[PDF] Top 20 The effect of object texture on the perception of depth.
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The effect of object texture on the perception of depth.
... the perception of slant and an accurate perception of objects in a slanted or frontal o r ientation (Beck & Gibson, 1955; Clark, Smith & Rabe, 1955; 1956a; 1956b) .... Object identification ... See full document
49
Magnitude, precision, and realism of depth perception in stereoscopic vision
... other depth cues (IJsselsteijn, de Ridder, & Hamberg, ...the depth specified by binocular disparity and that specified by pictorial ...the depth speci- fied by disparity increases when the camera ... See full document
11
Neural mechanisms of binocular motion in depth perception
... However, the most telling results stem from the pairwise comparisons carried out on the three-way interaction term. Overall this effect was non-significant (F(4, 44) = 0.45, p = .771, partial 𝜀 2 = 0.04), but ... See full document
196
Immaculate Depth Perception: Recovering 3D Scene Information via Depth Completion and Prediction
... replicate texture usually requires copying pixels or entire patches from the known regions of the image and using them to fill the ...completing depth images if they are not of a fronto-parallel view, which ... See full document
200
Perception of relative depth interval : Systematic biases in perceived depth
... perceived depth (Harris, 2004; Glennerster et al, ...no effect on the depth settings ...the perception of distance, and hence reduce ... See full document
41
Texture and motion cues in slant perception
... with depth, including texel size, line orientation and line ...the perception of slanted (and curved) ...in depth, and rated the degree to which their chosen surface was better on a nine point ...no ... See full document
268
The Effects of Object Shape, Fidelity, Color, and Luminance on Depth Perception in Handheld Mobile Augmented Reality
... This effect was consistent with earlier non-virtual observations by Hartridge ...multiple depth cues using simple 2D ...an object against the scene is a principal pictorial cue, even when there are ... See full document
9
Depth perception with gaze contingent depth of field
... stimulus object position; this factor is what differentiates the different analyses below and can be one of: a) the absolute position of objects (10, 30, 50, 70 or 90), b) the distance between objects (−40, −20, ... See full document
10
The role of monocularly visible regions in depth and surface perception
... The effect requires some sort of surface percept, for instance it does not occur when there is only one ...the depth effect is most robust when the holes are each smaller than 1 deg of visual angle, ... See full document
40
Integration of shading and texture cues in the perception of solid shape
... the texture cue in the latter version o f the experiment is reduced in an identical manner for both types of stimuli, the above constraint still ...the texture cue, reflected by the shallower slope o f the ... See full document
240
A review of cuttlefish camouflage and object recognition and evidence for depth perception
... visual depth in pebble backgrounds ...significant effect of the background and amplitude of PCs 1–3 between the natural pebbles and all three photographic backgrounds (PC1, F 3,57 = ... See full document
7
Study of object recognition and identification based on shape and texture analysis
... named object hypothesis. Each object hypothesis represents the target object in a different pose compared with the prototype ...its object hypothesis’s pose, in terms of the relative location, ... See full document
151
Loss-resilient Coding of Texture and Depth for Free-viewpoint Video Conferencing
... transmitted texture and depth maps from two neighboring captured viewpoints via depth-image-based rendering ...during texture and depth video ...to texture versus depth ... See full document
30
Depth-image-based rendering with spatial and temporal texture synthesis for 3DTV
... and SSIM for each test case are stored in Table 2 and the best results are highlighted with boldface type. The “Cam- era” column indicates camera configuration of virtual view generation, i.e., “8 → 9” means synthesizing ... See full document
18
Foreground-Object-Protected Depth Map Smoothing for DIBR
... In the previous works, Gaussian filter is usually used as the smoothing filter. For example, [2] utilized a symmetric Gaussian low-pass filter to smooth the depth images. [3] and [9] used an asymmetric Gaussian ... See full document
5
Analysis of a hyperbolic geometric model for visual texture perception
... Our present investigations were motivated by the work of Bressloff, Cowan, Gol- ubitsky, Thomas and Wiener [11, 12] on the spontaneous occurence of hallucinatory patterns under the influence of psychotropic drugs, and ... See full document
51
Stereoscopic depth perception from oblique phase disparities
... the perception of stereoscopic depth, we measured the depth perceived from random dot stereograms in which phase disparities were introduced in a selected band of stimulus ...perceived depth ... See full document
14
Oral Wine Texture Perception and Its Correlation with Instrumental Texture Features of Wine-Saliva Mixtures.
... wine texture or ...wine texture sensations include ethanol [9], phenolic compounds [10–12], glycerol [13,14] and polysaccharides ...no effect on body perception or viscous mouthfeel ... See full document
14
Texture synthesis and perception: Using computational models to study texture representations in the human visual system
... The Portilla–Simoncelli model utilizes four large sets of parameters to generate novel texture images from a specified target. In all cases, a random-noise image is al- tered such that its distributions of these ... See full document
11
Cortical idiosyncrasies predict the perception of object size
... Basic read-out model of size perception. Why should the apparent size of our circle stimuli be smaller when pRFs are larger? While this result is consistent with the simple impover- ishment hypothesis, which ... See full document
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