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Book and Lyrics

Bruce Joel Rubin

Music and Lyrics

Dave Stewart and Glen Ballard

Based on the film produced by Paramount Pictures and Bruce Joel Rubin

VOCAL SCORE – 26 January 2010

This vocal score remains the property of: Ghost London Ltd

Suite 526, Linen Hall 162-168 Regent Street LONDON, W1B 5TE

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Here Right Now (Opening Act I)

Version: 03/02/2010 14:02 pp 5 11 10 14 18    [swirling FX on B5] [ac gtr]     [pno]                                                                                                                                                                                              GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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21 24 E^ B 26 B(“2) B VAMP 29         [gtr]                                                                                                                                                                                                   

Here Right Now (Opening Act I) 03/02/2010 14:02 2

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      M S C 34 M S

here right now, Here right now, This is what we're liv - ing for.

Double time

q=146 43

42

G D C

M

This is when we give in to- the mo - ment and let go. Here right now,

48 Em G D                                                                             [str pad]                                                              

Here Right Now (Opening Act I) 03/02/2010 14:02

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

(5)

      M

Ev 'ry- - thing we're dream - ing of is com ing- through if we step up and own

54

C Em

M

S

it. Let it flow.

58

Seems like we wait - ed for e- - ver. I know we're

G D

S

gon -naget there if we hold on tight. We've come a long

62 sim. C E‹ G          

[synth patterns (approx)]  [str pad continues]      [+light tamb]                                                                                                                                

Here Right Now (Opening Act I) 03/02/2010 14:02 4

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      S

way to ge- -ther, We'll just keep get ting- bet ter- still. Make the fu ture- bright.

68

E5

M

S

Here right now, Here right now, This is when we make

75 74

E B A

M

S

it ev - 'ry- thing we e - ver need.

81

Here right now, Here right now,

C©m E B A                

 [kit fill]  [+kit]

                                                                                                                

Here Right Now (Opening Act I) 03/02/2010 14:02

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

(7)

      M S

One foot in front of the oth er.

-91 88

This is where we take it to the place we want to be. One foot in front of the oth er.

-C©m sim. E

M

S

We'll just keep get ting- clo ser- if... This is why we give it ev - 'ry thing

-93

We'll just keep get ting- clo ser- if we take care.

B A C©m

M

S

we have and more. As long as we stay to ge- -ther, We'll just keep get ting- bet ter

-98

As long as we stay to ge- -ther, We'll just keep get ting- bet ter

-E B           [dr] full rhythm                                                                                                                                                                                                                                 

Here Right Now (Opening Act I) 03/02/2010 14:02 6

(8)

      M S C

till... It rea lly- does - n't mat - ter what comes af - ter or be fore.

-103

till we get there.

Time

A^ C©m D

8ves

C

keeps run ning- on. We can be sure.

108

A^/C© Am6/C E/B

C

I know that once it's gone we won't get more.

114 D A^/C© Bsus                                                                                                                                                                                      

Here Right Now (Opening Act I) 03/02/2010 14:02

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

(9)

    M S C

Why can't we slow it down? Till it's e

-120

Why can't we slow it down? Till it's e

-Why can't we slow it down? Till it's e

-B E B^/D© Bm6/D

M

S

C

nough. So we'll be safe in the here and now. This is where we

127

nough. This is where we

nough. -F©/C© E B^/D© C©5 C©                 [str only]                                                                                                                      

Here Right Now (Opening Act I) 03/02/2010 14:02 8

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      M S C

keep our love.

137 135

keep our love.

C©(“4) C©5 F© C© C 141 B D©‹ F© C 146 C© B D©‹              [guit]   [pad] full rhythm                                                                                                                                                                                                                                     

Here Right Now (Opening Act I) 03/02/2010 14:02

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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    C 153 152 etc. 160 M S C

Here right now. Here right

169 168

Some day. Some way.

Some day. Some way.

F© C©                      [guit]                                                                               

Here Right Now (Opening Act I) 03/02/2010 14:02 10

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    M S C

now. This is where we make it in - to what it's meant to be.

173 Some where. -Some where. -B D©‹ M S C

Here right now. Here right now.

177

Some time. Some how.- Some day.

Some time. Some how.- Some day.

F© C© B                                                                                                                                                                                       

Here Right Now (Opening Act I) 03/02/2010 14:02

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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    M S C

No one's- gon - na break this feel - ing. You were sent to me.

182 This is as far This is as far D©‹ F© etc. M S C

Here right now. This is what we're liv - ing for.

186

as we've e -vercome, But I know that we've on - ly just be gun.

-as we've e -vercome, But I know that we've on - ly just be gun.

-C© B                                                                                                                                                                                

Here Right Now (Opening Act I) 03/02/2010 14:02 12

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    M S C

This is when we give in to- the mo - mentand let go.

