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An Introduction to MIDI

An Introduction to MIDI

 © 2006, 2009 Roland Corporation U.S.,  © 2006, 2009 Roland Corporation U.S.,  © 2009 MIDI Manufacturers Association  © 2009 MIDI Manufacturers Association

All rights reserved. No part of this publication may be reproduced in any form without the

All rights reserved. No part of this publication may be reproduced in any form without the

written permisssion of Roland Corporation U.S. and the MIDI Manufacturers Association.

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 This booklet provides important basic background information that can

 This booklet provides important basic background information that can

help you get the most out of your MIDI products.

help you get the most out of your MIDI products.

While there’s always plenty to say about any one instrument, there are some

While there’s always plenty to say about any one instrument, there are some

topics that apply to a wide range of instruments.

topics that apply to a wide range of instruments.

For information about a specific product, please check out the websites of 

For information about a specific product, please check out the websites of 

the individual companies that make MIDI equipment.

the individual companies that make MIDI equipment.

Electronic musical instruments offer an incredible array of sounds to

Electronic musical instruments offer an incredible array of sounds to

professional and amateur musicians. They place at a musician’s fingertips

professional and amateur musicians. They place at a musician’s fingertips

everything from traditional, real-world sounds to noises that have never

everything from traditional, real-world sounds to noises that have never

been heard before.

been heard before.

 They come in all shapes and sizes, too, from solid, physical instruments such

 They come in all shapes and sizes, too, from solid, physical instruments such

as keyboards, beat boxes, and electronic drum kits, to computer-based

as keyboards, beat boxes, and electronic drum kits, to computer-based

“virtual” instruments, or “soft synths.”

“virtual” instruments, or “soft synths.”

Understanding the Symbols in This Booklet

Understanding the Symbols in This Booklet

  Throughout this booklet, you’ll come across information that deserves

  Throughout this booklet, you’ll come across information that deserves

special attention—that’s the reason it’s labeled with one of the following

special attention—that’s the reason it’s labeled with one of the following

symbols.

symbols.

A note is something that adds information about the

A note is something that adds information about the topic at hand.topic at hand.

A tip offers suggestions for using the feature being discussed.

A tip offers suggestions for using the feature being discussed.

Warnings contain important information that can help you avoid

Warnings contain important information that can help you avoid

possible damage to your equipment, your data, or

possible damage to your equipment, your data, or yourself.yourself.

Understanding MIDI

Understanding MIDI

What MIDI Isn’t

What MIDI Isn’t

Yes, it’s an odd place to start, but one of the things that confuses people new

Yes, it’s an odd place to start, but one of the things that confuses people new

to MIDI is that they assume MIDI is some type of sound, or audio, that travels

to MIDI is that they assume MIDI is some type of sound, or audio, that travels

through MIDI cables. It’s not.

through MIDI cables. It’s not.

About This Booklet

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Why MIDI Matters

Why MIDI Matters

Here are just some of the things MIDI makes possible:

Here are just some of the things MIDI makes possible:

You can use a MIDI instrument with which you’re comfortable to play

You can use a MIDI instrument with which you’re comfortable to play

the sounds belonging to any other MIDI device, including soft synths.

the sounds belonging to any other MIDI device, including soft synths.

Create rich musical textures by layering sounds from multiple MIDI

Create rich musical textures by layering sounds from multiple MIDI

devices, or assign different sounds to play in different pitch ranges.

devices, or assign different sounds to play in different pitch ranges.

When you play a MIDI instrument, it produces data that can be captured

When you play a MIDI instrument, it produces data that can be captured

by a MIDI “sequencer.” When the sequencer plays back the data,

by a MIDI “sequencer.” When the sequencer plays back the data,

your original performance is recreated. Sequencers aren’t just MIDI

your original performance is recreated. Sequencers aren’t just MIDI

recorders, though—they let you fix mistakes, change the pitches of 

recorders, though—they let you fix mistakes, change the pitches of 

your notes, fix their timing, the way they play, the sounds they use, and

your notes, fix their timing, the way they play, the sounds they use, and

more. In addition, most sequencers can capture multiple performances

more. In addition, most sequencers can capture multiple performances

on separate “tracks,” allowing you to build up full musical arrangements,

on separate “tracks,” allowing you to build up full musical arrangements,

one track at a time.

one track at a time.

