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VIJAYANAGAR

A FORGOTTEN EMPIRE

By Robert Swell

Project Gutenberg File Converted into HTML pages by Nalanda Digital Library under Etext Conversion Project (ECP)

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Vijayanagara Empire

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ಜಯನಗರ ಾಾ ಜ ಜಯನಗರ ಾಾ ಜ ಜಯನಗರ ಾಾ ಜ ಜಯನಗರ ಾಾ ಜ జయనగర జయనగరజయనగర జయనగర ామ జ మ ామ జ మామ జ మ ామ జ మ

Vijayanagara Empire

← ← ←

1336–1646

Extent of Vijayanagara Empire, 1446, 1520 CE

Capital Vijayanagara

Language(s) Kannada, Telugu

Religion Hindu Government Monarchy King - 1336–1356 Harihara Raya I - 1642–1646 Sriranga III History - Established 1336 - Earliest records 1343 - Disestablished 1646

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Preceded by Succeeded by Hoysala Empire Kakatiya dynasty Pandyan Kingdom Mysore Kingdom Keladi Nayaka Nayaks of Tanjore Nayaks of Madurai Nayakas of Chitradurga

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The Vijayanagara Empire (Kannada: ಜಯನಗರ

ಾಾ ಜ Vijayānagara Sāmrājya, Telugu: జయనగర

ామ జ మ Vijayānagara Sāmrājyamu) was a South

Indian empire based in the Deccan Plateau. Established in 1336 by

Harihara I and his brother Bukka Raya I, it lasted until 1646 although its power declined after a major military defeat in 1565 by the Deccan sultanates. The empire is named after its capital city of Vijayanagara, whose impressive ruins surround modern Hampi, now a World Heritage Site in modern Karnataka, India. The writings of medieval European travelers such as Domingo Paes,

Fernao Nuniz and Niccolò Da Conti and the literature in local vernaculars provide crucial information about its history. Archaeological excavations at Vijayanagara have revealed the empire's power and wealth.

The empire's legacy includes many monuments spread over South India, the best known being the group at Hampi. The previous temple building traditions in South India came together in the

Vijayanagara Architecture style. The mingling of all faiths and vernaculars inspired architectural innovation of Hindu temple construction, first in the Deccan and later in the Dravidian idioms using the local granite. Secular royal structures show the influence of the Northern Deccan Sultanate architecture. Efficient

administration and vigorous overseas trade brought new

technologies like water management systems for irrigation. The empire's patronage enabled fine arts and literature to reach new heights in the languages of Kannada, Telugu, Tamil and Sanskrit, while Carnatic music evolved into its current form. The

Vijayanagara Empire created an epoch in South Indian history that transcended regionalism by promoting Hinduism as a unifying factor.

Contents

[hide] • 1History • 2Governance • 3Economy • 4Culture o 4.1Social life o 4.2Religion o 4.3Literature o 4.4Architecture o 4.5Language • 5Notes • 6References Vijayanagara Empire Sangama Dynasty Harihara Raya I 1336-1356 Bukka Raya I 1356-1377 Harihara Raya II 1377-1404 Virupaksha Raya 1404-1405 Bukka Raya II 1405-1406 Deva Raya I 1406-1422 Ramachandra Raya 1422

Vira Vijaya Bukka Raya 1422-1424

Deva Raya II 1424-1446

Mallikarjuna Raya 1446-1465

Virupaksha Raya II 1465-1485

Praudha Raya 1485 Saluva Dynasty

Saluva Narasimha Deva Raya 1485-1491

Thimma Bhupala 1491

Narasimha Raya II 1491-1505 Tuluva Dynasty

Tuluva Narasa Nayaka 1491-1503

Viranarasimha Raya 1503-1509

Krishna Deva Raya 1509-1529

Achyuta Deva Raya 1529-1542

Sadashiva Raya 1542-1570 Aravidu Dynasty

Aliya Rama Raya 1542-1565

Tirumala Deva Raya 1565-1572

Sriranga I 1572-1586 Venkata II 1586-1614 Sriranga II 1614-1614 Ramadeva 1617-1632 Venkata III 1632-1642 Sriranga III 1642-1646

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• 7External links

[

edit

] History

Main articles: Origin of Vijayanagara Empire, Ancient City of Vijayanagara, Battle of Raichur, and Battle of Talikota

Differing theories have been proposed regarding the Vijayanagara empire's origins. Some claim that Harihara I

and Bukka Raya I, the founders of the empire, were TeluguKuruba people first associated with the Kakatiya

kingdom who took control of the northern parts of the Hoysala Empire during its decline.[1] Other historians propose they were Kannadigas and commanders in the army of the Hoysala Empire stationed in the Tungabhadra

region to ward off Muslim invasions from the Northern India.[2][3][4][5] Irrespective of their origin, historians agree the founders were supported and inspired by Vidyaranya, a saint at the Sringeri monastery to fight the Muslim invasion of South India.[6][7] Writings by foreign travelers during the late medieval era combined with recent excavations in the Vijayanagara principality have uncovered much-needed information about the empire's history, fortifications, scientific developments and architectural innovations.[8][9]

Before the early 14th century rise of the Vijayanagara empire, the Hindu kingdoms of the Deccan, the Seuna Yadavas of Devagiri, the Kakatiya dynasty of Warangal, the Pandya Kingdom of Madurai, and the tiny kingdom of Kampili had been repeatedly invaded by Muslims from the north, and by 1336 they had all been defeated by

Alla-ud-din Khilji and Muhammad bin Tughluq, the Sultans of Delhi. The Hoysala Empire was the sole remaining Hindu kingdom in the path of the Muslim invasion.[10] After the death of Hoysala Veera Ballala III

during a battle against the Sultan of Madurai in 1343, the Hoysala empire merged with the growing Vijayanagara empire.

In the first two decades after the founding of the empire, Harihara I gained control over most of the area south of the Tungabhadra river and earned the title of Purvapaschima Samudradhishavara ("master of the eastern and western seas"). By 1374 Bukka Raya I, successor to Harihara I, had defeated the chiefdom of Arcot, the Reddy dynasty of Kondavidu, the Sultan of Madurai and gained control over Goa in the west and the

Tungabhadra-Krishna Riverdoab in the north.[11][12] The island of Lanka paid tributes and ambassadors were exchanged with the Ming Dynasty of China.[13][14] The original capital was in the principality of Anegondi on the northern banks of the Tungabhadra River in today's Karnataka. It was later moved to nearby Vijayanagara on the river's southern banks during the reign of Bukka Raya I.

