SRCD
Developmental
Methodology
Conference
Feb 9 2012
PLANNED MISSING
DATA DESIGNS
In planned missing data designs, participants are
randomly assigned to conditions in which they do
not respond to all items, all measures, and/or all
measurement occasions
Why would you want to do this?
1.
Long assessments can reduce data quality
2.
Repeated assessments can induce practice effects
3.
Collecting data can be time- and cost-intensive
4.
Less taxing assessments may reduce unplanned
missingness
Cross-Sectional Designs
Multiple Matrix Sampling
Three-Form Design (and Variations)
Two-Method Measurement
Longitudinal Designs
Developmental Time-Lag
Wave- to Age-based designs
Monotonic Sample Reduction
Growth-Curve Planned Missing
PLANNED MISSING DATA DESIGNS
Shoemaker (1971)
MULTIPLE MATRIX SAMPLING
Test Items 1 2 3 4 5… K P ar ti ci pant s 1 1 0 1 1 0 2 0 1 1 1 1 3 1 0 1 1 0 4 0 0 0 0 1 …
MULTIPLE MATRIX SAMPLING
5 Test Items 1 2 3 4 5… K P ar ti ci pant s 1 1 0 1 1 0 2 0 1 1 1 1 3 1 0 1 1 0 4 0 0 0 0 1 … NMULTIPLE MATRIX SAMPLING
Test Items 1 2 3 4 5… K P ar ti ci pant s 1 1 0 1 1 0 2 0 1 1 1 1 3 1 0 1 1 0 4 0 0 0 0 1 …
Assumptions
The K items are a random sample from a population
of items (just as N participants are a random sample
from a population)
Limitations
Properties of individual items or relations between
items are not of interest
Questions?
MULTIPLE MATRIX SAMPLING
THREE-FORM DESIGN
Form
Common Set X Variable Set A Variable Set B Variable Set C
1
¼ of items
¼ of items
¼ of items
missing
2
¼ of items
¼ of items
missing
¼ of items
3
¼ of items
missing
¼ of items
¼ of items
Graham et al. (2006)
Raghunathan & Grizzle (1995) “split questionnaire design”
Wacholder et al. (1994) “par tial questionnaire design”
What goes in the Common Set?
THREE-FORM DESIGN
Form
Common Set X Variable Set A Variable Set B Variable Set C
1
¼ of items
¼ of items
¼ of items
missing
2
¼ of items
¼ of items
missing
¼ of items
3
¼ of items
missing
¼ of items
¼ of items
What goes in the split sets?
THREE-FORM DESIGN
Form
Common Set X Variable Set A Variable Set B Variable Set C
1
¼ of items
¼ of items
¼ of items
missing
2
¼ of items
¼ of items
missing
¼ of items
THREE-FORM DESIGN: EXAMPLE
11
Subtest Item
Demographics How old are you?
Are you male or female? What is your occupation?
Musical Taste What is your favorite genre
of music?
Do you like to listen to music while you work? Do you prefer music played
loud or softly?
Openness I have a rich vocabulary.
I have excellent ideas. I have a vivid imagination.
Subtest Item
Extraversion I start conversations.
I am the life of the party. I am comfortable around
people.
Neuroticism I get stressed out easily.
I get irritated easily. I have frequent mood
swings.
Conscientiousness I am always prepared.
I like order.
I pay attention to details.
Agreeableness I am interested in people.
I have a soft heart.
I take time out for others.
THREE-FORM DESIGN: EXAMPLE
Subtest Item
Demographics How old are you?
Are you male or female? What is your occupation?
Musical Taste What is your favorite genre
of music?
Do you like to listen to music while you work? Do you prefer music played
loud or softly?
Openness I have a rich vocabulary.
I have excellent ideas. I have a vivid imagination.
Subtest Item
Extraversion I start conversations.
I am the life of the party. I am comfortable around
people.
Neuroticism I get stressed out easily.
I get irritated easily. I have frequent mood
swings.
