PAINT & COATINGS
INTRODUCTION
The primary purpose of paint is to protect the surface to which it is applied
First known paintings that depict humans, animals and diagrams, made between 20,000 and 30,000 years ago, survive in caves in France and Spain.
Early artists relied on easily available natural substances to make paint, such as natural earth pigments, charcoal, berry juice, lard, blood, and milkweed sap.
The ancient Chinese, Egyption, Greeks and Romans used varnishes, and pigments such as yellow and red ochres, chalk, arsenic sulfide yellow, and malachite green were mixed with binders such as gum arabic, lime,
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INTRODUCTION
• Thomas Child built the earliest
American paint mill, a granite trough
within which a 0.5 meter granite ball
rolled, grinding the pigment in Boston
(around 1700).
• In 1865, D.P. Flinn obtained the first
paint patent was issued for a product
that improved whitewash, a
slaked lime (a patent for a
water-based paint that also contained zinc
oxide, potassium hydroxide, resin,
milk, and linseed oil).
• In 1867, D.R. Averill of Ohio patented
the first prepared or “ready mixed”
paints in the United States.
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INTRODUCTION
• In the mid-1880’s, paint factories began springing up in population and industrial centers across the nation.
• Mechanization was making the
manufacturing process accessible to a larger and less specialized group of entrepreneurs.
• The weight of prepared paint made it
expensive to transport, so a decentralized structure of small manufacturers in
discrete markets dominated the industry until the mid-1900s.
• In 1930, the first commercial paint mills replaced Child's granite ball with a
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INTRODUCTION
• Sand mills and high-speed dispersion
mixers are used to grind easily dispersible pigments.
• Synthetic pigments and stabilizers are commonly used to mass produce uniform batches of paint.
• New synthetic material (eg alkyd resins) were developed from polymers such as polyurethane and styrene-butadene
emerged during the 1940s and they have dominated production of paint.
• In 1978, the Consumer Product Safety Commission banned the use of lead in consumer paint.
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PAINT CLASSIFICATION
Paints
Industrial Commercial Architectural•
https://www.moglix.com/blog/different-types-of-industrial-paint-coatings/
• Commercial coatings: Paint; Primer;
Sealer; Lacquer; Powder Coating;
Stain; and Varnishes.
• Powder coating: are applied as a dry
powder using spray-applicators. The
particles of powder coatings are
exposed to heat during or after the
coating process in order for the
powder to bind to the surface.
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Lacquer vs Stain vs Varnish
Lacquer are typically clear and are created using sap of the lacquer tree,
which grows in Asian countries such as China and Japan. Lacquer coatings are used to protect wood, metal and other surfaces. Lacquer is
extremely durable and can be used as a base for pigmented coatings, which are called shellac (spirit-drying
and generally removable).
Stains are semitransparent coatings used to add protection and/or color to
wood surfaces. These coatings are semisolid, allowing wood grain to
remain visible and forming a protective film to preserve the
surface.
Varnishes are liquid coatings composed of oil, resin, and thinners or solvents. These coatings provide a
durable, waterproof, chemical & abrasion resistant covering to many
surfaces. Varnish can be impregnated with pigments to add
both color and protection to a substrate. Varnish can be applied in
multiple layers for added durability.
https://www.linkedin.com/pulse/7-types-commercial-coatings-uses-molly-keesling
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POWDER COATING
• Powder coating is a dry finishing process that has become extremely popular since its introduction in North America over in the 1960s.
• Powder coatings are based on polymer resin systems, combined with curatives, pigments, leveling agents, flow modifiers, and other additives.
• These ingredients are melt mixed, cooled, and ground into a uniform powder similar to baking flour. A process called electrostatic spray
deposition (ESD) is typically used to achieve the application of the powder coating to a metal
substrate. This application method uses a spray gun, which applies an electrostatic charge to the powder particles, which are then attracted to the grounded part. After application of the powder coating, the parts enter a curing oven.
https://youtu.be/IFeMX1O6Epk
“Powder coatings are commonly applied to metal surface, and can also be applied to
non-metallic substrates such as plastics and medium density fiberboard (MDF)” https://www.powdercoating.org/page/WhatIsPC
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CLASSIFICATION FOR ARCHITECTURAL
COATINGS
(by American Coatings Association, ACA)
• Concrete curing, sealing, & protective coatings: A clear or opaque coating that is formulated primarily for application to concrete and masonry surfaces.
• Floor coatings: An opaque coating that is formulated for application to flooring, including, but not limited to, decks, porches, steps, garage floors, and other horizontal surfaces which may be subject to foot traffic.
• Primers, sealers, and undercoaters: A coating formulated for one or more of the following
purposes: to provide a firm bond between the substrate and the subsequent coatings; to prevent subsequent coatings from being absorbed by the substrate; or to prevent harm to subsequent
coatings by materials in the substrate; or to provide a smooth surface for the subsequent application of coatings; or to provide a clear finish coat to seal the substrate; or to prevent materials from
penetrating into or leaching out of a substrate.
