Ghost Full Score.pdf

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Book and Lyrics

Bruce Joel Rubin

Music and Lyrics

Dave Stewart and Glen Ballard

Based on the film produced by Paramount Pictures and Bruce Joel Rubin

VOCAL SCORE

LONDON – 24thOCTOBER 2011

Musical Supervisor, Arranger and Orchestrator

Christopher Nightingale

Vocal Score Preparation

Laurie Perkins

This vocal score remains the property of: Ghost London Ltd

Suite 526, Linen Hall 162-168 Regent Street LONDON, W1B 5TE

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ACT ONE

1 [_{Here Right Now}Opening Act I]

1a Don't Want The Bubble To Burst

2 Unchained Melody I 3 More (This Is The Life) 4 Three Little Words

5 Sam's Murder / Higher Spirits

6 Ball Of Wax

7 Funeral (Ball Of Wax reprise)

8 _{Sam's Lament}Chase / First Transition / First Subway Scene / Harlem / Willie's Apartment 9 Are You A Believer?

10 Oda Mae Hears Sam / With You Intro

11 With You

11a Ditto / Oda Mae & Sam Enter Loft

12 [Act I Finale] Suspend My Disbelief More (reprise) I Had A Life ACT TWO 13 [Opening Act II] Rain Hold On

13a Unchained Melody II (Radio) 14 Life Turns On A Dime

14a Second Subway Scene

15 Focus (Subway Ghost) 16 Talkin' 'bout A Miracle 17 Death of Willie

18 [Bank Sequence 1]_{Nothing Stops Another Day} 19 [Bank Sequence 2]_{Talkin' 'bout A Miracle (reprise)} 20 I'm Outta Here_{I'm Outta Here TAG}

20a Transition to Loft

20b I Can't Take It Any More

21 Unchained Melody III (dance) 22 The Fall Of Carl

23

[Finale]

Three Little Words (reprise) Ascension

24 Bows & Playout

Ghost: Musical Cue List

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1. Here Right Now (Opening Act I)

Slow 4 _A 4 5 7 10        Prime    [B.D.] [Tam]_{}              _  _  _  _   _     _       _   _{ }            _  _  _  _  _     _{  } _{  } _{  } _{  }       _     _               _    _{ }                           _ _     _ _  15/09/2011 18:39 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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rall. 12 click cresc. B 14 ff rit. 16          2 2 2 ₂  (Brown E)  2 2 2 2 2 2 2 2   2     _           _ _ _{ } _{  }                                     _    _                                                _{ }                                                          _                _           

1. Here Right Now (Opening Act I) - p2

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rit. 19 C^ C 23 25 27        Wall crashes down

Molly: Sam, Carl, look at this. It's like a whole other room here.

      _     

Molly: Look at all these windows. It's so gorgeous.

Carl: What's the square footage, Sam? Two thousand plus, right? Sam: Twenty-five fifty at seven hundred per.

Prime





Sam: Not bad, huh?

Molly: Wow! Wow! This is perfect, Sam.

Carl: You guys lucked out. You could sell this tomorrow and double your investment.

 _ _



Carl: You'd make a killing.

Molly: We're not selling this. This is our home.

Look at all this extra space. I can have my pottery studio right here. It's incredible.

 _                    _{ }                  _{ }           _     _ _                                _                                        

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    29 31 M

Here right now, Here right now,

q=150 D 33 (clicks) G D/G M

This is what we're liv - ing for. This is when we give in - to the

mo-37 etc. C/G Em/G      

Carl: What I wouldn't do for a place like this. Too bad it's in Brooklyn. Molly: Carl, you're such a snob.

Sam: Listen, we're trendy, ahead of the curve.

 _



Sam: In five years you're gonna wish you had moved in next door.

Carl: No, no. Upper West Side. Eight rooms, twelve-foot ceilings, view of the park. Molly: You guys... stop.

    _   Molly (Brown F)     [arpeggiator/pno]  _     [+str]              _                          _         __      _  _ _                            _{   } _ _{   }     _{ }  _{ }                  _    _{  }  _    _{ }  _{   }     

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      M

ment and let go. Here right now, Ev 'ry- -thing we're dream

41

G D/G

M

ing

- of is com ing- through if we step up and own it. Let it flow.

