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Digital Booklet - Imagine

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imagine the clouds dripping. dig a hole in your garden to put them in. yoko ’63

imagine

crippled inside

jealous guy

it’s so hard

i don’t wanna be a soldier

mama i don’t wanna die

gimme some truth

oh my love

how do you sleep?

how?

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to critical praise but only muted approval in

the marketplace. The conclusions were,

to him, pretty obvious. He might be a

trail-blazer in all kinds of ways, but he was

at heart a populist – an artist but also an

entertainer. The task was to frame his ideas

in music that listeners loved and took inside

their hearts.

Plastic Ono Band had been

admired, but often from a distance. The role

of the next album – the record that became

Imagine – was an attempt for maximum

communication offering hopes to the

bleeding, battered world.

On the musical level he certainly succeeded.

Imagine is the best-loved album of his solo

career, while its title track is perhaps his

most revered. By contrast to its austere

predecessor the new music had melodies

in abundance, and colour and variety. It had

flashes of broad humour and moments of

absolute joy.

In his home outside London, at Tittenhurst

Park in Ascot, John had built a studio where

he could record the raw tracks, without

recourse to his traditional base at Abbey

Road. The producer Phil Spector returned to

help John oversee an informal family of

musicians. Among them were George

Harrison, and friends like Klaus Voormann

Just a year on from the

implosion of The Beatles,

John Lennon’s life had yet to

settle. In 1971, while lawyers

picked over the remains of

his old band, he travelled

with Yoko to meet her family

in Japan, and to America

pursuing custody of Kyoko,

her daughter by ex-husband

Tony Cox. Within John’s own,

ever-enquiring mind, a war

of ideas was raging.

In London and New York he had been drawn

to the radical underground, where hippy ideals

of the 1960s met the hard-edged politics of a

new decade. But this being John, nothing was

cut and dried. In parallel he was cultivating an

almost mystic line of thought, much of it

inspired by the art and poetry of Yoko Ono.

John’s first post-Beatles album,

John Lennon/

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and the drummer Alan White, who had all

played on John’s tremendous debut

collaboration with Spector, ‘Instant Karma!’.

The Rolling Stones’ favourite pianist Nicky

Hopkins was there, and members of

the Apple label’s Badfinger.

As Yoko says: “It was so good to have

breakfast in our own home and walk right into

the new studio next to it. We could smell the

grass and the trees from the garden and heard

the birds chirping. We felt like they were

helping us.”

Imagine took shape in the early summer,

after which the tapes were taken to New York

for final overdubs (not least the magisterial

saxophone of King Curtis) at Record Plant

East. It seems that everyone involved, and

certainly John himself, had a sense of its

being exceptional. Here were songs that threw

revealing light on his whole personality at that

point – from the devout but imperfect lover to

the embattled former Beatle; a man

preoccupied by his inner doubts yet ready for

anyone when his righteous fury was aroused.

The keynote song itself was drawn from

Yoko’s work. It was so influential upon John

that he later said she deserved a co-credit.

As far back as 1964, in her collection of

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poems called

Grapefruit, Yoko began each

piece with an invocation to “imagine”:

one example, from 1963’s

Cloud Piece,

is quoted on the album cover. Whether in

spiritual or earthly matters, the idea runs,

we must visualise our goals before we can

achieve them. It’s a theme to which Lennon

returned frequently, and the hymn-like

simplicity of its setting reflects his basic faith

– namely, that our collective imaginations are

a force for good.

The cover-art, from a photograph by Yoko,

further shows John in a dreamer’s role,

literally with “head in the clouds”. But typically

of Lennon there was an earthier touch, as well,

in a giveaway postcard of him wrestling a pig

– satirising, as most fans at the time would

have spotted – Paul McCartney’s pastoral

image on his own solo LP of that year,

Ram.

For all that ‘Imagine’ has a generosity of spirit,

the infamous ‘How Do You Sleep?’ is narrow

and hard, despite its lush and spacious

arrangement. John would later say that the

attack on his former musical partner was,

in fact, as much an assault upon himself.

