Book and Lyrics
Bruce Joel Rubin
Music and Lyrics
Dave Stewart and Glen Ballard
Based on the film produced by Paramount Pictures and Bruce Joel Rubin
VOCAL SCORE – 26 January 2010
This vocal score remains the property of: Ghost London Ltd
Suite 526, Linen Hall 162-168 Regent Street LONDON, W1B 5TE
Here Right Now (Opening Act I)
Version: 03/02/2010 14:02 pp 5 11 10 14 18 [swirling FX on B5] [ac gtr] [pno] GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd21 24 E^ B 26 B(“2) B VAMP 29 [gtr]
Here Right Now (Opening Act I) 03/02/2010 14:02 2
M S C 34 M S
here right now, Here right now, This is what we're liv - ing for.
Double time
q=146 43
42
G D C
M
This is when we give in to- the mo - ment and let go. Here right now,
48 Em G D [str pad]
Here Right Now (Opening Act I) 03/02/2010 14:02
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
M
Ev 'ry- - thing we're dream - ing of is com ing- through if we step up and own
54
C Em
M
S
it. Let it flow.
58
Seems like we wait - ed for e- - ver. I know we're
G D
S
gon -naget there if we hold on tight. We've come a long
62 sim. C E‹ G
[synth patterns (approx)] [str pad continues] [+light tamb]
Here Right Now (Opening Act I) 03/02/2010 14:02 4
S
way to ge- -ther, We'll just keep get ting- bet ter- still. Make the fu ture- bright.
68
E5
M
S
Here right now, Here right now, This is when we make
75 74
E B A
M
S
it ev - 'ry- thing we e - ver need.
81
Here right now, Here right now,
C©m E B A
[kit fill] [+kit]
Here Right Now (Opening Act I) 03/02/2010 14:02
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
M S
One foot in front of the oth er.
-91 88
This is where we take it to the place we want to be. One foot in front of the oth er.
-C©m sim. E
M
S
We'll just keep get ting- clo ser- if... This is why we give it ev - 'ry thing
-93
We'll just keep get ting- clo ser- if we take care.
B A C©m
M
S
we have and more. As long as we stay to ge- -ther, We'll just keep get ting- bet ter
-98
As long as we stay to ge- -ther, We'll just keep get ting- bet ter
-E B [dr] full rhythm
Here Right Now (Opening Act I) 03/02/2010 14:02 6
M S C
till... It rea lly- does - n't mat - ter what comes af - ter or be fore.
-103
till we get there.
Time
A^ C©m D
8ves
C
keeps run ning- on. We can be sure.
108
A^/C© Am6/C E/B
C
I know that once it's gone we won't get more.
114 D A^/C© Bsus
Here Right Now (Opening Act I) 03/02/2010 14:02
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
M S C
Why can't we slow it down? Till it's e
-120
Why can't we slow it down? Till it's e
-Why can't we slow it down? Till it's e
-B E B^/D© Bm6/D
M
S
C
nough. So we'll be safe in the here and now. This is where we
127
nough. This is where we
nough. -F©/C© E B^/D© C©5 C© [str only]
Here Right Now (Opening Act I) 03/02/2010 14:02 8
M S C
keep our love.
137 135
keep our love.
C©(“4) C©5 F© C© C 141 B D©‹ F© C 146 C© B D©‹ [guit] [pad] full rhythm
Here Right Now (Opening Act I) 03/02/2010 14:02
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
C 153 152 etc. 160 M S C
Here right now. Here right
169 168
Some day. Some way.
Some day. Some way.
F© C© [guit]
Here Right Now (Opening Act I) 03/02/2010 14:02 10
M S C
now. This is where we make it in - to what it's meant to be.
173 Some where. -Some where. -B D©‹ M S C
Here right now. Here right now.
177
Some time. Some how.- Some day.
Some time. Some how.- Some day.
F© C© B
Here Right Now (Opening Act I) 03/02/2010 14:02
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
M S C
No one's- gon - na break this feel - ing. You were sent to me.
182 This is as far This is as far D©‹ F© etc. M S C
Here right now. This is what we're liv - ing for.
186
as we've e -vercome, But I know that we've on - ly just be gun.
-as we've e -vercome, But I know that we've on - ly just be gun.
-C© B
Here Right Now (Opening Act I) 03/02/2010 14:02 12
M S C
This is when we give in to- the mo - mentand let go.