Here right

190

You'regon na- see. I know life is n't- al ways

-You'regon na- see. I know life is n't- al ways

-D©‹ F© M S C now. C©

Ev 'ry- -thing we're dream

B^

ing

- of is com ing- through if we

195

fair; this time we're gon na- end up where we should

fair; this time we're gon na- end up where we should

C© B     3    3                                                                                                                                                                              

Here Right Now (Opening Act I) 03/02/2010 14:02

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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    M S C D©m

step up and own it. Let it flow. Here right

201 199

be. Here right

be. Here right

D©‹ E

M

S

C

now. Here right now.

203

now. Here right now.

now. Here right now.

B/D© F©5

D A^/C© Am6/C E/B D A^/C©

Relaxed (half tempo)

208            [str pad only] 

"The place looks great."

                                                                                                                       

Here Right Now (Opening Act I) 03/02/2010 14:02 14

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        M VAMP 214 B2 E A/C© Eadd9 218  

OUT on "Thanks for everything Carl."                                                                      

Here Right Now (Opening Act I) 03/02/2010 14:02

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     

Three Little Words

Version: 03/02/2010 14:06

S

I say it with my eyes,

q = 73

mp

C5 A‹7 C/E F(“2)

S

When I hold you close at night, When I make you scram bled- eggs, When I tell you sil ly

-5

C5 A‹7 C/E

M

S

Some times- you need to hear it Sam. I need to hear it.

9

8 8a

jokes, When I turn out the light.

16ths end F(“2) C A‹                      3                                                                                                      

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        M S

Or else you be gin- to fear,. You be gin- to fear it is n’t- true. No,don’tspeak,don’t talk,you love me,Sam,

11

D‹7('4) G(“) G/F C('2) Dm7

M

I knowyou do. I see it in your eyes. I know what’s in your heart. There

15

G(“) G(“)/F C('2) C A‹

M

are no se crets- there, no lies. Still,when we’re a part,- I get this fear and I need to hear, I

19

D‹7('4) G(“) G7/F C('2) D‹7('4)

M

love you. I love... You, here in my life And ev 'ry- -thinga bout- it is right.

23

G(“) C Cmaj9 F'9 C Cmaj9

   "Molly, you're not..." 

                                                                                                                                                                                              

Three Little Words 03/02/2010 14:06 2

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        M

But the one thing that you need to con fide- are those three lit tle- words that come from

27

F'9 Am F'9 Gsus4 /F

M

S

deep down in side.

-34 31

Peo ple- may say it ev -'ry day, But it's

/E /D C C C7 F

S

real ly- not the on - ly way to re veal- it. Does n't- mat ter- what they're say ing- If

35

Fm C C7 F

S

words are all that they're con vey- - ing. Don't be lieve- it If you can't feel it.

39 Fm Gsus4 /F /E /D                                                                                                                                                                                                             

Three Little Words 03/02/2010 14:06

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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      M

Some times- you need to hear it Sam, I need to hear it. Or else you be gin- to fear,.

42

C Am7 Dm7('4)

M

You be gin- to fear it is n’t- true. I’d love to hear it ev -'ry day. But ev en- just this one time, it’s O.

45

G7sus4 C Dm7 Gsus4

M

S

K. I can live that way. It’s not like I ev er- doubt it, But I'd

49

Not like you have to doubt

C C7 F  3                                                                                                                                                        

Three Little Words 03/02/2010 14:06 4

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      M S

real ly- like to hear a bout- it, What you're feel ing.- What are you feel ing?

-52

it. I don't want to have to shout it What I'm feel ing?

-Fm Gsus4 Gsus4/F Gsus4/E Gsus4/D

M

S

You, here in my life Is ev 'ry- -thing I want that is right.

55

I say it with my eyes, When I hold you close at night, When I make you scram bled- eggs,

C Cmaj9 F'9 C Cmaj9

M

S

If it's love how can you keep it in side?- You could just say it now.

58

When I tell you sil ly- jokes,

F'9 Am F'9 Gsus4 /F                                                                                                                                                                                                                 

Three Little Words 03/02/2010 14:06

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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      M S

Give me a sign. You, here in my life Is

62

I shout it with my touch When I'm vi - si -ting your aunt,

/E /D C Cmaj9 F'9

M

S

ev 'ry- -thingI want that is right.

65

When I put a way- your shoes, When I laugh at all yourjokes. I don't know why I can't.

C Cmaj9 F'9 Am F'9

M

S

It's just three lit - tle words Sam,

69 Gsus4 /F /E /D Gsus4 /F                                                                                                                                                                         

Three Little Words 03/02/2010 14:06 6

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  M

do you love me?