‘Gimme Some Truth’ looks out with an

idealist’s impatience to the political world,

while ‘Crippled Inside’ has that quality (more

obviously than ‘How Do You Sleep?’) of a

tirade that is leavened with self-reproach.

Its knockabout honky-tonk contrasts with

Lennon’s previous album,

Plastic Ono Band,

though the lyric shares a “primal scream”

acuteness. Likewise ‘Jealous Guy’, another

unflinching look into the writer’s own sense

of failure, is spun into a different realm by its

ethereal melody. If John felt that his last

album – forbiddingly stark to some ears –

had not found the mass audience its songs

deserved, he was not about to make the

same mistake with

Imagine.

Emotional range is central to this record’s

enduring appeal, with light and shade at

every turn. From tough, grinding rockers like

‘It’s So Hard’ and ‘I Don’t Wanna Be A Soldier

Mama’ we are sent to the solace of ‘Oh My

Love’ or the confessional vulnerability of

‘How?’. And the album skips away in a song

of sheer delight, ‘Oh Yoko!’, possibly the

happiest thing that John Lennon ever

committed to record.

On its release in September 1971, the

Imagine album was recognised as a rounded

self-portrait of this complex, candid,

passionate man. It re-established his

eminence in the commercial firmament,

among a rising generation of rock’n’roll stars

such as Led Zeppelin and David Bowie.

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It was clear the 1970s John Lennon would not

sit in the shadow of his 1960s self.

When he left England for America, on 3

September 1971, it was just another trip in

John’s turbulent existence, probably in search

of some fresh cause to champion, more

battles to fight and unknown songs to sing.

Nobody knew, of course, that he would never

see his homeland again. For now, New York

looked like the city to be – the capital of the

world, as he believed – where new adventures

beckoned with siren allure.

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Imagine

Imagine there’s no heaven It’s easy if you try No hell below us Above us only sky Imagine all the people living for today... Imagine there’s no countries It isn’t hard to do Nothing to kill or die for and no religion too Imagine all the people living life in peace... You may say I’m a dreamer but I’m not the only one I hope someday you’ll join us and the world will be as one Imagine no possessions I wonder if you can No need for greed or hunger a brotherhood of man Imagine all the people sharing all the world... You may say I’m a dreamer but I’m not the only one I hope someday you’ll join us and the world will live as one

Crippled Inside

You can shine your shoes and wear a suit You can comb your hair and look quite cute You can hide your face behind a smile One thing you can‘t hide is when you’re crippled inside You can wear a mask and paint your face You can call yourself

the human race You can wear a collar And a tie

One thing you can‘t hide is when you‘re crippled inside Well now you know that your cat has nine lives babe Nine lives to itself But you only got one And a dog’s life ain’t fun Mamma take a look outside You can go to church and sing a hymn Judge me by the colour of my skin

You can live a lie until you die One thing you can’t hide is when you’re crippled inside

Jealous Guy

I was dreaming of the past And my heart was beating fast I began to lose control I began to lose control I didn’t mean to hurt you I’m sorry that I made you cry I didn‘t want to hurt you I’m just a jealous guy I was feeling insecure You might not love me any more I was shivering inside I was shivering inside I didn’t mean to hurt you I’m sorry that I made you cry I didn‘t want to hurt you I’m just a jealous guy I was trying to catch your eyes Thought that you were trying to hide I was swallowing my pain I was swallowing my pain

I didn’t mean to hurt you I’m sorry that I made you cry I didn‘t want to hurt you I’m just a jealous guy

It’s So Hard

You got to live You got to love You got to be somebody You got to shove

But it’s so hard, it’s really hard Sometimes I feel like going down You got to eat

You got to drink You got to feel something You got to worry It’s so hard, it’s really hard Sometimes I feel like going down But when it’s good it’s oh so good And when I hold you in my arms baby Sometimes I feel like going down You got to run

You got to hide

You got to keep your woman satisfied But it’s so hard, it’s really hard Sometimes I feel like going down

