance scale towards the front of the Kodak; see lower illustration on page 9. Look through the eyepiece of the Range Finder, holding the camera as shown in the illustration on page 12. Be careful to keep the fingers away from the mirror.

Revolve the distance scale slowlv. looking at some vertical part of the subject when holding the camera for a vertical picture. The selected vertical line rvill appear broken. The part seen

in the upper area will be either to the right or left of the vertical line which is seen in the lower area. (To include these two areas, it may be necessary to tilt the finder slightly.) If the upper line is seen to the right of the lower line, turn the distance scale to the left until the line is unbroken. If the upper line is seen to the left of the lower line, turn the distance scale to the right until the line is contin-uous. A oointer and scale can be seen to the left of the subject focused on. The distance between the subiect and Range Finder can be read directly in the field of vierv without referring t o t h e o u t s i d e s c a l e . T h e d i s -tance 3.5 feet on

Range Finder. T h i s F i n d e r can be used only on subjects that are motionless. ---T---- _{the focusing scale}

I o I l h e K o d a k d o e s I n o t a p p e a r o n t h e

As image will appear

when Range Finder is

set fora distance nearer

than the correct one.

-_______I-I

As image will appear

when Range Flnder is

correctly focused.

As image will appear

when Range Finder is

set for a distance

The Range Finder can also be used with the camera held horizontally. When it is used in this position, focus on some horizontal l,ine in the subject.

When the line is continuous, take the reading of the distance between Range Finderand subject, and focus the Kodak for this distance. Then compose the picture in the sight finder 8, page 5, before making the exposure.

THE SHUTTER

The shutter is marked for exposures o f l s e c o n d a n d I / 2 , l / 5 , I f l } , I / 2 5 ,

| / 50, I / 1o0, | / 250, and 1/500 second, as well as Time and "Bulb" Exposures.

Exposures of intermediate sP99q: can be made from 1 second to I lI00

(except between I /]0 and I.125) bY setting the shutter between the

expo.

-t o

(n

-. F l t4 tsi

O 1 O 0

t{

o

a rt

)

-V

€-

₎

'o : >

K

,/

12A

sure numbers on the shutter; thus an exposure of 1 /7 S second is mad" FV turning the knurled collar so that the white pointer A is midwaY between

1/50 and l/100. Intermediate expo-sures cannot be made between 1/100 and 11250 or between l/250 and 1/500 second.

Revolve the knurled collar G on the front of the shutter until the figure representing the time of exposure de-sired is at white pointer A, Page 13. Before an exposure from 1 to 1/500 second can be made, the shutter must be set by pressing the lever 13 towards the top of the shutter. The exposure is then made by pressing the shutter release 14, page 2, or the release D, page 13. It is not advisable to change the speed of the shutter from I/250 to 1/500 or vice versa after the shutter has been set. Time and "Bulb" Exposures do not require setting the shutter.

To make a Time Exposure, the letter "T" engraved on the shutter must be at the white pointer A and the shutter release 14 (or the release D) pressed twice, once to open the shutter, and again to close it.

For "Bulb" Exposures, the letter "8"

engraved on the shutter must be at the white pointer A and the shutter

release 14, page 2, or the release D, page 13, pressed down; the shutter remains open as long as the release is held down.

Automatic exposures of 1 second, l / 2 , t / 5 , o r l l l 0 s e c o n d m u s t n o t b e made with the camera held in the hands; a tripod or other firm suPPort must be used for exposures slower than l/25 second.

lmportant: Neaer o'il the shulter. STOP OPENINGS

Stop openings regulate the amount of light passing through the lens. These openings are enlarged or re-duced by moving the lever B, see page 13. Lever B moves pointer C.

A knowledge of the comparative values of the stop openings is neces-sary for correctly timing exposures.

The stop openings are marked/.3.5, 4 . 5 , 5 . 6 , 8 , 1 1 , a n d 1 6 .