  The General MIDI sound set allows you to instantly play back

  The General MIDI sound set allows you to instantly play back

pre-•

recorded music on many MIDI instruments, or on a computer.

recorded music on many MIDI instruments, or on a computer.

One MIDI device can control another, letting you use the most convenient

One MIDI device can control another, letting you use the most convenient

tool for any job. Edit MIDI instrument sounds on your computer, operate

tool for any job. Edit MIDI instrument sounds on your computer, operate

an audio recorder from a MIDI beat box, and on and on.

an audio recorder from a MIDI beat box, and on and on.

We’ll discuss all of these things later in this booklet.

We’ll discuss all of these things later in this booklet.

What MIDI Does

What MIDI Does

When you hold down the Middle C on the keyboard, the keyboard sends

When you hold down the Middle C on the keyboard, the keyboard sends

out a Middle C “key down” MIDI message to the module. The module says to

out a Middle C “key down” MIDI message to the module. The module says to

itself, “Ah, right, Middle C,” and plays Middle C.

itself, “Ah, right, Middle C,” and plays Middle C.

Middle C

Middle C

When you let go of Middle C, the keyboard sends a Middle C “note off”

When you let go of Middle C, the keyboard sends a Middle C “note off”

message to the module, and the module stops playing its Middle C note.

message to the module, and the module stops playing its Middle C note.

Note-on and note-off messages are just the beginning, though. Most MIDI

Note-on and note-off messages are just the beginning, though. Most MIDI

controllers can also sense how hard you play a note, transmitting a MIDI

controllers can also sense how hard you play a note, transmitting a MIDI

“velocity” value to the receiving device so the volume or brightness of its

“velocity” value to the receiving device so the volume or brightness of its

note responds to your touch.

note responds to your touch.

And, of course, you’ll usually play more than one note at a time.

And, of course, you’ll usually play more than one note at a time.

We’ll discuss other types of MIDI messages a bit later, and explain how

We’ll discuss other types of MIDI messages a bit later, and explain how

they’re put together.

they’re put together.

A World of MIDI Controllers

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Guitar Controllers

Guitar Controllers

A

A steel-strinsteel-stringed ged guitar with a MIDI guitar with a MIDI pickup or a dedicated MIDI guitarpickup or a dedicated MIDI guitar

synthesizer

synthesizer cancanturn turn aaguitar into guitar into a a full-flefull-fledged dged MIDI MIDI controllercontroller

of exceptional expressiveness.

of exceptional expressiveness.

Whether you’re playing the guitar synth’s own sounds or external MIDI

Whether you’re playing the guitar synth’s own sounds or external MIDI

sounds, standard guitar techniques can make MIDI sounds come alive.

sounds, standard guitar techniques can make MIDI sounds come alive.

Drum Controllers

Drum Controllers

Electronic drum sets offer a totally natural playing experience along with

Electronic drum sets offer a totally natural playing experience along with

Other Controllers Other Controllers

The Power of MIDI Sequencers

The Power of MIDI Sequencers

A MIDI sequencer can provide a tremendous amount of fun for the amateur

A MIDI sequencer can provide a tremendous amount of fun for the amateur

musician, and it’s a powerful tool in the hands of a professional. In fact,

musician, and it’s a powerful tool in the hands of a professional. In fact,

sequencers play an important role in many modern commercial recordings.

sequencers play an important role in many modern commercial recordings.

During recording, the sequencer captures and plays back live MIDI

During recording, the sequencer captures and plays back live MIDI

 There are a number of other instruments and devices that use MIDI. There

 There are a number of other instruments and devices that use MIDI. There

are specially made MIDI wind controllers, mallet controllers, and even

are specially made MIDI wind controllers, mallet controllers, and even

MIDI accordions. Since MIDI was primarily designed for keyboard players,

MIDI accordions. Since MIDI was primarily designed for keyboard players,

these devices are often referred to as "alternate controllers".

these devices are often referred to as "alternate controllers".