72 /E /D Gsus4 /F /E /D C('2)                                             

Three Little Words 03/02/2010 14:06

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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   

Higher Spirits

Version: 27/01/2010 02:40 +8va & 8vb q.=55 pp E‹ CŒ„Š9 4 E‹ CŒ„Š9 E‹        ethereal sounds    pizz vln

  swirling 5ths and 8ves

   pno/bs      sim.                                                                                                                                               

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    7 CŒ„Š9 E‹ CŒ„Š9 10 E‹ CŒ„Š9 E‹     solo vln (solo vln) bell      pad   +slide gtr                                                                                                                                                                                    Higher Spirits 27/01/2010 02:40 2

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  13 CŒ„Š9 E‹ CŒ„Š9                                                                                        

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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Version: 03/02/2010 12:11

A Whole New Ball Of Wax

Hel - lothere young man, you’re new I can tell. Well let me as sure- you, that

Swing 8ths q = 112

C E F

this is n’t- hell. But it ain’t heav en- ei - ther,so you might as well re lax,- 'cause this my friend is a

6

D7 C B Bb A D7

whole new ball of wax. It ain’t like be fore,- and it can fool you at first. There's an ec ho- of hun ger and

11 10

G C E F

not quite a thirst. And if you thought it was o - verwith a tag on your toe, In a bag with a zip per,- well I'm

a-14 D7 C B Bb A D7       Hospital Ghost          3       (clarinets & add kit)

   3 3                                                                                                                                                                                                                            

(31)

fraid it ain't so. I’m wait ing- for my wife. She's in the car di- -ac wing. She’s

20 18

G C E

fight ing- it, but fight ing- it was al ways- her thing. She’ll be done soon and we’ll be out ta- this place,

22

F D7 C B Bb A

free of this world, of time and space. I know the soft est- shoe you could

30 26

D7 G C E7

ev er- do, eas y- for me and it will be for you. It’s a lone ly- dance not

31

Am D

 

Sam: Who are you?

3    Dr brushes   3                                                                                                                                                                                                                                              

A Whole New Ball Of Wax 03/02/2010 12:11 2

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meant for two but I’ll be hap py- to teach it to you. Goes some thing- like 35 G Am A#m Bm this: 40 39 C E F D7 etc. 44 C B Bb A D7 G C E Double-time feel (straight e) 54 50 F D7 C B Bb A E¨7€     N.C.   Tpt solo (synth)                                                                                                                                                                                                                                  

A Whole New Ball Of Wax 03/02/2010 12:11

GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

(33)

     

There's no time here in the

58 55

There's no time here in the

D7 G

af - ter - life, And since there's no time, You don't need stress and strife. No fast or

59

af - ter - life, And since there's no time, You don't need stress and strife. No fast or

A9 E¨7 D7

slow time, Your watch is ne - ver right. There's al ways- no time here on the

62

slow time, Your watch is ne - ver right. There's al ways- no time here on the

G A7 E¨7



Sam: What's happening to me? Am I really dead?

     HG1: Dead right.   [hns]                                                                                                                                                                                                                                                                                                                                  

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     

oth - er side. It's just let- - go time, so don't put up a fight. No more than

66 65

oth - er side. It's just let- - go time, so don't put up a fight. No more than

It's Kurt Weill Time!

D7 C D9

faux time- cause there's no day or night. Just let- -it-flowtime, cause there's no end in sight. You know there's

68

faux time- cause there's no day or night. Just let- -it-flowtime, cause there's no end in sight. You know there's

A¨7 G7 C D9

no time here on the oth er- side! No time!

74 72

no time here on the oth er- side! No time!

A¨7 G7 C D7 G A7                                      [clar]                                                                                                                                                                                                                                                                                                                                  

A Whole New Ball Of Wax 03/02/2010 12:11

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 

 

Slow time! Look out- -be

76

Slow time! Look out- -be

E¨7 D7 G low time! Tempo primo 80 79 low time! A7 E¨7

Hmm,he's not gon na- make it. I've seen it, I know. It's eit her- look out a bove- or

83 C E F E E¨                           

heartbeat monitor (recorded)

         HG 3 3 3  Chorus HUM  3                                                                                                                                                                       

A Whole New Ball Of Wax 03/02/2010 12:11 6

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look out be low.- You nev er- know which way the wind is gon na- blow. Up or down,it’s a crap shoot. Who

86

D7 C B Bb A D7

knows where they’ll go? We're get ting- down to brass tacks. Like I

90

G C B Bb A

told you be - fore, it's a whole new ball of wax.

93

D7 G5

Let go of day. Let go of

Slower 95 E‹('2) C(“2) E‹('2) C(“2)         3 3 3 3  Chorus "OOH"     Chorus "AH"           

Doctor: "Hurry, we're losing him...."

                                                                                                                                                               

A Whole New Ball Of Wax 03/02/2010 12:11

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 

 

night. Here sha - dows fade,

99

E‹('2) C(“2) G

Your mo ney's- no good here,There's noth ing- to buy. No

Held back, accel poco a poco

103 102

Your mo ney's- no good here,There's noth ing- to buy.