The largest stop opening is /.3.5. This opening allows approximately sixty per cent more light to enter than f.4.5. and about two and a half times m o r e t h a n /.5.6. From J.5.6 to J.l6

t . )

I il I

{

I

{

I

l,

I

each smaller opening (larger number) admits half the light of the preceding larger stop opening. Thus, if the correct exposure is 1i 100 second at J.5.6, then the exposure for /.3.5 s h o u l d b e i 1 2 5 0 s e c o n d ; fo r / . 8 , 1 / 5 0 second ; for,f-.1i, 11/25 second ; and for J . 1 6 , 1 / 1 0 s e c o n d .

The exposure for the average out-door subject, when the sun is shining, is /.5.6 and 1/100 second. If the day is hazy or slightly cloudy, use the largest opening, that is, /.3.5 and 1 / 1 0 0 s e c o n d . I f t h e d a y i s e x c e p -tionally brilliant, use the next smaller s t o p t o /.5.6, that is, /.8 and 1,/100 second. The imporlant thi,ng to remem-ber is the average exposure of f .5.6 and 1/100 second. When the light condi-tions differ from the average, change the aperture, keeping in mind the b a s i c e x p o s u r e / . 5 . 6 a n d 1 / 1 0 0 s e c o n d . See the exposure guide on the back cover. (For Kodachrome Film follou' the guide included with the film.)

The smaller the stop opening the greater is the range of sharpness.

DEPTH OF FIELD

Deoth of field is the distance from the nearest to the farthest objects that rvill appear sharp in the negative or print. It depends upon the distance between subject and lens, the focal length of the lens, and the size of the stop opening used; the smaller the stop opening the greater the range of snarpness.

D E P T H O F F I E L D IN D I C A T O R The Depth of Field Indicator, en-graved on the disk 17, page 2, is a help in obtaining correctly focused oictures.

-

After adjusting the focus of the lens for a certain number of feet, turn the outer rins of the indicator until the number for which the lens is focused

i s a f f h e n o i n t p r

t ' . - " . ' _ '

Example 1: To find the depth when the lens is focused for five feet, turn the outer ring of the indicator u n t i l 5 i s a t t h e pointer; we now can

r e a d t h e r a n g e o f E x a n p l e 1 t 7

sharpness which will be obtained with the various stop openings. With f .lI everything from about 4 feet to almost 7 feet will be sharp.

Example 2: When the lens is focused for ten feet, turn the outer ring of the in-dicator until 10 is at the pointer; we then find that with f .5 .6, objects as near as 8 feet and as distant as about 13 feet will be Example 2 _{sharp ;with/. 16} every-thing from a little less than 6 feet to about 50 feet will be sharP.

When the subject is 3% feet from the camera, the dePth of field indi-cator shows the range of sharpness to the rear only, with the various stop openings.

With the Kodak focused at 3% feet, the range of sharpness when using f .3 .5 is 3 feet 4 inches to 3 feet 9 inches ; with f .5 .6, the depth is 3 f eet 2 inches to 3 feet 10 inches ; and at f .ll, the range is 3 feet to 4 feet 4 inches.

H O L D K O D A K S T E A D Y

When making instantaneous expo-sures or snapshots, hold the Kodak firmly against the face, see page 8; and when pressing the shutter release 14, page 2, or the release D, p"ge 13, hold the breath for the instant. If the Kodak is moved during the exposure, the pic-ture will be blurred

The Kodak should be held level if it is desired to have the vertical lines of the subject parallel with the sides of the picture. lJnusual effects can be obtained by tilting the Kodak. C L O S I N G T H E K O D A K

Before closing the Kodak, f,rst make sure 'it 'is f ocused f orinf,n'ity. The Kodak cannot be closed when the shutter is set. To close the Kodak, press the two buttons 16, P29e 2, and raise the bed 9.

R E M O V I N G T H E F I L M

After the thirty-sixth exposure has been made (eighteenth exposure with an lS-exposure magazine), push the lever 4, page 5, controlling the clutch, to "R." The film should now be

re-e4 E

o :

t-( ll . t -Fl F<

o b0

t-i

o

a

t-,

-v

_+-)