• Wood coatings: The wood coatings category includes the following coatings: lacquers; varnishes; sanding sealers; penetrating oils; shellacs; stains; wood conditioners; and wood sealers.
• General exterior coatings & interior coatings: A coating that is not defined under any other definition in this rule and that is a decorative or protective paint or coating that is formulated for
interior or exterior architectural substrates including, but not limited to: drywall, stucco, wood, metal, concrete, and masonry.
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EXAMPLE: NIPPON
CLASSIFICATION
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Product Name Paint Type Substrate Composition
Pigment Binder Thinner Vinnilex 5500 Wall
Sealer
Water based Masonry, brick, plastering substrate, fibre board
Titanium Dioxide, Mineral Extender Styrene Acrylic Emulsion Water Flexiseal Elastomeric Membrane
Water based Wall, brickwork, wallboard, asbestos, concrete slab roof, window sill
Titanium Dioxide, Mineral Extender
Styrene Acrylic Emulsion
Water
Red Oxide Primer Two-pack amine-adduct cured epoxy
Aluminium, galvanising, steelwork, concrete (lining systems for portable water, chemical and fuel storage tank)
Red oxide SA-65
Momento Primer Water based Wall, ceiling, cement based plaster, gypsum based plaster, brickwork, hard and soft boards, asbestos
Titanium Dioxide, Silica Sand and Mineral Extender
Styrene Acrylic Emulsion
Vinilex 510
Undercoat Solvent based Wood, metal Titanium Dioxide, Mineral Extender
Soya Bean Oil Modified Long Oil
Alkyd
White Spirit
Weatherbond Solareflect (topcoat)
Water based Masonry, brick, plastering substrate, fibre board
Titanium Dioxide, Iron Oxide, Carbon Black and Organic Pigments, Mineral Extender
Pure Acrylic Emulsion
Water
Timbershade (topcoat)
Water based Wood, fiber cement, galvanised iron surfaces
Titanium Dioxide, Iron Oxide, Carbon Black and Organic Pigments, Mineral Extender
Pure Acrylic Emulsion
Water
Odourlite Gloss Solvent based Wood, metal Titanium Dioxide, Iron Oxide, Carbon Black and Organic Pigments, Mineral Extender
Modified long oil alkyd
Low aromatic hydrocarbon
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https://nipponpaint.co.in/difference-between-water-based-vs-solvent-based-paints/
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TYPES OF PAINT
Solvent-based Paint
• Solvent-based paints contain pigment and a resin in an organic compounds as solvents. When the solvent evaporates, the resin
forms a hard coating, make an ideal choice for exterior coating
• Solvent-based coatings are too thick and you need mineral spirits or turpentine to clean and thin the paint.
• Painters should use solvent-based paint for any surface where they want the finish to last for a long time, and they are not
planning to change the color often. The latter can be obtained in a wide range of colours and finishes such as matt, semi-matt, eggshell, satin, gloss and enamel. Water-based Paint
• The paint are also called latex paints, consist of a pigment and binder with water as the solvent.
• They make up about 80 percent of household paints and environmentally
responsible paint option. They provide great color retention over time, dry faster than
alternatives, and produce fewer odors. • The various finishes available being
obtained by adding to the water medium additives such as alkyd resin and polyvinyl acetate (PVA). Finishes include matt,
eggshell, semi-gloss and gloss. Emulsion paints are easily applied, quick drying and can be obtained with a washable finish and are suitable for most applications.
PAINT RAW
MATERIALS
A paint is composed of: pigments give the paint color; solvents make it easier to apply; resins help it dry; and additives serve as everything from fillers to antifungicidal agents.
Hundreds of different pigments, both natural and synthetic, exist.
The basic white pigment is titanium dioxide, selected for its excellent concealing properties, and black pigment is commonly made from carbon black.
Other pigments used to make paint include iron oxide and cadmium sulfide for reds,
metallic salts for yellows and oranges, and iron blue and chrome yellows for blues and greens.
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https://www.mixerdirect.com/blogs/mixer-direct-blog/how-paint-is-made
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RAW MATERIALS
• Solvents are materials which added to a paint to alter its viscosity. This increases
workability and penetration. They include petroleum mineral spirits and aromatic solvents such as benzol, alcohols, esters, ketones, and acetone. Many solvents evaporate into what are known as volatile organic compounds (VOCs). Water-based coatings have either no, or considerably less solvents, thus lower a VOC output. For solvent-based paint, the VOC in these paints are also powerful enough to cause strong headaches, troubles breathing and just an overall feeling of being unwell
• Binder (resin) is the liquid vehicle which dries to form the surface film. The natural resins most commonly used are linseed, coconut, and soybean oil, while alkyds, acrylics,
epoxies, and polyurethanes number among the most popular synthetic resins.