Conscientiousness I am always prepared.
I like order.
I pay attention to details.
Agreeableness I am interested in people.
I have a soft heart.
I take time out for others.
THREE-FORM DESIGN: EXAMPLE
13
Subtest Item
Demographics How old are you?
Are you male or female? What is your occupation?
Musical Taste What is your favorite genre
of music?
Do you like to listen to music while you work? Do you prefer music played
loud or softly?
Openness I have a rich vocabulary.
I have excellent ideas. I have a vivid imagination.
Subtest Item
Extraversion I start conversations.
I am the life of the party. I am comfortable around
people.
Neuroticism I get stressed out easily.
I get irritated easily. I have frequent mood
swings.
Conscientiousness I am always prepared.
I like order.
I pay attention to details.
Agreeableness I am interested in people.
I have a soft heart.
I take time out for others.
THREE-FORM DESIGN: EXAMPLE
Subtest Item
Demographics How old are you?
Are you male or female? What is your occupation?
Musical Taste What is your favorite genre
of music?
Do you like to listen to music while you work? Do you prefer music played
loud or softly?
Openness I have a rich vocabulary.
I have excellent ideas. I have a vivid imagination.
Subtest Item
Extraversion I start conversations.
I am the life of the party. I am comfortable around
people.
Neuroticism I get stressed out easily.
I get irritated easily. I have frequent mood
swings.
Conscientiousness I am always prepared.
I like order.
I pay attention to details.
Agreeableness I am interested in people.
I have a soft heart.
I take time out for others.
Set A
I have a rich vocabulary.
I start conversations.
I get stressed out easily.
I am always prepared.
THREE-FORM DESIGN: EXAMPLE
15
Subtest Item
Demographics How old are you?
Are you male or female? What is your occupation?
Musical Taste What is your favorite genre
of music?
Do you like to listen to music while you work? Do you prefer music played
loud or softly?
Openness I have a rich vocabulary.
I have excellent ideas. I have a vivid imagination.
Subtest Item
Extraversion I start conversations.
I am the life of the party. I am comfortable around
people.
Neuroticism I get stressed out easily.
I get irritated easily. I have frequent mood
swings.
Conscientiousness I am always prepared.
I like order.
I pay attention to details.
Agreeableness I am interested in people.
I have a soft heart.
I take time out for others.
Set B
I have excellent ideas.
I am the life of the party.
I get irritated easily.
I like order.
THREE-FORM DESIGN: EXAMPLE
Subtest Item
Demographics How old are you?
Are you male or female? What is your occupation?
Musical Taste What is your favorite genre
of music?
Do you like to listen to music while you work? Do you prefer music played
loud or softly?
Openness I have a rich vocabulary.
I have excellent ideas. I have a vivid imagination.
Subtest Item
Extraversion I start conversations.
I am the life of the party. I am comfortable around
people.
Neuroticism I get stressed out easily.
I get irritated easily. I have frequent mood swings.
Conscientiousness I am always prepared.
I like order.
I pay attention to details.
Agreeableness I am interested in people.
I have a soft heart.
I take time out for others.
Set C
I have a vivid imagination.
I am comfortable around people.
I have frequent mood swings.
I pay attention to details.
17
Form 1 (XAB) Form 2 (XAC) Form 3 (XBC)
How old are you?
Are you male or female? What is your occupation?
How old are you?
Are you male or female? What is your occupation?
How old are you?
Are you male or female? What is your occupation? What is your favorite genre of
music?
Do you like to listen to music while you work?
Do you prefer music played loud or softly?
What is your favorite genre of music?
Do you like to listen to music while you work?
Do you prefer music played loud or softly?
What is your favorite genre of music?
Do you like to listen to music while you work?
Do you prefer music played loud or softly?
I have a rich vocabulary. I have excellent ideas.
I have a rich vocabulary. I have a vivid imagination.
I have excellent ideas. I have a vivid imagination. I start conversations.
I am the life of the party.