J ,o

! ' a l K

r y o u l d i n t o t h e m a g a z i n e b y rurning t h e f i l m r e w i n d k n o b 7 , p a g e S , in thi direction of the arrow. Rer.indins the f i l m a f t e r t h e t h i r t y - s i x t h eroosure ( e i g h t e e n t h e x p o s u r e u ith an ' 1 S e x -posule magazine) r,vill prevent any possibility of the film winding too far a n d t e a r i n g l o o s e _{f r o m t h e s u p p l y s p o o l} When rervinding the film with re-rvind knob 7, page 5, the hlm re-rvindinq k n o b 3 w i l l t u r n . \ \ ' h e n th e 6 t m w i n d -ing knob 3 stops turn-ing, give a ferv more turns to the rer,vind knob 7. The film is now rervound into the magazrne. T h e m a g a z i n e s h o u l d b e r e p l a c e d i n t h e a l u m i n u m t u b e , i n u - h i c h it w a , originally packed, immediately after removal from the Kodak, to avoid light leaking into the slot.

lmportant: Film should be devel-oped as soon as possible after expo-s u r e . T h e q u a l i t y o f t h e i m a g e on-all .;ensitized products is retained bv p r o m p t d e v e l o p m e n i aiter "*poru.e.

it is a good plan to reload the camera as soon as an exposed film has been removed. to be ieady for the ne\t plctures.

K O D A K R E T I N A I F I L T E R S

There are four filters obtainable for the Kodak Retina I for black-and-u'hite pictures: N-1 Light Yellow, N-2 Medium Yellow, N-3 Green, and N-4 Orange. These filters are screwed into the inside flange of the lens mount. The factors for Kodak Super Sensitive Panchromatic, Kodak Super X Panchromatic, and Kodak Pana-tomic Films are:

Retina I Filter Daylight Tungsten

N - 1 1 . 5 1 . 5 N - 2 2 . A 1 . 5 N - 3 2 . 5 1 . 5 N - 4 . 1 . 0

By a filter factor is meant the num-ber of times the exposure must be increased when using a filter.

free copy of the booklet "Color Filters and Kodak Films."

The N-4 filter should be used only for cutting ha?e when making a dis-tant landscaoe.

Use the Xo. tZ Kodachrome Filters with Kodachrome Film, see directions included with the lilm.

TheNo.17 Kodak Skv Filter. Diffu-sion Portrait Attachment, and Pic-torial Diffusion Disk can be used with the Kodak Retina I.

KODAK RETINA I PORTRAIT ATTACHMENTS A, B, AND C

While this Kodak can be focused for subjects as close as 3)4 feet, per-mitting the obtaining of head and shoulder portraits. it can be focused for much- closer distances when the Kodak Retina I Portrait Attachments are used.

By using the Kodak Retina I Portrait Attachments, large images of flowers and similar "still life" subjects can be obtained. For the best results when making pictures of subjects at short distances, it is advisable to use f .8 or a smaller opening.

2 2

Screw the Attachment into the lens mount. When making a horizontal picture, center the subject in the fin4er; then tilt the camera tp sli'ghtly. When making a vertical exposure, the finder should not be used, as the short dis-tances at which the subject must be from the shutter make it necessary to center the subject by eye instead of bv the finder. This is done by sighting over the top of the camera, the eYe being very close to the camera.

The subject must be at one of the distances from the Kodak given in the tables on pages 24 and 25, depend-ing upon which Attachment is used. Measure the distance carefuily from the shutter to the face, and turn the focusing knob 12, page 13, until the correct figure is at the focusing line 12A, page 13, according to the table.

The same exposure is required as without the Attachment.

The fronts of the Kodak Retina I Portrait Attachment Mounts are threaded so that a color filter can be screwed into the front of the Attach-ment.

o

-e

H

a

/.

.Y

P

ts

F

RETINA I PORTRAIT ATTACHMENT A

RETINA I PORTRAIT ATTACHMENT C

Wrrrr rHB DrsreNcn Focus Snr Sue;ncr

AT ro SnurrBn

3y' feet 21 inches

4 " 2 2 t '

5 , , 2 4 t r

6 " 2 6 t t

8 " 2 9 t l 1 0 " 3 1 t r 1 2 " 3 2 t ' 1 5 " 3 4 ' ' 2 5 " 3 6 t r

5 0 " 3 9 ' /

I n f . 4 l

WrrH rHn DrsrexcB

Focus SBr Sunyocr

AT ro SnurrBn

3)4 feet 16 inches

4 " 1 7

5 " 1 8

6 " 1 8 %

8 " 2 0 t t

1 0 " 2 l

1 2 " 2 7 % t t

1 5 " 2 2 % ' t

2 5 " 2 3 %

50 " 24%

I n f . 2 5 r '