With the Vijayanagara Kingdom now imperial in stature, Harihara II, the second son of Bukka Raya I, further consolidated the kingdom beyond the Krishna River and brought the whole of South India under the Vijayanagara umbrella.[15] The next ruler, Deva Raya I, emerged successful against the Gajapatis of Orissa and undertook important works of fortification and irrigation.[16]Deva Raya II (called Gajabetekara)[17] succeeded to the throne in 1424 and was possibly the most capable of the Sangama dynasty rulers.[18] He quelled rebelling feudal lords as well as the Zamorin of Calicut and Quilon in the south. He invaded the island of Lanka and became overlord of the kings of Burma at Pegu and Tanasserim.[19][20][21] The empire declined in the late 15th century until the serious attempts by commander Saluva Narasimha Deva Raya in 1485 and by general Tuluva Narasa Nayaka in 1491 to reconsolidate the empire. After nearly two decades of conflict with rebellious chieftains, the empire eventually came under the rule of Krishnadevaraya, the son of Tuluva Narasa Nayaka.[22]

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In the following decades the Vijayanagara empire dominated all of Southern India and fought off invasions from the five established Deccan Sultanates.[23][24] The empire reached its peak during the rule of Krishnadevaraya

when Vijayanagara armies were consistently victorious.[25] The empire annexed areas formerly under the Sultanates in the northern Deccan and the territories in the eastern Deccan, including Kalinga, while

simultaneously maintaining control over all its subordinates in the south.[26] Many important monuments were either completed or commissioned during the time of Krishnadevaraya.[27]

Krishnadevaraya was followed by Achyuta Raya in 1530 and in 1542 by Sadashiva Raya while the real power lay with Aliya Rama Raya, the son-in-law of Krishnadevaraya, whose relationship with the Deccan Sultans who allied against him has been debated.[28]

Virupaksha temple, Hampi

The sudden capture and killing of Aliya Rama Raya in 1565 at the Battle of Talikota, against an alliance of the Deccan sultanates, after a seemingly easy victory for the Vijayanagara armies, created havoc and confusion in the Vijayanagara ranks, which were then completely routed. The Sultanates' army later plundered Hampi and reduced it to the ruinous state in which it remains; it was never re-occupied. Tirumala Raya, the sole surviving

commander, left Vijayanagara for Penukonda with vast amounts of treasure on the back of 550 elephants.[29] The empire went into a slow decline regionally, although trade with the Portuguese continued, and the British were given a land grant for the establishment of Madras.[30][31]Tirumala Deva Raya was succeeded by his son

Sriranga I later followed by Venkata II who made Chandragiri his capital, repulsed the invasion of the Bahmani Sultanate and saved Penukonda from being captured.[32] His successor, Ramadeva, took power and ruled till 1632 after whose death, Venkata III became king and ruled for about ten years after which Vellore was made the capital. The empire was finally conquered by the Sultanates of Bijapur and Golkonda.[32] The largest feudatories of the Vijayanagar empire — the Mysore Kingdom, Keladi Nayaka, Nayaks of Madurai, Nayaks of Tanjore,

Nayakas of Chitradurga and Nayak Kingdom of Gingee — declared independence and went on to have a

significant impact on the history of South India in the coming centuries. These Nayaka kingdoms lasted into the 18th century while the Mysore Kingdom remained a princely state until Indian Independence in 1947 although they came under the British Raj in 1799 after the death of Tipu Sultan.[33]

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Natural fortress at Vijayanagara

Royal Insignia: The Boar, Sun, Moon and the Dagger

The rulers of the Vijayanagara empire maintained the well-functioning administrative methods developed by their predecessors, the Hoysala, Kakatiya and Pandya kingdoms, to govern their territories and made changes only where necessary.[34] The King was the ultimate authority, assisted by a cabinet of ministers (Pradhana) headed by the prime minister (Mahapradhana). Other important titles recorded in inscriptions were the chief secretary (Karyakartha or Rayaswami) and the imperial officers (Adhikari). All high ranking ministers and officers were required to have military training.[35] A secretariat near the king's palace employed scribes and officers to maintain records made official by using a wax seal imprinted with the ring of the king.[36] At the lower administrative levels, wealthy feudal landlords (Goudas) supervised accountants (Karanikas or Karnam) and guards (Kavalu). The palace administration was divided into 72 departments (!iyogas), each having several female attendants chosen for their youth and beauty (some imported or captured in victorious battles) who were trained to handle minor administrative matters and to serve men of nobility as courtesans or concubines.[37] The empire was divided into five main provinces (Rajya), each under a commander (Dandanayaka or

Dandanatha) and headed by a governor, often from the royal family, who used the native language for

administrative purposes.[38] A Rajya was divided into regions (Vishaya Vente or Kottam), and further divided into counties (Sime or !adu) themselves subdivided into municipalities (Kampana or Sthala). Hereditary families ruled their respective territories and paid tribute to the empire while some areas, such as Keladi and Madurai, came under the direct supervision of a commander.

On the battlefields, the king's commanders led the troops. The empire's war strategy rarely involved massive invasions; more often it employed small scale methods such as attacking and destroying individual forts. The empire was among the first in India to use long range artillery commonly manned by foreign gunners. (Gunners from present day Turkmenistan were considered the best).[39] Army troops were of two types: The king's personal army directly recruited by the empire and the feudal army under each feudatory. King Krishnadevaraya's personal army consisted of 100,000 infantry, 20,000 cavalrymen and over 900 elephants. This number was only a part of the army numbering over 1.1 million soldiers, a figure that varied as an army of two million has also been recorded along with the existence of a navy as evidenced by the use of the term !avigadaprabhu (commander of the navy).[40] The army recruited from all classes of society (supported by the collection of additional feudal tributes from feudatory rulers), and consisted of archers and musketeers wearing quilted tunics, shieldmen with swords and poignards in their girdles, and soldiers carrying shields so larges that no armour was necessary. The horses and elephants were fully armoured and the elephants had knives fastened to their tusks to do maximum damage in battle.[41]

The capital city was completely dependent on the water supply systems constructed to channel and store water, and ensure a consistent supply throughout the year. The remains of these hydraulic systems have given historians a picture of the prevailing surface water distribution methods in use at that time in South India's semiarid

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regions.[42] Contemporary inscriptions and notes of foreign travelers describe how huge tanks were constructed by labourers.[43] Excavations have uncovered the remains of a well-connected water distribution system existing solely within the royal enclosure and the large temple complexes (suggesting it was for the exclusive use of royalty, and for special ceremonies) with sophisticated channels using gravity and siphons to transport water

through pipelines.[44] The only structures resembling public waterworks are the remains of large water tanks that collected the seasonal monsoon water and then dried up in summer except for the few fed by springs. In the fertile agricultural areas near the Tungabhadra River, canals were dug to guide the river water into irrigation tanks. These canals had sluices that were opened and closed to control the water flow. In other areas the administration encouraged the digging of wells monitored by administrative authorities. Large tanks in the capital city were constructed with royal patronage while smaller tanks were funded by wealthy individuals to gain social and religious merit.

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Ancient Market place and plantation at Hampi

The empire's economy was largely dependent on agriculture. Corn (jowar), cotton and pulse legumes grew in semi arid regions, while sugarcane, rice and wheat thrived in rainy areas. Betel leaves, areca (for chewing), and coconut were the principal cash crops, and large scale cotton production supplied the weaving centers of the empire's vibrant textile industry. Spices such as turmeric, pepper, cardamom and ginger grew in the remote Malnad hill region and were transported to the city for trade. The empire's capital city was a thriving business centre that included a burgeoning market in large quantities of precious gems and gold.[45] Prolific temple-building provided employment to thousands of

masons, sculptors, and other skilled artisans.