I start conversations.
I am comfortable around people.
I am the life of the party.
I am comfortable around people. I get stressed out easily.
I get irritated easily.
I get stressed out easily.
I have frequent mood swings.
I get irritated easily.
I have frequent mood swings. I am always prepared.
I like order.
I am always prepared. I pay attention to details.
I like order.
I pay attention to details. I am interested in people.
I have a soft heart.
I am interested in people. I take time out for others.
I have a soft heart.
Pa rtic ipa nt Fo rm A ge Sex O cc up ati on G en re W or k M usi c Vo lum e O pe n1 O pe n2 O pe n3 Ex tr a1 Ex tr a2 Ex tr a3 N eu ro 1 N eu ro 2 N eu ro 3 C on sc 1 C on sc 2 C on sc 3 A gree 1 A gree 2 A gree 3
1 1 17 F professor Classical N loud 4 4 -- 1 5 -- 1 2 -- 4 2 -- 3 2 --2 1 12 F musician Funk N soft 1 3 -- 2 2 -- 5 3 -- 4 1 -- 2 1 --3 1 17 M student Jazz N soft 2 4 -- 5 5 -- 2 4 -- 5 1 -- 4 2 --4 1 29 M server Metal N soft 1 3 -- 5 2 -- 2 1 -- 1 1 -- 4 2 --5 1 17 M chef Rock N soft 1 4 -- 5 1 -- 2 2 -- 5 3 -- 2 2 --6 2 11 F painter Pop Y loud 4 -- 4 2 -- 1 1 -- 5 1 -- 5 5 -- 3 7 2 19 F librarian Alt N loud 1 -- 4 4 -- 3 4 -- 3 4 -- 2 4 -- 3 8 2 22 F server Ska N soft 4 -- 2 3 -- 3 3 -- 3 1 -- 2 5 -- 5 9 2 18 M doctor Punk N loud 1 -- 3 2 -- 2 2 -- 4 4 -- 1 3 -- 2 10 2 19 F statistician Pop N loud 4 -- 5 3 -- 4 5 -- 4 3 -- 2 3 -- 1 11 3 28 F chef Rock Y loud -- 3 3 -- 5 5 -- 5 4 -- 3 3 -- 2 5 12 3 25 M nurse Rock N soft -- 4 5 -- 2 2 -- 2 5 -- 4 5 -- 3 5 13 3 19 M lawyer Jazz Y soft -- 3 4 -- 3 2 -- 4 5 -- 4 5 -- 1 2 14 3 18 F accountant Metal N soft -- 3 1 -- 1 2 -- 3 3 -- 4 4 -- 5 4 15 3 21 F secretary Alt N loud -- 4 4 -- 1 2 -- 1 1 -- 5 3 -- 4 5
19 Pa rtic ipa nt Fo rm A ge Sex O cc up ati on G en re W or k M usi c Vo lum e O pe n1 O pe n2 O pe n3 Ex tr a1 Ex tr a2 Ex tr a3 N eu ro 1 N eu ro 2 N eu ro 3 C on sc 1 C on sc 2 C on sc 3 A gree 1 A gree 2 A gree 3