46

C/G Em drum fill

M

S

E

50

strong mf E B A          _                       _ _ _ _ _ _                                                _ _{       }    _ _  _   _ _  _                           _   _{ } _   _

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      M S

Here is where we make it ev - 'ry - thing we'll e - ver need.

55

Here is where we make it ev - 'ry - thing we'll e - ver need.

C©m E

M

S

Here right now, Here right now, And for once it feels

59

Here right now, Here right now. And for once it feels

B A

M

S

like it was al - ways meant to be. One foot in front of the oth - er.

F

64

like it was al - ways meant to be. One foot in front of the oth - er.

sim. C©m E                                                                                _{  } _{  }         _{ }                            _   _{ } _   _{ }                                                                 _{   } _{   }

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      M S

So much for us to dis cov- -er still This is why we give

68

So much for us to dis cov- -er still We'll get

B A

M

S

it ev - 'ry - thing we have and more. As long as we stay to ge- - ther,

72

there. As long as we stay to ge- - ther,

C©m E

M

S

We'll just keep get - ting bet ter,- 'til It

76

We'll just keep get - ting bet ter,- 'til

B A^                                                                                                           _{       }                                                                                           _ _ _{  } _{ }        _ _ _{  } _{ }                                                 _ _ _ _

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      M S

rea lly- does - n't mat - ter what comes af - ter or be - fore.

79

We'll get there.

C©m

M

S

G

82

I don't be lieve in luck, I don't be lieve

stronger A f D/A

M

S

But this is so much more than I could e - ver con

86

in fate. But this is so much more than I could e - ver con

A D/A           _ _{ }               _ _{ }           _ _ _{     }                     _{  } _                                                                                                                                                               _{ }   _        

(11)

      M S

- tem - pate. I can't be - lieve you walked in - to

90

- tem - pate. I can't be - lieve you walked in - to

A D/A

M

S

my life and you're still here. When I'm with you

H

93

my life and you're still here. When I'm with you

C©

M

S

there's no con fu- - sion, ev 'ry- - thing is clear. And we'll have

96

there's no con fu- - sion, ev 'ry- - thing is clear. And we'll have

F©/C© C©      _ _ _          _    _{}                                                                                          _{          }        _{ }                                                                   _                       

(12)

      M S

weeks and months and years, what e- - ver. we were meant to be

100

weeks and months and years, what e- - ver. we were meant to be

cresc.

C© C©5

M

S

to-ge-ther. You were sent to me for e- - ver.

103

to-ge-ther. You were sent to me for e- - ver.

C© C©“ C©5 M S I 106 F© C© B  (don't trigger)                              [guit]   _{  } _{  } _{   } _{     }  _{  } _{  } _{  }                      __{  } _{ }                                                 __ _ _ _ _ _ _ _ _        _   _                                          _{               }

(13)

  111 D©‹ F© 115 C© G©‹7 M S

Here right now. Here right now.

J

120

Here right now. Here right now.

etc. B^ B^/C© E¨ B¨             _{}                                                                                                             _ __   _ _     _ __                                                  

(14)

      M S

This is what we're liv - ing for. This is when we give in - to the

mo-125

This is what we're liv - ing for. This is what we give in - to the

mo-F‹7 A¨

M

S

ment

- and let go. Here right now.

129

ment

- and let go. Here right now.

E¨ B¨

M

S

Ev 'ry - thing we're dream - ing of is com ing- through if we step up and own

133

Ev 'ry- - thing we're dream - ing of is com ing- through if we step up and own

A¨^ C‹7                           _{  }                                                                         _                                                          _{   }                                                   _{           }

(15)

    M S

it. Let it flow. Here right

K

137

it. Let it flow. Here right

D¨

M

S

now. Here right now.

poco rit.

140

now. Here right now.

A¨2/C E¨               _                                                    _{ }               _{  }           _ _   

(16)

(17)

1a. Don't Want The Bubble To Burst

B E/B B E/B Very freely p G©‹ E _F©(“) 5 9 p p 13         

Molly: ...Wall Street suit who thought [GO] I was cute?