• Additives serve many purposes. For example, calcium carbonate and aluminum silicate, are simply fillers that give the paint body and substance without changing its properties. Other additives produce certain desired characteristics in paint, such as the thixotropic agents that give paint its smooth texture, driers, anti-settling agents, anti-skinning agents, defoamers, and a host of others that enable paint to cover well and last long.
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PAINT vs
PRIMER
Paints are suitable for most
applications if used in conjunction with the correct primer and undercoat. Primer/Undercoat help adhesion of paint to the surface, increase the durability of the paint itself, and protects the surface that is being painted (such as blocks lime from coming on to the surface, alkaline resistant formula, anti-corrosive properties)
Top coat is used to protect, preserve, decorate or add functionality to an object or surface by covering it with a pigmented coating.
https://nipponpaint.co.in/products/primers-undercoats/
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http://www.differencebetween.net/science/differenc e-between-primer-and-paint/
https://mccormickpaintingservices.com/blog/priming-separately-vs-paint-and-primer-in-1
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MANUFACTURING PROCESS OF
PAINT
There are five critical parts in the paint manufacturing process. They are a measurement of ingredients, preparation and pigment dispersion, let-down, laboratory testing, and canning.
1. Using calibrated vats, the ingredients are measured and weighed on scales. Pigments are added next. These powders are small and stick together forming clumps.
2. They are broken down by the resin and additives that keep them from sticking together, which is called dispersion. Industrial paint mixer machines are used to combine and disperse the
pigments.
3. In the let-down stage, the resin, solvent, and additives are combined in a large vat. The mill-base is stirred in during this phase. Any final additions are added during this stage, if necessary.
4. The finished product is tested in a laboratory. Before manufacturing is approved, critical ingredients are tested. They will ensure it is sufficiently mixed and no further processing is needed. They check the viscosity, tint strength, color, gloss, dry time, and overall appearance. 5. When the batch is complete, it can be canned. Two samples are taken during this phase. A
retained sample is kept and stored for future references, and then there is the final inspection sample. The final sample is inspected to guarantee conformance to standards. Once the final sample has been completed, it can be dispatched.
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PAINT COATS
1. Priming Coats - these are used on unpainted surfaces to obtain
the necessary adhesion and to inhibit corrosion of ferrous metals.
New timber should have the knots treated with a solution of shellac
or other alcohol-based resin called knotting prior to the application
of the primer.
2. Undercoats - these are used on top of the primer after any defects
have been made good with a suitable stopper or filler. The primary
function of an undercoat is to give the opacity and buildup
necessary for the application of the finishing coat(s).
3. Finish - applied directly over the undercoating in one or more coats
to impart the required colour and finish.
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TIMBER SURFACE PREPARATION
NEW TIMBER
• The timber surface should be prepared using an abrasive paper to produce a smooth surface brushed and wiped free of dust and any grease removed with a suitable spirit.
• Careful treatment of knots is essential either by sealing with two coats of knotting or in extreme cases cutting out the knot and replacing with sound timber.
• The stopping and filling of cracks and fixing holes with putty or an appropriate filler should be
carried out after the application of the priming coat.
• Each coat of paint must be allowed to dry hard and be rubbed down with a fine abrasive paper before applying the next coat.
EXISTING PAINTS
• On previously painted surfaces if the paint is in a reasonable condition the surface will only require cleaning and rubbing down before repainting.
• When the paint is in a poor condition it will be necessary to remove completely the layers of paint and then prepare the surface as described above for new timber.
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OTHER SURFACES
BOARD
• Most of these boards require no special preparation except for the application of a sealer as specified by the manufacturer.
METAL/STEEL
• Good preparation is the key to painting iron and steel successfully and this will include removing all rust, mill scale, oil, grease and wax.
• This can be achieved by wire brushing, using mechanical means such as shot blasting, flame cleaning and chemical
processes and any of these processes are often carried out in the steel fabrication works prior to shop-applied priming. PLASTER
• The plaster surface should be perfectly dry, smooth and free of defects before applying any coats of paint, especially when using gloss paints.
• Plaster which contains lime can be alkaline and such surfaces should be treated with an alkali-resistant primer when the surface is dry before applying the final coats of paint.
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APPLICATIONS
• Brush : the correct type, size and quality of brush such as those
recommended in BS 2992 (painters' and decorators' brushes) needs
to be selected and used. To achieve a first class finish by means of
brush application requires a high degree of skill.
• Spray : as with brush application a high degree of skill is required to
achieve a good finish. Generally compressed air sprays or airless
sprays are used for building works.
• Roller : simple and inexpensive method of quickly and cleanly
applying a wide range of paints to flat and textured surfaces. Roller
heads vary in size from 50 to 450 mm wide with various covers such
as sheepskin, synthetic pile fibres, mohair and foamed polystyrene.
All paint applicators must be thoroughly cleaned after use.
THANK
YOU