Musical Performance
Student musicians' self- and task-theories of musical performance : the influence of primary genre affiliation
... of musical performance ...about performance, for example in the realm of technical ...a performance, for example in the context of performer stress (LeBlanc, Jin, Obert, & Siivola, ...of ...
31
The subjectivity of musical performance : an exploratory music psychological real world enquiry into the determinants and education of musical reality
... DX176588 1 0001 tif University of Huddersfield Repository Persson, Roland S The subjectivity of musical performance an exploratory musicpsychological real world enquiry into the determinants and educ[.] ...
589
Singing for our lives : exploring the interaction of community, feminism and musical performance in the Common Woman Chorus
... of musical performance, broadens the ethnographic lens to consider the dialogue between the chorus and those outside its’ membership ...public performance, some more intimate than others, and engages ...
130
Lady Selma Ferreira Albernaz, Gender and musical performance in Maracatus (PE)
... the musical performance of the most relevant instruments women remain a minority or why they are a minority as Bumba Boi’s amos, little known or unknown in this ...to musical perfor- mances, men ...
34
The role of parental influences in the development of musical performance
... some musical success, like the musical parent, may have a potentially de- skilling effect on the child under consideration, especially where the sibling is older and has acted as an initial stimulus for ...
31
On music and theology : the theological implications of musical performance
... musikkestetikk peker mot en offentlig, folkelig, hverdagslig og pragmatisk tilnærming til filosofisk og teologisk aktivitet... utøvelsesteknikker, var ve[r] ...
150
Interpretation Issues in the Polyphonic Repertoire of the Students from Musical Performance Classes in the Universities
... In "Some Issues of the Theory of Bayan Performance" Y. Akimov says: "Unfortunately we have to point out, that there is no explorer and musicologist who has paid attention to the accordion when ...
7
Composing Monads for a Musical Performance
... non-musicians. Musical training has been shown by Steele et al [33] to increase plasticity of the cor- pus callosum during a sensitive period of time in ...begun musical training before the age of six ...
11
Musical Performance in the Twentieth Century: an overview
... Hypervirtuosity provoked by modernist developments in musical language was not confined to Western art music. In the jazz tradition, for example, the rise of bebop in the 1940s also demanded much greater levels of ...
31
The Acousmatic Musical Performance: An Ontological Investigation
... of performance situations and this enables performers to conceptualise and articulate aspects of their practice away from the performative ...factors; performance communities, compositional trends, ...
198
On Hyperstructure and Musical Structure
... By analysing the score representation of the music and time points in the recorded representation, we have generated a navigational hyperstructure from the music’s temporal structure. HyStream has been used with a ...
10
Music. College of the Arts. Musical Practitioners. Musical Scholars. Lifelong Skills
... of performance; practicing composers and theorists teach courses in theory and composition; active musicologists provide instruction in history and literature; and specialists in music education teach the courses ...
20
Musical Improvisation and the Academy
... the musical and cultural status ...substantive musical decisions to the discretion of the performers of their works, thereby re-introducing musical improvisation into Western musical ...
7
Expanded musical form
... The literalist sensibility’s ‘preoccupation with time’ (ibid., 166) evinces, for Fried, its preoccupation with subjectivity. The literalist theatrical experience, he argues, is an experience ‘of time both passing and to ...
285
Neuroarchitecture of musical emotions
... emoción musical, los parámetros musica- les se manipulan de forma sistemática, observándo- se cambios cerebrales y conductuales en la respues- ta emocional asociados a estas ...emoción musical, algunos ...
10
Musicology is not Musical PR
... A good many non-musicians look bewildered when I tell them I am a musicologist as well as a performer, wondering what on earth a ‘musicologist’ is. I usually answer by saying something like ‘I am also engaged in critical ...
6
Expanded musical form
... Where this clef occurs in the ‘cello parts, it refers to the high, middle and low registers of the string or strings specified, not the whole instrument Where there is no clef, or where [r] ...
53
Musical expression and performance
... There are two senses in which we might regard this as pointing to a limitation in Kivy's own position, Firstly, we may say that an account such as Kivy's that explains how we come to exp[r] ...
215
Musical Comedy WORKPACK
... GESE.. baby in the jungle. By convincing Shere Khan, the terrible man-eating tiger, that the child has chosen Raksha the wolf as his adoptive mother, they manage to save the baby for t[r] ...
50
Diffusion evolved : new musical interfaces applied to diffusion performance : an exegesis submitted to the New Zealand School of Music in partial fulfilment of the requirements for the degree of Master of the Musical Arts in Composition
... As a new instrument it is important that measures be made to increase the rehearseability of the instrument to encourage sophisticated and virtuosic performance. These additions could be as simple as more playback ...
85