1 1 17 F professor Classical N loud 4 4 -- 1 5 -- 1 2 -- 4 2 -- 3 2 --2 1 12 F musician Funk N soft 1 3 -- 2 2 -- 5 3 -- 4 1 -- 2 1 --3 1 17 M student Jazz N soft 2 4 -- 5 5 -- 2 4 -- 5 1 -- 4 2 --4 1 29 M server Metal N soft 1 3 -- 5 2 -- 2 1 -- 1 1 -- 4 2 --5 1 17 M chef Rock N soft 1 4 -- 5 1 -- 2 2 -- 5 3 -- 2 2 --6 2 11 F painter Pop Y loud 4 -- 4 2 -- 1 1 -- 5 1 -- 5 5 -- 3 7 2 19 F librarian Alt N loud 1 -- 4 4 -- 3 4 -- 3 4 -- 2 4 -- 3 8 2 22 F server Ska N soft 4 -- 2 3 -- 3 3 -- 3 1 -- 2 5 -- 5 9 2 18 M doctor Punk N loud 1 -- 3 2 -- 2 2 -- 4 4 -- 1 3 -- 2 10 2 19 F statistician Pop N loud 4 -- 5 3 -- 4 5 -- 4 3 -- 2 3 -- 1 11 3 28 F chef Rock Y loud -- 3 3 -- 5 5 -- 5 4 -- 3 3 -- 2 5 12 3 25 M nurse Rock N soft -- 4 5 -- 2 2 -- 2 5 -- 4 5 -- 3 5 13 3 19 M lawyer Jazz Y soft -- 3 4 -- 3 2 -- 4 5 -- 4 5 -- 1 2 14 3 18 F accountant Metal N soft -- 3 1 -- 1 2 -- 3 3 -- 4 4 -- 5 4 15 3 21 F secretary Alt N loud -- 4 4 -- 1 2 -- 1 1 -- 5 3 -- 4 5
Pa rtic ipa nt Fo rm A ge Sex O cc up ati on G en re W or k M usi c Vo lum e O pe n1 O pe n2 O pe n3 Ex tr a1 Ex tr a2 Ex tr a3 N eu ro 1 N eu ro 2 N eu ro 3 C on sc 1 C on sc 2 C on sc 3 A gree 1 A gree 2 A gree 3
1 1 17 F professor Classical N loud 4 4 -- 1 5 -- 1 2 -- 4 2 -- 3 2 --2 1 12 F musician Funk N soft 1 3 -- 2 2 -- 5 3 -- 4 1 -- 2 1 --3 1 17 M student Jazz N soft 2 4 -- 5 5 -- 2 4 -- 5 1 -- 4 2 --4 1 29 M server Metal N soft 1 3 -- 5 2 -- 2 1 -- 1 1 -- 4 2 --5 1 17 M chef Rock N soft 1 4 -- 5 1 -- 2 2 -- 5 3 -- 2 2 --6 2 11 F painter Pop Y loud 4 -- 4 2 -- 1 1 -- 5 1 -- 5 5 -- 3 7 2 19 F librarian Alt N loud 1 -- 4 4 -- 3 4 -- 3 4 -- 2 4 -- 3 8 2 22 F server Ska N soft 4 -- 2 3 -- 3 3 -- 3 1 -- 2 5 -- 5 9 2 18 M doctor Punk N loud 1 -- 3 2 -- 2 2 -- 4 4 -- 1 3 -- 2 10 2 19 F statistician Pop N loud 4 -- 5 3 -- 4 5 -- 4 3 -- 2 3 -- 1 11 3 28 F chef Rock Y loud -- 3 3 -- 5 5 -- 5 4 -- 3 3 -- 2 5 12 3 25 M nurse Rock N soft -- 4 5 -- 2 2 -- 2 5 -- 4 5 -- 3 5 13 3 19 M lawyer Jazz Y soft -- 3 4 -- 3 2 -- 4 5 -- 4 5 -- 1 2 14 3 18 F accountant Metal N soft -- 3 1 -- 1 2 -- 3 3 -- 4 4 -- 5 4 15 3 21 F secretary Alt N loud -- 4 4 -- 1 2 -- 1 1 -- 5 3 -- 4 5
21 Pa rtic ipa nt Fo rm A ge Sex O cc up ati on G en re W or k M usi c Vo lum e O pe n1 O pe n2 O pe n3 Ex tr a1 Ex tr a2 Ex tr a3 N eu ro 1 N eu ro 2 N eu ro 3 C on sc 1 C on sc 2 C on sc 3 A gree 1 A gree 2 A gree 3