Land ownership was important. Most of the growers were tenant farmers

and were given the right of part ownership of the land over time. Tax policies encouraging needed produce made distinctions between land use to determine tax levies. For example, the daily market availability of rose petals was important for perfumers, so cultivation of roses received a lower tax assessment.[46] Salt production and the manufacture of salt pans

were controlled by similar means. The making of ghee (clarified butter), which was sold as an oil for human consumption and as a fuel for lighting lamps, was profitable.[47] Exports to China intensified and included cotton, spices, jewels, semi-precious stones, ivory, rhino horn, ebony, amber, coral, and aromatic products such as perfumes. Large vessels from China made frequent visits, some captained by the Chinese Admiral Cheng Ho, and brought Chinese products to the empire's 300 ports, large and small, on the Arabian Sea and the Bay of Bengal. The ports of Mangalore, Honavar, Bhatkal, Barkur, Cochin, Cannanore,

Machilipatnam and Dharmadam were the most important.[48]

When merchant ships docked, the merchandise was taken into official custody and taxes levied on all items sold. The security of the

merchandise was guaranteed by the administration officials. Traders of many nationalities (Arabs, Persians, Guzerates, Khorassanians) settled in

Calicut, drawn by the thriving trade business.[48] Ship building prospered and keeled ships of 1000–1200 bahares (burden) were built without decks by sewing the entire hull with ropes rather than fastening them with nails. Ships sailed to the Red Sea ports of Aden and Mecca with

Vijayanagara goods sold as far away as Venice. The empire's principal exports were pepper, ginger, cinnamon, cardamom, myrobalan, tamarind timber, anafistula, precious and semi-precious stones, pearls, musk, ambergris,

Part of a series on the

History of Karnataka

Origin of Karnataka's name Kadambas and Gangas

Chalukya dynasty Rashtrakuta Dynasty Western Chalukya Empire

Southern Kalachuri Hoysala Empire

Vijayanagara Empire

Bahmani Sultanate Bijapur Sultanate

Political history of medieval Karnataka

Kingdom of Mysore Unification of Karnataka

Societies Economies

Architectures Forts

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rhubarb, aloe, cotton cloth and porcelain.[48] Cotton yarn was shipped to Burma and indigo to Persia. Chief

imports from Palestine were copper, quicksilver (mercury), vermilion, coral, saffron, coloured velvets, rose water, knives, coloured camlets, gold and silver. Persian horses were imported to Cannanore before a two week land trip to the capital. Silk arrived from China and sugar from Bengal.

East coast trade hummed, with goods arriving from Golkonda where rice, millet, pulse and tobacco were grown on a large scale. Dye crops of indigo and chay root were produced for the weaving industry. A mineral rich region, Machilipatnam was the gateway for high quality iron and steel exports. Diamond mining was active in the Kollur region.[49] The cotton weaving industry produced two types of cottons, plain calico and muslin (brown, bleached or dyed). Cloth printed with coloured patterns crafted by native techniques were exported to Java and the Far East. Golkonda specialised in plain cotton and Pulicat in printed. The main imports on the east coast were non-ferrous metals, camphor, porcelain, silk and luxury goods.[50]

[

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] Culture

[

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] Social life

!āga (snake) stone worship at Hampi

Most information on the social life in Vijayanagara empire comes from the writings of foreign visitors and

evidence that research teams in the Vijayanagara area have uncovered. The Hindu caste system was prevalent and rigidly followed, with each caste represented by a local body of elders who represented the community. These elders set the rules and regulations that were implemented with the help of royal decrees. Untouchability was part of the caste system and these communities were represented by leaders (Kaivadadavaru). The Muslim

communities were represented by their own group in coastal Karnataka.[51] The caste system did not, however, prevent distinguished persons from all castes from being promoted to high ranking cadre in the army and administration. In civil life, by virtue of the caste system, Brahmins enjoyed a high level of respect. With the exception of a few who took to military careers, most Brahmins concentrated on religious and literary matters. Their separation from material wealth and power made them ideal arbiters in local judicial matters, and their presence in every town and village was a calculated investment made by the nobility and aristocracy to maintain order.[52] However, the popularity of low-caste scholars (such as Molla and Kanakadasa) and their works

(including those of Vemana and Sarvajna) is an indication of the degree of social fluidity in the society. The practice of Sati was common, though voluntary, and mostly practiced among the upper classes. Over fifty inscriptions attesting to this have been discovered in the Vijayanagara principality alone. These inscriptions are called Satikal (Sati stone) or Sati-virakal (Sati hero stone). Satikals commemorated the death of a woman by entering into fire after the death of her husband while Sati-virakals were made for a woman who performed Sati after her husband's heroic death. Either way, the woman was raised to the level of a demi-goddess and proclaimed by the sculpture of a Sun and crescent moon on the stone.[53]

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The socio-religious movements of the previous centuries, such as Lingayatism, provided momentum for flexible social norms to which women were expected to abide. By this time South Indian women had crossed most barriers and were actively involved in matters hitherto considered the monopoly of men, such as administration, business and trade, and involvement in the fine arts.[54]Tirumalamba Devi who wrote Varadambika Parinayam and Gangadevi who wrote Madhuravijayam were among the notable women poets of the era.[55] Early Telugu women poets like Tallapaka Timmakka and Atukuri Molla became popular during this period. The court of the

Nayaks of Tanjore is known to have patronised several women poets. The Devadasi system existed, as well as legalised prostitution relegated to a few streets in each city.[56] The popularity of harems amongst men of the royalty is well known from records.

Well-to-do men wore the Pethaor Kulavi, a tall turban made of silk and decorated with gold. As in most Indian societies, jewellery was used by men and women and records describe the use of anklets, bracelets, finger-rings, necklaces and ear rings of various types. During celebrations, men and women adorned themselves with flower garlands and used perfumes made of rose water, civet, musk or sandalwood.[57] In stark contrast to the commoners whose lives were modest, the lives of the empire's kings and queens were full of ceremonial pomp in the court. Queens and princesses had numerous attendants who were lavishly dressed and adorned with fine jewellery, their daily duties being light.[58]

Physical exercises were popular with men and wrestling was an important male preoccupation for sport and entertainment. Even women wrestlers are mentioned in records.[59] Gymnasiums have been discovered inside royal quarters and records speak of regular physical training for commanders and their armies during peace time.[60] Royal palaces and market places had special arenas where royalty and common people alike amused themselves by watching matches such as cock fights, ram fights and wrestling between women.[60] Excavations within the Vijayanagara city limits have revealed the existence of various types of community-based activities in the form of engravings on boulders, rock platforms and temple floors, implying these were places of casual social interaction. Some of these games are in use today and others are yet to be identified.[61]

[

edit

] Religion

Main article: Haridasas of Vijayanagar Empire

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Balakrishna Temple at Hampi

Lord Rama breaking Shiva's bow in Hazare Rama Temple at Hampi

Although the empire was built to shield HinduDharma from the onslaughts of the Mughal Empire and the Deccan sultanates, the Vijayanagara kings were tolerant of all religions and sects as writings by foreign visitors show.[62] The kings used titles such as Gobrahamana Pratipalanacharya ("protector of cows") and

Hindurayasuratrana ("upholder of Hindu faith") that testified to their intention of protecting Hinduism. The