I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die

Well, I don’t wanna be a soldier mama, I don’t wanna die

Well, I don’t wanna be a sailor mama, I don’t wanna fly

Well, I don’t wanna be a failure mama, I don’t wanna cry

Well, I don’t wanna be a soldier mama, I don’t wanna die

Oh no oh no oh no oh no Well, I don’t wanna be a rich man mama, I don’t wanna cry Well, I don’t wanna be a poor man

mama, I don’t wanna fly

Well, I don’t wanna be a lawyer mama, I don’t wanna lie

Well, I don’t wanna be a soldier mama, I don’t wanna die

Oh no oh no oh no oh no oh no Well, I don’t wanna be a beggar mama, I don’t wanna die

Well, I don’t wanna be a thief now mama, I don’t wanna fly Well, I don’t wanna be a churchman mama, I don’t wanna cry

Well, I don’t wanna be a soldier mama, I don’t wanna die

Oh no oh no oh no oh no

Gimme Some Truth

I’m sick and tired of hearing things from uptight-short sighted-narrow minded hypocritics

All I want is the truth Just gimme some truth I’ve had enough of reading things by neurotic-psychotic-pig headed politicians

All I want is the truth Just gimme some truth No short haired-yellow bellied son of Tricky Dicky is gonna Mother Hubbard soft soap me

with just a pocketful of hope Money for dope

Money for rope

I’m sick to death of seeing things from tight lipped-condescending-mommies little chauvinists All I want is the truth Just gimme some truth

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and since you’ve gone you’re just another day

How do you sleep? Ah how do you sleep at night? A pretty face may last a year or two But pretty soon they’ll see what you can do

The sound you make is muzak to my ears

You must have learned something in all those years How do you sleep? Ah how do you sleep at night?

How?

How can I go forward when I don’t know which way I’m facing? How can I go forward when I don’t know which way to turn? How can I go forward into something I’m not sure of?

Oh no, oh no

How can I have feeling when I don’t know if it’s a feeling? How can I feel something if I just don’t know how to feel

How can I have feelings when my feelings have always been denied? Oh no, oh no

You know life can be long and you got to be so strong And the world is so tough Sometimes I feel I’ve had enough oh no, oh no

How can I give love when I don‘t know what it is I’m giving?

How can I give love when I just don’t know how to give?

How can I give love when love is something I ain’t never had?

Oh no, oh no

How can we go forward when we don’t know which way we’re facing? How can we go forward when we don’t know which way to turn? How can we go forward into something we’re not sure of Oh no, oh no

Oh Yoko!

In the middle of the night In the middle of the night I call your name

Oh Yoko, oh Yoko My love will turn you on In the middle of a bath In the middle of a bath I call your name

Oh Yoko, oh Yoko My love will turn you on My love will turn you on In the middle of a shave in the middle of a shave I call your name

Oh Yoko, oh Yoko My love will turn you on In the middle of a dream In the middle of a dream I call your name

Oh Yoko, oh Yoko My love will turn you on My love will turn you on In the middle of a cloud In the middle of a cloud I call your name

Oh Yoko, oh Yoko My love will turn you on

Oh Yoko, oh Yoko, oh Yoko, oh Yoko, oh Yoko

I’ve had enough of watching scenes of Schizophrenic-ego-centric-paranoic-prima-donnas All I want is the truth Just gimme some truth

Oh My Love

Oh my love for the first time in my life my eyes are wide open

Oh my lover for the first time in my life my eyes can see

I see the wind, oh I see the trees Everything is clear in my heart I see the clouds, oh I see the sky Everything is clear in our world Oh my love for the first time in my life my mind is wide open

Oh my lover for the first time in my life my mind can feel

I feel sorrow, oh I feel dreams Everything is clear in my heart I feel life, oh I feel love Everything is clear in our world

How Do You Sleep?

So Sgt. Pepper took you by surprise You better see right thru that mother’s eyes

Those freaks was right when they said you was dead

The one mistake you made was in your head

How do you sleep? Ah how do you sleep at night? You live with straights who tell you you was king

Jump when your mamma tell you anything

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John Lennon and The Plastic Ono Band (with the Flux Fiddlers)

Produced by John & Yoko and Phil Spector

Imagine: John Lennon: Pianos. Klaus

Voormann: Bass. Alan White: Drums

Crippled Inside: John Lennon: Electric

Guitar. Klaus Voormann & Steve Brendell: Upright Bass. George Harrison: Dobro. Nicky Hopkins: Piano. Ted Turner, Rod Linton & John Tout: Acoustic Guitars

Jealous Guy: John Lennon: Guitar/

Whistling: Klaus Voormann: Bass. Jim Keltner: Drums. John Barham: Harmonium. Alan White: Good Vibes

It’s So Hard: John Lennon: Guitar.

