Performance and audience
Listening to the Ensemble of Story-Telling Performance and Audience Reactions
... The motion of the performer was also quantified by using a background differencing technique, which is a popular technique in computer vision processing (Morita et al., 2005, see Figure 1). The screen was divided into ...
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Audience-Oriented Forms of Performance in the 21st Century
... the performance with the audience are directly problematizing the role of the audience in the ontological structure of the ...The audience is freed of his voyeur (Guy Debord, 1983) position ...
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Karaoke : creating an intimate connection between artist and audience through popular music : an enquiry in performance and video
... Abstract Employing the media of performance and video, this research project experimented with, and established methods of, creating an intimate connection between artist and audience wi[r] ...
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Perceptions of Audience on Soundpainting Performance
... Soundpainting performance and at the same time performers in Soundpainting ...Soundpainting performance as well as bringing solutions to the problem of music and alienation from a different point of ...
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Stand up as interaction: performance and audience in comedy venues
... However incongruity theory is essentially a theory ofjoke structure rather than an theory of humour, laughter or social use.. As such it cannot address issues surrounding who is telling [r] ...
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Examining the impact of audience response systems on student performance in anatomy education : a randomised controlled trial
... Test performance immediately following the lecture improved when compared against baseline and was modestly but significantly superior in the group taught with ARSs (mean test score of ...
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The audience effect in adolescence depends on who's looking over your shoulder
... the audience effect within adolescence; however it was not clear whether younger or older ado- lescents would show greater audience ...adolescents' performance was most strongly and consistently in fl ...
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Exploring radical openness: a porous model for relational festival performance.
... the performance as to when these opportunities for audience intervention and interaction may be made more ...the performance structure at different points and may choose to stay within it for varying ...
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‘Speak at this’: An approach to the completion of speech acts during interactive Shakespeare performances in schools
... a performance for an audience to succeed in their understanding of the play like ideal spectators, the acting company were trained to present themselves as both characters and interact with the ...
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FPGA Based Binary Heap Implementation: With an Application to Web Based Anomaly Prioritization
... the audience, mostly from the women viewers, was that they wanted to know if I was questioning my sexual ...the audience was surprised. The audience was not surprised that I consider myself a ...
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‘Empathy and exchange: audience experience of scenography’
... The puppets in Forest Floor seemed to be a key site where empathy operated kinesthetically and emotionally. As well as operating as a vehicle for empathetic sharing as in the example above, there was also a strong sense ...
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Acts of making and receiving: A compositional practice
... the audience space started the piece without instruments, the musicians quickly switched to performing with handheld instruments – woodwinds and small percussion – whereas the dancers made sounds primarily using ...
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The dynamics of audience applause
... a less localized acoustic cue (i.e. the volume of clapping) instead of the behaviour of local neighbours. While the indi- viduals were found to be increasingly likely to stop clapping as their clapping duration ...
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The creative embodiment of music: practice-based investigations into staged and embodied interpretations of instrumental music - Volume 1, Volume 2: portfolio of documented examples
... the performance of some of the cited musical works in site-specific settings with performing artists embodying certain characters of Cortázar’s literary ...The audience and all other members of the public ...
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Unprotected Practice: Including Process as Compositional Material
... and audience to create the performance ...the performance, freeing the audience from the internalised rules of traditional theatre ...the audience members choose if and how they want to ...
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Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town
... the performance creates a semi-public space—it is, after all, not a strictly “public” one—in which audience members are invited to consider self- reflexively ways in which they might, as a group, resist and ...
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Analysis of the Factor Affected Chinese Audience Choice Behavior between Traditional TV and Network Video in PLS SEM
... on audience perception ...television audience viewing behavior and psychological characteristics ...perceived performance expectan- cy, perceived effect expectancy, perceived entertainment, relative ...
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Off-Kilter Affects and Sublime Split-Subjects: A Group Self-Interview by some Žižekian Performers
... “Žižekian Performance”? Why do a performance rather than deliver a paper? For me, an ideal Žižekian performance is one that encourages performers, audience members, and participants to attempt ...
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The ballad of Isosceles : artist's pages
... a performance installation for two people at a time, which is then witnessed by a larger ‘shadow’ audience who sit and watch from the ...Digital Performance Lab and Catalyst Arts’s FIX15 Biennale of ...
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Audience manipulation? Subverting the fourth wall in Pina Bausch’s Kontakthof (1978) and Nelken (1982)
... the performance itself, distorting the boundaries between what could be considered ‘real’ (the rehearsal process) versus ‘unreal’ (the choreographed performance ...
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