Sound and Space
The Apple and the Ear, Grasping Sounds in Space—A Theory of Sound Localization
... of sound localization is the observation that profound deafness in one ear does not result in the loss of the ability to locate sounds in three dimensional space [3, ...a sound in three dimensional ...
5
Muqarnas Form Efficiency In Diffusing Sound Waves Within The Space
... the sound waves in closed space, by finding the relationship between the form of the Muqarnas and its efficiency in scattering the sound waves to improve the hearing state inside the space and ...
20
Shaping sound in space: the regulation of inner ear patterning
... Fig. 1. Inner ear anatomy. The interconnected fluid cavities of the inner ear can be revealed following injection of white paint in fixed and cleared specimens. (A) The mouse ear viewed in situ (left) and in detail ...
14
M2 Diffusion: The Live Diffusion of Sound in Space
... define space: spectral space, time as space, resonance, spatial articulation in composition and the transference of composed spatial articulation into the listening environment (Smalley 1986: ...of ...
6
Ecology of sound: The sonic order of urban space
... of space, as found in street ...urban sound extends our understanding of, and connection with, the life of the city and its effects on citizens, all of which may have myriad and diverging experiences of ...
14
Sound art and the making of public space
... the space they stand ...empty space’ (Gaboury, ...the space gestures to these same ...the sound of the composition but also the sound of the space and to reflect on the ...
40
Religion out loud : religious sound, public space, and American pluralism
... The Supreme Court issued its 5-4 decision in Saia v. New York on June 7, 1948. Writing for the majority, Justice Douglas laid aside all questions related to religious freedom. Instead, he held Lockport’s ordinance ...
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Screaming When There is Sound in Space: Unrealistic Science and the Reception of Narrative Fiction
... As I described in Chapter 5, unrealistic science in fiction may be deemed aesthetically acceptable because it is perceived as realistic in the storyworld that is evoked by the narrative [r] ...
276
Marriage safe and sound: subjectivity, embodiment and movement in the production space of television in Turkey
... Control of and struggle over representation of the nation was negotiated through certain production techniques in the realm of Western content, but this was much harsher in the realm of local content. In his memoir, Ömer ...
308
Creating space for facilitated music performance: gesture controlled sound for users with complex disabilities
... isolation but towards a more active and creative self.” [8] Gesture controls have been the preferred and most success- ful method of interaction for users with complex disabilities to date in fields such as music ...
8
Breath--Sound of time and space
... The space cannot merely be explained bright deep yellow and of already black element of light, just as Matisse it it reaches often restrict used forbidden color of often others react bla[r] ...
25
Portfolio of compositions using causality as a musical parameter
... Buechner’s (2011, pg. 55) description of augmented reality gives the three ways in which changes to a user’s “total experiential field” are implemented, as “additions, modifications and deletions”. Both additions and ...
42
The Sound Wars: Silencing the Working Class Soundscape of Smithfield:Silencing the Working Class Soundscape of Smithfield
... ‘keynote sound’, in much the same way “as figure and ground are contrasted in visual perception” (Schafer ...how sound can be co-opted and transformed through everyday social ...on sound research and ...
34
Sound Swarm : experience sound from the inside
... the space where the audience is placed, or have enough elevation to move over the heads of the audience without the possibility of hitting ...the sound particles will then also come from ...
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Learning to “brave up”: Collaboration, agency, and authority in multicultural, multilingual, and radically inclusive classrooms
... In the SLA, educators model this interruption by developing classroom routines that reflect students’ needs for food, space, sound, silence, and breaks; using their own identity and experience to model key ...
21
Young children’s experiences of music and soundings in museum spaces: lessons, trends and turns from the literature
... amongst young children in other environments: Eriksson and Sand’s research focused on a tunnel in Stockholm and the effect that not only the spatial qualities of this tunnel, but also its nature as a public space ...
22
Sound swarm : experience sound in a new way
... In this early test, Unity is set up with a single ball. The aim of experiment is to use a MIDI input in Unity, using the plugin provided by GitHub user Keijiro 25 , to move the ball in the virtual space. Unity was ...
36
New Method in Calculating the Trajectory of Sound Waves at Stratified Ocean
... in space caused waves can interfere with each other, their time course is not bro- ken, the difference between the phases of the waves depends on the distance covered after the occurrence of the way in a new ...
9
Biophysics of directional hearing in the American alligator (Alligator mississippiensis)
... hearing. Sound localization cues are primarily generated by the filtering of sound waves by the ...alligator sound localization by demonstrating that (1) acoustic space cues generated by the ...
14
Filmic space : reverie and matter : a thesis presented in partial fulfilment of the requirements of the degree of Master in Design at Massey University
... In the space of digital virtuality , the emotive qualities can be designed through the specific effect of light , colour , sound and movement like the function of filmic technologies... [r] ...
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