1 1 17 F professor Classical N loud 4 4 -- 1 5 -- 1 2 -- 4 2 -- 3 2 --2 1 12 F musician Funk N soft 1 3 -- 2 2 -- 5 3 -- 4 1 -- 2 1 --3 1 17 M student Jazz N soft 2 4 -- 5 5 -- 2 4 -- 5 1 -- 4 2 --4 1 29 M server Metal N soft 1 3 -- 5 2 -- 2 1 -- 1 1 -- 4 2 --5 1 17 M chef Rock N soft 1 4 -- 5 1 -- 2 2 -- 5 3 -- 2 2 --6 2 11 F painter Pop Y loud 4 -- 4 2 -- 1 1 -- 5 1 -- 5 5 -- 3 7 2 19 F librarian Alt N loud 1 -- 4 4 -- 3 4 -- 3 4 -- 2 4 -- 3 8 2 22 F server Ska N soft 4 -- 2 3 -- 3 3 -- 3 1 -- 2 5 -- 5 9 2 18 M doctor Punk N loud 1 -- 3 2 -- 2 2 -- 4 4 -- 1 3 -- 2 10 2 19 F statistician Pop N loud 4 -- 5 3 -- 4 5 -- 4 3 -- 2 3 -- 1 11 3 28 F chef Rock Y loud -- 3 3 -- 5 5 -- 5 4 -- 3 3 -- 2 5 12 3 25 M nurse Rock N soft -- 4 5 -- 2 2 -- 2 5 -- 4 5 -- 3 5 13 3 19 M lawyer Jazz Y soft -- 3 4 -- 3 2 -- 4 5 -- 4 5 -- 1 2 14 3 18 F accountant Metal N soft -- 3 1 -- 1 2 -- 3 3 -- 4 4 -- 5 4 15 3 21 F secretary Alt N loud -- 4 4 -- 1 2 -- 1 1 -- 5 3 -- 4 5
Pa rtic ipa nt Fo rm A ge Sex O cc up ati on G en re W or k M usi c Vo lum e O pe n1 O pe n2 O pe n3 Ex tr a1 Ex tr a2 Ex tr a3 N eu ro 1 N eu ro 2 N eu ro 3 C on sc 1 C on sc 2 C on sc 3 A gree 1 A gree 2 A gree 3
1 1 17 F professor Classical N loud 4 4 4 1 5 3- 1 2 2 4 2 1 3 2 5 2 1 12 F musician Funk N soft 1 3 -- 2 2 -- 5 3 -- 4 1 -- 2 1 --3 1 17 M student Jazz N soft 2 4 -- 5 5 -- 2 4 -- 5 1 -- 4 2 --4 1 29 M server Metal N soft 1 3 -- 5 2 -- 2 1 -- 1 1 -- 4 2 --5 1 17 M chef Rock N soft 1 4 -- 5 1 -- 2 2 -- 5 3 -- 2 2 --6 2 11 F painter Pop Y loud 4 -- 4 2 -- 1 1 -- 5 1 -- 5 5 -- 3 7 2 19 F librarian Alt N loud 1 -- 4 4 -- 3 4 -- 3 4 -- 2 4 -- 3 8 2 22 F server Ska N soft 4 -- 2 3 -- 3 3 -- 3 1 -- 2 5 -- 5 9 2 18 M doctor Punk N loud 1 -- 3 2 -- 2 2 -- 4 4 -- 1 3 -- 2 10 2 19 F statistician Pop N loud 4 -- 5 3 -- 4 5 -- 4 3 -- 2 3 -- 1 11 3 28 F chef Rock Y loud -- 3 3 -- 5 5 -- 5 4 -- 3 3 -- 2 5 12 3 25 M nurse Rock N soft -- 4 5 -- 2 2 -- 2 5 -- 4 5 -- 3 5 13 3 19 M lawyer Jazz Y soft -- 3 4 -- 3 2 -- 4 5 -- 4 5 -- 1 2 14 3 18 F accountant Metal N soft -- 3 1 -- 1 2 -- 3 3 -- 4 4 -- 5 4 15 3 21 F secretary Alt N loud -- 4 4 -- 1 2 -- 1 1 -- 5 3 -- 4 5
THREE-FORM DESIGN
Things to consider
number of forms
order of items
Summary
Shorter questionnaire = higher-quality data
Shorter questionnaire = less unplanned missing
High correlations between item sets = high
efficiency relative to a complete data design
Questions?
