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Roman Britain

The return to hill forts in the Dark Ages : what can this tell us about post-Roman Britain?

The return to hill forts in the Dark Ages : what can this tell us about post-Roman Britain?

... to Roman-style mortar and a possible new fashion for rectilinear buildings with rounded ...of Roman Britain and the Saxon incursions of the early fifth century, indicates that it is in the context of ...

70

The return to hill forts in the Dark Ages: what can this tell us about post-Roman Britain?

The return to hill forts in the Dark Ages: what can this tell us about post-Roman Britain?

... to Roman-style mortar and a possible new fashion for rectilinear buildings with rounded ...of Roman Britain and the Saxon incursions of the early fifth century, indicates that it is in the context of ...

73

Ritualising encounters with subterranean places: an investigation of urban depositional practices of Roman Britain

Ritualising encounters with subterranean places: an investigation of urban depositional practices of Roman Britain

... of Britain (for example, Brudenell &Cooper2008; Dickenson 2007; Harding 2006; Pollard 2008; Thomas ...the Roman period within urban places, it has received little systematic ...

480

Deconstructing the Frampton pavements: gnostic dialectic in Roman Britain

Deconstructing the Frampton pavements: gnostic dialectic in Roman Britain

... Title: Deconstructing the Frampton Pavements: Gnostic Dialectic in Roman Britain.. Author(s): Dominic Perring Pages: 74–83.[r] ...

11

Language Contact and Identity in Roman Britain

Language Contact and Identity in Roman Britain

... in Roman Britain gives a perspective of the various identities that composed the population of this Imperial ...of Britain under Emperor Claudius in 43 AD, the first language of the native ...

109

Monumental Latin inscriptions from Roman Britain in the Ashmolean Museum collection

Monumental Latin inscriptions from Roman Britain in the Ashmolean Museum collection

... from Britain on stone and metal in the Ashmolean shows how, despite the greater fame of the Arundel marbles, the Romano-British epigraphic collection, though often visually unimpressive in its fragmentary and worn ...

30

Evidence for the Spoken Language in Roman Britain: A Study of the Curse Tablets from the Sulis Minerva Sanctuary in Bath

Evidence for the Spoken Language in Roman Britain: A Study of the Curse Tablets from the Sulis Minerva Sanctuary in Bath

... show recomposition, by analogy, to their non-compounded forms. The form mantutene (Tab. Sul. 98) is interesting, since generally Vulgar Latin would not conflate classical [ī] and a vulgar [e] in a stressed position ...

8

Frontiers of Food: Identity and Food Preparation in Roman Britain

Frontiers of Food: Identity and Food Preparation in Roman Britain

... in Britain help to identify a possible function for this ...The Roman fortress at Hod Hill was occupied for a short period of time, about 43-51 AD, during the conquest of ...

155

Roman Britain in 2002: II Inscriptions

Roman Britain in 2002: II Inscriptions

... This is the first known sealing of the cohort, which was the third-century garrison of High Rochester (Britannia 25 (1994), 51). The reverse impression may also be legible, but it is [r] ...

23

Roman Britain in 2001: II. Inscriptions

Roman Britain in 2001: II. Inscriptions

... Carlisle: 'Castor ware', painted inscription (No. 20 The fabric has been identified by Vivien Swan, who notes that 'a date in the second half of the third century or in the early fourt[r] ...

18

Roman Britain in 1999: II. Inscriptions

Roman Britain in 1999: II. Inscriptions

... 15 In excavation by the Vindolanda Trust directed by Robin Birley, who made it available at Vindolanda Museum.. 16 The numeral was incised as an aid to assembling the arch.[r] ...

23

Roman Britain in 1998: II Inscriptions

Roman Britain in 1998: II Inscriptions

... The first is CON[DITORIS], Roman Hercules 'the Founder', like Romanus an epithet applied to Hercules by Commodus in 192.47 The second is COM[MODIANI], Hercules 'the (god) of [r] ...

18

The Roman Arch at Isthmia

The Roman Arch at Isthmia

... In addition, yet another anta block was found (12; Fig. is approximately that of the preserved coursing of the arch. The widths of the anta faces of this block are ca. This block must [r] ...

47

Lictors in the Roman World

Lictors in the Roman World

... Cicero’s argument is that Verres acted in an appalling way and that Verres’ version of events, presumably that there was some kind of uprising rather than the nefarious attempted abduction of a local nobleman’s daughter, ...

109

A Roman Circus in Corinth

A Roman Circus in Corinth

... tests.6 Most typically, four-horse chariots, quadrigae, and two-horse chariots, bigae, would compete on a closed racecourse, although other equestrian contests and so[r] ...

27

The Roman and Byzantine Pottery

The Roman and Byzantine Pottery

... Ktibler gives the profiles (KY, pp. Flat-bottomed dishes with rims of various forms. Little dishes or cups. Sizes a little larger occur too. Strange is the absence [r] ...

59

The Roman Pronunciation of Latin

The Roman Pronunciation of Latin

... syllable in m, except in cases of very close connection, in compound words or phrases, or when the final and initial vowel are the same, or in the case of e* final in common words, as _q[r] ...

44

The Influence of the Roman Arch

The Influence of the Roman Arch

... The ancient Romans created an arch that could support huge amounts of weight. How did the Romans accomplish this? The answer lies with a material called concrete. Using a mixture that included lime and volcanic material ...

9

Mutations et glissements du roman francais au roman africain francophone.

Mutations et glissements du roman francais au roman africain francophone.

... le roman des Lumières portaient sur l’absence ou le mépris du goût, et d’autre part sur le non-respect des règles de la bienséance, la non-conformité aux normes éthiques, d’autre ...du roman, la citation de ...

254

MUSICAL INSTRUMENTS IN THE ROMAN WORLD

MUSICAL INSTRUMENTS IN THE ROMAN WORLD

... The Etruscan instrument, like the Greek aulos, was played as a pair of equal and divergent reed blown pipes, sometimes with the aid of a mouthband, as shown on a funerary relief from Chi[r] ...

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