Empire's founders Harihara I and Bukka Raya I were devout Shaivas (worshippers of Shiva), but made grants to the Vaishnava order of Sringeri with Vidyaranya as their patron saint, and designated Varaha (the boar, an avatar

of Vishnu) as their emblem.[63] The later Saluva and Tuluva kings were Vaishnava by faith, but worshipped at the feet of Lord Virupaksha (Shiva) at Hampi as well as Lord Venkateshwara (Vishnu) at Tirupati. A Sanskrit work,

Jambavati Kalyanam by King Krishnadevaraya, called Lord Virupaksha Karnata Rajya Raksha Mani ("protective

jewel of Karnata Empire").[64] The kings patronised the saints of the dvaita order (philosophy of dualism) of

Madhvacharya at Udupi.[65]

The Bhakti (devotional) movement was active during this time, and involved well known Haridasas (devotee saints) of that time. Like the Virashaiva movement of the 12th century, this movement presented another strong current of devotion, pervading the lives of millions. The haridasas represented two groups, the Vyasakuta and

Dasakuta, the former being required to be proficient in the Vedas, Upanishads and other Darshanas, while the

Dasakuta merely conveyed the message of Madhvacharya through the Kannada language to the people in the

form of devotional songs (Devaranamas and Kirthanas). The philosophy of Madhvacharya was spread by eminent disciples such as Naraharitirtha, Jayatirtha, Vyasatirtha, Sripadaraya, Vadirajatirtha and others.[66] Vyasatirtha, the guru (teacher) of Vadirajatirtha, Purandaradasa (Father of Carnatic music[67][68]) and

Kanakadasa[69] earned the devotion of King Krishnadevaraya.[70][71][72] The king considered the saint his

Kuladevata (family deity) and honoured him in his writings.[73] During this time, another great composer of early carnatic music, Annamacharya composed hundreds of Kirthanas in Telugu at Tirupati in present day Andhra Pradesh.[74]

The defeat of the JainWestern Ganga Dynasty by the Cholas in early 11th century and the rising numbers of followers of Vaishnava Hinduism and Virashaivism in the 12th century was mirrored by a decreased interest in Jainism.[75] Two notable locations of Jain worship in the Vijayanagara territory were Shravanabelagola and

Kambadahalli.

Islamic contact with South India began as early as the 7th century, a result of trade between the Southern kingdoms and Arab lands. JummaMasjids existed in the Rashtrakuta empire by the 10th century[76] and many mosques flourished on the Malabar coast by the early 14th century.[77] Muslim settlers married local women; their children were known as Mappillas (Moplahs) and were actively involved in horse trading and manning shipping

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fleets. The interactions between the Vijayanagara empire and the Bahamani Sultanates to the north increased the presence of Muslims in the south. The introduction of Christianity began as early as the 8th century as shown by the finding of copper plates inscribed with land grants to Malabar Christians. Christian travelers wrote of the scarcity of Christians in South India in the Middle Ages, promoting its attractiveness to missionaries.[78] The arrival of the Portuguese in the 15th century and their connections through trade with the empire, the propagation of the faith by Saint Xavier (1545) and later the presence of Dutch settlements fostered the growth of Christianity in the south.

[

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] Literature

Main article: Vijayanagara Empire Literature

During the rule of the Vijayanagar Empire, poets, scholars and philosophers wrote in Sanskrit and the regional languages, Kannada, Telugu and Tamil and covered such subjects as religion, biography, Prabhanda (fiction), music, grammar, poetry and medicine. The Telugu language became a popular literary medium, reaching its peak under the patronage of Krishnadevaraya.

Most Sanskrit works were commentaries either on the Vedas or on the Ramayana and Mahabharata epics, written by well known figures such as Sayana and Vidyaranya that extolled the superiority of the Advaita philosophy over other rival Hindu philosophies.[79] Other writers were famous Dvaita saints of the Udupi order such as Jayatirtha (earning the title Tikacharya for his polemicial writings), Vyasatirtha who wrote rebuttals to the Advaita philosophy and of the conclusions of earlier logicians, and Vadirajatirtha and Sripadaraya both of whom criticised the beliefs of Adi Sankara.[80] Apart from these saints, noted Sanskrit scholars adorned the courts of the Vijayanagara kings and their feudatory chiefdoms. Many kings of the dynasty were themselves litterateurs and authored classics such as King Krishnadevaraya's Jambavati Kalyana, a poetic and dramatically skillful work.[81] The Kannada poets and scholars of the empire produced important writings supporting the Vaishnava Bhakti

movement heralded by the Haridasas (devotees of Vishnu), Brahminical and Virashaiva (Lingayatism) literature.

The Haridasa poets celebrated their devotion through songs called Devaranama (lyrical poems) in the ragale

metre. Their inspirations were the teachings of Madhvacharya and Vyasatirtha. Purandaradasa and Kanakadasa are considered the foremost among many Dasas (devotees) by virtue of their immense contribution.[82]Kumara Vyasa, the most notable of Brahmin scholars wrote Gadugina Bharata, a translation of the epic Mahabharata. This work marks a transition of Kannada literature from old Kannada to modern Kannada.[83]Chamarasa was a famous Virashaiva scholar and poet who had many debates with Vaishnava scholars in the court of Devaraya II. His Prabhulinga Lile, later translated into Telugu and Tamil, was a eulogy of Saint Allama Prabhu (the saint was considered an incarnation of Lord Ganapathi while Parvati took the form of a princess of Banavasi).[84]

At this peak of Telugu literature, the most famous writing in the Prabhanda style was Manucharitamu. King Krishnadevaraya was an accomplished Telugu scholar and wrote the celebrated Amuktamalyada.[85] In his court were the eight famous scholars regarded as the pillars (Ashtadiggajas) of the literary assembly, the most famous being Allasani Peddana honoured with the title Andhrakavitapitamaha (father of Telugu poetry) and Tenali Ramakrishna, Krishnadevaraya's court jester who authored several acclaimed works.[86] This was the age of

Srinatha, the greatest of all Telugu poets in legend, who wrote books like Marutratcharitamu and

Salivahana-sapta-sati. He was patronised by King Devaraya II and his stature was equal to the most important ministers in

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Though much of the Tamil literature from this period came from Tamil speaking regions ruled by the feudatory Pandya who gave particular attention on the cultivation of Tamil literature, some poets were patronised by the Vijayanagara kings. Svarupananda Desikar wrote an anthology of 2824 verses, Sivaprakasap-perundirattu, on the Advaita philosophy. His pupil the ascetic, Tattuvarayar, wrote a shorter anthology, Kurundirattu, that contained about half the number of verses. Krishnadevaraya patronised the Tamil Vaishnava poet Haridasa whose

Irusamaya Vilakkam was an exposition of the two Hindu systems, Vaishnava and Shaiva, with a preference for

the former.[88]

Notable among secular writings on music and medicine were Vidyaranya's Sangitsara, Praudha Raya's

Ratiratnapradipika, Sayana's Ayurveda Sudhanidhi and Lakshmana Pandita's Vaidyarajavallabham.[89]

[

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] Architecture

Main articles: Vijayanagara Architecture, Vijayanagara, and Hampi

Yali pillars in Aghoreshwara Temple at Ikkeri in Shimoga District

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Inside the Hazara Rama temple at Hampi

