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Volume 9 Issue 1 Article 12

5-6-2016

My Sacred Space

My Sacred Space

Maho Morishita

College of Saint Benedict/Saint John's University

Follow this and additional works at: https://digitalcommons.csbsju.edu/obsculta

Part of the Religion Commons

ISSN: 2472-2596 (print) ISSN: 2472-260X (online)

Recommended Citation Recommended Citation

Morishita, Maho. 2016. My Sacred Space. Obsculta 9, (1) : 145-148. https://digitalcommons.csbsju.edu/ obsculta/vol9/iss1/12.

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Everyone has his or her own sacred space. Sometimes it is in the beauty of nature, and sometimes it is in the hustle and bus-tle of the big city. Sometimes it belongs to a religious place, and sometimes it belongs to a secular place. For me, it is in a small town in Japan, and it belongs to the Buddhist tradition. Its sacred-ness is created by three factors, namely the beauty of the architec-ture, history and education, and its changing atmosphere by time.

I was born in Nara, Japan in 1988. Nara was the capital of Japan about 1300 years ago,1 and because of that, the city has many

ancient Buddhist temples and Shinto shrines. It is not too much to say this city shaped my sense of holiness, especially my vision of a sacred space: Horyuji Temple. This temple is in my hometown, so I went to school passing through its temple yard. Horyuji Temple

My Sacred Space

Maho Morishita

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is a Buddhist temple built between 601 and 607 AD,2 and it is

reg-istered as a World Heritage Site because it is the oldest wooden building in the world.3 When visitors pass the temple gate, they

can see its cloister in the end of the approach. To enter the clois-ter, all people have to wash their hands and mouths at the fountain, the same as the Shinto custom. The cloister has a square shape, and inside of it, can be seen a pagoda, main hall, and auditori-um. The pagoda is a tower which was originally built to keep the ashes of Buddha, the main hall is a space to pray to Buddhist stat-ues, and the auditorium is a space to learn about Buddhism. All three of spaces contain many pieces of sacred art. The beauty of the architecture and wonder of art bring me a sense of sacredness.

In addition to the beauty of this sacred space, whenev-er I passed through the temple yard, I felt the weight of the his-tory. Horyuji Temple has been there since 1300 years ago as the center of Japanese Buddhist tradition. In that place, I imagined lots of monks over the centuries who have longed to visit, pray here, and learn here. I also remembered the stories of holy dhist monks who worked hard spreading the teaching of Bud-dhism with great respect because Japanese children usually learn about them in the history class. So I can say that one of the fac-tors which makes this space sacred is the weight of tradition.

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Notes:

1 Collcutt, Martin, Marius B. Jansen, and Isao. Kumakura. 1988. Cultural Atlas of Japan. New York: Facts on File. 62.

2 Horyuji Temple was built originally between 601 and 607 AD, destroyed by fire in 670 and immediately rebuilt. See Collcutt, Jensen and Kumakura, 56.

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