 

Molly: Thanks for everything, Carl. (Carl exits) [GO ON]

 _

   

  

Yeah, I can tell.

  _

  

You're worried, aren't you?

  [Clar] A lot of things...   _                                          _{     }  _ _{    }  _  _                                                         15/09/2011 18:42 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

(18)

A 18 21 24 27  bubble to burst...     I love you... 

 (they kiss)  Ditto.

                                         _ _                              

1a. Don't Want The Bubble To Burst - p2

(19)

2. Unchained Melody I

Oh

always slightly ad lib.

Mol

G C G D G

ly, my dar -ling, I've hun gered- for...

4

E‹ C D

...your touch oh such a long lone - ly

7 G E‹ time. And 9 D D“   

(Sam plays guitar)

  Sam Prime (for #3)  _    _ _   _ _   3   _ _ _ _     [kit - brushes]                                                                       _{ }        _{  }                            _      _{    }  _{    } 10/10/2011 22:47 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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time, time goes by so slow - ly and

10

G E‹ C

time, time can do so much. Are you still

13

D G E‹

mine?

(floated)

Cos I need your love.

16 D G D     [Gtrs ad lib.]                                                                                _{}                                                                _{   }                  _{    }                             _{       }                                                                10/10/2011 22:47 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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(Elvis)

Oh Mol ly- ba by,- you know that I need your love. So God

20

E‹ B‹ takes gtr off

speed your love to

rit. 22 C D          _   _{               }  _{  }                                                                                   10/10/2011 22:47 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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me. A Tempo A 24 mp G E‹ B G©‹ E

Poco più mosso

26 F© B G©‹ 29 F© 32     _{  }            _{}    2   2                 _ _{ }_  _{ }_  _                   _{     }_{ } _{  }_{ } _{  }_{ } _{  }                  _                     _{     }_{ }  _{     }_{ } _{  }  _                                                            10/10/2011 22:47 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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B F© 34 mf al fine G©‹ B^/D© E 36 non dim. F©7“ F©7 39     

 _{brass (car horn)}

1: Cue SFX and at same time: 2: Cut off final chord.

3: Segue #3 "More"   (Brown G)           _{     } _{     }    _{ }    _  _              _ _{     }_{  }_{ } _{ } _{ }                 _ _{ } _{   } _{ }_     10/10/2011 22:47 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

(24)

(25)

1: Cue (with SFX at same time) (2: Cut off last chord #2)

   

3. More

(clicks) q=137 3

More and more and more and more and more.

4

f marcato

F B¨

7

poco cresc F B¨     [syn bs]      _ _ _                 _                                          _{   }_{    }                                                                                                      _ _{ }  _{  }      19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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







C

This is the life. This is the time we're gi - ven.

A

11

This is the life. This is the time we're gi - ven.

Life! New York.

F B¨

C

It's fight or flight. 'Cause it's the way we're dri - ven.

15

It's fight or flight. 'Cause it's the way we're dri - ven.

Fight! Flight! New York.

F B¨    Carl   DS Ladies           _                  _                                 _{  } _     _{  }  _       _{    }_                                               _ _{ }  _{  }                                     _     _ _   _{  } _{ }  _                                                             _ _{ }  _{  }      3. More - p2 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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







C

This is the score. This is the des - ti-na - tion.

19

This is the score. This is the des - ti-na - tion.

Score! New York.

F B¨

C

Where it takes more. You need the right e qua - tion.

23

Where it takes more. You need the right e qua - tion.

More! More! New York. the ci ty- keep - ing score.

F B¨                _              _                                 _{  } _ _    _{  }  _                                                             _ _{ }  _{  }                                            _     _ _   _ __{ } _ _{ }  _{  } _{ }  _ _{  } _{ }                                                             _ _{ }  _{  }      3. More - p3 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

C

B

27

More and more and more

G‹7 F

C

31

More and more and more and more and more. and more and more.

G‹7                _                                                                               _ _ _ _ _ _ _ _ _                                                                        __ _ _{}                 3. More - p4 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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    C 34

More and more and more and more and...