F©
Here right
190
You'regon na- see. I know life is n't- al ways
-You'regon na- see. I know life is n't- al ways
-D©‹ F© M S C now. C©
Ev 'ry- -thing we're dream
B^
ing
- of is com ing- through if we
195
fair; this time we're gon na- end up where we should
fair; this time we're gon na- end up where we should
C© B 3 3
Here Right Now (Opening Act I) 03/02/2010 14:02
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
M S C D©m
step up and own it. Let it flow. Here right
201 199
be. Here right
be. Here right
D©‹ E
M
S
C
now. Here right now.
203
now. Here right now.
now. Here right now.
B/D© F©5
D A^/C© Am6/C E/B D A^/C©
Relaxed (half tempo)
208 [str pad only]
"The place looks great."
Here Right Now (Opening Act I) 03/02/2010 14:02 14
M VAMP 214 B2 E A/C© Eadd9 218
OUT on "Thanks for everything Carl."
Here Right Now (Opening Act I) 03/02/2010 14:02
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Three Little Words
Version: 03/02/2010 14:06
S
I say it with my eyes,
q = 73
mp
C5 A‹7 C/E F(“2)
S
When I hold you close at night, When I make you scram bled- eggs, When I tell you sil ly
-5
C5 A‹7 C/E
M
S
Some times- you need to hear it Sam. I need to hear it.
9
8 8a
jokes, When I turn out the light.
16ths end F(“2) C A‹ 3
M S
Or else you be gin- to fear,. You be gin- to fear it is n’t- true. No,don’tspeak,don’t talk,you love me,Sam,
11
D‹7('4) G(“) G/F C('2) Dm7
M
I knowyou do. I see it in your eyes. I know what’s in your heart. There
15
G(“) G(“)/F C('2) C A‹
M
are no se crets- there, no lies. Still,when we’re a part,- I get this fear and I need to hear, I
19
D‹7('4) G(“) G7/F C('2) D‹7('4)
M
love you. I love... You, here in my life And ev 'ry- -thinga bout- it is right.
23
G(“) C Cmaj9 F'9 C Cmaj9
"Molly, you're not..."
Three Little Words 03/02/2010 14:06 2
M
But the one thing that you need to con fide- are those three lit tle- words that come from
27
F'9 Am F'9 Gsus4 /F
M
S
deep down in side.
-34 31
Peo ple- may say it ev -'ry day, But it's
/E /D C C C7 F
S
real ly- not the on - ly way to re veal- it. Does n't- mat ter- what they're say ing- If
35
Fm C C7 F
S
words are all that they're con vey- - ing. Don't be lieve- it If you can't feel it.
39 Fm Gsus4 /F /E /D
Three Little Words 03/02/2010 14:06
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
M
Some times- you need to hear it Sam, I need to hear it. Or else you be gin- to fear,.
42
C Am7 Dm7('4)
M
You be gin- to fear it is n’t- true. I’d love to hear it ev -'ry day. But ev en- just this one time, it’s O.
45
G7sus4 C Dm7 Gsus4
M
S
K. I can live that way. It’s not like I ev er- doubt it, But I'd
49
Not like you have to doubt
C C7 F 3
Three Little Words 03/02/2010 14:06 4
M S
real ly- like to hear a bout- it, What you're feel ing.- What are you feel ing?
-52
it. I don't want to have to shout it What I'm feel ing?
-Fm Gsus4 Gsus4/F Gsus4/E Gsus4/D
M
S
You, here in my life Is ev 'ry- -thing I want that is right.
55
I say it with my eyes, When I hold you close at night, When I make you scram bled- eggs,
C Cmaj9 F'9 C Cmaj9
M
S
If it's love how can you keep it in side?- You could just say it now.
58
When I tell you sil ly- jokes,
F'9 Am F'9 Gsus4 /F
Three Little Words 03/02/2010 14:06
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
M S
Give me a sign. You, here in my life Is
62
I shout it with my touch When I'm vi - si -ting your aunt,
/E /D C Cmaj9 F'9
M
S
ev 'ry- -thingI want that is right.
65
When I put a way- your shoes, When I laugh at all yourjokes. I don't know why I can't.
C Cmaj9 F'9 Am F'9
M
S
It's just three lit - tle words Sam,
69 Gsus4 /F /E /D Gsus4 /F
Three Little Words 03/02/2010 14:06 6
M
do you love me?
72 /E /D Gsus4 /F /E /D C('2)
Three Little Words 03/02/2010 14:06
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Higher Spirits
Version: 27/01/2010 02:40 +8va & 8vb q.=55 pp E‹ CŒ„Š9 4 E‹ CŒ„Š9 E‹ ethereal sounds pizz vln swirling 5ths and 8ves
pno/bs sim.