TWO-METHOD MEASUREMENT
Measure 1
Gold standard– highly valid (unbiased) measure
of the construct under investigation
Problem: Measure 1 is time-consuming and/or
costly to collect, so it is not feasible to collect
from a large sample
Measure 2
Practical– inexpensive and/or quick to collect on
a large sample
Problem: Measure 2 is systematically biased so
e.g., measuring stress
Measure 1 = collect spit samples, measure cortisol
Measure 2 = survey querying stressful thoughts
e.g., measuring intelligence
Measure 1 = WAIS IQ scale
Measure 2 = multiple choice IQ test
e.g., measuring smoking
Measure 1 = carbon monoxide measure
Measure 2 = self-report
How it works
ALL participants receive Measure 2 (the cheap
one)
A subset of participants
also
receive Measure
1 (the gold standard)
Using both measures (on a subset of
participants) enables us to estimate and
remove the bias from the inexpensive
measure (for all participants) using a latent
variable model
TWO-METHOD MEASUREMENT
Example
Does child’s level of classroom attention in
Grade 1 predict math ability in Grade 3?
Attention Measures
1) Direct Classroom Assessment (2 items, N
= 60)
2) Teacher Report (2 items, N = 200)
Math Ability Measure, 1 item (test score, N =
200)
Teacher Report 1 (N = 200) Teacher Report 2 (N = 200)
1
2 bias
Direct Assessment 1 (N = 60) Direct Assessment 2 (N = 60)Attention
(Grade 1)
Teacher
Bias
1
1
1 TR
TR2
DA1
DA2
Math Score
(Grade 3)
Math Score (Grade 3) (N = 200)1
29Teacher Report 1 (N = 200) Teacher Report 2 (N = 200)
1
2
Direct Assessment 1 (N = 60) Direct Assessment 2 (N = 60)Attention
(Grade 1)
Teacher
Bias
1
1
1 TR
TR2
DA1
DA2
Math Score
(Grade 3)
Math Score (Grade 3) (N = 200)1
Teacher Report 1 (N = 200) Teacher Report 2 (N = 200)
1
2 bias
Direct Assessment 1 (N = 60) Direct Assessment 2 (N = 60)Attention
(Grade 1)
Teacher
Bias
1
1
1 TR
TR2
DA1
DA2
Math Score
(Grade 3)
Math Score (Grade 3) (N = 200)1
31Teacher Report 1 (N = 200) Teacher Report 2 (N = 200)
1
2
Direct Assessment 1 (N = 60) Direct Assessment 2 (N = 60)Attention
(Grade 1)
Teacher
Bias
1
1
1 TR
TR2
DA1
DA2
Math Score
(Grade 3)
Math Score (Grade 3) (N = 200)1
Teacher Report 1 (N = 200) Teacher Report 2 (N = 200)
1
2 bias
Direct Assessment 1 (N = 60) Direct Assessment 2 (N = 60)Attention
(Grade 1)
Teacher
Bias
1
1
1 TR
TR2
DA1
DA2
Math Score
(Grade 3)
Math Score (Grade 3) (N = 200)1
33Teacher Report 1 (N = 200) Teacher Report 2 (N = 200)
1
2
Direct Assessment 1 (N = 60) Direct Assessment 2 (N = 60)Attention
(Grade 1)
Teacher
Bias
1
1
1 TR
TR2
DA1
DA2
Math Score
(Grade 3)
Math Score (Grade 3) (N = 200)1
Assumptions:
expensive measure is unbiased (i.e., valid)
inexpensive measure is systematically biased
both measures access
the same construct
TWO-METHOD MEASUREMENT
Holding cost
constant, as
N
totalincreases,
N
expensivedecreases
As
N
totalincreases,
SEs begin to decrease
(power increases); as
N
totalcontinues to
increase, SEs
increase again
TWO-METHOD MEASUREMENT
36
Find the sweet spot!