F                 New York. C 36 F B¨ 40 F B¨                  

Carl: Morning boss. Sam: Mmm. Carl: OK, so we had to move your three o'clock with Bob Kahan to

four o'clock so that you could squeeze in Gary Allen. I hope you don't mind.

 play twice       [gtr]  _ 

Carl: Also, the board meeting in L.A. has been confirmed for the 12th. I've got you on the 9a.m. flight.

[pizz str] [spicc str] [pizz str] [spicc str] etc.

 _                                     __           _     _                                                                                                                               3. More - p5 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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  44 F B¨ 48 F B¨ 52 F B¨ drum fill

D

56

f

G‹7 F



Sam: I should cancel that trip. You read about those two crashes? These things always happen in threes.

 _



Carl: Threes? Sam, get serious. You lead a charmed life.

Sam: Yeah, so did they. Amazing, huh? Just like that. Blackout.

 _



Carl: Jesus, look at that Lamborghini. That's the kind of car I'm gonna drive when I'm making a million per. Sam: Better pay off your mustang first.

 _          _                                                                                                                                                                                                                        _{             }                              _{        } _{    } 3. More - p6 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

60

G‹7 F

E

64

Bossa nova track (no band)

68 73         _     

Sam: So Carl, what did the doctor say?

 

"Elevator"

      

 

Carl: He said it was contagious. Very contagious. I shouldn't be going to work today. But what could I do? Sam: And what about the rash?



 

Carl: Not good. It's spreading everywhere. Sam: On your genitals again?

 Carl: Everywhere. He said to be sure not to touch anyone. _{   }

                                                                   _{        } _{    }        _{            } _{    }                      _{  }    _{   }                                         _{    }     _            3. More - p7 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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     

This is the life.

77

This is the life.

whoosh

drum fill

This is the time we're gi - ven. It's fight or flight.

F

80

This is the time we're gi - ven. It's fight or flight.

F B¨

The ci ty- keep - ing score.

84

The ci ty- keep - ing score.

F B¨         Ens                     _         _                         _                                                                                          _{        }   _{ } _{ }     _                                              3. More - p8 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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     

88

f

G‹7 F

92 93a 93b

G‹7 F G 94 p sub. F‹7 B¨2/F          _               _   

Assistant: Good morning, Mr. Wheat.

Sam: Good morning, Susan. Listen, when the Shanghai people get here... Assistant: They're here now.

Sam: Already? They're early!

    



[syn solo] ("bank figures")

 _ [Str & K2]                               _{             }                              _{        } _{    }                                                                  _{        } _{   }     _ ___ ___           3. More - p9 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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                  1. 2. VAMP 100 D¨^/F G(„ˆˆ4)/F C/F F5 whoosh C

We're just play ing- a num - bers game. And ev 'ry- sec ond- the num - bers change.

H 106 Now! More! F‹7 B¨2/F                

Assistant: I know. And Andy Dillon called. He said he needed you to transfer the payroll account right away. Sam: Right away? Carl, can you handle it?

Carl: Sure, just let me have your access code.

Sam: Discretion, huh? And while you're at it [ON], you can do these as well. Carl: You bet.

 last time              [gtr]         __ _ _ _                               _{ }            ___                 3. More - p10 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

C

This is what I live to feel It's the beau ty- of the deal. This is the ess ence- of

110

Fast! Life! Deal! Go!

D¨^/F G(„ˆˆ4)/F C/F F‹7 ad lib (Gtr2)

C

high fi - nance. So ma - nysteps when you do this dance.

114 Yes! B¨2/F                                             _ _                                                                   __     _ _                     _{  }                                                             3. More - p11 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

C

This is al - ways such a rush, Send ing- mill - ions with one touch.

117

Move! Rush! Touch!

sfp ff D¨^/F G/F C/F C New ad lib. York, I 120

This is the life. This is the time

sfp G                              _  _      _{        } _{          }                          __ _                                          _ _       _ _         _            _                                  3. More - p12 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

C

Makes you feel in - vin - ci - ble.

123

we're gi - ven. It's fight or flight.

ff sfp

C

You are the ci - ty keep - ing score.

125

the ci - ty keep - ing score.