7 CŒ„Š9 E‹ CŒ„Š9 10 E‹ CŒ„Š9 E‹ solo vln (solo vln) bell pad +slide gtr Higher Spirits 27/01/2010 02:40 2
13 CŒ„Š9 E‹ CŒ„Š9
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Version: 03/02/2010 12:11
A Whole New Ball Of Wax
Hel - lothere young man, you’re new I can tell. Well let me as sure- you, that
Swing 8ths q = 112
C E F
this is n’t- hell. But it ain’t heav en- ei - ther,so you might as well re lax,- 'cause this my friend is a
6
D7 C B Bb A D7
whole new ball of wax. It ain’t like be fore,- and it can fool you at first. There's an ec ho- of hun ger and
11 10
G C E F
not quite a thirst. And if you thought it was o - verwith a tag on your toe, In a bag with a zip per,- well I'm
a-14 D7 C B Bb A D7 Hospital Ghost 3 (clarinets & add kit)
3 3
fraid it ain't so. I’m wait ing- for my wife. She's in the car di- -ac wing. She’s
20 18
G C E
fight ing- it, but fight ing- it was al ways- her thing. She’ll be done soon and we’ll be out ta- this place,
22
F D7 C B Bb A
free of this world, of time and space. I know the soft est- shoe you could
30 26
D7 G C E7
ev er- do, eas y- for me and it will be for you. It’s a lone ly- dance not
31
Am D
Sam: Who are you?
3 Dr brushes 3
A Whole New Ball Of Wax 03/02/2010 12:11 2
meant for two but I’ll be hap py- to teach it to you. Goes some thing- like 35 G Am A#m Bm this: 40 39 C E F D7 etc. 44 C B Bb A D7 G C E Double-time feel (straight e) 54 50 F D7 C B Bb A E¨7€ N.C. Tpt solo (synth)
A Whole New Ball Of Wax 03/02/2010 12:11
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
There's no time here in the
58 55
There's no time here in the
D7 G
af - ter - life, And since there's no time, You don't need stress and strife. No fast or
59
af - ter - life, And since there's no time, You don't need stress and strife. No fast or
A9 E¨7 D7
slow time, Your watch is ne - ver right. There's al ways- no time here on the
62
slow time, Your watch is ne - ver right. There's al ways- no time here on the
G A7 E¨7
Sam: What's happening to me? Am I really dead?
HG1: Dead right. [hns]
A Whole New Ball Of Wax 03/02/2010 12:11 4
oth - er side. It's just let- - go time, so don't put up a fight. No more than
66 65
oth - er side. It's just let- - go time, so don't put up a fight. No more than
It's Kurt Weill Time!
D7 C D9
faux time- cause there's no day or night. Just let- -it-flowtime, cause there's no end in sight. You know there's
68
faux time- cause there's no day or night. Just let- -it-flowtime, cause there's no end in sight. You know there's
A¨7 G7 C D9
no time here on the oth er- side! No time!
74 72
no time here on the oth er- side! No time!
A¨7 G7 C D7 G A7 [clar]
A Whole New Ball Of Wax 03/02/2010 12:11
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
Slow time! Look out- -be
76
Slow time! Look out- -be
E¨7 D7 G low time! Tempo primo 80 79 low time! A7 E¨7
Hmm,he's not gon na- make it. I've seen it, I know. It's eit her- look out a bove- or
83 C E F E E¨
heartbeat monitor (recorded)
HG 3 3 3 Chorus HUM 3
A Whole New Ball Of Wax 03/02/2010 12:11 6
look out be low.- You nev er- know which way the wind is gon na- blow. Up or down,it’s a crap shoot. Who
86
D7 C B Bb A D7
knows where they’ll go? We're get ting- down to brass tacks. Like I
90
G C B Bb A
told you be - fore, it's a whole new ball of wax.
93
D7 G5
Let go of day. Let go of
Slower 95 E‹('2) C(“2) E‹('2) C(“2) 3 3 3 3 Chorus "OOH" Chorus "AH"
Doctor: "Hurry, we're losing him...."
A Whole New Ball Of Wax 03/02/2010 12:11
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
night. Here sha - dows fade,
99
E‹('2) C(“2) G
Your mo ney's- no good here,There's noth ing- to buy. No
Held back, accel poco a poco
103 102
Your mo ney's- no good here,There's noth ing- to buy.