Vijayanagara architecture is a vibrant combination of the Chalukya, Hoysala, Pandya and Chola styles, idioms that prospered in previous centuries.[90][91] Its legacy of sculpture, architecture and painting influenced the development of the arts long after the empire came to an end. Its stylistic hallmark is the ornate pillared

Kalyanamantapa (marriage hall), Vasanthamantapa (open pillared halls) and the Rayagopura (tower). Artisans

used the locally available hard granite because of its durability since the kingdom was under constant threat of invasion. While the empire's monuments are spread over the whole of Southern India, nothing surpasses the vast open air theatre of monuments at its capital at Vijayanagara, a UNESCOWorld Heritage Site.[92]

In the 14th century the kings continued to build Vesara or Deccan style monuments but later incorporated

dravida-style gopurams to meet their ritualistic needs. The Prasanna Virupaksha temple (underground temple) of

Bukka Raya I and the Hazare Rama temple of Deva Raya I are examples of Deccan architecture.[93] The varied and intricate ornamentation of the pillars is a mark of their work.[94] At Hampi, though the Vitthala temple is the best example of their pillared Kalyanamantapa style, the Hazara Ramaswamy temple is a modest but perfectly finished example.[95] A visible aspect of their style is their return to the simplistic and serene art developed by the Chalukya dynasty.[96] A grand specimen of Vijayanagara art, the Vitthala temple, took several decades to

complete during the reign of the Tuluva kings.[97]

Another element of the Vijayanagara style is the carving of large monoliths such as the Sasivekalu (mustard)

Ganesha and Kadalekalu (Ground nut) Ganesha at Hampi, the Gomateshwara statues in Karkala and Venur, and the Nandi bull in Lepakshi. The Vijayanagara temples of Bhatkal, Kanakagiri, Sringeri and other towns of coastal Karnataka, as well as Tadpatri, Lepakshi, Ahobilam, Tirupati and Srikalahasti in Andhra Pradesh, and Vellore,

Kumbakonam, Kanchi and Srirangam in Tamil Nadu are examples of this style. Vijayanagara art includes wall-paintings such as Dasavathara (ten avatars of Vishnu) and Girijakalyana (marriage of Goddess Parvati) in the

Virupaksha temple at Hampi, the Shivapurana paintings (tales of Shiva) at the Virabhadra temple at Lepakshi, and those at the Jain basadi (temple) and the Kamaskshi and Varadaraja temple at Kanchi.[98] This mingling of the South Indian styles resulted in a richness not seen in earlier centuries, a focus on reliefs in addition to sculpture that surpasses that previously in India.[99]

An aspect of Vijayanagara architecture that shows the cosmopolitanism of the great city is the presence of many secular structures bearing Islamic features. While political history concentrates on the ongoing conflict between the Vijayanagara empire and the Deccan Sultanates, the architectural record reflects a more creative interaction. There are many arches, domes and vaults that show these influences. The concentration of structures like

pavilions, stables and towers suggests they were for use by royalty.[100] The decorative details of these structures may have been absorbed into Vijayanagara architecture during the early 15th century, coinciding with the rule of Deva Raya I and Deva Raya II. These kings are known to have employed many Muslims in their army and court, some of whom may have been Muslim architects. This harmonious exchange of architectural ideas must have happened during rare periods of peace between the Hindu and Muslim kingdoms.[101] The "Great Platform" (Mahanavami dibba) has relief carvings in which the figures seem to have the facial features of central Asian Turks who were known to have been employed as royal attendants.[102]

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[

edit

] Language

Poetic inscription in Kannada by Vijayanagara poet Manjaraja (1398 CE)

Kannada, Telugu and Tamil were used in their respective regions of the empire. Over 7000 inscriptions (Shasana) including 300 copper plate inscriptions (Tamarashasana) have been recovered, almost half of which are in

Kannada, the remaining in Telugu, Tamil and Sanskrit.[103][104] Bilingual inscriptions had lost favour by the 14th century.[105] The empire minted coins at Hampi, Penugonda and Tirupati with Nagari, Kannada and Telugu legends usually carrying the name of the ruler.[106][107] Gold, silver and copper were used to issue coins called

Gadyana, Varaha, Pon, Pagoda, Pratapa, Pana, Kasu and Jital.[108] The coins contained the images of various Gods including Balakrishna (infant Krishna), Venkateshwara (the presiding deity of the temple at Tirupati), Goddesses such as Bhudevi and Sridevi, divine couples, animals such as bulls and elephants and birds. The earliest coins feature Hanuman and the Garuda (divine eagle), the vehicle of Lord Vishnu. Kannada and Telugu inscriptions have been deciphered and recorded by historians of the Archaeological Survey of India.[109][110]

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CHAPTER 1

Introduction

Introductory remarks -- Sources of information -- Sketch of history of Southern India down to A.D. 1336 -- A Hindu bulwark against Muhammadan conquest -- The opening date, as given by Nuniz, wrong -- "Togao Mamede" or Muhammad Taghlaq of Delhi -- His career and character.

In the year 1336 A.D., during the reign of Edward III. of England, there occurred in India an event which almost instantaneously changed the political condition of the entire south. With that date the volume of ancient history in that tract closes and the modern begins. It is the epoch of transition from the Old to the New.

This event was the foundation of the city and kingdom of Vijayanagar. Prior to A.D. 1336 all Southern India had lain under the domination of the ancient Hindu kingdoms, -- kingdoms so old that their origin has never been traced, but which are mentioned in Buddhist edicts rock-cut sixteen centuries earlier; the Pandiyans at Madura, the Cholas at Tanjore, and others. When Vijayanagar sprang into existence the past was done with for ever, and the monarchs of the new state became lords or overlords of the territories lying between the Dakhan and Ceylon.

There was no miracle in this. It was the natural result of the persistent efforts made by the Muhammadans to conquer all India. When these dreaded invaders reached the Krishna River the Hindus to their south, stricken with terror, combined, and gathered in haste to the new standard which alone seemed to offer some hope of protection. The decayed old states crumbled away into nothingness, and the fighting kings of Vijayanagar became the saviours of the south for two and a half centuries.

And yet in the present day the very existence of this kingdom is hardly remembered in India; while its once magnificent capital, planted on the extreme northern border of its dominions and bearing the proud title of the "City of Victory," has entirely disappeared save for a few scattered ruins of buildings that were once temples or palaces, and for the long lines of massive walls that constituted its defences. Even the name has died out of men's minds and memories, and the remains that mark its site are known only as the ruins lying near the little village of Hampe.