G C              _ _           _                 _{   } _ _ _ _{ } _  _{  }  _ _ _ _         _ _ _ _ _ _      _  _  _{ }                     _ _ _{       }   _{ } _ _ _ _ _ _   _{       }    _{ } _{               }      _{   }                         3. More - p13 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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                   

This is the chance,

LONG VAMP J

128

whoosh

sfp

p sub. drum fill

New York, Ev 'ry- - one's in - vi - si - ble.

K

132

This is the time to take it, No turn ing- back,

sfp

G C



Carl: Access denied? What the... [LONG SCENE]

Sam: ...drink cheap wine out of plastic glasses. Wanna drop by later?

Carl: No. Too much work to do. I want [GO ON] a full report, though. See you tomorrow. Sam: See you tomorrow.

  Ensemble Gp1 & 2 last time    _ _ Ensemble Gp1 & 2  "Bank figures"   _ _ [silent bar]_  Ensemble Gp2  Ensemble Gp1    Ensemble Gp1                               _{  }      _ _  __{ } __{ } __{ } _      _{          } _{    }                         _{  }_{ }                                                        3. More - p14 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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



 

You are the ci ty- keep ing- score.

136

If we ex - pect to make it in the ci ty- keep ing- score score f G C ...ore and and more more and and more more and and more more and and more. more. 140

and more and more and more and more.

f marcato A‹7 G       _            _            _ _ _{        } _                                                                                                                 _{             }                 _        _{        } _{    } 3. More - p15 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

144

A‹7 G

148

A‹7 G dim. al fine

     _    _     

4-bar fade to nothing

   _    _                                          _{  }  _{     } _{ }  _{ }           _{        } _{    }                                       _{  }  _{     } _{ }  _{ } _{ }  _ _     _{        } _{    } 3. More - p16 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

152

A‹7 G



[STOP] as cafe scene begins

     _ _                                                 _{    } 3. More - p17 19/09/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

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 

4. Three Little Words

q = 95 2 5 mpC5/G A‹7 C5 6 A‹7 C/E F2 9 C5/G A‹7 C/E             S

I say it with my eyes, When I hold you close at night,

SAFETY (Vocal last time)

12 (accented notes 1st x only) F2 C5/G   

Molly: I wanna marry you, Sam. (3,4) 

Prime (for #5)              

Molly: You say 'ditto'. It's not the same.

Sam     _ _          _{  }  _         _{                   }  _        _            _         _{      }    _{       }                                    _{ } _{   } _ _{     } 10/10/2011 22:57 GHOST © 2011 Rubin / Stewart / Ballard under licence to Ghost London Ltd

(44)

      S

When I make you scram bled- eggs, When I tell you sil ly

-14

A‹7 C/E

S

jokes, When I turn out the light.

16 18

F2

C5/G

M

Some times- you need to hear it Sam. I need to hear it. So I can real ly- feel it,

A mp C A‹ D‹7(„ˆˆ4)           Molly 3                        _                                   _{ }                          _                                   _{ } _{    }_ _{     }                                  _                 _{ }    

4. Three Little Words - p2

(45)

 

M

So I can real - ly feel it's true. No, don’t

22

G(“) C2

M

speak,don’t talk, you love me, Sam, I know you do.

24

Dm7 _G(“) _C2 mp



Sam: Molly, you know exactly...

    _                                                            _    _  _  _{ }       _ _{    }

(46)

      M

I see it in your eyes. I know what’s in your heart. There

27

C A‹

M

are no se crets- there, no lies. Still, when we’re a - part,

29

D‹7(„ˆˆ4) G(“)

M

I get this fear and I need to hear, I

31 C2/E D‹7(„ˆˆ4)                          _  _                                                    _                                        _   _{  } _{         }                                      

(47)

      M

love you. I love... You, here in my life And ev 'ry- -thinga bout- us is right.

B

33

G(“) mf C C^9/E F2 C C^9/E

M

When you find it there's no rea son- to hide From thosethree lit tle- words that come from

37

F2 _Am

F2 mpGsus4 /F

M

deep down in - side.

41 /E /D C C C7        

Sam: Come on. Let's go.

                         _{ } _{ }                                         _{          }                            _ _ _ _               _ _ _   