Another category of alternate MIDI controllers are those that don't mirror

Another category of alternate MIDI controllers are those that don't mirror

traditional musical instruments. These are simple switches and controls that

traditional musical instruments. These are simple switches and controls that

can be used in items as various as clothing (gloves, suites, mats), to objects

can be used in items as various as clothing (gloves, suites, mats), to objects

that can be hit, strummed, blown, or even controlled by a light beam.

that can be hit, strummed, blown, or even controlled by a light beam.

MIDI devices can not only be used to trigger note information, but they can

MIDI devices can not only be used to trigger note information, but they can

also send control information to

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A sequencer may let you view notes in an variety of ways, from a list of MIDI

A sequencer may let you view notes in an variety of ways, from a list of MIDI

events, to a piano-roll-type view, to onscreen notation. (Many sequencers

events, to a piano-roll-type view, to onscreen notation. (Many sequencers

also allow you to print the notation you see onscreen.)

also allow you to print the notation you see onscreen.)

 The capturing of MIDI notes is just the beginning, since a sequencer allows

 The capturing of MIDI notes is just the beginning, since a sequencer allows

you to do all sorts of things to perfect your music. Some of the most

you to do all sorts of things to perfect your music. Some of the most

commonly used sequencer tools are:

commonly used sequencer tools are:

quantization 

quantization 

• —that corrects the timing of notes.—that corrects the timing of notes.

transposition 

transposition 

• —that moves notes to new musical keys.—that moves notes to new musical keys.

scaling 

scaling 

• —that changes the feel of recorded musical phrases by adjusting—that changes the feel of recorded musical phrases by adjusting

recorded velocity values, note lengths, and more.

recorded velocity values, note lengths, and more.

Some instruments contain a built-in sequencer, giving you sounds and

Some instruments contain a built-in sequencer, giving you sounds and

sequencing

sequencing in in a a single “workstation.” There single “workstation.” There are are also numerous also numerous computer-

computer-based sequencing programs and standalone hardware sequencers.

based sequencing programs and standalone hardware sequencers.

products’ features, resulting in files that only their sequencers can play. This

products’ features, resulting in files that only their sequencers can play. This

presents a roadblock for musicians who want to collaborate or otherwise

presents a roadblock for musicians who want to collaborate or otherwise

share sequencer files.

share sequencer files.

  The solution is the Standard MIDI File, or “SMF,” format.

  The solution is the Standard MIDI File, or “SMF,” format.

  This standardized sequence file format allows music to

  This standardized sequence file format allows music to

travel from one sequencer to another, since most modern

travel from one sequencer to another, since most modern

sequencers can play SMFs, and store songs as SMFs. An

sequencers can play SMFs, and store songs as SMFs. An

SMF may not contain all of the bells and whistles that

SMF may not contain all of the bells and whistles that

make any one sequencer unique, but it supports the

make any one sequencer unique, but it supports the

features that are common to all sequencers, and this

features that are common to all sequencers, and this

makes them extremely handy.

makes them extremely handy.

Two Types of SMFs

Two Types of SMFs

SMFs come in two flavors:

SMFs come in two flavors:

Type 0 SMFs 

Type 0 SMFs 

• —contain a single sequencer track that holds recorded—contain a single sequencer track that holds recorded

performances for up to 16 different sounds.

performances for up to 16 different sounds.

• Type 1 SMFs Type 1 SMFs —can contain multiple sequencer tracks.—can contain multiple sequencer tracks.

MIDI and Video

MIDI and Video

MIDI doesn’t have to be simply about

MIDI doesn’t have to be simply about

music.

music. Some Some MIDIMIDIdevices devices allowallow

All SMF files have

All SMF files have

“.mid” at t

“.mid” at the end ohe end off

their name.