Its rulers, however, in their day swayed the destinies of an empire far larger than Austria, and the city is declared by a succession of European visitors in the fifteenth and sixteenth centuries to have been marvellous for size and

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prosperity -- a city with which for richness and magnificence no known western capital could compare. Its importance is shown by the fact that almost all the struggles of the Portuguese on the western coast were carried on for the purpose of securing its maritime trade; and that when the empire fell in 1565, the prosperity of Portuguese Goa fell with it never to rise again. Our very scanty knowledge of the events that succeeded one another in the large area dominated by the kings of Vijayanagar has been hitherto derived partly from the scattered remarks of European travellers and the desultory references in their writings to the politics of the inhabitants of India; partly from the summaries compiled by careful mediaeval historians such as Barros, Couto, and Correa, who, though to a certain degree interested in the general condition of the country, yet confined themselves mostly to recording the deeds of the European colonisers for the enlightenment of their European readers; partly from the chronicles of a few Muhammadan writers of the period, who often wrote in fear of the displeasure of their own lords; and partly from Hindu inscriptions recording grants of lands to temples and religious institutions, which documents, when viewed as state papers, seldom yield us more than a few names and dates. The two chronicles, however, translated and printed at the end of this volume, will be seen to throw a flood of light upon the condition of the city of Vijayanagar early in the sixteenth century, and upon the history of its successive dynasties; and for the rest I have attempted, as an introduction to these chronicles, to collect all available materials from the different authorities alluded to and to weld them into a consecutive whole, so as to form a foundation upon which may hereafter be constructed a regular history of the Vijayanagar empire. The result will perhaps seem disjointed, crude, and uninteresting; but let it be remembered that it is only a first attempt. I have little doubt that before very long the whole history of Southern India will be compiled by some writer gifted with the power of "making the dry bones live;" but meanwhile the bones themselves must be collected and pieced together, and my duty has been to try and construct at least the main portions of the skeleton.

Before proceeding to details we must shortly glance at the political condition of India in the first half of the fourteenth century, remembering that up to that time the Peninsula had been held by a number of distinct Hindu kingdoms, those of the Pandiyans at Madura and of the Cholas at Tanjore being the most important.

The year 1001 A.D. saw the first inroad into India of the Muhammadans from over the north-west border, under their great leader Mahmud of Ghazni. He invaded first the plains of the Panjab, then Multan, and afterwards other places. Year after year he pressed forward and again retired. In 1021 he was at Kalinga; in 1023 in Kathiawar; but in no case did he make good his foothold on the country. His expeditions were raids and nothing more. Other invasions, however, followed in quick succession, and after the lapse of two centuries the

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Muhammadans were firmly and permanently established at Delhi. War followed war, and from that period Northern India knew no rest. At the end of the thirteenth century the Muhammadans began to press southwards into the Dakhan. In 1293 Ala-ud-din Khilji, nephew of the king of Delhi, captured Devagiri. Four years later Gujarat was attacked. In 1303 the reduction of Warangal was attempted. In 1306 there was a fresh expedition to Devagiri. In 1309 Malik Kafur, the celebrated general, with an immense force swept into the Dakhan and captured Warangal. The old capital of the Hoysala Ballalas at Dvarasamudra was taken in 1310, and Malik Kafur went to the Malabar coast where he erected a mosque, and afterwards returned to his master with enormous booty.[6] Fresh fighting took place in 1312. Six years later Mubarak of Delhi marched to Devagiri and inhumanly flayed alive its unfortunate prince, Haripala Deva, setting up his head at the gate of his own city. In 1323 Warangal fell.

Thus the period at which our history opens, about the year 1330, found the whole of Northern India down to the Vindhya mountains firmly under Moslem rule, while the followers of that faith had overrun the Dakhan and were threatening the south with the same fate. South of the Krishna the whole country was still under Hindu domination, but the supremacy of the old dynasties was shaken to its base by the rapidly advancing terror from the north. With the accession in 1325 of Muhammad Taghlaq of Delhi things became worse still. Marvellous stories of his extraordinary proceedings circulated amongst the inhabitants of the Peninsula, and there seemed to be no bound to his intolerance, ambition, and ferocity.

Everything, therefore, seemed to be leading up to but one inevitable end -- the ruin and devastation of the Hindu provinces; the annihilation of their old royal houses, the destruction of their religion, their temples, their cities. All that the dwellers in the south held most dear seemed tottering to its fall.

Suddenly, about the year 1344 A.D., there was a check to this wave of foreign invasion -- a stop -- a halt -- then a solid wall of opposition; and for 250 years Southern India was saved.

The check was caused by a combination of small Hindu states -- two of them already defeated, Warangal and Dvarasamudra -- defeated, and therefore in all probability not over-confident; the third, the tiny principality of Anegundi. The solid wall consisted of Anegundi grown into the great empire of the Vijayanagar. To the kings of this house all the nations of the south submitted. If a straight line be drawn on the map of India from Bombay to Madras, about half-way across will be found the River Tungabhadra, which, itself a combination of two streams running northwards from Maisur, flows in a wide circuit north and east to join the Krishna not far from Kurnool. In the middle of its course the Tungabhadra cuts through a wild rocky country lying about forty

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miles north-west of Bellary, and north of the railway line which runs from that place to Dharwar. At this point, on the north bank of the river, there existed about the year 1330 a fortified town called Anegundi, the "Nagundym" of our chronicles, which was the residence of a family of chiefs owning a small state in the neighbourhood. They had, in former years, taken advantage of the lofty hills of granite which cover that tract to construct a strong citadel having its base on the stream. Fordable at no point within many miles the river was full of running water at all seasons of the year, and in flood times formed in its confined bed a turbulent rushing torrent with dangerous falls in several places. Of the Anegundi chiefs we know little, but they were probably feudatories of the Hoysala Ballalas. Firishtah declares that they had existed as a ruling family for seven hundred years prior to the year 1350 A.D.[7]

The chronicle of Nuniz gives a definite account of how the sovereigns of Vijayanagar first began to acquire the power which afterwards became so extensive. This account may or may not be accurate in all details, but it at least tallies fairly with the epigraphical and other records of the time. According to him, Muhammad Taghlaq of Delhi, having reduced Gujarat, marched southwards through the Dakhan Balaghat, or high lands above the western ghats, and a little previous to the year 1336[8] seized the town and fortress of Anegundi. Its chief was slain, with all the members of his family. After a futile attempt to govern this territory by means of a deputy, Muhammad raised to the dignity of chief of the state its late minister, a man whom Nuniz calls "Deorao," for "Deva Raya." or Harihara Deva I. The new chief founded the city of Vijayanagar on the south bank of the river opposite Anegundi and made his residence there, with the aid of the great religious teacher Madhava, wisely holding that to place the river between him and the ever-marauding Moslems was to establish himself and his people in a condition of greater security than before. He was succeeded by "one called Bucarao" (Bukka), who reigned thirty-seven years, and the next king was the latter's son, "Pureoyre Deo" (Harihara Deva II.).

We know from other sources that part at least of this story is correct. Harihara I. and Bukka were the first two kings and were brothers, while the third king, Harihara II., was certainly the son of Bukka.

The success of the early kings was phenomenal. Ibn Batuta, who was in India from 1333 to 1342, states that even in his day a Muhammadan chief on the western coast was subject to Harihara I., whom he calls "Haraib" or "Harib," from "Hariyappa" another form of the king's name; while a hundred years later Abdur Razzak, envoy from Persia, tells us that the king of Vijayanagar was then lord of all Southern India, from sea to sea and from the Dakhan to Cape Comorin -- "from the frontier of Serendib (Ceylon) to the extremities of the country of Kalbergah ... His troops amount in number to eleven lak," I.E. 1,100,000. Even so early as 1378 A.D., according to Firishtah,[9] the Raya of

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Vijayanagar was "in power, wealth, and extent of country" greatly the superior of the Bahmani king of the Dakhan.