Here sha - dows fade,

G7 C E

dead lines- Just let it all slide. You can't take it with you and there's no go ing- back;

You

105

...or bread lines,- Just let it all slide. You can't take it with you and there's no go ing- back;

F D7 C B B¨ A7       

Doctor: He's gone.

                                                                                                                                                                                                                   

A Whole New Ball Of Wax 03/02/2010 12:11 8

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      get You here with get noth here ing, - but and there's there's noth noth ing ing -you you lack.

lack. Through out- hu man- his - t'ry,It's al ways- a mys t'ry Some

109

You get here and there's noth ing- you lack. Throug -outhu man- his - t'ry,It's al ways- a mys - t'ry.Some

D9 G7 C E

fight it, some cry, some go with the flow. Some leave in the sha - dow,some leave all a glow,- But

113

fight it, some cry, some go with the flow. Some leave in the sha - dow,some leave all a glow,- But

F C/E D7 C B B¨ A7

up to that mo - ment you just ne ver- know. You've got to let it all go. It's like we

119 117

up to that mo - ment you just ne ver- know. You've got to let it all go. It's like we

D9 G7 C B B¨ A7                                                                                                                                                                                                                                                                                                                    

A Whole New Ball Of Wax 03/02/2010 12:11

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 

 

told you be fore,- It's a whole new ball of wax!

"Show-time" tempo

121

told you be fore,- It's a whole new ball of wax!

D9 G6 F6/G F©6/G G7 C6 125                                                                                                                                   

A Whole New Ball Of Wax 03/02/2010 12:11 10

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Sam's Lament Sequence

Version: 03/02/2010 14:07 Slow q=60 5 10 14 q=130 22 20 Dm D‹/F sim.      [Gtr]            1  2   FX begins...   3  4  5  6  7  8    9  10                                                                                                                                               GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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24 E¨ Dm F E¨ 29 Dm D‹/F E¨ 38 34 B¨ F E¨ Dm 39 D‹/F E¨ Dm D‹/F 46 4450 49            [more loud FX]      [dist gtr]                                                                                                                                                                                                                                

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53 58 57 65 73 86 81 Am A‹/C 88 B¨ C6 B¨ Am     more FX continuing       1     5               9     13              17    21         [Sp gtr]    25    28  3 3                                                                                                                      

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94 93 Am A‹/C B¨ 98 C6 B¨ Am 102 109 S I 118 122 117 C©5   3   b               5               9     13             FX  16                                                                                                                                                   

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S

can't feel a ny- more. I

123 D(“2) C©5 S can't breathe. 127 E D S 131 C©5 S I can't help a ny -136 135 C©5 D(“2)                                                                                                                                                                                     

Sam's Lament Sequence 03/02/2010 14:07

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S

more. Help me,

139 A E S Help me, 143 D5 S Mol - ly. 147 C©5                                                                                                                                   

Sam's Lament Sequence 03/02/2010 14:07 6

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Are You A Believer?

Version: 27/01/2010 02:37

Slow Gospel - Swing 8ths q = 72

G7 F7 C G7 F7 C7

Grant us the gift of your all see ing- pres ence.- Lift us up in to- your

5

G7 F7 C G7 F7

lu - mi-nes-cence. Our sis ter- will be with us short ly.- Are you

8 C G A C7    3 3 3 3 3  3  Louise: 3 3 3 3  3 3  3 3 3 3  3 3 3 3 3  Clara: Louise: 3 3 3 3 3  3 3 3  3  3                                                                                                                                                                

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read y?- Yes,I’m read y.- Are you read y?- I think I’m read y.

-11

Bb F C Bb F C D

Are you a be liev- -er?Are you read y,- are you read y- to be lieve?

-Med. Gospel Swing q = 109

15

Are you read y?

-G7 C

Are you a re ceiv- -er?Are you read y,- real ly- read y- to re

-19

Tell me are you read y?

-G7

Mrs. Santiago: Louise: Mrs. Santiago:

3 3 3 3  3 3 3 3 3     Clara:      Sisters:       Louise:                                                                                                                                                                                    

Are You A Believer? 27/01/2010 02:37 2

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ceive? 'Cause, if you’re not be liev- -in', if you

22

Are you read y?- Tell me are you read - y?

C Bb

think that we’re de ceiv- -in' then you’re not re ceiv- -in'. And you'd best just go home.

rit.

25

F C D

You got ta- be with us. We’re not here to fool ya.

29

Hal le- - lu – jah! Hal le- - lu – jah! Hal le

-D C G D D  Clara: Louise:  Sisters:   3   Clara: Louise:           A TempoClara: 3 Louise: 

Chorus (+ad libs.)

Chorus:                                                                                                                                                   

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References

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