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General MIDI and General MIDI 2

General MIDI and General MIDI 2

General MIDI, or “GM,” is very specific set of standards that

General MIDI, or “GM,” is very specific set of standards that

allows MIDI composers and arrangers to create music that

allows MIDI composers and arrangers to create music that

always plays correctly on any device that supports General

always plays correctly on any device that supports General

MIDI.

MIDI.

Why Do We Need GM?

Why Do We Need GM?

MIDI instruments store their sounds in numbered memory locations,

MIDI instruments store their sounds in numbered memory locations,

and each manufacturer can use any location for any sound. However,

and each manufacturer can use any location for any sound. However,

if a composer’s MIDI recording is played by someone who has different

if a composer’s MIDI recording is played by someone who has different

equipment, there’s no way for the composer to know where the required

equipment, there’s no way for the composer to know where the required

sounds are.

sounds are.

The GM Solution

The GM Solution

General MIDI solves this since all General MIDI devices contain the same set

General MIDI solves this since all General MIDI devices contain the same set

of 128 standard sounds and drum kit sounds, stored in a specified order.

of 128 standard sounds and drum kit sounds, stored in a specified order.

Each product creates these sounds using its own unique capabilities, but the

Each product creates these sounds using its own unique capabilities, but the

goal is to have them all sound similar enough when playing back GM data.

goal is to have them all sound similar enough when playing back GM data.

The General MIDI sounds originally came from Roland’s SoundCanvas

The General MIDI sounds originally came from Roland’s SoundCanvas

sound module. These sounds did such a good

sound module. These sounds did such a good job of meeting musicians’job of meeting musicians’

needs they became the foundation of the General MIDI standard.

needs they became the foundation of the General MIDI standard.

What GM Makes Possible

What GM Makes Possible

 There are lots of GM recordings on the Internet, and you can also purchase

 There are lots of GM recordings on the Internet, and you can also purchase

them from a variety of sources. These easy-to-use files can be great for

them from a variety of sources. These easy-to-use files can be great for

singing or playing along with, allowing you to enjoy MIDI music without

singing or playing along with, allowing you to enjoy MIDI music without

having to deal with any of its complexities.

having to deal with any of its complexities.

Most computers ship with a set of General MIDI sounds, and some computer

Most computers ship with a set of General MIDI sounds, and some computer

games use them. Often, all you need to do is double-click a GM file and hit

games use them. Often, all you need to do is double-click a GM file and hit

Play on a computer. GM-enabled MIDI instruments may also require little or

Play on a computer. GM-enabled MIDI instruments may also require little or

no effort on the user’s part— you often simply select a GM song and press

no effort on the user’s part— you often simply select a GM song and press

PLAY.

PLAY.

General MIDI 2

General MIDI 2

General MIDI 2 includes everything in General MIDI 1,

General MIDI 2 includes everything in General MIDI 1,

adding more sounds, standards for sound editing, and

adding more sounds, standards for sound editing, and

some other niceties. If a device supports GM 2, it sports

some other niceties. If a device supports GM 2, it sports

the GM 2 logo. the GM 2 logo.

MIDI Connections

MIDI Connections

MIDI Cables

MIDI Cables

MIDI devices are typically connected to each other using

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MIDI Channels

MIDI Channels

A single MIDI connection can carry 16 independent streams, or “channels,” of 

A single MIDI connection can carry 16 independent streams, or “channels,” of 

MIDI information. The ability to have 16 separate MIDI conversations going

MIDI information. The ability to have 16 separate MIDI conversations going

on at the same time allows a couple of important things.

on at the same time allows a couple of important things.