Klaus Voormann: Bass. Jim Gordon: Drums. King Curtis: Sax

I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die: John Lennon:

Guitar. Klaus Voormann: Bass. Jim Keltner: Drums. George Harrison: Slide Guitar. Nicky Hopkins: Piano. Joey & Tommy Badfinger: Acoustic Guitars. Mike Pinder: Tambourine. Steve Brendell: Marracas. King Curtis: Sax

Gimme Some Truth: John Lennon:

Guitars. George Harrison: Lead Guitar. Klaus Voormann: Bass. Alan White: Drums. Rod Linton & Andy: Acoustic Guitars. Nicky Hopkins: Piano

Oh My Love: John Lennon: Piano.

Nicky Hopkins: Electric Piano. Klaus Voormann: Bass. Alan White: Drums/ Tibetan Cymbals. George Harrison: Guitar

How Do You Sleep?: John Lennon:

Guitar. George Harrison: Slide Guitar. Klaus Voormann: Bass. Alan White: Drums. Nicky Hopkins: Piano

How?:John Lennon: Piano. Klaus Voormann: Bass. Alan White: Drums. John Barham: Vibes. Nicky Hopkins: Piano

Oh Yoko!: John Lennon: Guitar/

Mouth Organ. Klaus Voormann: Bass. Alan White: Drums. Nicky Hopkins: Piano. Rod Linton & Andy: Acoustic Guitar. Plus the J & P duo All songs written by John Lennon except track 7 by John Lennon and Yoko Ono.

Tracks 1, 3, 10 c Lenono Music. 2, 8, 9 c Sony/ATV Music Publishing LLC. 4, 5 c Northern Songs Ltd/Lenono Music. 6 c Lennon Music administered by Sony/ATV. 7 c Lenono Music/Ono Music

A joint interest in ‘Oh My Love’ claimed by Ono Music Ltd. Whip and Mirror by Yoko Ono. Cover Design and Photo: Yoko Ono; Typography: George Maciunas

Basic tracks made at Ascot Sound Studios. Engineers: Philip McDonald, Eddie Klein (no relations), Eddie Offor, Eddie Veal, Eddie Beer. Food by Val and Diana. John & Yoko’s personal assistant: Dan Richter. This and that: Mal Evans and Peter Bendry. Flux Fiddlers overdubbed at Record Plant, NY. Engineers: Roy Sicala, Jack Douglas, Shelly Yukus (sleep). This and that: Tom and Arlene and Al Steckler. String orchestrations: Torrie Zito. Cloud Piece, 1963 by Yoko Ono, on back cover

All arrangements by Lennon except ‘Oh My Love’ by Lennon/Ono. Alan White appears by courtesy of Wizard Records Ltd. An Apple Record. An EMI Recording

Remaster Project Production

Producer: Yoko Ono.

Project Co-ordinator: Allan Rouse. Remaster Engineers: Paul Hicks, Sean Magee. Audio Restoration: Simon Gibson. Remastered at Abbey Road Studios, London, England, 2010 Sleeve notes by Paul Du Noyer. Additional Photography: Peter Fordham (c 1971 Yoko Ono), Spud Murphy (c 1971 Yoko Ono). Drawing by John Lennon Art direction by Yoko Ono. Design by Peacock. Artwork Co-ordinator: Karla Merrifield. Photo research: Xilonen Oreshnick. Project management by Timothy Ryan, Jane Ventom, Kris Perera and Guy Hayden

Digital remaster. p 2010. The copyright in this sound recording is owned by EMI Records Ltd. c 2010 EMI Records Ltd. This label copy information is the subject of copyright protection. All rights reserved. c 2010 EMI Records Ltd.

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