The old southern states appear (we have little history to guide us) to have in general submitted peaceably to the rule of the new monarchy. They were perhaps glad to submit if only the dreaded foreigners could be kept out of the country. And thus by leaps and bounds the petty state grew to be a kingdom, and the kingdom expanded till it became an empire. Civil war and rebellion amongst the Muhammadans helped Harihara and Bukka in their enterprise. Sick of the tyranny and excesses of Muhammad Taghlaq, the Dakhan revolted in 1347, and the independent kingdom of the Bahmanis was for a time firmly established.

The chronicle of Nuniz opens with the following sentence: --

"In the year twelve hundred and thirty these parts of India were ruled by a greater monarch than had ever reigned. This was the king of Dili,[10] who by force of arms and soldiers made war on Cambaya for many years, taking and destroying in that period the land of Guzarate which belongs to Cambaya,[11] and in the end he became its lord."

After this the king of Delhi advanced against Vijayanagar by way of the Balaghat.

This date is a century too early, as already pointed out. The sovereign referred to is stated in the following note (entered by Nuniz at the end of Chapter xx., which closes the historical portion of his narrative) to have been called "Togao Mamede."

"This king of Delhi they say was a Moor, who was called Togao Mamede. He is held among the Hindus as a saint. They relate that once while he was offering prayer to God, there came to him four arms with four hands; and that every time he prayed roses fell to him from out of heaven. He was a great conqueror, he held a large part of this earth under his dominion, he subdued ... (blank in original) kings, and slew them, and flayed them, and brought their skins with him; so that besides his own name, he received the nickname ... which means 'lord of ... skins of kings;' he was chief of many people.

"There is a story telling how he fell into a passion on account of (BEING GIVEN?) eighteen letters (OF THE ALPHABET TO HIS NAME?), when according to his own reckoning he was entitled to twenty-four.[12] There are tales of him which do indeed seem most marvellous of the things that he did; as, for instance, how he made ready an army because one day in the morning, while standing dressing at a window which was closed, a ray of the sun came into his eyes, and he cried out that he would not rest until he had killed or vanquished whomsoever had dared to enter his apartments while he was

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dressing. All his nobles could not dissuade him from his purpose, even though they told him it was the sun that had done it, a thing without which they could not live, that it was a celestial thing and was located in the sky, and that he could never do any harm to it. With all this he made his forces ready, saying that he must go in search of his enemy, and as he was going along with large forces raised in the country through which he began his march so much dust arose that it obscured the sun. When he lost sight of it he made fresh inquiries as to what the thing was, and the captains told him that there was now no reason for him to wait, and that he might return home since he had put to flight him whom he had come to seek. Content with this, the king returned by the road that he had taken in his search for the sun, saying that since his enemy had fled he was satisfied.

"Other extravagances are told of him which make him out a great lord, as, for instance, that being in the Charamaodel country he was told that certain leagues distant in the sea there was a very great island, and its land was gold, and the stones of its houses and those which were produced in the ground were rubies and diamonds: in which island there was a pagoda, whither came the angels from heaven to play music and dance. Being covetous of being the lord of this land, he determined to go there, but not in ships because he had not enough for so many people, so he began to cart a great quantity of stones and earth and to throw it into the sea in order to fill it up, so that he might reach the island; and putting this in hand with great labour he did so much that he crossed over to the island of Ceyllao, which is twelve or fifteen leagues off[13], This causeway that he made was, it is said, in course of time eaten away by the sea, and its remains now cause the shoals of Chillao. Melliquiniby,[14] his captain-general, seeing how much labour was being spent in a thing so impossible, made ready two ships in a port of Charamaodell which he loaded with much gold and precious stones, and forged some despatches as of an embassy sent in the name of the king of the island, in which he professed his obedience and sent presents; and after this the king did not proceed any further with his causeway.

"In memory of this work he made a very large pagoda, which is still there; it is a great place of pilgrimage.

"There are two thousand of these and similar stories with which I hope at some time to trouble your honour; and with other better ones, if God gives me life. I kiss your honour's hand."[15]

To conclusively establish the fact that this account can only refer to Muhammad Taghlaq of Delhi, who reigned from 1325 to 1351, it is necessary that we should look into the known character of that monarch and the events of his reign.

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Nuniz states that his "Togao Mamede" conquered Gujarat, was at war with Bengal, and had trouble with the Turkomans on the borders of Sheik Ismail, I.E. Persia.[16] To take these in reverse order. Early in the reign of Muhammad Taghlaq vast hordes of Moghuls invaded the Panjab and advanced almost unopposed to Delhi, where the king bought them off by payment of immense sums of money. Next as to Bengal. Prior to his reign that province had been subdued, had given trouble, and had again been reduced. In his reign it was crushed under the iron hand of a viceroy from Delhi, Ghiyas-ud-din Bahadur "Bura," who before long attempted to render himself independent. He styled himself Bahadur Shah, and issued his own coinage. In 1327 (A.H. 728) the legends on his coins acknowledge the overlordship of Delhi, but two years later they describe him as independent king of Bengal.[17] In 1333 Muhammad issued his own coinage for Bengal and proceeded against the rebel. He defeated him, captured him, flayed him alive, and causing his skin to be stuffed with straw ordered it to be paraded through the provinces of the empire as a warning to ambitious governors. With reference to Gujarat, Nuniz has been led into a slight error. Muhammad Taghlaq certainly did go there, but only in 1347. What he did do was to conquer the Dakhan. Firishtah mentions among his conquests Dvarasamudra, Malabar, Anegundi (under the name "Kampila," for a reason that will presently be explained), Warangal, &c, and these places "were as effectually incorporated with his empire as the villages in the vicinity of Delhi."[18] He also held Gujarat firmly. If, therefore, we venture to correct Nuniz in this respect, and say that "Togao Mamede" made war on the "Dakhan" instead of on "Gujarat," and then advanced against Anegundi (wrongly called "Vijayanagar," which place was not as yet founded) we shall probably be not far from the truth. The history of "Togao Mamede" so far is the history of Muhammad Taghlaq.

Then as to the extraordinary stories told of him. True or not, they apply to that sovereign. Muhammad is described by contemporary writers as having been one of the wonders of the age. He was very liberal, especially to those learned in the arts. He established hospitals for the sick and alm-houses for widows and orphans. He was the most eloquent and accomplished prince of his time. He was skilled in many sciences, such as physic, logic, astronomy, and mathematics. He studied the philosophies and metaphysics of Greece, and was very strict in religious observances.

"But," continues Firishtah, from whom the above summary is taken, "with all these admirable qualities he was wholly devoid of mercy or consideration for his people. The punishments he inflicted were not only rigid and cruel, but frequently unjust. So little did he hesitate to spill the blood of God's creatures that when anything occurred which excited him to proceed to that horrid extremity, one might have supposed his object was to exterminate the human species altogether. No single week passed without his having put to death one or more of the learned and holy men who surrounded him, or some of the secretaries who attended him."