SrzB op Sue;ncr Snour-o Nor

ExcBBo 994 x 14% inches

1 0 1 6 x 1 5 / ' '

l l r l x 1 6 2 / ' t 1 2 x 1 8 % ' ' 1 3 % x 2 0 % ' '

1 4 s A x 2 2 ' '

1 5 r l x 2 2 ) ( ' '

1 6 r l x 2 4 y ' ' '

l T r l x 2 5 y ' ' '

1 8 / x 2 8 ) 4 ' I 1 9 % x 2 9 9 4 ' '

SrzB op Sun-Jecr Snour-o Nor

ExcBno 7 tA x 1 1 i n c h e s 7 /4 x I I z / a I t

g t l x 12fu '' 8 s l x t 2 / 4 ' I

9 s t 4 x 1 4 I t

9/4 x A/4 ''

l U ) y ' x 1 5 f i r '

1 0 s l x 1 6 ' I

l l r l x 1 6 z / ' '

I l f i x 1 7 y ' ' (

1 2 x 1 7 / 4 ' '

Drsrexcr SrzB or Suelncr

Suelocr Ssour-o Nor

ro SnumBn ExcEED

l2:l inches SsA x 8$ inches

l2't4 " 5i+ " 8i* "

1 3 % " 6 % " 9 ) 4 ' '

1 3 % " 6 3 h x 9 s h ' r

I U I " 6 % x 1 0 $ ' '

1 4 % " 7 x l l % ' I

1 5 , , 7 r A x 1 0 9 4 t r

1 5 % " 7 % x 1 0 ] f ' '

1 5 % " 7 3 4 x 1 1 f t ' '

1 5 % " 7 + x 1 1 $ I '

. 1 6 " 7 # x I I % ' (

\\irrn rnB Focus SBr

AT 3 )4 f.eet

A t l

t

5 "

6 "

8 "

1 0 t l

1 2

1 5 t l 2 5 t l

5 0 ' '

I n f .

RETINA I PORTRAIT ATTACHMENT B

E X P O S U R E T A B L E F O R I N T E R I O R S The table on page 26 gives suitable exposures when using stop /.5.6.

W i t h s t o p / . 3 . 5 g i v e t w o - f i f t h s ; t t " - f . 4 . 5 " t w o - t h i r d s ; ' ( "

f . 8 " t w i c e ; t ' "

J . I l " f o u r t i m e s ; ' ( ' t

f . 1 6 " e i g h t t i m e s the exposure given in the table on page 26.

C L E A N I N G T H E L E N S

It is well to wipe the front and back of the lens with Lens Cleaning Paper or a clean handkerchief before using the camera. Never remove the lens.

I

ut s

r

o

F

r,|

(,

z

ta D t,l c

o

r c, ql l-= c

o

lL lrl J o F t{ c t vf

o

A

x

u a 0,) a v) a

()

U) @

| , n l 6

| (.)

| (-)

l o l d )

1 , , ) I a l o o l o

t '

-a a u > 6 J c ) ( ) .

) t u ) c o

l < r t D

I L

I . l a r t c . ) p l a

^l

H l t 4 I . I - l vl n l m l

l

-a U c) a s a U 0) a eo

n gl H

" ' i *

a 0) a

\

F l . l . l

9 5 1

S l 3 3

. * O l . s l . * l H , . r

| * ' l - l

, I ,

a > ) a

q . j l q

- B l - Fv t v A / ^ \ l a v

H vtH*

d t s t d v

^ t H

o - l o ' i - - l - 5

F { l F i- t

-I H l L r ?

A -IA L

v H l v ^

7 * l i - " X * l X q

v vtv v F(VFIV

3 . 1 3 a

= b o l = b o I - t v -e . i I v . r

-B 0)

-T1 (! a B q,) c.)

-c) li

-.rl a 9 B o o e d

- C,)

- A 6 *

, l a

boS -

o,l i a )

V L

9 - c

a r ' i al;i

p b 0

bo.9 o

B i x

9 A = \ . a r t d

F d E o r s o h , n $ ?