One MIDI Device Can Control All of Your Other MIDI Devices

One MIDI Device Can Control All of Your Other MIDI Devices

By setting up each MIDI device to listen only to MIDI instructions on a

By setting up each MIDI device to listen only to MIDI instructions on a

particular MIDI channel, you can control a whole roomful of MIDI devices

particular MIDI channel, you can control a whole roomful of MIDI devices

from a single central MIDI device, such as a controller or a computer.

from a single central MIDI device, such as a controller or a computer. C

Channel hannel 1’s1’s MIDI De MIDI Devivicece C

Channel hannel 16’s16’s MIDI Device MIDI Device C

Channel hannel 15’s15’s CChannel hannel 2’s2’s

MIDI C

MIDI Channel hannel 11

Music Bells Music Bells MIDI C

MIDI Channel hannel 2 2 

FFull ull SStritri ngsngs MIDI C

MIDI Channel hannel 3 3 

MC-404 Bass MC-404 Bass MIDI C

MIDI Channel hannel 4 4 

Elec Perc Elec Perc

MIDI C

MIDI Channel hannel 5 5 

UltimatGrand UltimatGrand MIDI C

MIDI Channel hannel 6 6 

Strat Gtr Strat Gtr MIDI C

MIDI Channel hannel 7 7 

Wired Synth Wired Synth MIDI C

MIDI Channel hannel 8 8 

DynamicBrass DynamicBrass

MIDI C

MIDI Channel hannel 9 9 

Stage EP Stage EP MIDI C

MIDI Channel hannel 10 10 

R Rock Kit ock Kit 11 MIDI C

MIDI Channel hannel 1111

Dark Trumpet Dark Trumpet MIDI C

MIDI Channel hannel 12 12 

Motion Pad Motion Pad

MIDI C

MIDI Channel hannel 13 13 

Purple Organ Purple Organ MIDI C

MIDI Channel hannel 14 14 

Epic Lead Epic Lead MIDI C

MIDI Channel hannel 15 15 

Good Old Hit Good Old Hit MIDI C

MIDI Channel hannel 16 16 

Choral Sweep Choral Sweep

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Some devices have a “soft THRU.” These devices have no actual MIDI

Some devices have a “soft THRU.” These devices have no actual MIDI

THRU port, but their MIDI OUT port can be set to act as one.

THRU port, but their MIDI OUT port can be set to act as one.

MIDI devices that communicate via USB may

MIDI devices that communicate via USB may not provide MIDI ports.not provide MIDI ports.

How MIDI Devices Are Connected

How MIDI Devices Are Connected

MIDI vs Audio, Part Two

MIDI vs Audio, Part Two

In this section, we’ll talk about the connections that allow MIDI devices to

In this section, we’ll talk about the connections that allow MIDI devices to

communicate. Once MIDI communication is established, you can connect

communicate. Once MIDI communication is established, you can connect

the audio outputs of the devices you’re using to amps or to a mixing console

the audio outputs of the devices you’re using to amps or to a mixing console

M

MIIDDI I OOUUTT MMIIDDI I IINN

M

MIIDDIIIINN MMIIDDIIOOUUTT

MIDI instruments may also allow you to establish two-way MIDI

MIDI instruments may also allow you to establish two-way MIDI

communication with a computer using a single USB cable. We’ll discuss

communication with a computer using a single USB cable. We’ll discuss

this type of connection later.

this type of connection later.

 MIDI Devices with Multiple MIDI OUT Ports

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Daisychaining

Daisychaining

With daisychaining, MIDI devices are connected in a series. Here’s how a

With daisychaining, MIDI devices are connected in a series. Here’s how a

daisychain is constructed:

daisychain is constructed:

 The MIDI OUT of the controlling MIDI device is connected to a second

 The MIDI OUT of the controlling MIDI device is connected to a second

device’s MIDI IN.

device’s MIDI IN.

 The second device’s MIDI THRU port passes the controller device’s data

 The second device’s MIDI THRU port passes the controller device’s data

to a third device’s MIDI IN port.

to a third device’s MIDI IN port.

Each remaining device’s MIDI THRU port passes the controller device’s

Each remaining device’s MIDI THRU port passes the controller device’s

data to the following device’s MIDI IN port.

data to the following device’s MIDI IN port.