Here sha - dows fade,
G7 C E
dead lines- Just let it all slide. You can't take it with you and there's no go ing- back;
You
105
...or bread lines,- Just let it all slide. You can't take it with you and there's no go ing- back;
F D7 C B B¨ A7
Doctor: He's gone.
A Whole New Ball Of Wax 03/02/2010 12:11 8
get You here with get noth here ing, - but and there's there's noth noth ing ing -you you lack.
lack. Through out- hu man- his - t'ry,It's al ways- a mys t'ry Some
109
You get here and there's noth ing- you lack. Throug -outhu man- his - t'ry,It's al ways- a mys - t'ry.Some
D9 G7 C E
fight it, some cry, some go with the flow. Some leave in the sha - dow,some leave all a glow,- But
113
fight it, some cry, some go with the flow. Some leave in the sha - dow,some leave all a glow,- But
F C/E D7 C B B¨ A7
up to that mo - ment you just ne ver- know. You've got to let it all go. It's like we
119 117
up to that mo - ment you just ne ver- know. You've got to let it all go. It's like we
D9 G7 C B B¨ A7
A Whole New Ball Of Wax 03/02/2010 12:11
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
told you be fore,- It's a whole new ball of wax!
"Show-time" tempo
121
told you be fore,- It's a whole new ball of wax!
D9 G6 F6/G F©6/G G7 C6 125
A Whole New Ball Of Wax 03/02/2010 12:11 10
Sam's Lament Sequence
Version: 03/02/2010 14:07 Slow q=60 5 10 14 q=130 22 20 Dm D‹/F sim. [Gtr] 1 2 FX begins... 3 4 5 6 7 8 9 10 GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd24 E¨ Dm F E¨ 29 Dm D‹/F E¨ 38 34 B¨ F E¨ Dm 39 D‹/F E¨ Dm D‹/F 46 44 E¨ 50 49 [more loud FX] [dist gtr]
Sam's Lament Sequence 03/02/2010 14:07 2
53 58 57 65 73 86 81 Am A‹/C 88 B¨ C6 B¨ Am more FX continuing 1 5 9 13 17 21 [Sp gtr] 25 28 3 3
Sam's Lament Sequence 03/02/2010 14:07
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
94 93 Am A‹/C B¨ 98 C6 B¨ Am 102 109 S I 118 122 117 C©5 3 b 5 9 13 FX 16
Sam's Lament Sequence 03/02/2010 14:07 4
S
can't feel a ny- more. I
123 D(“2) C©5 S can't breathe. 127 E D S 131 C©5 S I can't help a ny -136 135 C©5 D(“2)
Sam's Lament Sequence 03/02/2010 14:07
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd
S
more. Help me,
139 A E S Help me, 143 D5 S Mol - ly. 147 C©5
Sam's Lament Sequence 03/02/2010 14:07 6
Are You A Believer?
Version: 27/01/2010 02:37
Slow Gospel - Swing 8ths q = 72
G7 F7 C G7 F7 C7
Grant us the gift of your all see ing- pres ence.- Lift us up in to- your
5
G7 F7 C G7 F7
lu - mi-nes-cence. Our sis ter- will be with us short ly.- Are you
8 C G A C7 3 3 3 3 3 3 Louise: 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Clara: Louise: 3 3 3 3 3 3 3 3 3 3
read y?- Yes,I’m read y.- Are you read y?- I think I’m read y.
-11
Bb F C Bb F C D
Are you a be liev- -er?Are you read y,- are you read y- to be lieve?
-Med. Gospel Swing q = 109
15
Are you read y?
-G7 C
Are you a re ceiv- -er?Are you read y,- real ly- read y- to re
-19
Tell me are you read y?
-G7
Mrs. Santiago: Louise: Mrs. Santiago:
3 3 3 3 3 3 3 3 3 Clara: Sisters: Louise:
Are You A Believer? 27/01/2010 02:37 2
ceive? 'Cause, if you’re not be liev- -in', if you
22
Are you read y?- Tell me are you read - y?
C Bb
think that we’re de ceiv- -in' then you’re not re ceiv- -in'. And you'd best just go home.
rit.
25
F C D
You got ta- be with us. We’re not here to fool ya.
29
Hal le- - lu – jah! Hal le- - lu – jah! Hal le
-D C G D D Clara: Louise: Sisters: 3 Clara: Louise: A Tempo Clara: 3 Louise:
Chorus (+ad libs.)
Chorus:
GHOST © 2010 Rubin / Stewart / Ballard under licence to Ghost London Ltd