> X ( , o * Q q , , x

x u q )

X L . r

Y - . c :

, : t s i i

O Y f r l

a ? 6 9 i .

i 9 . e

X u d F , o O

a d

ud=

- o a a a C) a sl! 6 O 4) a ct a o a a O o U) V)

. l a

b o l b o

q t a

c B t i L . ^ l L

t r l + ' - t . F

F B I : }

i t l l

c ! o l < u j

dl v

a = l a c

- v t - . J S c c l < o 3 B c d l t s , ,

* t t

h i l ! >

V A V

-+ v l -

-A - A H

a ) H a r v

V VI V V

i r l n d

a (J c,) a oq a c) a a

(')

q,) a Ir) a q.) a c{

A T Y O U R S E R \ / I C E

The Seruice

Department

I { O t l G H t h e e s s e n t i a l d i r e c -t i o n s f o r o b -t a i n i n g g o o c l p i c -t u r e s w i t h t h e K o c l a k R e t i n a I a r e g i v e n i n t h i s m a n u a l , f u r t h e r i n f o r r n a t i o n o n a n y s t r b j e c t d i s c u s s e c l , o r a n y other subject in photography, nlay be obtainecl by writing our Service D e p a r t lu e n t. S e n d y o u r n c g a t iv e s and prints to the departnrer-rt for h e l p f u i , c o n s t r u c t i v e c r i t i c i s r n o f your work. There is no charge-no o b l i g a t i o n .

You are also invited to send for a f r e e c o p y o f " A t H o r n e w i t h Y o u r K o d a k , " a n c l " P i c t u r e ' l a k i n g a t N i g h t , " t w o b o o k l e t s c o n t a i n i n g suggestions and cliagranrs for taking interesting pictures both indoors a n d o u t d o o r s .

Addre ss all Communic ations S E R V I ( ] E D I ' P A R T M E N ' I

E A S T M A N K O D A K C O M P A N Y

O U T D O O R E X P O S U R E G U I D E

Srop I

Surlncr

Near-by landscapes with little or n o s k y . N e a r - b y s u b j e c t s i n o p e n f i e l d , p a r k o r g a r d e n . Street scenes.

Ordina.ry landscapes with sk1,, a n d a p r i n c i p a l o h j e c t i n t h e r o r e g r o u n o .

M a r i n e a n d b e a c h s c e n e s . E x -t r e r r r e l y d i s t a n t l a n d s c a p e s . l l o u n t a i n s . S n o w s c e n e s w i t h -o u t p r -o r n i n e n t d a r k -o b j e c t s i n the foresround.

P o r t r a i t s i n t h e o p e n s h a d e , n o t under trees or the rool c.f a

--,qsts\-q!eg9q "9er!8s9ry..

N a r r o w a n d s l i g h t l y s h a d e d s r r e e t s .

l v l o v i n g o b j e c t s : W h e n p h o t o -g r a p h i n -g a r n o v i n -g o b j e c t , s u c h a r ^ a r u n n e r , t r a i n , o r a n a u t o -r n o b i i e , t h e s u b j e c t s h o u l d b e traveling towards or away f rol r the camera at an angle of about 45 degrees.

O p B N r N r ;

SHU'f'r'r,iR S p B R o

f . s . 6 r/1oo

./.u t/roo

i f . r r I t -| /.8

I

l i f . 3 . s

I l . - i . 5

|/10o

t /zstt

r/roo

r/r0o

J . . r . J

| /zso o r

Expostrres are for t.he hours froru one hour after sunrise until one hour before sunset on days rn'hen the s u n i s s h i r r i n g . I f p i c t r r r e s a r e n r a d e e a r l i e r o r i a t e r , o r rf it is a slishtly cloudy or hazy day, use a larger stop lpening. The above exposure table is for use witb Kodak . l ' a n a t o m i c i T i h n . K o d a . k S u p e r X P a n c h r o r n a t i c F i l m iri twice as fast as Kodak Panaton-ric Film by daylight, if the films zLre developed in Developer D-''a. F or Iiodachrome F'ilrn, follow the exposure guide suppiied rvith the film; do not use the above griide.