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The slightest opposition to his will drove him into almost insane fury, and in these fits he allowed his natural ferocity full play. His whole life was spent in visionary schemes pursued by means equally irrational. He began by distributing enormous sums of money amongst his nobles, spending, so it is said, in one day as much as [pound sterling]500,000. He bought off the invading Moghuls by immense payments instead of repelling them by force of arms. Shortly after this he raised a huge army for the conquest of Persia, his cavalry, according to Firishtah, numbering 370,000 men. But nothing came of it except that the troops, not receiving their pay, dispersed and pillaged the country. Then he decided to try and conquer China and sent 100,000 men into the Himalayas, where almost all of them miserably perished; and when the survivors returned in despair the king put them all to death. He tried to introduce a depreciated currency into his territories as a means to wealth, issuing copper tokens for gold, which resulted in entire loss of credit and a standstill of trade. This failing to fill the treasury he next destroyed agriculture by intolerable exactions; the husbandmen abandoned their fields and took to robbery as a trade, and whole tracts became depopulated, the survivors living in the utmost starvation and misery and being despoiled of all that they possessed. Muhammad exterminated whole tribes as if they had been vermin. Incensed at the refusal of the inhabitants of a certain harassed tract to pay the inordinate demands of his subordinates, he ordered out his army as if for a hunt, surrounded an extensive tract of country, closed the circle towards the centre, and slaughtered every living soul found therein. This amusement was repeated more than once, and on a subsequent occasion he ordered a general massacre of all the inhabitants of the old Hindu city of Kanauj.[19] These horrors led of course to famine, and the miseries of the Hindus exceeded all power of description. On his return from Devagiri on one occasion he caused a tooth which he had lost to be interred in a magnificent stone mausoleum, which is still in existence at Bhir.

But perhaps the best known of his inhuman eccentricities was his treatment of the inhabitants of the great city of Delhi. Muhammad determined to transfer his capital thence to Devagiri, whose name he changed to Doulatabad. The two places are six hundred miles apart. The king gave a general order to every inhabitant of Delhi to proceed forthwith to Devagiri, and prior to the issue of this order he had the entire road lined with full-grown trees, transplanted for the purpose. The unfortunate people were compelled to obey, and thousands -- including women, children, and aged persons ---- died by the way. Ibn Batuta, who was an eye-witness of the scenes of horror to which this gave rise, has left us the following description: --

"The Sultan ordered all the inhabitants to quit the place (Delhi), and upon some delay being evinced he made a proclamation stating that what person soever, being an inhabitant of that city, should be found in any of its houses or streets should receive condign punishment. Upon this they all went out; but his servants finding a blind man in one of the houses and a bedridden one in

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the other, the Emperor commanded the bedridden man to be projected from a balista, and the blind one to be dragged by his feet to Daulatabad, which is at the distance of ten days, and he was so dragged; but his limbs dropping off by the way, only one of his legs was brought to the place intended, and was then thrown into it; for the order had been that they should go to this place. When I entered Delhi it was almost a desert."[20]

It is characteristic of Muhammad's whimsical despotism that shortly afterwards he ordered the inhabitants of different districts to go and repeople Delhi, which they attempted to do, but with little success. Batuta relates that during the interval of desolation the king mounted on the roof of his palace, and seeing the city empty and without fire or smoke said, "Now my heart is satisfied and my feelings are appeased."

Ibn Batuta was a member of this king's court, and had every opportunity of forming a just conclusion. He sums up his qualities thus: --

"Muhammad more than all men loves to bestow gifts and to shed blood. At his gate one sees always some fakir who has become rich, or some living being who is put to death. His traits of generosity and valour, and his examples of cruelty and violence towards criminals, have obtained celebrity among the people. But apart from this he is the most humble of men and the one who displays the most equity; the ceremonies of religion are observed at his court; he is very severe in all that concerns prayer and the punishment that follows omission of it ... his dominating quality is generosity.... It rarely happened that the corpse of some one who had been killed was not to be seen at the gate of his palace. I have often seen men killed and their bodies left there. One day I went to his palace and my horse shied. I looked before me and I saw a white heap on the ground, and when I asked what it was one of my companions said it was the trunk of a man cut into three pieces.... Every day hundreds of individuals were brought chained into his hall of audience, their hands tied to their necks and their feet bound together. Some were killed, and others were tortured or well beaten."[21]

A man of these seemingly opposite qualities, charity, generosity, and religious fervour linked to unbridled lust for blood and an apparently overmastering desire to take life, possesses a character so bizarre, so totally opposed to Hindu ideals, that he would almost of necessity be accounted as something superhuman, monstrous, a saint with the heart of a devil, or a fiend with the soul of a saint. Hence Muhammad in the course of years gathered round his memory, centuries after his death, all the quaint tales and curious legends which an Oriental imagination could devise; and whenever his name is mentioned by the old chroniclers it is always with some extraordinary story attached to it.

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Nuniz, therefore, though accurate in the main, was a century too early in his opening sentence. His "Togao Mamede" can be none other than Muhammad Taghlaq.

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CHAPTER 2

Origin of the Empire (A.D. 1316)

Muhammad's capture of Kampli and Anegundi -- Death of his nephew Baha-ud-din -- Malik Naib made governor of Anegundi -- Disturbances -- Harihara Deva Raya raised to be king of Anegundi -- Madhavacharya Vidyaranya -- The city of Vijayanagar founded -- Legends as to the origin of the new kingdom. The city of Vijayanagar is, as already stated, generally supposed to have been founded in the year 1336, and that that date is not far from the truth may be gathered from two facts. Firstly, there is extant an inscription of the earliest real king, Harihara I. or Hariyappa, the "Haraib" of Ibn Batuta,[23] dated in A.D. 1340. Secondly, the account given by that writer of a raid southwards by Muhammad Taghlaq tallies at almost all points with the story given at the beginning of the Chronicle of Nuniz, and this raid took place in 1334.[24]

For if a comparison is made between the narrative of Batuta and the traditional account given by Nuniz as to the events that preceded and led to the foundation of Vijayanagar, little doubt will remain in the mind that both relate to the same event. According to Ibn Batuta,[25] Sultan Muhammad marched southwards against his rebel nephew, Baha-ud-din Gushtasp, who had fled to the protection of the "Rai of Kambila," or "Kampila" as Firishtah calls the place, in his stronghold amongst the mountains. The title "Rai" unmistakably points to the Kanarese country, where the form "Raya" is used for "Rajah;" while in "Kambila" or "Kampila" we recognise the old town of Kampli, a fortified place about eight miles east of Anegundi, which was the citadel of the predecessors of the kings of Vijayanagar. Though not itself actually "amongst the mountains," Kampli is backed by the mass of rocky hills in the centre of which the great city was afterwards situated. It is highly natural to suppose that the "Rai," when attacked by the Sultan, would have quitted Kampli and taken refuge in the fortified heights of Anegundi, where he could defend himself with far greater chance of success than at the former place; and this would account for the difference in the names given by the two chroniclers. Ibn Batuta goes on to say that the Raya sent his guest safely away to a neighbouring chief, probably the Hoysala Ballala, king of Dvarasamudra in Maisur, then residing at Tanur. He caused a huge fire to be lit on which his wives and the wives of his nobles, ministers, and principal men immolated themselves, and this done he sallied forth with his followers to meet the invaders, and was slain. The town was taken, "and eleven sons of the Rai were made prisoners and carried to the Sultan, who made them all Mussalmans." After the fall of the place the Sultan "treated the king's sons with great

References

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