TWO-METHOD MEASUREMENT
37true-score
reliability
(expensive)
true-score
reliability
(cheap)
bias
.25
.25
cheap only
.49
.25
cheap only
.25
.49
cheap only
.49
.49
cheap only
.49
.25
neither
Summary
Rather than face a choice between high
power/low validity vs. low power/high validity,
2-method measurement can result in high
power/high validity
This design is only possible when there are
two suitable measures for the construct of
interest
Questions?
Use 2-time point data with variable time-lags
to measure a growth trajectory + practice
effects (McArdle & Woodcock, 1997)
DEVELOPMENTAL TIME-LAG MODEL
T1 T2
Age
1student
2 3 4 5 6 7 8 0 1 2Time
3 4 5 6 5;6 5;3 4;9 4;6 4;11 5;7 5;2 5;4 5;7 5;8 4;11 5;0 5;4 5;10 5;3 5;8T0
T1
T2
T3
T4
T5
T6
T0
T1
1
T2
T3
T4
T5
T6
Intercept
1
1
1
1
1
1
1
1
t
t
t
Y
I
B G
A P
T0
T1
1
T2
T3
T4
T5
T6
431
Intercept
1
1
1
1
1
1
1
1
2
3 4
5
6
Growth
0
1
t
t
t
Y
I
B G
A P
Linear growth
T0
T1
1
T2
T3
T4
T5
T6
1
1
Intercept
1
1
1
1
1
1
1
1
2
3 4
5
6
1
1
1
1
Practice
0 1
1
Growth
0
1
t
t
t
Y
I
B G
A P
45
T0
Y
I
T1
Y
I
G
P
2
T2
Y
I
G
P
3
T3
Y
I
G
P
T0
T1
1
T2
T3
T4
T5
T6
1
1
Intercept
1
1
1
1
1
1
1
1
2
3 4
5
6
Practice
Growth
0
Linear growth; Exponential practice decline
.67
.55
.45
.37
0 1 .82
Summary
2 measured time points are formatted according to
time-lag
This formatting allows a growth-curve to be fit,
measuring growth and practice effects
Questions?
DEVELOPMENTAL TIME-LAG MODEL
The idea of reformatting data to answer a
different question is not limited to time-lag
designs
Wave-based data collection (e.g., data
collected at Grade 1-3) can be transformed
into age-based data with missingness
49 K 1 2
grade
1student
2 3 4 5 6 7 8 4;6- 4;11 5;0- 5;5 5;6- 5;11age
6;0- 6;5 6;6- 6;11 7;0- 7;5 7;6- 7;11 5;6 5;3 4;9 4;6 4;11 5;7 5;2 5;4 6;7 6;0 5;11 5;5 5;9 6;7 6;1 6;5 7;4 6;10 7;3 6;10 7;5 6;4 7;3 7;64;6- 4;11 5;0- 5;5 5;6- 5;11
age
6;0- 6;5 6;6- 6;11 7;0- 7;5 7;6- 7;11 5;6 5;3 4;9 4;6 4;11 5;7 5;2 5;4 6;7 6;0 5;11 5;5 5;9 6;7 6;1 6;5 7;4 6;10 7;3 6;10 7;5 6;4 7;3 7;6
Out of 3 waves,
create 7 waves of
data with high
missingness
Allows for more
fine-tuned
age-specific growth
modeling
Even high
amounts of
missing data are
not typically a
problem for
estimation
Sometimes used in large datasets (e.g., Early
Childhood Longitudinal Study) to reduce costs
At each wave, a randomly -selected subgroup of the
original sample is observed again
The remainder of the original participants do not
need to be kept track of, dramatically reducing costs
MONOTONIC SAMPLE REDUCTION
51