Electroacoustic Music
The cinematic aspects of electroacoustic music : a thesis submitted to Massey University and Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Music in Composition, New Zealand School of Music
... considered electroacoustic music is regularly found in film soundtracks (mainly as incidental music and sound effects) there does still seem to be a strong association of electroacoustic ...
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Contemporary trends in the use of space in electroacoustic music
... in electroacoustic music, focusing on the type of spatial systems used by a sample of composers and the way they conceive the use of space in their ...the music composed in recent ...
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Symbolism and Chinese culture: conceptual and practical resources in the composition of electroacoustic music
... In electroacoustic music, a parallel procedure may exist, whereby the natural characteristics of sounds are used to indicate or suggest their social characteristics, which will be discus[r] ...
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Creative Intuition as a Compositional Strategy in Electroacoustic Music
... I used only one synthetic pad sound from the Roland MKS-80; In Salto Mortal I recorded, sampled and tailored the metallic tape spool sounds on the Akai S900, as well as creating the Yama[r] ...
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Space in electroacoustic music: composition, performance and perception of musical space
... The structure for the investigation is based on a model of musical space comprising three basic levels: 1 spatial properties of individual sounds in terms of intrinsic space, extrinsic s[r] ...
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The perception of timescales in electroacoustic music
... of music called Turing 2, composed by Anthony Moore, which was played at Goldsmiths College University of London in January 2005, during a talk by the ...the music is not fixed and every performance gives a ...
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Nature in electroacoustic music
... Chapter 1: Definitions and Sources Sound types a Electronically Musical generated Nature experience Event b Instrumental Sonic purpose Image c Natural Activity Non-Musical d Human cultur[r] ...
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Electroacoustic music composition: myth, symbol and image
... When observing elements I started noticing that, in a way, the sound images or ready-mades when being considered as geometrical shapes which have a defined contour as boundary and as def[r] ...
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Composing electroacoustic music relating to traditional Japanese music
... Hiromi Ishii 2.5 Composin~ electroacoustic mysic relatin~ to traditjonal Japanese music Composition of Himorogi II shakuhachi and live 58 electronics 2.5.1 Instrumental characteristics, [r] ...
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Compositional strategies in electroacoustic music
... The process of generating the initial palette of sounds for an acousmatic piece initiates the exploration of sound materials as elements from which musical content and structure can emer[r] ...
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Aural image and the language of electroacoustic music
... Permanent repository link: http://openaccess.city.ac.uk/8271/ Link to published version: Copyright and reuse: City Research Online aims to make research outputs of City, University of Lo[r] ...
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Limits of Abstraction in Electroacoustic Music
... industrial music in which real machinery used in a musical context functions as a signifier of real machinery, or in an electroacoustic piece where the sound from a loudspeaker is used to signify a ...in ...
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New performance instruments for electroacoustic music
... Electronic amplification enabled performance to large numbers of people, furthering the influence of popular music. The electric guitar was invented with this in mind, notably by Les Paul. It has the special ...
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Space, motion and metaphor in electroacoustic music
... observed directly related to subject matter Hidden Lives metaphorical Perceived Experienced architectural, social, physical Embodied and imagined Scan metaphorical Experienced architectu[r] ...
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Aural image and the language of electroacoustic music
... 2.2.2 Diegetic and-Non-Diegetic Sound Diegetic sound is sound coming from a character or object in the direct story space of the film; for example, the voices of characters, sounds made [r] ...
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Socio-Sonic: An ethnographic methodology for electroacoustic composition
... This paper outlines a way forward for an anthropologically inclined electroacoustic music. Considering the similarities in methodological approaches between the fields of ethnography and soundscape ...
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Source Bonding, 'Music' and 'Sound in Electroacoustic Composition and The Audiovisual Sound Canvas
... of electroacoustic music, and to a significant extent the terms he uses are intended to evoke connections with familiar spectromorphologies outside of music, the theory alone does not account for the ...
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Examining the effects of experimental/academic electroacoustic and popular electronic musics on the evolution and development of human–computer interaction in music
... Experimental/academic electroacoustic music is, for the most part, responsible for laying the foundations upon which human–computer interaction (HCI) in music has been ...computer music ...
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Magic realism in music : Four electroacoustic compositions
... Perhaps electroacoustic music being at the beginning of time • it is a break from tradition and therefore at the beginning of its own time - still inhabits a world where the line which s[r] ...
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'World music or migrant music? The global networks of popular music performance'
... Finally, at the concert by Amadou and Mariam, like that of Rachid Taha, there were again three languages in use: some rather halting introductions in English by Amadou himself, who particularly towards the end of the ...
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