O OUUTT D Deviceevice11 THRU THRU IN IN MIDI MIDI OOUTUT Device1 Device1 M MIDI IIDI INN D Deviceevice44 M MIDI IIDI INN MID MIDI II INN MID MIDI II INN M MIDI IIDI INN MIDI Patchbay MIDI Patchbay C Controlontrolllerer

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USB connection 

USB connection 

• —Some —Some MIDI MIDI devices, devices, cancan

communicate

communicate with with a a computer computer through through a a USBUSB

connection. This form of two-way MIDI communication

connection. This form of two-way MIDI communication

is especially easy to set up since it requires only a

is especially easy to set up since it requires only a

standard

standard A-to-B USB cable and no additional interface.A-to-B USB cable and no additional interface.

Y

You may need to ou may need to install driver software on your computer for USB install driver software on your computer for USB MIDIMIDI

communication.

communication.

Basic Performance Messages

Basic Performance Messages

We’ve already touched on the MIDI messages that represent the most

We’ve already touched on the MIDI messages that represent the most

significant elements of a performance when you’re playing a MIDI device’s

significant elements of a performance when you’re playing a MIDI device’s

sounds:

sounds:

Note-on and note-off messages 

Note-on and note-off messages 

• —When you begin to play a note on a—When you begin to play a note on a

MIDI controller, a note-on message is sent to the receiving MIDI device,

MIDI controller, a note-on message is sent to the receiving MIDI device,

which starts playing the note. When you stop playing the note on the

which starts playing the note. When you stop playing the note on the

controller, a note-off message is transmitted and the receiving device

controller, a note-off message is transmitted and the receiving device

stops sounding the note.

stops sounding the note.

USB A-Type Plug

USB A-Type Plug

USB B-Type Plug

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P

Pititch bend ch bend 

• —These messages instruct a MIDI—These messages instruct a MIDI

device to raise or lower the played note’s

device to raise or lower the played note’s

pitch. Pitch bend messages are usually

pitch. Pitch bend messages are usually

transmitted by moving a pitch bend/

transmitted by moving a pitch bend/

modulation lever or pitch bend wheel at

modulation lever or pitch bend wheel at

the left of a keyboard controller, though

the left of a keyboard controller, though

they can be transmitted from any knob,

they can be transmitted from any knob,

button, or joystick programmed to do so.

button, or joystick programmed to do so.

String-bending on a guitar controller can

String-bending on a guitar controller can

also generate pitch bend messages.

also generate pitch bend messages.

Channel and polyphonic aftertouch 

Channel and polyphonic aftertouch 

• —”Aftertouch” is most often—”Aftertouch” is most often

generated by keyboard controllers. You can generate aftertouch

generated by keyboard controllers. You can generate aftertouch

messages by pressing down on a key you’ve played. The aftertouch

messages by pressing down on a key you’ve played. The aftertouch

value reflects how hard you press. On the receiving device, a sound can

value reflects how hard you press. On the receiving device, a sound can

be programmed to respond to aftertouch in any number of ways. With

be programmed to respond to aftertouch in any number of ways. With

Control Change Messages

Control Change Messages

What Control C

What Control C

hange Messages Are

hange Messages Are

  There’s an separate category of MIDI messages called Control Change, or

  There’s an separate category of MIDI messages called Control Change, or

“CC,” messages. Control Change messages cover a wide range of behaviors

“CC,” messages. Control Change messages cover a wide range of behaviors

that can be controlled via MIDI.

that can be controlled via MIDI.

Control Change messages are numbered from 0-127, like so many

Control Change messages are numbered from 0-127, like so many

things in MIDI. There’s a complete list of MIDI Control Change

things in MIDI. There’s a complete list of MIDI Control Change

messages later in this book. For now, let’s discuss how they work.

messages later in this book. For now, let’s discuss how they work.

Some instruments

Some instruments allow you to easily send any Control Changeallow you to easily send any Control Change

message to another device.

message to another device. Push a pitch bend/

Push a pitch bend/

modulation lever right or left

modulation lever right or left

to raise or lower, respectively,

to raise or lower, respectively,

a sound’s pitch.

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For example:

For example:

First, you send a CC #7 message—CC #7 is the Volume Control Change

First, you send a CC #7 message—CC #7 is the Volume Control Change

Other Common Control Change Messages

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System Exclusive Messages

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MIDI Control Change List

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C

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